Jean-François Paillard
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Jean-François Paillard (born April 12, 1928) is a French conductor.

He was born in Vitry-le-François and received his musical training at the Paris Conservatory and the Salzburg Mozarteum.

In 1953, he founded the Jean-Marie Leclair Instrumental Ensemble, which later became the Jean-François Paillard Chamber Orchestra in 1959. The ensemble has made recordings of much of the Baroque repertoire for Erato Records and has toured throughout Europe and the United States. It has also recorded with many leading French instrumentalists, including Maurice André.

Paillard has also appeared frequently as a guest conductor with other orchestras and been active as an author. He edited the series Archives de la Musique Instrumentale and published La musique française classique in 1960.

Retrieved from "http://en.wikipedia.org/wiki/Jean-Fran%C3%A7ois_Paillard"
Categories: French conductors | 1928 births | Living people

Canon In D
Jean-Francois Paillard Chamber Orchestra Lyrics

Jump to: Line by Line Meaning ↴

Our knives say "we're making way for this, the ending."
Stay back, turmoil is across-the-board.
It is making way for... a gaping tear is opening.
This, this is our last broadcast.

We're wrecklessly looking for the truth,
And we'll tear this place apart.
There is hope for us yet.

Hope is there.

Line by Line Meaning

Our knives say "we're making way for this, the ending."
We are preparing for the end and our actions show it.

Stay back, turmoil is across-the-board.
Danger is present in every direction, please keep your distance.

It is making way for... a gaping tear is opening.
A disaster is looming and approaching fast.

This, this is our last broadcast.
This is our final message to our audience.

We're recklessly looking for the truth,
We are searching for the truth without caution or care.

And we'll tear this place apart.
We will stop at nothing to uncover the truth, even if that means destroying everything.

There is hope for us yet.
Despite the challenges and obstacles, we still believe that there is a possibility of a positive outcome.

Lyrics © Kobalt Music Publishing Ltd.
Written by: Cory Brandan Putman

Lyrics Licensed & Provided by LyricFind

To comment on or correct specific content, highlight it

TRACKS

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Comments from YouTube:

@ATA9

5y↑289

Vengo de parte de Jaime Altozano

@Mauricetz

5y↑3

@Estubeny123

4y↑3

Si no de qué.

@charliedavies5617

Vengo llegando con permiso por favor

@pmoranfdez

4y↑4

Es que el barroco, mola

@gustavovillanuevachavez2560

4y↑4

Se pronuncia Pajelbel :v

7 More Replies...

@IRP01

4y↑80

Thank you Jean-Francois Paillard for rediscovering and restoring this masterpiece for the world

@keythdanielsen9315

3y↑3

Actually, I discovered this masterpiece at the end of Ordinary People, one of the greatest movies ever. I asked some friends what was the hauntingly beautiful song at the end and was told The Pachelbel Canon. A love affair started from that moment on.

@tylersimmons9445

2y↑1

@@keythdanielsen9315 Lmao thank you for unearthing this song, it was as lost a few years after the release of Ordinary People

@franzrogar

2y↑3

He did not "restored" this masterpiece at all, he popularized his modified version (because it's in public domain) turning it into "Pachelbel-Paillard's Canon". In fact, he destroyed a baroque piece (fast) turning it into something so slow and boring that it can't even be called "romantic". The original version is this: https://www.youtube.com/watch?v=l8Jjs36bHd4

@joaquinlezcano2372

1y↑3

@@franzrogar Considerando que no puedes disernir muchas melodias en la original, hasta le hizo un favor.

@franzrogar

1y↑1

@@joaquinlezcano2372 la diferencia entre la original y la versión de Paillard es ENORME. Es como decir que es difícil discernir una canción techno de una balada (en cuanto al tempo)...

8 More Replies...

@barbiex1793

4y↑42

"Aquí veo gente llorando en bodas, veo niños siendo concebidos"

Te amo Jaime xd.

@NikoMusic1307

25w↑1

"Aquí veo gente llorando en bodas, veo niños siendo concebidos, bandas sonoras de películas, aqui hay tomate y LO VOY A SACAR"
-Jean Francois Paella

@lorriehig

3y↑67

I believe this rendition by the Paillard Chamber Orchestra is one of, if not the most beautiful performance of this most gorgeous piece of music. I delayed a very important meeting once just to sit in my car with my eyes closed and hear it to its conclusion. The beauty of this music is transcendent and makes me cry, yet filled with hope each time I hear it.

@keythdanielsen9315

3y↑9

You chose the correct expenditure of time.

@MybeautifulandamazingPrincess

Those violins are too high pitched. Sound like a bunch of mosquitoes screaming in my ears

@barristersbakeryllc5213

2y↑2

@truer words have never been spoke It is very very very inaccurate to compare buitifal music making instruments to stupid little mesquitoes

@maureencalabrese6352

2y↑5

I agree with you, Capricious. I feel heaven-bound when I hear it. Paillard was a genius!❤

@salamonthegreat

Well it’s not very authentic in terms of baroque style. Played too romantically like some symphony orchestra. This is a better rendition. https://youtu.be/JvNQLJ1_HQ0

7 More Replies...

@oliviercrenn8811

1y↑8

Quand j'ai besoin de calme , de repos, c'est ce que j'écoute et rien d'autre cela me repose...la beauté de l'interprétation , cette douceur, cette montée en tonalité la rend parfaite..Et pourtant j'en ai écouté des dizaines...c'est vraiment la meilleure

@nedkelly5307

6y↑37

This is quite simply the best piece of music to have been made in the history of mankind. Period.

@cvb94

5y↑4

Amen!

@michaelphalen8759

5y↑3

i could not agree more!

@keythdanielsen9315

3y↑3

7 minutes and 16 seconds of absolute musical ecstacy.

@mildredgarciacabrera813

2y↑2

Rip jean francois paillard 1928-2014

@tatianavancea9180

39w↑3

Sunetul viori ă-mi dă o pace și liniștea sufletească, ador foarte mult cântecul și sunetul instrumentelor Domnul să vă bine cuvinteze!

@acmkti

4y↑67

Grande Jean François Paella!

@fernandacordoba4312

4y↑3

ES PAILLARD .....NO PAELLA!!!

@therandompeeters7485

3y↑8

@@fernandacordoba4312 Paillard Paill Paillar PAELLA

@WilliamAlejandroOrtiz

3y↑5

@@fernandacordoba4312 no entendiste la referencia xD

@NikoMusic1307

25w↑1

"El canon se llama canon porque es un canon"

@ClearBrookRae

3y↑12

This is the "Recovery" piece by Jean-Francois Paillard that put Pachelbel Canon D from obscurity... Beautiful

@bronxboy47

3y↑11

The Musical Heritage Society, based in New Jersey, released their pressing of this Erato recording and brought this work to the astonished attention of thousands of New Yorkers. When it was played on the classical music station, WNCN, the station's switchboard lit up like Christmas with people frantic to know where they could purchase a copy of this wonderful work.

@lmw27if

2y↑7

The most beautiful arrangement. The tears flow and I can't stop them

@denijara

5y↑158

Me encanta esta versión de canon, lo que aprendí es que el barroco mola 🌸

@charliedavies5617

4y↑8

Porque Altozano sabe

@albertoclaudiocantarutti6490

4y↑1

¿qué significa que "el barroco mola"?

@charliedavies5617

4y↑2

@@albertoclaudiocantarutti6490 busca el canal de Jaime Altozano

@47740548

4y↑1

jajajajaj siiiiiii que crak Jaime Altozanoooo!!!!!

@gabrielraymundo

3y↑1

El barroco mola!

7 More Replies...

@Estubeny123

4y↑82

Es interesante saber que sin esta grabación, casi nadie hubiera escuchado jamás esta obra.

@albertoclaudiocantarutti6490

4y↑2

Es cierto, ni hubiéramos sabido que existían el canon ni el Sr Pachelbel

@ruperttmls7985

4y↑3

Alberto Claudio Cantarutti ---- Que absurdo, hay un monton de libros para piano y organo de principios del siglo XX con musica de Pachelbel.

@javiermontoya6260

Así como a nadie le importaría la Gioconda si no la hubieran "robado" en 1911 :v

@therandompeeters7485

3y↑7

@@ruperttmls7985 Hubieron obras que se perdieron de pachelbel y gente como Paillard las rescató
Obviamente si el no hubiese hecho el recopilatorio pues seguiríamos sabiendo quien es pachelbel pero quizas no sabríamos del canon y formaría parte de la lista de obras perdidas :(

@ruperttmls7985

3y↑5

@@therandompeeters7485 Bueno, tienes razón quizás Paillard tuvo su participación como “difusor musical” del canon, como Mendelssohn con Bach o Casella con Vivaldi, que hicieron del conocimiento del público no especializado un compositor u obra en particular.

4 More Replies...

@taniaverhulst8210

5y↑29

Don't know what it is...every time when I "dare" to put on this piece of music I have to stop what I am doing, turn the volume higher, close my eyes...and enjoy. Again, again, again and again.

@cvb94

5y↑5

Dare is the right word. You can only put it on when the lights are off, no one will interrupt you and you can allow yourself to disappear deep into it, and let it pluck your heart with each pluck of the violin strings.

@manuelpena8967

4y↑20

El barroco mola 🙏

@mariaelizabehtalderete1041

5y↑13

Maravilloso Canon!! Gracias a Queen Cure living... a Youtube, a todos, ell@s q dia a dia nos deleitan con tanta, belleza. Y perdon x q no siempre, les agradezco, x q si no fuera x uds. Me perderia de tantos temas de toda indole musical y de esa felicidad de escucharlas. Miiil gracias!!!!!❤❤❤❤👏👏👏👏👏👏

@CatherineC.2123

22w

This is the version from the purple album from way back in the 70's. So glad I finally found it.

@MarioCareyPhD1

4y↑58

I think the reason why this composition evokes such profound emotions is because it is like the music of life itself, beginning with birth, innocence, joy, heartbreak, strength, pain, grace, failure, success, loss, sickness, aging, loneliness, finally being at peace with oneself, death, meeting God in heaven. It is the soul’s existence expressed in notes.

@gerardgarrihy7986

3y↑9

The way you have described it is something that I've felt from the first time I this heavenly piece. However, you eloquently put those feeling into words. God bless you and Johann.

@keythdanielsen9315

3y↑2

Excellent analysis. Makes me love this song even more. And I have always felt it is one of the greatest songs ever written (Along with Bach's Minuet in G).

@freewheeler8924

3y↑5

And it's got a back beat you can't lose it. ;)

@damm1957

2y↑2

I don't think I could have said that any better if I tried. Perfect. Nice someone else sees that!

@rickdicker9604

2y↑1

Uh, yeah. On the other hand, it might just be the way the notes are arranged in ways that are pleasing and harmonious to the ear. And the lush orchestration adds to the effect. But what do I know?

2 More Replies...

@georgzeth

4y↑159

"El Canon se llama Canon porque es un canon "

@luisabrahammoralesespinoza4177

4y↑11

Entendí esa referencia JAJAJAJAJAJA

@alvarotorre4706

4y↑5

Jaime altozano

@honh2846

3y↑2

@@alvarotorre4706 me la agarras con la mano

@malcolm7625

@@honh2846 XD

@nandik6554

Yo también vine por él

2 More Replies...

@jeffsquisito8037

41w↑1

So many covers of Canon D including some rock version from some clowns yet I still come back to this original cover for serenity.

@e.b.4379

39w↑3

02:20 - this is the part that pierces through my heart and brings tears to my eyes every time.

@mariavuotila7215

3y↑5

A piece of heaven

@brianaustin1424

6y↑14

Without doubt this is THE version of this classic piece. It is such a moving and sensitive recording. Thank you for the privilege of listening to it.

@keythdanielsen8316

When the harpsichord comes in at 3:19, oo la la!

@aliciagc2539

5y↑17

The elegance of simplicity. So profound. I struggle to find words that do justice to this masterpiece.

@keythdanielsen8316

All you can do is feel it

@grindylow07

4y↑26

Esta melodía la interpretaron durante mi Paso de la Luz (un momento emotivo durante la graduación y juramento ético de quienes estudiamos enfermería). Pero en realidad vine aquí por Jaime Altozano, ya que el barroco mola. Gracias, señor Jean-Francois Paella, muy bella versión.

@grindylow07

4y↑5

Gracias por la aclaración, pero es una broma llamarlo "Paella", si ves el vídeo que hizo Jaime Altozano sobre esta melodía, lo tendrás más claro. 😉

@grindylow07

4y↑5

Bueno, es cuestión de opiniones; el humor es muy subjetivo.

@therandompeeters7485

3y↑2

@@grindylow07 Maravilloso juagada, adelantandose a los movimientos de su oponente xD

@amarillo1525

@@therandompeeters7485 jjsjsjs

@joncheskin

1y↑2

Apparently this recording had a huge effect on the rise in popularity of this piece, with the slow tempo, added obbligatos and romantic style making it a perfect adaptation for modern wedding processionals, Hollywood soundtracks and general late 20th century easy listening. As a professional cellist, the piece is a complete bore since we get to play the 8 note bass ostinato over and over and over and over and over and over and over again. On the other hand, there is no question that the recording is a heartfelt and sincere rendering that is very appealing for its modern audience.

@LittleOtik

10w

Seul Contre Tous ~ Philippe Nahon! R.I.P 🙏 😢

@JohnDenis61

2y↑4

Ma version préférée !

@williamwisner5153

1y↑2

The first, best recording of this heartbreaking masterpiece.

@clev46

3y↑5

Me pone la piel de gallina. Sin duda de las mejores obras clásicas que se han escrito. Grande, Jean-François Paillard con su interpretación de tan grande tema.

@danpequeno9233

11w

Flawlessly beautiful! I have listened to other interpretations of this composition, but this is the absolute best. Thank You!

@DorisBondonnat

La plus belle version pour moi avec les pizzicatti .Merci

@AJNorth

6y↑21

My first encounter with the Pachelbel Canon in D was through this recording as a college undergraduate in northern NY, ninety miles south of Ottawa, Ontario courtesy of Bob Kerr's weekday afternoon program Off the Record on the CBC.

Each began with, "Good afternoon, friends," and ended with, "A fond good afternoon," and this recording (Paillard's original from 1968, which years later I would learn was considered by many collectors as THE classic recording ― and still is). When Mr. Kerr had enough time to fill, he'd play the entire piece, a special treat.

Decades later and having heard countless performances (including Paillard's later digital recording), this remains at the top. There is, of course, no such thing as a perfect performance; having said that, this is the exception which proves that rule.

@HarryThorpe2010

6y↑2

Perfectly stated. Thank you for sharing your lovely words!

@cvb94

5y↑4

When I would be listening to Bob Kerr's show in the car and this song would come on, it moved me so deeply that I would have to pull over to the side of the road, shut my eyes and just listen. It was so physically overwhelming to me that I could not drive safely and listen to it.

@yabwee2

3y↑1

Which school? I went to Crane myself :)

@AJNorth

@@yabwee2
Clarkson.

@HarryThorpe2010

6y↑41

I heard this version for the first time in the early 80s and fell hopelessly in love with it. I think it is a perfectly constructed piece of music, full of love, hope, compassion, trust and beauty. Hearing this version confers absolution to all who hear it (I stole that from Amadeus). I don't know if I believe in a god, but I do believe that if anything in this life has been inspired, it is this music. We humans are capable of such hate and fear. It is encouraging to realize that we are also capable of holding love and beauty in our tiny hands.

@sonyafromtheh6225

I love that ♥️♥️

@lmw27if

2y↑2

Ordinary People ending credits is where I first heard

@emmajane646

I assure you my friend, God is very real. The music in heaven far exceeds even this in its beauty. If sinful humans can make this, imagine what the heavenly choir sounds like.

@classicalwit

Everyone, take a listen of Brian Eno's rearrangement of the Pachelbel Canon on his album 'Discreet Music'.

@JJKSeattle

10y↑55

This has been my favorite version since this recording was released in 1979!

@vallievi

5y↑1

so has it been mine

@Tolstoy111

4y↑11

It was released in 1968.

@alvarotorre4706

4y↑3

There are no more official versions of Paillard canon. Just this one

@bronxboy47

3y↑4

@@Tolstoy111 The Musical Heritage Society, based in New Jersey, released their pressing of this Erato record in 1968. When it was played on classical music station WNCN in NYC, the station's switchboard lit up like a Christmas tree, and Pachelbel's Canon became an overnight talk of the town.

@keythdanielsen8316

@@bronxboy47 How very cool.

@4947rach

4y↑6

this music saved my life. thank you so much for the joy of this version.

@lelaleslo

28w

Most beautiful and sublime.

@laurentstuderlafontaine8077

4y↑2

La plus belle interprétation du Canon de Pachelbel

@sandrataboada4691

4y↑25

"Aquí hay gente llorando en bodas,
Hay niños siendo concebidos,
Bandas sonoras de películas,
AQUÍ HAY TOMATE Y LO VOY A SACAR"

~Jean Francois Paella

@NikoMusic1307

25w↑1

Que te digo? El barroco mola

@realmichaelkingsbury

5y↑16

Greatest rendition, most sensitive and heartfelt. Thank you so much for giving me hope for this world of genocide and suffering.

@mariaelizabehtalderete1041

5y↑7

Incomparable belleza!! Sin palabras!!!🥰❤❤❤❤🌺🌺🌺🌺🎻🎻🎻🎻🎵🎵🎵🎹🎹🎹

@user-dk6xy2ex1c

3y↑1

パイヤールのこのカノンは、何度聴いても、その品の良さと優美さに包まれて、優しい気持ちになって来る。名演だと思う。

@kaleckisan7263

4y↑10

Dios, que maravilla...esta obra maestra es un deleite musical de los dioses para los simples humanos y de solo escucharlo, no sé si todavía sigo en la tierra o estoy en el cielo.

@Celtic-Films

4y↑3

It is almost as if all of Life unfolds, in this work of art.

@williamwisner5153

1y↑1

When you first recorded this for MHS in the seventies I was falling in love for the first time. Patty was a pianist. This is our song all these years later.

@foolkid7754

2y↑3

me encanta esta música🎵🧸🧸 yo tengo pocos años vividos pero me encanta imaginarme mi casamiento, familia, hijos y es hermoso

@claudepasquis9303

2y↑3

Cette version mérite beaucoup plus de vues ! 4:40 à 7:10 Sublime !

@mariamincu8427

39w

This music comes straight from Heaven. Thank you for bringing joy to my heart. Classical music is immortal!

@vanderleitrindademachado9715

4y↑2

Conheci esta música no avião das Aerolineas Argentinas no voo Buenos Aires/Madrid em 28/09/2004. Foi esta versão que ouvi no avião e a que mais me encantou. Jean-François Paillard. Marcou-me tanto esta melodia (de 1688). Creio já conhecê-la em encarnações anteriores. Vanderlei - Brasil.

@Elrepre

4y↑46

Señor youtube, porque me recomiendas esto tiempo después de ver el video de jaime altozano, el youtube esta atento a todo lo que vemos jajajaj no hay ninguna duda

@flazhmarco

4y↑1

De hecho en el vídeo de Jaime una de las miniaturas es éste vídeo xD

@canOoOo

@bowman05

5y↑7

This is the first recording I ever heard of this work and is without doubt the best.
The grace and and inevitability of this music and recording never fails to move me.
Well done. Jean-François Paillard.
By the way years later he again recorded with with a different ensemble and it doesn’t come close.

@charlessomerset9754

4y↑4

The definitive and best. The dissonant swell just for a moment near the end can be found in no other, and is breathtaking in a piece already perfect to begin with.

@mjaldrich7

34w

What time mark is the swell you speak of? I want to see if it’s the same part I always get chills and teary eyed

@timirish2563

5y↑8

Recorded on period instruments, this remains the first and best contemporary version--as close to the original as it gets. It is so original, Robert Redford gave it a thanks-to credit on his film Ordinary People for its influence on Marvin Hamlisch's score.

@muzluv33

21w↑1

Paillard's orchestra uses modern instruments not period ones. For comparison listen to say Hogwood or Pinnock (theirs are with period instruments) and you will hear the difference. The lack of vibrato in period strings for one. Also Paillard's ultra slow tempo would not be feasible on period strings due to the smaller size of the instruments and the bows. Please compare the interpretations and see what I mean.

@paullee6256

2y↑4

I was 13 when this exact piece by Paillard was introduced to me. Now at 58, as TS Elliot wrote "The end of all our exploring will be to arrive where we started."; rendition after rendition, it is still this Paillard interpretation that best represents my life's journey to date. There is no other and maybe this was why as a boy, without knowing what lay ahead, I was so captivated. I seem to know a bit better now... Thank you uploader and thank you Paillard.

@paullee6256

40w↑1

Simply echoing your sentiment. I was 13 (born 64) when my little sweet heart introduced me to this piece, exactly as this recording on a vinyl album that belonged to her elder sister. Now nearly 59, and after hearing other interpretations and renditions, and also having gone through life's twists and turns, I am back to this wonderful piece by Paillard. As you have so well put, I was captivated ... and now know a bit better. Simply wonderful ! Thank you

@gustavozuniga8793

5y↑45

El barroco mola :)

@gabrielraymundo

Exacto!

@fernandocunzaarana9368

4y↑5

Gracias Pachebel y Payllard por la excelente mùsica que han dado a la humanidad.

@charlessomerset9754

4y↑2

A simple and elegant precision of composition unmatched by any other canon. I suspect that there is a hidden mathematical formula for perfection in emotive composition that we have not discovered yet. Once discovered and applied to this masterpiece, it will reveal a correlation that is undeniable. Few things in life are this beautiful.

@fredhoupt4078

In memory of the late beloved CBC radio host, Bob Kerr. This music, this performance is all wrapped up in one big ball of love. Canadians of a certain age will remember and shed a tear.

@4947rach

4y↑4

this music saved my life.

@charlessomerset9754

Me too, Rachel. Specifically this version which to me is the definitive one.

@keythdanielsen9315

You'll have to share how.

@davemoff8232

4y↑2

One word......Beautiful

@cheemurai8542

3y↑1

Allez Allez Allez

@firstordercommandergames2542

3y↑2

Such timeless classical music...sounds if heaven!

@IAmVictorHugo

3y↑3

Qué bueno no ser el único que vino de parte de Jaime, jajajajajaja.
¿Sabrá él que en el video que hizo sobre esta obra de arte logró enamorar a muchos de la música a través de esa magia que hizo explicando el Canon? ♥

@spcortega9194

4y↑14

Yo tambien vengo de parte de Jaime Altozano

@parsnipmcgee329

5y↑4

At last, my favorite! What a long search! If only I'd thought to ask for directions.

@chiregio58

5y↑2

Magnifique version !!!

@brunomadero7054

4y↑5

Gracias a señor Paillard, tenemos Memories de Maroon 5.

@ogladaczr.t.3168

3y↑2

best music ever

@brido2000

48w

Absolutely beautiful piece of music .😊❤

@carolparker1255

2y↑2

This touches the soul like no other.

@garydavidderby

I'll always be coming back to listen to this great conductor

@fabriciodenardi8884

16w

Simplesmente a maior peça de música da história da humanidade. A Orquestra de Câmara de Jean-Fraçois Paillard fez as pessoas redescobrirem esse tesouro de Pachelbel.

@rivet02

17w

Bravissimo!

@frankerceg1450

This piece. the "Canon in D", first caught my attention with and on, "The GE Lightbulb Commercial", in 1981, and, then, it really caught my love and Attention on and with the movie, "Ordinary People", in 1980! Yes, I love all types and forms of Classical Music by all composer's, but, I have to admit, that, this one by far has to be my all-time favorite! Thank you Jean-Francous Paillare, along with your orchestra, for doing the best version of this and most popular version of all time! Keep this going! Thank you!

@salamonthegreat

Not the best version. This is played like a late romantic symphony, rather than a baroque consort. This is a better rendition https://youtu.be/JvNQLJ1_HQ0

@garydavidderby

6y↑2

I've been away , I've come back again to this

@evabordalas4910

3y↑3

Una maravilla,una obra maestra!!

@noabaak

5y↑2

Once I sent this music to my loved one hoping that she might find someone worth marrying for. Now a year later I replay riding on M1 thru Madison Ave. - NYC, 9/13/2019

@Celtic-Films

A great recording of this masterpiece. It is what life is about, what living is for -- to hear this music.

@fabbel1913

Best version ever. Thanks.

@roniarenas3870

39w

Desde Joven escuchando las versiones de Jean Francois Paillard .

@RickEVengeance

6y↑3

I too used to listen to Bob Kerr's show but this was while working at the Book Cellar at Yonge & Charles in Toronto in the early 70's. Bob's show was de rigueur listening in the afternoons, he introduced me to heaps of good music including Alan Stivell, the harp player from Brittany. The other bookend of the show was Bergamasca from Respighi's Airs & Dances conducted by Dorati....Wonderful stuff. You had to hunt for this stuff back then, now it's only a click away.

@mattshum1350

I love your sentence: "You had to hunt for this stuff back then, now it's only a click away." I miss those days when you collected classical music one LP at a time, and savored each LP before pondering what to get next. That adventure and magic of discovery is largely gone nowadays (sigh...)

@keythdanielsen9315

@@mattshum1350 It was like that when I joined the Musical Heritage Society and got their catalog every six weeks.

@carlosgonzalezalatorre8132

7y↑4

La mejor interpretación que he escuchado de éste glorioso Canon.....

@-dimitris

1y↑2

Paillard's romantic rendition may be outdated now, but it is still beautiful in its own rights. Along with Remo Giazotto's "Albinoni's Adagio". Both not Baroque though.

@colgatetoothpaste4865

3y↑1

Is beautifully beyond this world and beyond space and time

@ericodionneviglione9426

3y↑1

"This is Bob Kerr wishing you a very fond good afternoon."

@ordjk4797

just discovered this recording and it’s wonderful ! great work

@user-we6my3ce6h

こんにちわ！アツプありがとうございます♪私、何か、カノン、好きです♪♪♪不思議だけど、涙が出ます🥲🥲美しいです♪♪♪ありがとうございます♪♪♪

@babyblueboy692008

Absolutely Wonderful ! ❤

@estebanmendez2375

Escuchamos en Radio 13 con Paillard Chamber,Gente como uno.
NUESTRO SONIDO ES IMAGEN

@garydavidderby

ITS STILL PART OF MY IN MY 80S TO MY END

@jeandupondt9499

4y↑1

Ma meilleure interprétation, qui reste intemporelle!

@guirojas1

5y↑61

Like si llegaste por Jaime

@ricardom.8447

21w

Great Go West cover!

@JWT7745

4y↑1

Божественная музыка!

@wahyusugiyono2752

Arasemen lagu yang indah dan banyak yang mengkover lagu ini..👍..salam +62

@user-lw3ww7io1z

6y↑1

心から涙が溢れてくる感覚です。

@carolparker1255

3y↑1

❤ beyond compare.

@alfredocastillomoreno6191

4y↑24

Aquí hay tomate y lo voy a sacar.

@Seisges

4y↑3

Creo que el éxito de esta versión se debe a que la cadencia respiratoria de quien lo escucha, se acopla a la cadencia respiratoria del propio Canon....si....el Canon respira!!!! el bajo continuo , el ostinato chelo hace las veces de pulmón, inspirando y exhalando, es el eje del Canon, como la respiración es el eje de nuestra vida. Asi que nuestras almas y cuerpos se funden rápidamente en un solo ser vivo con el Canon...que sencillamente vibra y respira, es como una llave para acceder al éxtasis. Los pulmones son el metrónomo y el corazón se convierte en el diapasón que da el tono a nuestras emociones...y eso te llena de endorfinas y te coloca....y te lleva a decir toda esta sarta de lo que se podrían llamar "disonancias y armonías psicoespirituales".....me mola drogarme con el Barroco.