Rhapsody In Blue
J-POP 90's BEST Lyrics
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They look everywhere but at me
You’re giving me that creeping, fleeting feeling
And bleeding away my energy
Cast away the fears that entangle
The doubts that shape us have no lucidity
The smoke between us shifts like a ghost
Reminding me of what I want most
In your blue lagoon
In your blue lagoon
Shimmering blue so calm and inviting
An alluring seductive harmony
Promising a warm rushing feeling
Near the edge I try not to breathe
Then I feel the dark shadow moving like a shark
In your blue lagoon
In your blue lagoon
Then I feel the dark shadow moving like a shark
In your blue lagoon
Dive in your blue lagoon
The lyrics of "Rhapsody in Blue" by J-POP 90's BEST evoke a sense of longing and desire through vivid imagery and metaphors. The song explores a complex dynamic between two individuals, with the singer being captivated by someone with blue eyes who continuously looks away and avoids making direct eye contact. This behavior creates a sense of frustration and insecurity for the singer, as the person they admire seems disinterested.
The lines "You're giving me that creeping, fleeting feeling, And bleeding away my energy" suggest that the singer feels drained by this one-sided infatuation. The constant avoidance and lack of reciprocation from the person with blue eyes gradually erode the singer's emotional well-being, leaving them feeling exhausted and depleted.
There is a desire to break free from the fears and doubts that entangle both individuals. The lyrics convey a sense of confusion or uncertainty about the situation, highlighting the lack of clarity in their connection. The smoke between them is described as shifting like a ghost, serving as a reminder of the singer's deepest desires and what they yearn for the most.
The second half of the song introduces the image of a blue lagoon, symbolizing a serene and captivating place. The shimmering blue water is described as calm and inviting, creating an alluring and seductive environment. The blue lagoon becomes a metaphor for the attraction and allure that the singer feels towards the person with blue eyes. However, the mention of a dark shadow moving like a shark within the blue lagoon introduces a sense of danger or the possibility of being hurt.
The repeated lines "Then I feel the dark shadow moving like a shark, In your blue lagoon, Dive in your blue lagoon" further emphasize the juxtaposition between the captivating beauty of the blue lagoon and the potential risks that may await those who venture into it. It portrays a struggle within the singer, torn between the temptation to immerse themselves in this enticing yet potentially treacherous connection and the fear of potential harm.
Overall, "Rhapsody in Blue" speaks to the complex emotions and uncertainties that can arise when one's admiration for someone remains unrequited, emphasizing the internal conflicts and vulnerabilities that can originate from such situations.
Line by Line Meaning
Those blue eyes they just look away
The person's blue eyes avoid making direct eye contact
They look everywhere but at me
Their gaze roams everywhere except towards me
You’re giving me that creeping, fleeting feeling
I experience a sensation of unease and transience because of you
And bleeding away my energy
You drain my energy metaphorically, leaving me depleted
Cast away the fears that entangle
I must let go of the fears that entwine and ensnare me
The doubts that shape us have no lucidity
The uncertainties that influence us lack clarity
The smoke between us shifts like a ghost
The metaphorical barrier between us, like ethereal smoke, moves
Reminding me of what I want most
It serves as a reminder of my strongest desires
Then I feel the dark shadow moving like a shark
I perceive a sinister presence gradually approaching, akin to a shark
In your blue lagoon
Within the depths of your tranquil and captivating blue lagoon
Shimmering blue so calm and inviting
The serene and enticing blue radiates a shimmering allure
An alluring seductive harmony
It represents a captivating and seductive sense of harmony
Promising a warm rushing feeling
It holds the promise of an exhilarating and enveloping sensation
Near the edge I try not to breathe
As I approach the precipice, I make an effort to withhold my breath
Dive in your blue lagoon
Delve into the depths of your mesmerizing blue lagoon
Lyrics © O/B/O DistroKid
Written by: Jacalyn DesJarlais
Lyrics Licensed & Provided by LyricFind
@SheldonSchorer
I had occasion to discuss Bernstein with someone who had played under him in the Israel Philharmonic Orchestra. The stories he told of the depth of his understanding of each instrument and how he coaxed the best performance out of each player are amazing.
I had met him for lunch a day after Leonard Bernstein died. As my friend, (let's call him Cohen) played the double-bassoon in the Israel Philharmonic, I asked him to tell me some Leonard Bernstein stories. This is how he told it to me.
First of all, he said, Bernstein was an incredible musical genius. When rehearsing, he would always recognize any wrong notes and would both point it out and correct it. He was a wonderful teacher who knew each instrument and what the player would have to do to improve and get it right.
Did he ever correct you? I asked. He paused, took a long breath, and said - let me tell you what happened to me.
There is passage in a piece by Bruckner where the double-bassoon plays an exceptionally long passage. It's impossible to play the entire passage in one breath, so the question is whether you should take the breath near the beginnin or the end of the passage. I asked Bernstein which I should do. He said, "Cohen, I want you to do the entire passage in one breath." I protested that it was impossible, and he knew it and I renewed my request for instructions on when I should take my breath. He said, "One breath. Let's do the piece now, with one breath."
So the orchestra geared up for that piece, and when I reached the passage, I filled up with air, tried as hard as I could, but simply couldn't complete the passage. Bernstein said: "Don't worry. On the night of the performance you'll do it in one breath."
All of the time until the night of the performance, I was panicking out. What did this maniac want from me. If I try to do the whole piece in one breath, I will fail and the audience will know it. I'll embarrass myself. But if I take my regular breath, Bernstein will be disappointed in me.
I asked him, so what did you do?
On the night of the performance, I decided to try to do the passage in one breath. And I did it - in one breath!
I asked - did Bernstein stop the show to give you an applause?
No. But a bit later in the performance, he looked at me and briefly nodded his head. That was all, and that was plenty. When I went home, I was walking on air. I was floating. Bernstein knew how to motivate and get the best out of everybody.
He added a coda to the story. "Someone told me that when Bernstein returned to New York, he rehearsed the Philharmonic to do the same Bruckner piece. He also instructed Kelly, the double bassoonist to do the passage in one breath. Kelly complained: you know that that is impossible! Bernstein replied, "Why can't you do it? After all, Cohen in Israel did it."
@SheldonSchorer
I met a friend for lunch a day after Leonard Bernstein died. As my friend, (let's call him Cohen) played the double-bassoon in the Israel Philharmonic, I asked him to tell me some Leonard Bernstein stories. This is how he told it to me.
First of all, he said, Bernstein was an incredible musical genius. When rehearsing, he would always recognize any wrong notes and would both point it out and correct it. He was a wonderful teacher who knew each instrument and what the player would have to do to improve and get it right.
Did he ever correct you? I asked. He paused, took a long breath, and said - let me tell you what happened to me.
There is passage in a piece by Bruckner where the double-bassoon plays an exceptionally long passage. It's impossible to play the entire passage in one breath, so the question is whether you should take the breath near the beginnin or the end of the passage. I asked Bernstein which I should do. He said, "Cohen, I want you to do the entire passage in one breath." I protested that it was impossible, and he knew it and I renewed my request for instructions on when I should take my breath. He said, "One breath. Let's do the piece now, with one breath."
So the orchestra geared up for that piece, and when I reached the passage, I filled up with air, tried as hard as I could, but simply couldn't complete the passage. Bernstein said: "Don't worry. On the night of the performance you'll do it in one breath."
All of the time until the night of the performance, I was panicking out. What did this maniac want from me. If I try to do the whole piece in one breath, I will fail and the audience will know it. I'll embarrass myself. But if I take my regular breath, Bernstein will be disappointed in me.
I asked him, so what did you do?
On the night of the performance, I decided to try to do the passage in one breath. And I did it - in one breath!
I asked - did Bernstein stop the show to give you an applause?
No. But a bit later in the performance, he looked at me and briefly nodded his head. That was all, and that was plenty. When I went home, I was walking on air. I was floating. Bernstein knew how to motivate and get the best out of everybody.
He added a coda to the story. "Someone told me that when Bernstein returned to New York, he rehearsed the Philharmonic to do the same Bruckner piece. He also instructed Kelly, the double bassoonist to do the passage in one breath. Kelly complained: you know that that is impossible! Bernstein replied, "Why can't you do it? After all, Cohen in Israel did it."
@johnseriousmen9256
There’s a special place in hell for whoever put an ad smack in the middle of this
@poprockahead3924
Absolutely, straight to execution!
@Video7Rose
Amen to that!
@segmentsAndCurves
PAY.
@SpeegBJ
Thanks Tyler.
@hifijohn
cast the devil away with your savior called adblocker.
@darthstarkiller1912
Just think, 2024 marks the centennial of "Rhapsody in Blue" which is still a masterpiece of modern music. Gershwin was a genius, and Bernstein's conducting and piano playing were out of this world. Incredible performance.
@johnscanlan9335
Amen!!!
@kevinmalone3210
I'll 2nd that!
@David-yw2lv
The Bret "Hitman"Hart of musical compositions,the best there is,the best there was,the best that ever will be.