[1]
J… Read Full Bio ↴There are at least five (5) groups with the name (Jackson):
[1]
Jackson and His Computer Band is an IDM artist signed to Warp Records consisting of Jackson Fourgeaud, a 26-year-old Parisian composer. His style has been described as "a style orgy, a psychedelic celebration of conflict."
After his acid house debut on Pumpking records in 1996, Sound Of Barclay released the "Sense Juice" and "Gourmet EPs" under the name Jackson & His Computer Band. Even then, these thumping filtered house cuts sounded weirdly different to the prevailing "French Touch" style of Daft Punk and Cassius, leading to articles in NME, I-D, Jockey Slut and the like. On the back of this acclaim, Jackson was commissioned to remix an array of artists, sprinkling his fucked-up magic over Femi Kuti, Air, Vanessa Paradis, Freeform Five and Jean Jacques Perrey and Luke Vibert's forthcoming "Moog Acid". No one has yet remixed Jackson. This year he's DJed at parties in London (everywhere from The Social to Harrod's) and recently terrorised the idyllic Territoires Electroniques festival in Aix-en-Provence. Perhaps you caught his excellent DJ set on Radio 1's Breezeblock show in March. Now Jackson is working on a killer live show which will be unveiled around the time of Smash's release in September.
[2]
Jackson is the name of a little band out of San Antonio, Texas. Chad W. Eaton (Electric Guitar, Vocals), Cameron Feil (Acoustic Guitar, Mandolin, Vocals), Daniel Palmer (Bass Guitar), Andrew Vespia (Electric Guitar), Robert Betts (Drums), Mills Ligon (Manager) and a variety of visiting musicians fill the Jackson lineup.
They describe their sound as "A little bit country, a little bit Rock and Roll."
[3]
Jackson O'Connell-Barlow (stage names: Iguanadon, Grape-a-Don, Nate Kukla, and Mr. Pennsylvania) makes up one half of the duo Grand Buffet along with Jarrod Weeks (stage names: M-Dog, Lord Grunge, Matt Kukla, Fred Durts). A hip-hop duo from Pittsburgh, Pennsylvania. Their music is a unique brand of humorous, often satirical rap.
[4]
There's another band called Jackson. Their 6 song self-titled debut release came out in spring of 2003. It's somewhat of an all-star punk-and-rock outfit comprised of CHRIS SHIFLETT (FOO FIGHTERS, ME FIRST & THE GIMME GIMMES, NO USE FOR A NAME), SCOTT SHIFLETT (FACE TO FACE), and PETE PARRADA (FACE TO FACE, SAVES THE DAY). They also released a 7" record called All the Way in late 2003. The band isn't full-time as some members are obligated to other bands. Their sound has been described as Weezer meets Teen Idols. Jackson have since changed their name to Jackson United
[5]
Jackson, what? THE ELECTRIC CITY
Don't
Jackson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You've been laying with my enemies (oh shit)
You've been looking for my sympathy (oh shit)
Got a call, now it's gettin' deep (oh shit)
I ain't got what you say you need (oh shit)
You're the loudest in the function (oh shit)
I can't hold you 'til the mornin' (oh shit)
I can't give you what you want (oh shit)
(Oh shit)
I can't give you what you want (oh shit)
(Oh shit)
'Cause I don't have it (oh shit)
Be soon in Shanghai willin' (oh shit)
Give it up, give it up, ain't nobody worth all problems (oh shit)
Ain't shit between us, you can't stay 'til the mornin' (oh shit)
You can't get a dollar from me, stop pocket watchin' (oh shit)
Now I might go ghost before she make toast (oh shit)
This ain't what I want and I feel it (oh shit)
Why am I supposed to know what you want? (Oh shit)
Yo, we ain't that close, I'm leaving 'cause (oh shit)
You're the loudest in the function (oh shit)
Who's gon' mess with me tonight? (Oh shit)
I can't hold you 'til the mornin' (oh shit)
I can't give you what you want (oh shit)
(Oh shit)
I can't give you what you want (oh shit)
(Oh shit)
'Cause I don't have it (oh shit)
Bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (and I won't be there)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (yeah, yeah, yeah, yeah)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding, I'm
The lyrics to Jackson's song "Don't" convey a sense of frustration and disappointment within a relationship. The repeated exclamation of "oh shit" signifies the singer's realization of the negative aspects of their partner's behavior and the consequences it has on the relationship.
The opening lines suggest that the partner has been associating with the singer's enemies and seeking sympathy from them. This betrayal and lack of loyalty evoke a strong emotional reaction from the singer. Additionally, the line "Got a call, now it's gettin' deep" suggests that new information has been revealed, intensifying the situation.
The chorus reflects the singer's inability to meet their partner's needs and desires. Despite the partner being the "loudest in the function," indicating their outspokenness and assertiveness, the singer acknowledges their inability to fulfill their partner's wants. This frustration is emphasized with the repetition of "oh shit" throughout the chorus.
The second verse further highlights the singer's perspective of the relationship. They mention being willing to leave the situation, stating that they don't want this kind of relationship and implying a lack of compatibility. The line "This ain't what I want and I feel it" reinforces their dissatisfaction, indicating that they can sense the incompatibility between themselves and their partner.
The outro of the song consists of repetitive statements expressing the singer's emotional turmoil. The repetition of "I'm bleeding" suggests that the singer is emotionally wounded, possibly indicating a loss of trust or a deep hurt caused by their partner. The repeated phrase "I'm bleeding" emphasizes the lingering pain and emotional damage that has been inflicted upon them, reflecting the harm caused by the relationship.
In summary, the lyrics of "Don't" depict a relationship filled with betrayal, unmet needs, and emotional turmoil. The singer recognizes the negative aspects of their partner's behavior and their own inability to satisfy their partner's desires. The repetitive use of "oh shit" and the concluding repetition of "I'm bleeding" emphasize the singer's realization of the detrimental effects of the relationship on their emotional well-being.
Line by Line Meaning
You've been laying with my enemies (oh shit)
You've been betraying me by associating with people I consider as enemies.
You've been looking for my sympathy (oh shit)
You've been seeking my understanding and compassion in a manipulative way.
Got a call, now it's gettin' deep (oh shit)
A phone call has led to a complicated and intense situation.
I ain't got what you say you need (oh shit)
I don't possess what you claim to require from me.
You're the loudest in the function (oh shit)
You're the most attention-seeking and disruptive person in this gathering.
Who's gon' mess with me tonight? (Oh shit)
Who is going to confront or challenge me this evening?
I can't hold you 'til the mornin' (oh shit)
I can't emotionally or physically support you until the morning.
I can't give you what you want (oh shit)
I'm unable to provide you with the desires or expectations you have.
(Oh shit)
(Expressing surprise, shock, or dismay)
'Cause I don't have it (oh shit)
Because I simply don't possess it or possess the capabilities.
Be soon in Shanghai willin' (oh shit)
I will soon be ready and willing to go to Shanghai.
Give it up, give it up, ain't nobody worth all problems (oh shit)
Let go of it, let go of it, there's no one worth all the troubles and difficulties.
Ain't shit between us, you can't stay 'til the mornin' (oh shit)
There's nothing significant or meaningful between us, you can't remain here until the morning.
You can't get a dollar from me, stop pocket watchin' (oh shit)
You can't receive any money from me, stop obsessively monitoring or calculating my finances.
Now I might go ghost before she make toast (oh shit)
Now I might disappear or become unreachable before she confronts me or makes a scene.
This ain't what I want and I feel it (oh shit)
This is not what I desire or intend, and I can sense it.
Why am I supposed to know what you want? (Oh shit)
Why should I be expected to understand or predict your desires?
Yo, we ain't that close, I'm leaving 'cause (oh shit)
We are not that intimate or connected, and I'm leaving because of that.
Bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh shit)
Metaphorical expression indicating emotional pain, hurt, or vulnerability.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continuation of the metaphor highlighting ongoing emotional suffering.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continuation of the metaphor emphasizing the intensity of the emotional turmoil.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (and I won't be there)
I'm suffering emotionally, and I won't be available or present in that state.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (yeah, yeah, yeah, yeah)
Reiteration of the emotional anguish, expressing it emphatically.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
Further emphasizing the distress and pain being experienced.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
Continuing the emphasis on the emotional suffering and despair.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding (oh, no)
Continuing to highlight the ongoing emotional agony.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Repeating the metaphor to emphasize the emotional pain.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continuation of the metaphorical expression of emotional turmoil.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continuing to convey the intensity of the emotional suffering.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continued emphasis on the emotional pain being endured.
I'm bleeding, I'm bleeding, I'm bleeding, I'm bleeding
Continuation of the metaphor, underscoring the emotional suffering.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Ashton McCreight, Barney Bones, Daniel Barry Shyman, Jacob Ray, Joshua Deon Lockhart, Ray Jacobs
Lyrics Licensed & Provided by LyricFind
@Mjforevaa
Who’s here in April 2024?
@danielasiedu6610
I'm here
@didierlj9
Let's party 🎉
@Seth-kl5vr
😮 wooooohhh
@rajeshzire666
Me
@augustobh1
I am! 🤪
@jacksonaktak
This song is 41 years old and still as fresh as ever.
@Johnny_Zed
@@AC-fx6kq July 10 1979.. you forget how to count buddy?
@thegermankickboxer8493
@Johnny Zed You‘re right
@leo01099
Ohh mannnnn way before my existence still my fav ohhh... Mjjj