When the Allman Brothers Band reformed in 1989 in response to the popularity of the Dreams box set, Warren Haynes was added on lead guitar and Allen Woody on bass. The two shared a love for '60s power trios, like Cream, Jimi Hendrix Experience, and James Gang. With no bands making similar music in the 90s (except ZZ Top), Haynes, Woody, and former Dickey Betts drummer Matt Abts came together as Gov't Mule during Allman Brothers' breaks. (It is likely that Haynes and Abts first met during the recording of the Dickey Betts Band CD "Pattern Disruptive" in 1988.) They released their debut album the selftitled Gov't Mule in 1995. It was followed by Live from Roseland Ballroom.
When it became apparent that the Allman Brothers weren't planning on recording any new material, Haynes and Woody left to concentrate full-time on Gov't Mule in 1997. Dose, the studio follow up to their first studio effort, was released in early 1998. They were joined by members of the Allman Brothers, the Black Crowes, and Parliament/Funkadelic for their 1998 New Year's Eve concert. This was released in both a two and four CD version as Live ... With A Little Help From Our Friends. The band exposed some of their roots with covers of Neil Young, Free, Traffic, Jimi Hendrix, Black Sabbath, Mongo Santamaria (via John Coltrane) and Frank Zappa.
In 2000, the band released Life Before Insanity to critical praise. Many thought that this would be Gov't Mule's breakthrough CD. However, Woody was found dead in New York City in August. Haynes and Abts considered breaking up the band but did stage a concert called "One for Woody" to raise money for his daughter's education. The Allman Brothers, the Black Crowes, members of the Grateful Dead, and other friends of Woody also performed at the concert.
At both the "One for Woody" performance and other shows, Haynes began appearing with the Allman Brothers Band again. With Dickey Betts' departure from the Allmans, Warren came back full time to the band at the beginning of 2001 and has continued splitting his time between the Allmans and for a period Phil Lesh and Friends and the reformed Dead as well as Gov't Mule (performing acoustic gigs with just Haynes on guitar and Abts on percussion and as The New School of Gov't Mule with Widespread Panic's Dave Schools on bass and Chuck Leavell, formerly of the Allman Brothers and known for his current work with the Rolling Stones on keyboards).
The next year, Haynes and Abts began to record a tribute CD using Woody's favorite bass players. These sessions resulted in two CDs The Deep End, Volume 1 (2001) and The Deep End, Volume 2 (2002). A documentary of the recording sessions was also made by Phish bassist Mike Gordon called Rising Low. Bass contributions to the CDs came from Jack Bruce of Cream, John Entwisle of The Who, Mike Watt of Minutemen, Les Claypool of Primus, Flea of the Red Hot Chili Peppers, and Chris Squire of Yes among others.
When it came to touring in support of the Deep End CDs, Haynes and Abts used a revolving door of keyboardists and bassists. Keyboardists included Chuck Leavell, Rob Barraco of Phil Lesh and Friends and Zen Tricksters, Phish's Page McConnell and Danny Louis. Bassists included among others, Dave Schools, Oteil Burbridge of the Allman Brothers, Les Claypool, Victor Wooten of the Flecktones, George Porter Jr. of The Meters, Greg Rzab formerly of The Black Crowes and the Buddy Guy Band and Andy Hess, also formerly of The Black Crowes. Louis and Hess were eventually added as permanent members of Gov't Mule. They continue to tour extensively and have become staple acts at many music festivals including Bonnaroo, Wakarusa, Vegoose, and their annual New Orleans Jazzfest night show (where they filmed and recorded the last show of the Deepest End tours, with 17 guest musicians in a 6 hour show) wich was released on CD/DVD as The Deepest End, Live in Concert.
The first CD with Louis and Hess Deja Voodoo was released in September 2004. Additional material from those sessions was released in 2005 as and EP entitled Mo' Voodoo.
The new lineup's second release, titled High and Mighty, was released on August 22, 2006.
A third, Mighty High, was released in 2007 it features reggae and dub versions of classic Mule covers and originals with special guest appearances by Willi Williams, Michael Franti and Toots Hibbert,
One
Gov't Mule Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooh, I asked her for water
Ooh, she brought me gasoline
Ooh, I asked her for water
Ooh, she brought me gasoline
That's the terriblest woman, that I ever seen
Ooh, the hearse come driving slow
Ooh, the church bell tollin'
Ooh, the hearse come driving slow
I hope my baby, baby, she don't leave me no more
Tell me
When are you coming back home?
Ooh, tell me, baby
Ooh, when are you coming back home?
Ooh
Are you coming back home?
She brought me gasoline
Ooh, oh, oh, oh
That's the terriblest woman I've ever seen
The song "One" by Gov't Mule showcases a story of a man who has been betrayed by his lover. He originally requests water from her, but instead, she brings him gasoline, which is harmful and possibly lethal if ingested. This betrayal appears to be a metaphor for the woman's true nature, which may be venomous or destructive. The man feels that this woman is the worst that he has ever encountered, and his misery is apparent in the way his vocals become increasingly anguished and desperate as the song progresses.
The second verse highlights the toll of losing someone that you love, as the church bells toll for a funeral procession. The hearse comes driving slowly, and the man is fearful that his partner could leave him forever. The chorus is a plea for her to return home and reconcile with him, hoping that they can mend their relationship.
The song is a raw and emotional blues rock ballad that effectively conveys the sense of betrayal and sadness that the singer is experiencing. The lyrics may be interpreted as a criticism of deceitful and manipulative people who cause harm to others without any remorse. Overall, Gov't Mule's "One" is a hauntingly beautiful song that showcases Warren Haynes' powerful vocals.
Line by Line Meaning
Ooh, I asked her for water
I requested for water from her
Ooh, she brought me gasoline
Instead, she intentionally gave me gasoline
Ooh, I asked her for water
Again, I asked her for water
Ooh, she brought me gasoline
Again, she gave me gasoline instead of water
That's the terriblest woman, that I ever seen
She's the worst woman I've ever come across
Ooh, the church bell tollin'
I hear the church bell ringing
Ooh, the hearse come driving slow
I see the hearse moving slowly
Ooh, the church bell tollin'
The church bell is still ringing
Ooh, the hearse come driving slow
The hearse is getting closer
I hope my baby, baby, she don't leave me no more
I pray that my love won't ever leave me again
Tell me
When are you coming back home?
I'm requesting to know when she'll come back home
Ooh, tell me, baby
Oh, please tell me
Ooh, when are you coming back home?
When exactly are you coming back home?
Ooh
Are you coming back home?
Are you really coming back home?
She brought me gasoline
Ooh, oh, oh, oh
That's the terriblest woman I've ever seen
Reiterated that she gave me gasoline, and I'm not over how terrible she is
Lyrics © BMG Rights Management
Written by: Chester Burnett
Lyrics Licensed & Provided by LyricFind
Dimas Vicente
Legião urbana
No estádio
Ítalo del cima
Legião urbana
Tocou!
No Maracanãzinho
Legião urbana
A galera
Se emocionou
Todo mundo
Dançou!
No hóquei clube
Na Lagoa
Renato russo
Iluminado
Este show
Legião urbana
Infernizou!
Legião urbana
Sempre
Vou lembrar!
Maria Deambrosio Zas
"One"
Is it getting better? Is it still the same?
Will it make it easier on you
Now that you got someone to blame
You say one love, one life, one voice in the night
One, we get to share it leaves you baby if you don't care for it
Did I disappoint you leaving bad taste in your mouth?
You act like you never had love and you want me to go without
Well, it's too late tonight to drag the past out into the light
We're one, but we're not the same we carry each other
Carry each other, one
To come here for forgiveness, to come to raise the dead
To come here to play Jesus, to all the lepers in your head
Did I ask too much, more than a lot?
You gave me nothing, now it's all I got
We're one, but not the same we hurt each other, then we do it again
And you say love is the temple, love the higher law
Love is the temple, love the higher law
You ask me to enter, but then you make me crawl
And I can't be holding on to what you got
All you got is hurt, when all you got is hurt
And you say love is the temple, love the higher law
Love is the temple, love the higher law
You ask me to enter, but then you make me crawl
And I can't be holding on to what you got
When all you got is hurt
George Camp
If Warren Haynes isn't inducted into the Rock and Roll Hall of Fame they ought to tear it down. He has contributed more good music than any musician in years. Give Warren his due.
Joe Shmoe
Christmas Jam has got to happen this year!!!!!!!
Joseph Seagroves
This man deserves to be in the hall of fame easily one of the best musician to ever play and he is so humble not many guitar players are like that they have there nose stuck up and think there better than you but not Waren he is cool as a cucumber I met him in florida many years ago he is just awesome
Chad Gambrell
Its the Rock N Roll Hall of Fame for a reason. Quit voting in all this Rap Shit!
Galant Ghost
Very very very true! They ve to, no doubt on that!
Scrap_Iron_22
Amen
Bruce Norbeck
Man's got more soul in his little finger than most people have in their entire bodies. Thank you for all the jams, Warren!
Electric Church Media
His voice rings in my head like no one else’s. Warren has been moving me to tears with his words for over 20 years. The man is a superhuman. An unsung hero of America.
Daniel Osullivan
My favorite Singer 💝
Bill McKay
Warren Haynes is a national treasure