ln Waterford, O'Sullivan's father worked in a meat factory while his mother ran a sweet shop. In 1958, at the age of 11, he moved with his family to Swindon in England in search of a better life. He attended St. Joseph's Comprehensive school in Swindon. While there he developed an interest in both music and amateur boxing. Musically he began with the guitar and progressed to the piano. In the boxing ring he had nearly 50 bouts. Meanwhile his painting and drawing had won him a place at Swindon Art College. He started there in September 1963. His aim was to be a graphic designer. He played drums in his first group The Doodles and left them to join The Prefects while attending Swindon Art College. It was while at college that he met Rick Davies, who was later a member of Supertramp. While at college he began writing songs and sending out demo tapes, alas they were always returned unopened. The first song he remembers writing was Ready Miss Steady.
After finishing college, O'Sullivan moved to London in 1967 to try and further his musical career. He took a part-time job as a salesman at the C & A department store in Oxford Street. Mike Ward who also worked at C & A, had a contract with CBS and Gilbert went with him one day and played his tapes for some of the CBS executives. Gilbert signed a five year publishing contract with CBS which called for one single a year, and released two singles Disappear/You in 1967 and What Can I Do/You in 1968. Gilbert was disappointed that he was not allowed any input into the arranging or production of the singles. Neither single did well. Disillusioned with CBS, O'Sullivan signed with the Major Minor label and released I Wish I Could Cry/Mr. Moody's Garden in 1969.
O'Sullivan came to the attention of BBC Radio 1 disc jockey, John Peel, who gave him a slot on his radio show Top Gear, little of note resulted, and O'Sullivan spent part of 1969 applying to other record labels and management companies. It was at this time that O'Sullivan formulated his 'Bisto Kid' image; grey flannel suit, flat cap, school boy tie, football socks and hobnail boots. In search of a manager he sent some demo tapes to Gordon Mills, an ex-pop singer and himself a songwriter of repute, who had successfully guided the careers of Tom Jones and Engelbert Humperdinck. Gordon Mills recognised something unique in the young Irishman and signed him for management as well as to a songwriting contract.
O'Sullivan made an irresistible impression with Nothing Rhymed, his first Top 10 hit and an introduction to his witty lyrics and original approach as a singer/songwriter. Signed to MAM Records, the label launched by Gordon Mills, who was also his record producer, great friend and surrogate older brother, O'Sullivan enjoyed four years of major success, incorporating a dozen more hit singles, ten of which reached the UK Top 10, and four Top 5 albums: Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974).
Both Clair (written about Mills's infant daughter for whom Gilbert occasionally babysat) and Get Down were number one hit singles in Britain, and additionally, Back To Front topped the UK LP chart in 1972, emulating the success of the two million seller Alone Again (Naturally), a six week US chart-topper in 1972. O'Sullivan made his live debut in The National Stadium in Dublin in October of '72. Around this time, the singer jettisoned his so-called "Bisto Kid" image in favour of an endless series of collegiate-styled sweaters embossed with the letter "G". As quickly as O'Sullivan ascended to fame, however, his star began to fall , although singles like Ooh Baby and Happiness Is Me and You continued to chart, they sold increasingly fewer copies, and after 1973 his overseas popularity essentially ceased altogether. At home, he notched his final Top 20 hit with 1975's I Don't Love You But I Think I Like You. After a Greatest Hits album in 1976, and Southpaw in 1977, by which time the hit singles had dried up, disagreements over future direction led to a bitter split between O'Sullivan and Mills, which effectively sidelined the former as a recording artist for five years. The gruelling court case between O'Sullivan and his erstwhile manager, producer, music publisher and record company boss finally gave him control of his own recordings and the copyright in his songs, although it exacted an inevitable toll on his energy and his creativity during it's precedent-setting course.
Gilbert returned to CBS in 1980 and released Off Centre (1980) and Life & Rhymes (1982) but maintained a low profile during much of the 1980s, recharging his batteries and moving to Jersey, where he still lives with his wife and two children. Off Centre provided his 13th UK Top 20 single, What's In A Kiss?, after which legal proceedings monopolised his time. However, he continued writing songs, performing what he called "concepts within four walls" rather than starting back on the road before it was appropriate. He later recalled that the lyrics he wrote during that period were too heavily influenced by his personal emotions - having been extremely close to Mills before their disagreement, he was highly distressed to discover that his dear friend had been guilty of considerable financial greed at Gilbert's expense. Even so, he applied himself to his lonely creativity, working from 9 to 5 each day "just like Goffin & King and people like Neil Sedaka & Howard Greenfield at the Brill Building in New York used to do", although he later confessed "Really, the words were no good, because my mind was cluttered with all the problems". Lyrics have always been O'Sullivan's most unique facet, reflecting what's going on in his mind, and the strain under which he found himself was hardly conducive to much positive artistic or commercial creativity.
The first release for five years was Frobisher Drive and was only available in Germany. The same album with a slightly different track listing was released in the UK in 1989 under the title In The Key Of G, and included So What, his first chart single in almost a decade. Since the low-key comeback, the pace has increased, with five more albums. Gilbert also made a return to live performances in the early nineties, playing regularly in both Europe and Japan. In 1991, Gilbert was again in court, this time he sued American rapper Biz Markie and won the decision after Markie's unauthorized sample of "Alone Again (Naturally)" on his 1991 album I Need a Haircut. A 1992 single, Tomorrow Today had topped the Japanese charts for nine weeks, and this success led to a tour of Japan in early 1993 with his newly formed backing group, during which he recorded and filmed his first ever live album Tomorrow Today. Gilbert's newfound success in Japan led to the Japanese only release of The Little Album (1992) and Rare Tracks (1992). 1993's critical acclaimed Sounds Of The Loop (Daily Telegraph's Record Of The Week) included a duet with the legendary Peggy Lee on Can't Think Straight and even a solo version of the same song in Japanese. This album was recorded almost entirely at his home in Jersey in the Channel Islands.
By Larry (with a similar track listing to the Japanese released The Little Album) was released in 1994. Larry is a famous English cartoonist, much admired by Gilbert. Larry provided original cartoons for the album sleeve and booklet. Every Song Has It's Play was released the following year and was the soundtrack of the semi-autobiographical stage show that Gilbert had acted and sang in, in 1991. Singer Sowing Machine was released in 1997. The title is a humorous reaction by Gilbert to being constantly referred to as a singer/ songwriter. Irlish was released in 2000 and yielded three singles, Have It, Say Goodbye and Two's Company (Three Is Allowed). The album title Irlish, combination of the words Irish and English, appropriate for someone born in Ireland and raised in England. Gilbert's family was part of this migration. In 2001 The Official Gilbert O'Sullivan Website was launched as well as his own record label ByGum Records.
Gilbert continued to tour and he played a series of concerts in Ireland in 2001 and in the UK in 2002 to promote the Irlish album. A new studio album Piano Foreplay followed in 2003. In 2004 Rhino Handmade Records released a 3 CD anthology in the USA of Gilbert's music entitled Caricature: The Box. It contains 73 tracks which span the years 1967-2001. This is the first in-depth survey of Gilbert's lengthy career. It contains numerous singles and B-sides, tracks from 16 of his albums, and five previously unreleased tracks. A b-side collection entitled The Other Sides of Gilbert O'Sullivan was released in Japan in 2004 and contained many tracks available on CD for the first time. A series of concerts followed in Japan in June 2004 followed by a 20 date European Tour of the UK, Ireland, Norway and Denmark in November and December. In February 2005 a DVD/CD set of the 2004 Japanese show was released in Japan. Gilbert returned to Japan in June 2005 for a series of 13 shows. Gilbert spent the end of 2005 and the beginning of 2006 recording his next studio album "A Scruff At Heart" which was released in Japan on 25 October 2006.
For What It's Worth
Gilbert O'Sullivan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She's out with her friends
While me I don't have one
Every time I have some
She would make them all disperse
Yet I love her with all of my hear
T For what it's worth
She said had I been more careful with her
And she never wanted kids
Hates the thought of giving birth
Yet I worship the ground she walks upon
For what it's worth
I don't know what I can say
Perhaps it's just a passing phase
Nothing worse than being in love
With one who isn't
If I've hurt her I'll admit
I'll apologize for ITV
Even if what she says I did, I didn't
I give her the bulk of my weekly pay
She takes it without even thanking me one bit
And I've worked hard for it
So a thank you wouldn't hurt
Yet I love her with all of my heart
For what it's worth
I don't ask for very much
I'm not one to make a fuss
In fact the less said is for me
So much the better
Maybe I should be more strong
Tell her straight look.' what's going on
But if I do that, she might leave me altogether
Oh, I've been high up and I've been low
But lately the latter is so far out ahead
I wish I were dead
She treats me like I was dirt
Yet I love her with all my heart
For what it's worth
The song "For What It's Worth" by Gilbert O'Sullivan is a soulful, melancholic take on a one-sided relationship. The lyrics express the singer's feelings of loneliness, neglect, and undying affection for his significant other. He is left alone while she is out with her friends, and when he does have friends, she always drives them away. Despite her clear lack of interest in having children or being appreciative, the singer still loves his significant other with all his heart. It's clear that he is struggling to come to grips with how one-sided their relationship is and as a result, he's even contemplated suicide.
The song's theme reveals a raw, emotional side of love that is often not shown in mainstream media music. The lyrics paint a picture of someone who is deeply in love with another person but is left feeling unappreciated, lonely, and affected by the one-sidedness of their relationship. Gilbert O'Sullivan delivers these lyrics with an emotional and fragile vocal performance that perfectly captures the pain and longing of the singer.
Line by Line Meaning
I feel so strange here on my own
I am uncomfortable being alone
She's out with her friends
My partner is spending time with her friends
While me I don't have one
I do not have friends of my own
Every time I have some
Whenever I make friends
She would make them all disperse
My partner does not like me having friends and discourages them
Yet I love her with all of my heart
Despite this, I still love my partner deeply
For what it's worth
Regardless of the situation
She said had I been more careful with her
My partner blames me for our hasty marriage
We wouldn't have had to get married quite so quick
She believes we rushed into getting married because of my carelessness
And she never wanted kids
My partner does not want to have children
Hates the thought of giving birth
My partner fears the idea of going through childbirth
Yet I worship the ground she walks upon
Despite our differences, I adore everything about my partner
I don't know what I can say
I am not sure what to do or say
Perhaps it's just a passing phase
Maybe this is a temporary issue
Nothing worse than being in love
There is nothing more painful than being in love
With one who isn't
When your love is not reciprocated
If I've hurt her I'll admit
If I have wronged her, I will apologize
I'll apologize for ITV
I will apologize for any mistakes I have made
Even if what she says I did, I didn't
I will apologize even if I do not believe I am at fault
I give her the bulk of my weekly pay
I provide most of our financial support
She takes it without even thanking me one bit
My partner does not acknowledge or appreciate my financial contribution
And I've worked hard for it
I have put in a lot of effort to earn this money
So a thank you wouldn't hurt
I wish my partner would show gratitude for what I do
I don't ask for very much
I am not demanding or needy
I'm not one to make a fuss
I am not confrontational or argumentative
In fact the less said is for me
I prefer to keep things quiet and low-key
So much the better
I am happier with less drama or conflict
Maybe I should be more strong
Perhaps I should be more assertive
Tell her straight look.' what's going on
Address the issues that are affecting our relationship directly
But if I do that, she might leave me altogether
I fear that speaking up might push her away completely
Oh, I've been high up and I've been low
I have experienced the highs and lows of life
But lately the latter is so far out ahead
Recently, the lows have been more prevalent than the highs
I wish I were dead
I am feeling overwhelmed and hopeless
She treats me like I was dirt
My partner does not value me or treat me well
Yet I love her with all my heart
Despite everything, I still love her deeply
For what it's worth
Regardless of how she treats me or the situation, my love remains unchanged
Lyrics © BMG Rights Management
Written by: GILBERT O'SULLIVAN
Lyrics Licensed & Provided by LyricFind