ln Waterford, O'Sullivan's father worked in a meat factory while his mother ran a sweet shop. In 1958, at the age of 11, he moved with his family to Swindon in England in search of a better life. He attended St. Joseph's Comprehensive school in Swindon. While there he developed an interest in both music and amateur boxing. Musically he began with the guitar and progressed to the piano. In the boxing ring he had nearly 50 bouts. Meanwhile his painting and drawing had won him a place at Swindon Art College. He started there in September 1963. His aim was to be a graphic designer. He played drums in his first group The Doodles and left them to join The Prefects while attending Swindon Art College. It was while at college that he met Rick Davies, who was later a member of Supertramp. While at college he began writing songs and sending out demo tapes, alas they were always returned unopened. The first song he remembers writing was Ready Miss Steady.
After finishing college, O'Sullivan moved to London in 1967 to try and further his musical career. He took a part-time job as a salesman at the C & A department store in Oxford Street. Mike Ward who also worked at C & A, had a contract with CBS and Gilbert went with him one day and played his tapes for some of the CBS executives. Gilbert signed a five year publishing contract with CBS which called for one single a year, and released two singles Disappear/You in 1967 and What Can I Do/You in 1968. Gilbert was disappointed that he was not allowed any input into the arranging or production of the singles. Neither single did well. Disillusioned with CBS, O'Sullivan signed with the Major Minor label and released I Wish I Could Cry/Mr. Moody's Garden in 1969.
O'Sullivan came to the attention of BBC Radio 1 disc jockey, John Peel, who gave him a slot on his radio show Top Gear, little of note resulted, and O'Sullivan spent part of 1969 applying to other record labels and management companies. It was at this time that O'Sullivan formulated his 'Bisto Kid' image; grey flannel suit, flat cap, school boy tie, football socks and hobnail boots. In search of a manager he sent some demo tapes to Gordon Mills, an ex-pop singer and himself a songwriter of repute, who had successfully guided the careers of Tom Jones and Engelbert Humperdinck. Gordon Mills recognised something unique in the young Irishman and signed him for management as well as to a songwriting contract.
O'Sullivan made an irresistible impression with Nothing Rhymed, his first Top 10 hit and an introduction to his witty lyrics and original approach as a singer/songwriter. Signed to MAM Records, the label launched by Gordon Mills, who was also his record producer, great friend and surrogate older brother, O'Sullivan enjoyed four years of major success, incorporating a dozen more hit singles, ten of which reached the UK Top 10, and four Top 5 albums: Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974).
Both Clair (written about Mills's infant daughter for whom Gilbert occasionally babysat) and Get Down were number one hit singles in Britain, and additionally, Back To Front topped the UK LP chart in 1972, emulating the success of the two million seller Alone Again (Naturally), a six week US chart-topper in 1972. O'Sullivan made his live debut in The National Stadium in Dublin in October of '72. Around this time, the singer jettisoned his so-called "Bisto Kid" image in favour of an endless series of collegiate-styled sweaters embossed with the letter "G". As quickly as O'Sullivan ascended to fame, however, his star began to fall , although singles like Ooh Baby and Happiness Is Me and You continued to chart, they sold increasingly fewer copies, and after 1973 his overseas popularity essentially ceased altogether. At home, he notched his final Top 20 hit with 1975's I Don't Love You But I Think I Like You. After a Greatest Hits album in 1976, and Southpaw in 1977, by which time the hit singles had dried up, disagreements over future direction led to a bitter split between O'Sullivan and Mills, which effectively sidelined the former as a recording artist for five years. The gruelling court case between O'Sullivan and his erstwhile manager, producer, music publisher and record company boss finally gave him control of his own recordings and the copyright in his songs, although it exacted an inevitable toll on his energy and his creativity during it's precedent-setting course.
Gilbert returned to CBS in 1980 and released Off Centre (1980) and Life & Rhymes (1982) but maintained a low profile during much of the 1980s, recharging his batteries and moving to Jersey, where he still lives with his wife and two children. Off Centre provided his 13th UK Top 20 single, What's In A Kiss?, after which legal proceedings monopolised his time. However, he continued writing songs, performing what he called "concepts within four walls" rather than starting back on the road before it was appropriate. He later recalled that the lyrics he wrote during that period were too heavily influenced by his personal emotions - having been extremely close to Mills before their disagreement, he was highly distressed to discover that his dear friend had been guilty of considerable financial greed at Gilbert's expense. Even so, he applied himself to his lonely creativity, working from 9 to 5 each day "just like Goffin & King and people like Neil Sedaka & Howard Greenfield at the Brill Building in New York used to do", although he later confessed "Really, the words were no good, because my mind was cluttered with all the problems". Lyrics have always been O'Sullivan's most unique facet, reflecting what's going on in his mind, and the strain under which he found himself was hardly conducive to much positive artistic or commercial creativity.
The first release for five years was Frobisher Drive and was only available in Germany. The same album with a slightly different track listing was released in the UK in 1989 under the title In The Key Of G, and included So What, his first chart single in almost a decade. Since the low-key comeback, the pace has increased, with five more albums. Gilbert also made a return to live performances in the early nineties, playing regularly in both Europe and Japan. In 1991, Gilbert was again in court, this time he sued American rapper Biz Markie and won the decision after Markie's unauthorized sample of "Alone Again (Naturally)" on his 1991 album I Need a Haircut. A 1992 single, Tomorrow Today had topped the Japanese charts for nine weeks, and this success led to a tour of Japan in early 1993 with his newly formed backing group, during which he recorded and filmed his first ever live album Tomorrow Today. Gilbert's newfound success in Japan led to the Japanese only release of The Little Album (1992) and Rare Tracks (1992). 1993's critical acclaimed Sounds Of The Loop (Daily Telegraph's Record Of The Week) included a duet with the legendary Peggy Lee on Can't Think Straight and even a solo version of the same song in Japanese. This album was recorded almost entirely at his home in Jersey in the Channel Islands.
By Larry (with a similar track listing to the Japanese released The Little Album) was released in 1994. Larry is a famous English cartoonist, much admired by Gilbert. Larry provided original cartoons for the album sleeve and booklet. Every Song Has It's Play was released the following year and was the soundtrack of the semi-autobiographical stage show that Gilbert had acted and sang in, in 1991. Singer Sowing Machine was released in 1997. The title is a humorous reaction by Gilbert to being constantly referred to as a singer/ songwriter. Irlish was released in 2000 and yielded three singles, Have It, Say Goodbye and Two's Company (Three Is Allowed). The album title Irlish, combination of the words Irish and English, appropriate for someone born in Ireland and raised in England. Gilbert's family was part of this migration. In 2001 The Official Gilbert O'Sullivan Website was launched as well as his own record label ByGum Records.
Gilbert continued to tour and he played a series of concerts in Ireland in 2001 and in the UK in 2002 to promote the Irlish album. A new studio album Piano Foreplay followed in 2003. In 2004 Rhino Handmade Records released a 3 CD anthology in the USA of Gilbert's music entitled Caricature: The Box. It contains 73 tracks which span the years 1967-2001. This is the first in-depth survey of Gilbert's lengthy career. It contains numerous singles and B-sides, tracks from 16 of his albums, and five previously unreleased tracks. A b-side collection entitled The Other Sides of Gilbert O'Sullivan was released in Japan in 2004 and contained many tracks available on CD for the first time. A series of concerts followed in Japan in June 2004 followed by a 20 date European Tour of the UK, Ireland, Norway and Denmark in November and December. In February 2005 a DVD/CD set of the 2004 Japanese show was released in Japan. Gilbert returned to Japan in June 2005 for a series of 13 shows. Gilbert spent the end of 2005 and the beginning of 2006 recording his next studio album "A Scruff At Heart" which was released in Japan on 25 October 2006.
Just as You Are
Gilbert O'Sullivan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Most beautiful, glittering glamorous star
But you're all in the world that I'll ever need
And I love you just as you are
Now Sophie Loren and yourself have in common
Really nothing whatsoever so far
But then who needs biggies when with a pair like Twiggy's
When you do go away, even for a day
I would like it to be known
That I wish that you could stay
Now the day we got married
You'll remember I carried you
Over the threshold of Mooney's bar
Where in between every round
You fell flat out on the ground
Still I love you just as you are
I love you just as you are
Not to mention Mick and you brother Vic
Who I hear have settled have down after two years in the nick
Take it away Semprini
When you do away, even for a day
I would like it to be known
That I wish that you could stay
So you may not be the world's
Most beautiful, glittering glamorous star
But you're all in the world that I'll ever need
And I love you just as you
Love you just as you are
I love you just as you are
In this song, Gilbert O'Sullivan celebrates the beauty of imperfection and embraces his love just as she is. He acknowledges that his partner may not be the most glamorous or beautiful in the world, but to him, she's all he'll ever need, and he loves her just the way she is. He compares her to Sophia Loren, a glamorous Hollywood actress, and Twiggy, a famous model, to make a point that his love doesn't need to be exceptional because what they have is extraordinary.
He reminisces about their past and recalls how he carried her over the threshold of Mooney's bar on their wedding day. He doesn't shy away from mentioning her past relationships with Mick and her brother Vic, who have apparently settled down after two years in jail. Throughout the song, Gilbert conveys the message that he's madly in love with his partner, and her faults and imperfections only make her more lovable to him.
The song is a beautiful celebration of love and an ode to accepting people for who they are. It encourages listeners to embrace the differences in their loved ones and celebrate their unique qualities, rather than trying to change them. Gilbert's soft, soulful vocals and gentle piano melody create a romantic atmosphere that is easy to sink into and enjoy.
Line by Line Meaning
You may not be the world's
You may not be the most famous person in the world
Most beautiful, glittering glamorous star
You may not be the most attractive person in the world
But you're all in the world that I'll ever need
But you mean everything to me
And I love you just as you are
And I love you for who you are
Now Sophie Loren and yourself have in common
Sophia Loren and you are not alike
Really nothing whatsoever so far
You don't have much in common
But then who needs biggies when with a pair like Twiggy's
But who needs someone famous when you have someone special
When you do go away, even for a day
When you go away, even if it's just for a day
I would like it to be known
I want you to know
That I wish that you could stay
That I wish you could stay with me
Now the day we got married
On the day we got married
You'll remember I carried you
You'll remember that I carried you
Over the threshold of Mooney's bar
Into Mooney's bar
Where in between every round
Where in between every drink
You fell flat out on the ground
You fell down on the ground
Still I love you just as you are
But I still love you for who you are
Not to mention Mick and you brother Vic
And let's not forget about Mick and your brother Vic
Who I hear have settled have down after two years in the nick
Who I heard have settled down after spending two years in jail
Take it away Semprini
Let Semprini take it from here
So you may not be the world's
You may not be the most famous person in the world
Most beautiful, glittering glamorous star
You may not be the most attractive person in the world
But you're all in the world that I'll ever need
But you mean everything to me
And I love you just as you
And I love you for who you are
Love you just as you are
Love you for who you are
Lyrics © Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC
Written by: GILBERT O'SULLIVAN
Lyrics Licensed & Provided by LyricFind
yparker42
Thank god it took me forever to find this song seriously people should appreciate Gilbert Osullivans way more hes too inderated
Gusdocs1
this is great ,first time I have heard this
Mirror Time
In the U.S.A. this was the B- side of "Christmas Song" in 1974. A single/ 45 release only.
Meli Pascual
I love you too