Honey Hush
Johnny Burnette The Rock 'N' Roll Trio Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come in this house, stop all that yakety-yak
'Cause your sugar daddy don't want no talkin' back
You keep on a-tellin', talking 'bout this and that
You keep on a-talkin', talking 'bout this and that
I got news for you, you ain't nothing but an alleycat
Turn off the waterworks baby, they don't move me no-more
When I leave this time, I ain't com' back no-more
Honey hush! Oow!
I said come in this house, stop all that yakety-yak
Come on in this house woman, stop all that yakety-yak
Don't make me nervous, I'm holdin' a baseball bat
Well it's a hi-ho, hi-ho silver
A hi-ho, a hi-ho silver, hi-ho, a hi-ho silver
Hi-ho, hi-ho silver
Hi-ho, hi-ho silver away
The lyrics to Johnny Burnette's song "Honey Hush" revolve around the singer's frustration with their partner's incessant talking and lack of action. They demand that their partner stop all the "yakety-yak" and disobedience, asserting their authority as the "sugar daddy" who doesn't tolerate "talkin' back." The singer then declares that they're tired of their partner's emotional manipulation tactics, urging them to "turn off the waterworks" because it no longer affects them. They threaten their partner and brandish a baseball bat to demonstrate the seriousness of the situation. The song ends with a "hi-ho, silver" call and response, suggesting that the singer is taking control of the situation and riding off into the sunset.
Line by Line Meaning
Well, come in this house, stop all that yakety-yak
Come into the house and stop your ceaseless and annoying chatter.
Cause your sugar daddy don't want no talkin' back
Your wealthy and indulgent partner, for whom you dare to talk back, doesn't appreciate it.
You keep on a-tellin', talking 'bout this and that
You continue to chatter endlessly about the most insignificant of things.
I got news for you, you ain't nothing but an alleycat
Your loose, carefree, and promiscuous ways would only make a stray cat proud.
Turn off the waterworks baby, they don't move me no-more
Stop shedding crocodile tears, they no longer evoke any sympathy from me.
When I leave this time, I ain't com' back no-more
This time when I leave, I'm not returning.
Honey hush! Oow!
Quiet down and keep it to yourself!
Don't make me nervous, I'm holdin' a baseball bat
Don't make me anxious, as I have a baseball bat in hand.
Well it's a hi-ho, hi-ho silver
An upbeat vocalization to capture the song's rhythm.
A hi-ho, a hi-ho silver, hi-ho, a hi-ho silver
A repeated upbeat vocalization to capture the song's rhythm.
Hi-ho, hi-ho silver
Another repetition of an upbeat vocalization to capture the song's rhythm.
Hi-ho, hi-ho silver away
An energetic flourish to end the song with enthusiasm.
Lyrics © Universal Music Publishing Group
Written by: J. MAYO WILLIAMS
Lyrics Licensed & Provided by LyricFind
@aaronstandingbear
Well, come in this house, stop all that yakety-yak
Come in this house, stop all that yakety-yak
'Cause your sugar daddy don't want no talkin' back
You keep on a-tellin', talking 'bout this and that
You keep on a-talkin', talking 'bout this and that
I got news for you, you ain't nothing but an alleycat
Turn off the waterworks baby, they don't move me no-more
Turn off the waterworks baby, they don't move me no-more
When I leave this time, I ain't com' back no-more
Honey hush! Oow!
I said come in this house, stop all that yakety-yak
Come on in this house woman, stop all that yakety-yak
Don't make me nervous, I'm holdin' a baseball bat
Well it's a hi-ho, hi-ho silver
A hi-ho, a hi-ho silver, hi-ho, a hi-ho silver
Hi-ho, hi-ho silver
Hi-ho, hi-ho silver away
@klintoldham596
Paul Burlison is playing the fuzz guitar on this song and the ''Train Kept a Rollin'''. He got the sound on accident: Among its notable features, "Train Kept A'Rollin'" and ''Honey Hush'' displayed a ground-breaking fuzzed guitar. This resulted from an accident, when a valve in the amplifier of the guitarist Paul Burlison came loose before a gig in Philadelphia. The distorted sound that resulted proved so popular that Burlison intentionally repeated it in future performance. It is noted as one of the first uses of guitar distortion on a recorded session. Grady Martin was also playing guitar on some takes from this album but not these two songs. He played a fuzz guitar the first time on Marty Robbins the song ''Don't Worry'' recorded in 1961.
@Flint3162
It's not "fuzz" guitar, but have a listen to Junior Barnard with Bob Wills play the Fat Boy Rag!
@lrn_news9171
Rockabilly boogie features this fuzz sound too
@leoseries
I think the guitar was played by Grady Martin on this.
@rogeliocalderonmare1
Fortunately, in 1981, this LP was released in my country (Mexico) for first time. I still own a copy and as I learned to take care of them (I became a collector) it is in an excellent state after more than 35 years.
@andrewmckay9329
Same here I have a copy too and a good Rockabilly collection.
@brutonano9521
Chingon.
@mahmudmarsudi4430
Worth usd 1500 in USA
@johncoughlin7054
Love this distorted guitar and menacing feel. Great lyrics also. 1950's so over looked by the 60's
@azarakbari3053
50's is so much better than 60's