What's The Buzz / Strange Thing Mystifying
Ian Gillan Lyrics


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What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening

Why should you want to know?
Don't you mind about the future
Don't you try to think ahead
Save tomorrow for tomorrow
Think about today instead

What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening (I could give you facts and figures)
What's the buzz? Tell me what's happening (When do we ride into Jerusalem?)
When do we ride into Jerusalem?
Even tell you where I'm going (When do we ride into Jerusalem?)

When do we ride into Jerusalem?
When do we ride into Jerusalem?
When do we ride into Jerusalem?
When do we ride into Jerusalem?

Why should you want to know?
Why are you obsessed with fighting
Times and fates you can't defy?
If you knew the path we're riding
You'd understand it less then I

What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
Let me try to cool down your face a bit
Let me try to cool down your face a bit
Let me try to cool down your face a bit
Let me try to cool down your face a bit
Let me try to cool down your face
Let me try to cool down your face
Let me try to cool down your face
Let me try to cool down your face

Mary uh that is good
While you prattled through your supper
Where and when and who and how
She alone has tried to give me
What I need right here and now

What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening
What's the buzz? Tell me what's happening

It seems to me a strange thing, mystifying
That a man like you can waste his time
On women of her kind
Yes, I can understand that she amuses
But to let her stroke you, kiss your hair
Is hardly in your line
It's not that I object to her profession
But she doesn't fit in well with what you teach and say
It doesn't help us if you're inconsistent
They only need a small excuse to put us all away

Who are you to criticize her?
Who are you to despise her?
Leave her, leave her, let her be now
Leave her, leave her, she's with me now
If your slate is clean, then you can throw stones
If your slate is not, then leave her alone
I'm amazed that a man like you
Can be so shallow, thick and slow
There is not a man among you
Who knows or cares if I come or go

No you're wrong! You're very wrong
No you're wrong! You're very wrong
No you're wrong! You're very wrong
No you're wrong! You're very wrong




How can you say that, how can you say that, how can you say that, how can you say that
Not one, not one of you!

Overall Meaning

The song What's The Buzz / Strange Thing Mystifying is a part of the rock opera Jesus Christ Superstar by Tim Rice and Andrew Lloyd Webber, and it explores the confusion and chaos surrounding the life of Jesus Christ. The lyrics begin with a repeated phrase asking "What's the buzz?" which might refer to the rumors and speculation about Jesus and his followers. The song then questions why people are fixated on the future when they should be focused on the present moment. The repetition of the phrase "When do we ride into Jerusalem?" might be a reference to the biblical event of Jesus' entry into the city and his subsequent arrest and crucifixion.


The second half of the song features a dialogue between two characters, Judas and Jesus. Judas criticizes Mary Magdalene, who is a prostitute, for being with Jesus and not fitting in with what he teaches. Jesus defends Mary and accuses Judas of being shallow and hypocritical. The song ends with Jesus stating that nobody among his followers truly cares about him.


Overall, the song portrays the tension and conflict within Jesus' group of followers, reflecting the confusion and turmoil that characterized his life and death.


Line by Line Meaning

What's the buzz? Tell me what's happening
Ian Gillan is asking what is going on and what everyone is talking about.


Why should you want to know?
He questions why they care about what's happening.


Don't you mind about the future
Ian suggests to not worry about the future, and instead focus on the present.


Don't you try to think ahead
He advises to live in the moment instead of planning for the future.


Save tomorrow for tomorrow
He suggests to leave the future for when it arrives.


Think about today instead
Ian suggests to focus solely on the present.


When do we ride into Jerusalem?
Ian is asking when they will arrive at their destination.


Why are you obsessed with fighting
Ian questions why they are so preoccupied with arguing.


Times and fates you can't defy?
He suggests that events are out of their control.


If you knew the path we're riding
Ian claims that if they knew what they were doing, they might understand better.


You'd understand it less then I
Ian believes that others would be even more confused if they knew the path.


Let me try to cool down your face a bit
Ian is trying to calm the situation and ease tensions.


Mary uh that is good
Ian mentions that Mary has been helpful and supportive.


While you prattled through your supper
Ian accuses someone of talking too much during dinner.


Where and when and who and how
He is annoyed with the irrelevant details the person is talking about.


She alone has tried to give me
Ian values Mary for being the only one to assist him.


What I need right here and now
Ian states that Mary has met his current needs and requirements.


It seems to me a strange thing, mystifying
Ian expresses his confusion about a situation.


That a man like you can waste his time
He is surprised that someone of their status is wasting time on something insignificant.


On women of her kind
Ian is referring to a woman that others may not respect.


Yes, I can understand that she amuses
Ian acknowledges that the woman is entertaining.


But to let her stroke you, kiss your hair
He disapproves of how the woman is touching or flirting with someone.


Is hardly in your line
He believes that the behavior is not fitting for the person or their role.


It's not that I object to her profession
Ian clarifies that he's not against what the woman does for a living.


But she doesn't fit in well with what you teach and say
He highlights that the woman's behavior isn't in line with what others are professing.


It doesn't help us if you're inconsistent
He believes that inconsistency doesn't benefit the group or mission.


They only need a small excuse to put us all away
Ian fears that anyone can use this as an excuse to harm them.


Who are you to criticize her?
Ian questions someone's authority or right to criticize the woman.


Who are you to despise her?
He questions someone's right to think lowly of the woman.


Leave her, leave her, let her be now
Ian suggests that they leave the woman alone.


She's with me now
He reveals that he is with the woman currently.


If your slate is clean, then you can throw stones
Ian suggests that only those who have not sinned can criticize others.


If your slate is not, then leave her alone
He urges those who are guilty of similar wrongdoing to not judge the woman.


I'm amazed that a man like you
Ian is surprised by someone's behavior.


Can be so shallow, thick and slow
He's angry that someone is ignorant and slow to understand.


There is not a man among you
Ian does not think highly of anyone in his company.


Who knows or cares if I come or go
He believes that no one cares about his arrival or departure.


No you're wrong! You're very wrong
Ian disagrees with someone's statement and is eager to refute it.


How can you say that, how can you say that, how can you say that, how can you say that
Ian is asking how one can hold such a view.


Not one, not one of you!
Ian believes that none of them holds the correct view.




Lyrics © Universal Music Publishing Group
Written by: Tim Rice, Andrew Lloyd

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

johnny zell

What's the buzz?
Tell me what's a-happening. (Repeat 8 times)
JESUS
Why should you want to know?
Don't you mind about the future?
Don't you try to think ahead?
Save tomorrow for tomorrow;
Think about today instead.
APOSTLES
What's the buzz?
Tell me what's happening. (Repeat many times)
JESUS
I could give you facts and figures.
Even give you plans and forecasts.
Even tell you where I'm going.
APOSTLES
When do we ride into Jerusalem? (Repeat many times)
JESUS
Why should you want to know?
Why are you obsessed with fighting
Times and fates you can't defy?
If you knew the path we're riding,
You'd understand it less than I.
APOSTLES
What's the buzz?
Tell me what's happening. (Repeat many times)
MARY MAGDALENE
Let me try to cool down your face a bit. (Repeat 5 times)
JESUS
Mary that is good,
While you prattle through your supper,
Where and when and who and how.
She alone has tried to give me
What I need right here and now.
APOSTLES
What's the buzz?
Tell me what's happening. (Repeat many times)



All comments from YouTube:

Darryl Mata

Aside from Alan's masterly bass line, that scream at 1:33 is freaking divine!

David Alexander's

That's Ian Gillan doing what no one else can do

Jack Spencer

Ian Gillan, on this album, gives one of the greatest vocal performances ever recorded. And this track is one of the best on it. No one can touch him.

John Coxtolstoy

I always sing along to this record, except some of those Ian high notes 😂😂 I'm better as a Caiaphas

Finlay Nixon

That bit where Mary's singing and he cuts through with that insane high high note, amazing. He litterallly has a saxophone for a throat.

Eileen Battenhouse

Amen♥️✝️

Timothy Musgrove

Except Murray Head as Judas, who is really definitive of this show.

Mr. BassMan

One of the greatest basslines ever laid down, period.

marie louise gildemeister

I consider this album a piece of art ; magnificent I should say

Mercutio Rane

Still one of the most legendary cast recordings of all time.

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