The son of acclaimed author Larry McMurtry (Lonesome Dove, Terms of Endearment), James grew up on a steady diet of Johnny Cash and Roy Acuff records. His first album, Too Long in the Wasteland (released in 1989), was produced by John Mellencamp and marked the beginning of a series of acclaimed projects for Columbia and Sugar Hill. In 1996, McMurtry received a Grammy nomination for his Longform Music Video of Where'd You Hide The Body. 1997's It Had To Happen received the American Indie Award for Best Americana Album.
In 2004, McMurtry released the universally-lauded Live in Aught-Three on Compadre Records. 2005's Childish Things garnered some of the highest critical praise of McMurtry's career and spent six weeks at No. 1 on the Americana Music Radio Chart in 2005 and 2006. In September 2006, Childish Things and "We Can't Make It Here" won the Americana Music Awards for Album and Song of the Year, respectively. McMurtry received more Americana Music Award nominations for 2008's Just Us Kids. This album marked his highest Billboard 200 chart position in more than 19 years.
In 2009, Live in Europe was released, capturing The McMurtry Band's first European tour and extraordinary live set. Along with seasoned band members Ronnie Johnson, Daren Hess, and Tim Holt, the disc features special guests Ian McLagan and Jon Dee Graham. Also, for the first time ever, video of the James McMurtry Band's live performance is available on the included DVD.
The poignant lyrics of his immense catalog still ring true today. In 2011, "We Can't Make It Here" was cited among 'The Nation's' "Best Protest Songs Ever." Bob Lefsetz writes, "'We Can't Make It Here' has stood the test of time because of its unmitigated truth."
Never one to rest on his laurels, James McMurtry continues to tour constantly, and consistently puts on a "must-see" powerhouse performance. 'The Washington Post' noted McMurtry's live prowess: "Much attention is paid to James McMurtry's lyrics, and rightfully so: He creates a novel's worth of emotion and experience in four minutes of blisteringly stark couplets. What gets overlooked, however, is that he's an accomplished rock guitar player. At a sold-out Birchmere, the Austin-based artist was joined by drummer Daren Hess and bassist Ronnie Johnson in a set that demonstrated the raw power of wince-inducing imagery propelled by electric guitar. It was serious stuff, imparted by a singularly serious band."
JAMES McMURTRY LIVE IN EUROPE CD WITH BONUS DVD DOCUMENTS FIRST EURO TOUR WITH GUESTS IAN MCLAGAN AND JON DEE GRAHAM
On October 13, 2009, Lightning Rod Records released Live in Europe, a document of McMurtry's first European tour, on which, along with long-time band members Ronnie Johnson, Daren Hess, and Tim Holt, he was joined by keyboardist Ian McLagan and fellow Texas songwriting legend Jon Dee Graham. The set is available as a CD with a bonus DVD, or as a deluxe vinyl LP package with a CD and DVD insert. In early 2009, James McMurtry and his trio traveled overseas to play their first European tour. The guys played for enthusiastic crowds in Germany, Great Britain, Ireland, The Netherlands, Scotland and Belgium. Joining the band on keyboards for the tour was the legendary Ian McLagan (who also played on McMurtry's latest studio album, Just Us Kids). The best recordings from the Amsterdam, The Netherlands and Geislingen, Germany concerts were combined to create Live in Europe. The album includes a bonus DVD featuring performances from the Amsterdam show. This marks the first time fans will be able to purchase video footage of McMurtry live in concert. The deluxe vinyl version includes inserted copies of the CD and DVD. Fellow Austin-based songwriter Jon Dee Graham opened the shows and joins the band on a version of his tune "Laredo" on the bonus DVD.
JAMES McMURTRY ALBUMS REISSUED: 'CHILDISH THINGS' & 'LIVE IN AUGHT-THREE'
On February 1, 2011, two of James McMurtry's most popular albums, Childish Things and Live in Aught-Three were reissued by Lightning Rod Records. Live in Aught-Three has been remastered since its original 2004 release and will be available on vinyl for the first time. The deluxe double LP also includes a copy of the album on CD.
Canola Fields
James McMurtry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Canola fields on a July day
About the same chartreuse as that sixty-nine Bug
You used to drive around San Jose
Never knew where my old white Lincoln might take you
Party on wheels with suicide doors
Bring the kids and the dogs and your grandma too
'Til that white-knuckle ride back from Santa Cruz
Second-best surfer on the central coast
Had you wrapped up all the way back to Los Gatos
And I could've cut his throat
And it wasn't like we were an item to start with
It had no basis in fact
But the whiskey could push me to sudden extremes
I don't wanna think about that, I don't wanna think about that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
We all drifted away with the days getting shorter
Seeking our place in the greater scheme
Kids and careers and a vague sense of order
Busting apart at the seams
I heard you switched coasts, moved in with your sister
I doubt you'd have called it familial bliss
We met up in Brooklyn before it went hipster
You carried your keys in your fist
In a way back corner of a cross-town bus
We were hiding out under my hat
Cashing in on a thirty-year crush
You can't be young and do that
You can't be young and do that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
Or I'll be lost out there
I was thinking 'bout you crossing Southern Alberta
Canola fields at harvest time
Looked like tumbleweeds all raked up into rows
Brown rusty contour lines
And there's not much moving on the romance radar
Not that I'm craving it all that much
But I still need to feel every once in a while
The warmth of a smile and a touch
And in a way back corner of a cross-town bus
We were hiding out under my hat
Cashing in on a thirty-year crush
You can't be young and do that
You can't be young and do that
You can't be young and do that
You can't be young and do that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
I'll be lost out there
I'll be lost out there
The lyrics to James McMurtry's song "Canola Fields" are a reflection on the memories and missed opportunities of a past relationship. The singer is reminiscing about a road trip he took with someone he was not officially dating but had feelings for. They drove around in a white Lincoln, picking up whoever they felt like, and ended up in Santa Cruz. There, the singer got jealous of another surfer who was showing attention to the woman in question. The memory of that moment haunts the singer, as he knows his actions were unwarranted and speaks to his inability to control his emotions at the time. Later on in the song, he sees a vision of his old flame again while crossing Southern Alberta's canola fields, which reminds him of their time together.
Throughout the song, the singer reflects on how much has changed since he last saw the woman. They have both moved on, with careers and families to focus on, and seem to have lost touch. He is left looking back on their time together with a mix of nostalgia and regret, realizing that he missed out on an opportunity for something more with her.
Overall, "Canola Fields" is a bittersweet reflection on what could have been, with a touch of longing for the past.
Line by Line Meaning
I was thinking 'bout you, crossing Southern Alberta
I was reminiscing about you while mentally tracing the route you would have taken crossing Southern Alberta
Canola fields on a July day
The fields I was envisioning were yellow with blooming canola and a clear blue sky
About the same chartreuse as that sixty-nine Bug
The color of the canola reminded me of a specific shade of green, which was the same green as a Volkswagen Beetle you used to drive
You used to drive around San Jose
You used to drive this car around San Jose, California
Never knew where my old white Lincoln might take you
I had a white Lincoln car that you used to drive, and I never knew where it would take you or what adventures you would have
Party on wheels with suicide doors
The car was like a fun party on wheels, with doors that open in a way that seems dangerous or self-destructive
Bring the kids and the dogs and your grandma too
There was always room for more people, even if they were family members, pets, or elderly relatives
We always had room for more
Our car and our lives were open and inviting
'Til that white-knuckle ride back from Santa Cruz
The carefree attitude changed after a scary ride back from Santa Cruz, which made me feel anxious and nervous
Second-best surfer on the central coast
Someone who was not the best surfer on the central coast, but still relatively good
Had you wrapped up all the way back to Los Gatos
He was flirting with you and making you feel good all the way back to a town called Los Gatos
And I could've cut his throat
I was feeling jealous and violent, even though we were not really in a romantic relationship
And it wasn't like we were an item to start with
We were never really a couple or in a committed relationship
It had no basis in fact
There was no logical or reasonable reason for my feelings of jealousy and anger
But the whiskey could push me to sudden extremes
Drinking alcohol could make me behave impulsively or erratically
I don't wanna think about that, I don't wanna think about that
I don't want to dwell on the past or my dark thoughts and impulses
Take my hand, Marie
Addressing someone named Marie, possibly an old friend or lover
Take a death grip on some part of me
Hold me tight and don't let go, like you're afraid I might slip away
Keep me from drifting far out to sea
Metaphorically, keep me from getting lost or overwhelmed by life
Or I'll be lost out there
Without someone to hold onto, I might feel lost or disconnected
We all drifted away with the days getting shorter
We all grew apart or moved on as time passed and summer turned into autumn
Seeking our place in the greater scheme
We were each trying to find our purpose or meaning in life
Kids and careers and a vague sense of order
Our lives were structured around raising children, pursuing careers, and trying to make sense of the world
Busting apart at the seams
The stresses of life and the complexity of our relationships were causing them to strain and break
I heard you switched coasts, moved in with your sister
I heard that you moved to the other side of the country and began living with a family member
I doubt you'd have called it familial bliss
I suspect that your living situation was less than perfect, despite being with family
We met up in Brooklyn before it went hipster
We reconnected in a part of New York City that was not yet gentrified or trendy
You carried your keys in your fist
You seemed nervous or afraid, and held your keys in a way that could be used as a weapon
In a way back corner of a cross-town bus
We were sitting in the back of a bus that traveled across town
We were hiding out under my hat
We were trying to be discreet or avoid attention by sitting close and staying low
Cashing in on a thirty-year crush
We were acknowledging our mutual attraction that had lasted for three decades
You can't be young and do that
When you're young, you can take risks and do foolish things, but as you get older, you have to be more cautious
And there's not much moving on the romance radar
There is not much romantic activity or potential in my life at the moment
Not that I'm craving it all that much
I'm not particularly eager or desperate for romance or companionship
But I still need to feel every once in a while
However, I still have a human need for connection and intimacy, even if it's not my top priority
The warmth of a smile and a touch
The physical and emotional sensations of being close to someone you care about
Brown rusty contour lines
The fields were no longer green with blooming canola, but instead appeared brown and dried up
And I could've cut his throat
This line is repeated, emphasizing the earlier violent thoughts and jealousy I experienced over someone else flirting with you
I'll be lost out there
Once again, expressing my fear of feeling disconnected or adrift in the world without someone to anchor me
Lyrics © BMG Rights Management
Written by: James McMurtry
Lyrics Licensed & Provided by LyricFind
Maria Lorena Caño
Lyrics to Sing-Along!!!
I was thinking 'bout you, crossing Southern Alberta
Canola fields on a July day
About the same chartreuse as that sixty-nine Bug
You used to drive around San Jose
Never knew where my old white Lincoln might take you
Party on wheels with suicide doors
Bring the kids and the dogs and your grandma too
We always had room for more
'Til that white-knuckle ride back from Santa Cruz
Second-best surfer on the central coast
Had you wrapped up all the way back to Los Gatos
And I could've cut his throat
And it wasn't like we were an item to start with
It had no basis in fact
But the whiskey could push me to sudden extremes
I don't wanna think about that, I don't wanna think about that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
We all drifted away with the days getting shorter
Seeking our place in the greater scheme
Kids and careers and a vague sense of order
Busting apart at the seams
I heard you switched coasts, moved in with your sister
I doubt you'd have called it familial bliss
We met up in Brooklyn before it went hipster
You carried your keys in your fist
In a way back corner of a cross-town bus
We were hiding out under my hat
Cashing in on a thirty-year crush
You can't be young and do that
You can't be young and do that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
Or I'll be lost out there
I was thinking 'bout you crossing Southern Alberta
Canola fields at harvest time
Looked like tumbleweeds all raked up into rows
Brown rusty contour lines
And there's not much moving on the romance radar
Not that I'm craving it all that much
But I still need to feel every once in a while
The warmth of a smile and a touch
And in a way back corner of a cross-town bus
We were hiding out under my hat
Cashing in on a thirty-year crush
You can't be young and do that
You can't be young and do that
You can't be young and do that
You can't be young and do that
Take my hand, Marie
Take a death grip on some part of me
Keep me from drifting far out to sea
Or I'll be lost out there
I'll be lost out there
I'll be lost out there
Source: LyricFind
Hahah funny thing and obviously my nickname is Marie
Jeffery Williams
Cashing in on a thirty year crush - some of this guys lines are absolutely magic
Adam Boozer
"You can't be young and do that" Magic!
Brad Kelley
That's such a great line. When I was describing it to someone, I couldn't remember the phrase "cashing in". I turned it into working on, which is ok, but the 'cashing in' metaphor takes it to another level.
Scott Guffey
Who would have ever thought of that and “Take a death grip on some part of me”? So brilliant and the song is so stirring. Perfection.
Joseph Keough
Take a death grip on some part of me...
Tonya Crego
That one is particularly brilliant
bogglor
I really hope this song earns James a ton more new fans. It's definitely one of the catchiest he's ever written. It's such a great tune. As I was listening to it, I was like damn - if Blake Shelton put this out, it would tear up the charts. I have no doubt in my mind. The chord progression and melody sound like they could have been written by a crack team of Nashville's finest country writers. The lyrics though, whoa, those guys would have nooooo clue. Fortunately we have a genius in James McMurtry that brings us the best of both worlds.
JA
Last album had a few of those too, where if a more mainstream country singer sang it he'd have a big hit. "You Got to Me" could've been his "Make You Feel My Love" but alas...
Curved Slightly
1 more here!
words made of english
@JA My two favorites are still Painting my numbers and Iolanthe.