John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his masterful and idiosyncratic blues guitar and singing. His best known songs include "Boogie Chillen" (1948) and "Boom Boom" (1962).
There is some debate as to the year of John Lee Hooker's birth, 1915, 1917, 1920, and 1923 have all been cited, 1917 (the date on his grave marker in Oakland, California) is the one most commonly cited although Hooker himself claimed, at times, 1920.
Hooker was the youngest of the eleven children of William Hooker (1871–1923), a sharecropper and a Baptist preacher, and Minnie Ramsey (1875–?).
Hooker and his siblings were home-schooled. They were permitted to listen only to religious songs, with his earliest musical exposure being the spirituals sung in church.
In 1921, his parents separated. The next year, his mother married William Moore, a blues singer who provided John's first introduction to the guitar (and whom John would later credit for his distinctive playing style). The year after that (1923), John's natural father died; and at age 15, John ran away from home, never to see his mother and stepfather again.
He was a cousin of Earl Hooker,
Throughout the 1930s, Hooker lived in Memphis where he worked on Beale Street and occasionally performed at house parties. He worked in factories in various cities during World War II, drifting until he found himself in Detroit in 1948 working at Ford Motor Company. He felt right at home near the blues venues and saloons on Hastings Street, the heart of black entertainment on Detroit's east side. In a city noted for its piano players, guitar players were scarce. Performing in Detroit clubs, his popularity grew quickly, and seeking a louder instrument than his crude acoustic guitar, he bought his first electric guitar.
Though he stuttered slightly in his normal speech, he performed in a half-spoken style that became his trademark. Rhythmically, his music was free, a property common with early acoustic Delta blues musicians. His vocal phrasing was less closely tied to specific bars than most blues singers'. This casual, rambling style had been gradually diminishing with the onset of electric blues bands from Chicago but, even when not playing solo, Hooker retained it in his sound.
Hooker's recording career began in 1948 with the hit single, "Boogie Chillen" cut in a studio near Wayne State University.
Despite being illiterate, he was a prolific lyricist. In addition to adapting the occasionally traditional blues lyric (such as "if I was chief of police, I would run her right out of town"), he freely invented many of his songs from scratch. Recording studios in the 50s rarely paid black musicians more than a pittance, so Hooker would spend the night wandering from studio to studio, coming up with new songs or variations on his songs for each studio. Due to his recording contract, he would record these songs under obvious pseudonyms such as "John Lee Booker," "Johnny Hooker", or "John Cooker".
His early solo songs were recorded under Bernie Besman.
John Lee Hooker rarely played on a standard beat, changing tempo to fit the needs of the song. This made it nearly impossible to add backing tracks. As a result, Besman would record Hooker, in addition to playing guitar and singing, stomping along with the music on a wooden palette.
John Lee Hooker's guitar playing is closely aligned with piano Boogie Woogie. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of trills, done by rapid hammer-ons and pull-offs. The songs that most epitomize his early sound are "Boogie Chillen," about being 17 and wanting to go out to dance at the Boogie clubs, "Baby Please Don't Go," a more typical blues song, summed up by its title, and "Tupelo," a stunningly sad song about the flooding of Tupelo, Mississippi.
He maintained a solo career, popular with blues and folk music fans of the early 1960s and crossed over to white audiences, giving an early opportunity to the young Bob Dylan. As he got older, he added more and more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing.
In 1989 he joined with a number of musicians, including Keith Richards and Carlos Santana to record The Healer, which won a Grammy award — one of many awards.
He fell ill just before a tour of Europe in 2001 and died soon afterwards at the age of 83.
Hooker recorded over 100 albums and lived the last years of his life in San Francisco, California, where he licensed a nightclub to use the name Boom Boom Room, after one of his hits.
Among his many awards, John Lee Hooker has a star on the Hollywood Walk of Fame.
In 1991 he was inducted into the Rock and Roll Hall of Fame. Two of his songs, "Boogie Chillen" and "Boom Boom" were named to the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
John Lee recorded several songs with Van Morrison, including "Never Get Out of These Blues Alive", "The Healing Game" and "I Cover the Waterfront". He also appeared on stage with Van Morrison several times, some of which was released on the live album "A Night in San Francisco".
John Lee also recorded in the sixties with british blues band The Groundhogs. These recordings are still available as a CD "John Lee Hooker with The Groundhogs". More importantly, Hooker recorded with the Blues-rock outfit Canned Heat, delivering the album 'Hooker N' Heat' in 1971. Hooker was influential and topical even in his lifetime, as evidenced in the MC5 cover of "Motor City's Burning" on their first album, recorded almost immediately after the riots which are the song's topic.
Sinner's Prayer
John Lee Hooker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lord have mercy, Lord have mercy on me
Well if I've done somebody wrong, Lord, have mercy if you please
I used to have plenty of money, the finest clothes in town
But bad luck and trouble overtaken me, bound to get me down
Please have mercy, Lord have mercy on me
Well if I've done somebody wrong, Lord, have mercy if you please
Keep on working now, child
Lord every morning
Well if I've been a bad boy, baby, I declare I'll change my ways
I don't want bad luck and trouble to follow me all my days
Please have mercy, Lord have mercy on me
Well if I've done somebody wrong, Lord, have mercy if you
please
In John Lee Hooker's song "Sinner's Prayer," the lyrics reveal a deep sense of remorse and repentance as he pleads with the Lord for mercy. The song opens with the repeated phrase "Lord have mercy, Lord have mercy on me," emphasizing the singer's plea for forgiveness. Hooker then states that if he has wronged someone, he begs the Lord to have mercy on him. The singer then reflects on his past wealth and how he has been plagued by "bad luck and trouble." Despite his troubles, the singer continues to work and pleads with the Lord to have mercy on him if he has done wrong.
The theme of repentance and seeking mercy from a higher power is a common theme in gospel and blues music, and "Sinner's Prayer" is no exception. The singer in this song acknowledges his past mistakes and asks for a chance to change his ways. The song has a sense of urgency with its steady beat and the repetition of the plea for mercy, creating a mood of sincerity and desperation.
Line by Line Meaning
Lord have mercy, Lord have mercy on me
I ask for the mercy of the Lord in my life.
Lord have mercy, Lord have mercy on me
I ask for the mercy of the Lord in my life.
Well if I've done somebody wrong, Lord, have mercy if you please
If I've wronged anybody, I ask the Lord for mercy.
I used to have plenty of money, the finest clothes in town
I was once wealthy and dressed in the best clothes in the city.
But bad luck and trouble overtaken me, bound to get me down
Unfortunately, I've encountered bad luck and hardships, which have weighed me down.
Please have mercy, Lord have mercy on me
I plead with the Lord to have mercy on me.
Well if I've done somebody wrong, Lord, have mercy if you please
If I've wronged anybody, I ask the Lord for mercy.
Keep on working now, child
Keep pushing and working hard, my child.
Lord every morning
In the morning, I pray for mercy and strength from the Lord.
Well if I've been a bad boy, baby, I declare I'll change my ways
If I've been mischievous, I promise to change my ways.
I don't want bad luck and trouble to follow me all my days
I don't want to be plagued with bad luck and hardships for the rest of my life.
Please have mercy, Lord have mercy on me
I plead with the Lord to have mercy on me.
Well if I've done somebody wrong, Lord, have mercy if you please
If I've wronged anybody, I ask the Lord for mercy.
Lyrics © Warner/Chappell Music, Inc.
Written by: LLOYD C. GLENN, LLOYD C., SR. GLENN, LOWELL FULSON
Lyrics Licensed & Provided by LyricFind