Jordan was recognized by his 2nd grade teacher as an exceptional piano player, and was immediately given professional tuition to enhance his prodigious talents. By the age of nine he entered the prestigious Julliard School of Music Pre-College Division for classical piano training, but by his late teens he had grown increasingly interested in synthesizers and progressive rock music. Against the advice and wishes of his parents and tutors, he decided to turn away from classical piano and try his hand as a solo prog rock keyboardist.
After performing in various projects during the 1980s, he gained national attention in 1994 when he was voted "Best New Talent" in the Keyboard Magazine readers' poll after the release of his Listen solo album.Two of the bands who took notice of the up and coming young star were Dixie Dregs and Dream Theater, both of whom invited him to join their respective bands. Jordan chose the Dregs primarily because being a part-time member of the band would have less of an impact on his young family, a choice he wasn't given with Dream Theater.
During his time with the Dregs, Jordan formed a so-called "power duo" with drummer Rod Morgenstein. The genesis of this pairing occurred when a power outage caused all of the Dregs' instruments to fail except Jordan's, so he and Rod improvised with each other until power was restored and the concert could continue. The chemistry between the two was so strong during this jam that they decided to perform together on a regular basis (under the name Rudess/Morgenstein Project or later RPM) and have since released a studio and a live record.
Jordan encountered Dream Theater once again when he and Morgenstein secured the support slot on one of Dream Theater's North American tours.
In 1997, when Mike Portnoy was asked to form a supergroup by Magna Carta Records, Jordan was chosen to fill the keyboardist spot in the band, which also consisted of Tony Levin and Mike's Dream Theater colleague John Petrucci. During the recording of Liquid Tension Experiment's two albums, it became evident to Mike and John that Jordan was precisely what Dream Theater needed. They asked Jordan to join the band, and when he accepted they released their then-keyboardist Derek Sherinian to make way for Jordan.
Jordan has been the full-time keyboardist in Dream Theater since the recording of 1999's Metropolis Pt. 2: Scenes From a Memory. He has recorded 8 other studio albums since then; 2002's Six Degrees of Inner Turbulence, 2003's Train of Thought, 2005's Octavarium, 2007's Systematic Chaos, 2009's Black Clouds & Silver Linings, 2011's A Dramatic Turn of Events, 2013's Dream Theater, and 2016's The Astonishing. In addition, he has appeared on the live albums Live Scenes From New York, Live at Budokan, Score, Chaos in Motion, Live at Luna Park, and Breaking the Fourth Wall.
While most keyboard players in rock bands tend towards bringing numerous keyboards on stage, Rudess took full advantage of the possibilities offered by the Kurzweil K2600xs during his usage from the 1990's to 2004. Often sampling sounds from other keyboards, Rudess creates a series of setups, each of which maps different sounds to different layers and key ranges of the keyboard controller; these setups are then arranged in the order they will be required for a gig, and cycled through one at a time with a control pedal.
While Rudess' physical method of changing live setups will more than likely remain the same, his choice of hardware to implement this changed as of 2005. Citing a need for better tour support and more current technologies (his Kurzweil 2600's maximum sample memory of 128 MB had become insufficient for his touring needs) Rudess switched keyboard endorsements from Kurzweil to Korg's new flagship Korg Oasys workstation (which supports up to 1.5gb of sample memory [1]), which he uses on tour with Dream Theater along with a Receptor and a Haken Continuum triggering a Roland V-Synth and a Synthesizers.com Modular.
Studio Equipment
* Korg Oasys
* Haken Audio Continuum Fingerboard
* Muse Research Receptor
* Kurzweil K2600xs fully loaded 88 note weighted keyboard
* Kurzweil K2600 Rack modules
* Kurzweil K2000VP keyboard
* Kurzweil PC2 rack
* Minimoog
* Roland V-Synth
* Synthesizer.com Modular Synth
Virtual Instruments
* MOTU Mach 5
* MOTU MX4 Soft Synth
* Korg Legacy
* Spectrasonics Atmosphere
* Spectrasonics Trilogy
* Spectrasonics Stylus
* Native Instruments Komplete 2
* Native Instruments Absynth
* Native Instruments B4
* Native Instruments Guitar Rig
* Native Instruments FM7
* Native Instruments Pro 53
Live Rig
* Korg OASYS 88
* Freehand Systems Music Pad Pro
* Muse Receptor
* Synthesizers.com Custom Modular Synth
* Haken Continuum Fingerboard
* (2)Roland V-Synth XT
* Lap Steel Guitar
* Mackie 1604VLZ Pro Mixer
* APS Power backup
* Glyph and Iomega Hard drives
Discography
Solo albums
* Arrival (Cassette) (1988)
* Listen (CD) (1993)
* Secrets of the Muse (CD) (1997)
* Resonance (CD) (1999)
* Feeding the Wheel (CD) (2001)
* 4NYC (CD) (2002)
* Christmas Sky (CD) (2002)
* Rhythm of Time (CD) (2004)
* The Road Home (CD) (2007)
* Notes on a Dream (CD) (2009)
* All That Is Now (CD) (2013)
* Explorations (CD) (2014)
* The Unforgotten Path (CD) (2015)
With Dream Theater
* Metropolis Pt. 2: Scenes from a Memory (CD) (1999)
* Live Scenes from New York (DVD/3CD) (2001)
* Six Degrees of Inner Turbulence (2CD) (2002)
* Train of Thought (CD) (2003)
* Live at Budokan (2DVD/3CD) (2004)
* Octavarium (CD) (2005)
* Score (2DVD/3CD) (2006)
* Systematic Chaos (CD) (2007)
* Chaos in Motion (2DVD/3CD) (2008)
* Black Clouds & Silver Linings (CD; 3CD/DVD) (2009)
* A Dramatic Turn of Events (CD) (2011)
* Dream Theater (CD) (2013)
* Live at Luna Park (2DVD/3CD) (2013)
* Breaking the Fourth Wall (2DVD/3CD) (2014)
* The Astonishing (2CD) (2016)
Project Albums
* Rudess/Morgenstein Project (CD) (1997)
* An Evening with John Petrucci and Jordan Rudess (CD) (2001)
* Rudess/Morgenstein Project - The Official Bootleg (CD) (2001)
With Liquid Tension Experiment/Liquid Trio Experiment
* Liquid Tension Experiment (CD) (1998)
* Liquid Tension Experiment 2 (CD) (1999)
* Spontaneous Combustion (CD) (2007, as Liquid Trio Experiment)
* When the Keyboard Breaks: Live in Chicago (CD) (2009, as Liquid Trio Experiment 2)
* Liquid Tension Experiment Live 2008 (6CD/2DVD/BR) (2009)
Guest Appearance
* Vinnie Moore - Time Odyssey (1988)
* Noirin Ni Riain - Celtic Soul (1996)
* Explorers Club - Age Of Impact (1998)
* Rhonda Larson - Free as a bird (1999)
* Paul Winter and The Earth Band - Journey With The Sun (2000)
* Scott McGill - Addition by Subtraction (2001)
* Prefab Sprout - The Gunman And Other Stories (2001)
* David Bowie - Heathen (2002)
* Jupiter - Echo and Art (2003)
* Neal Morse - ? (2005)
* Daniel J - Losing Time (2005)
* Steven Wilson - Insurgentes (2008)
* Neil Zaza - When Gravity Fails (Not yet released)
Other
* Speedway Boulevard - Speedway Boulevard (CD) (1981)
* Steinway to Heaven - Chopin's "Revolutionary Etude (Op. 10, No. 12)" (1996)
Tarkus
Jordan Rudess Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Instrumental)
II. Stones Of Years
Has the dawn ever seen your eyes?
Have the days made you so unwise?
Realize, you are.
Then you'd know how the waters rhyme,
Taste of wine,
How can you know where you've been?
In time you'll see the sign
And realize your sin.
Will you know how the seed is sown?
All your time has been overgrown,
Never known.
Have you walked on the stones of years?
When you speak, is it you that hears?
Are your ears bone?
You can't hear anything at all.
III. Iconoclast
(Instrumental)
IV. Mass
The preacher said a prayer.
Save ev'ry single hair on his head.
He's dead.
The minister of hate had just arrived to late to be spared.
Who cared?
The weaver in the web that he made!
The pilgrim wandered in,
Commiting ev'ry sin that he could
So good...
The cardinal of grief was set in his belief he'd saved
From the grave
The weaver in the web that he made!
The high priest took a blade
To bless the ones that prayed,
And all obeyed.
The messenger of fear is slowly growing, nearer to the time,
A sign.
The weaver in the web that he made!
A bishops rings a bell,
A cloak of darkness fell across the ground
Without a sound!
The silent choir sing and in their silence,
Bring jaded sound, harmonic ground.
The weaver in the web that he made!
V. Manticore
(Instrumental)
VI. Battlefield
Clear the battlefield and let me see
All the profit from our victory.
You talk of freedom, starving children fall.
Are you deaf when you hear the season's call?
Were you there to watch the earth be scorched?
Did you stand beside the spectral torch?
Know the leaves of sorrow turned their face,
Scattered on the ashes of disgrace.
Ev'ry blade is sharp; the arrows fly
Where the victims of your armies lie,
Where the blades of brass and arrows reign
Then there will be no sorrow,
Be no pain.
VII. Aquatarkus
(Instrumental)
Jordan Rudess's song Tarkus is a multi-part instrumental piece that captures a diversity of emotions, moods, and themes. The song is divided into seven parts with each section drawing from different musical influences and styles. The first part, Eruption, is an instrumental that sets the stage for the rest of the song with its explosive energy and intricate keyboard melodies. The following section, Stones of Years, is a deep introspection that symbolizes self-realization and awareness. The lyrics ask thought-provoking questions about one's existence and journey through life. The third section, Iconoclast, is another instrumental that picks up the tempo and introduces a playful, jazzy vibe.
The fourth part, Mass, is a commentary on religious power structures and how they manipulate and control people. The lyrics describe a series of hypocritical characters who hold positions of authority and use their power to exploit others. The fifth part, Manticore, is another instrumental that shifts the tone to a darker, cinematic sound. It creates an eerie atmosphere and dramatic tension, hinting at upcoming conflict. The sixth part, Battlefield, is a reflection on the human cost of war. The lyrics are critical of the violence and destruction caused by war, exposing the hypocrisy of those who claim to pursue freedom and justice but only cause more suffering. The final part, Aquatarkus, is a fitting conclusion that returns to the bombastic energy of the beginning. It features complex rhythms and virtuosic keyboard performances, bringing the song to a thrilling climax.
Line by Line Meaning
Has the dawn ever seen your eyes?
Have you ever truly been awake and aware in your life?
Have the days made you so unwise?
Have you not learned from the many days you've lived?
Realize, you are.
Acknowledge your true self and existence.
Had you talked to the winds of time,
Have you sought wisdom from the experiences of the past?
Then you'd know how the waters rhyme,
You would understand the patterns and rhythms of life.
Taste of wine,
Experience the richness and complexity of life.
How can you know where you've been?
Without introspection, reflection, and understanding, how can you truly know where you've been in life?
In time you'll see the sign
Eventually, the truth and meaning of your life will become clear.
And realize your sin.
You will come to understand the regrettable mistakes and poor judgment you've made.
Will you know how the seed is sown?
Do you understand the origins and effects of your actions?
All your time has been overgrown,
Your life has been overgrown with distractions and irrelevancies.
Never known.
You have never truly known the important things in life.
Have you walked on the stones of years?
Have you experienced and learned from the passage of time?
When you speak, is it you that hears?
Are you truly listening to yourself, or just speaking words?
Are your ears bone?
Do you have no ability to truly hear or comprehend the world around you?
You can't hear anything at all.
You are not truly listening or understanding anything in life.
The preacher said a prayer.
The artist is a hypocritical religious leader.
Save ev'ry single hair on his head.
He cares only for his own self-interests and survival.
He's dead.
Despite his delusions and self-importance, he is ultimately powerless and will die like everyone else.
The minister of hate had just arrived too late to be spared.
A symbol of prejudice and hatred has appeared too late to be saved from the consequences of their actions.
Who cared?
No one cares about the fate of the hateful and intolerant.
The weaver in the web that he made!
The hateful person's fate was of their own making.
The pilgrim wandered in,
A wanderer seeking spiritual fulfillment.
Committing ev'ry sin that he could
Despite his intentions, he still commits sins and does wrong.
So good...
But he still believes he is doing good and pure things.
The cardinal of grief was set in his belief he'd saved
A religious leader believes they have saved people from eternal sorrow and pain.
From the grave
They believe they have saved souls from eternal damnation.
The high priest took a blade
A religious leader performs a violent ritual.
To bless the ones that prayed,
To grant spiritual favor to those who have pledged allegiance to their religion.
And all obeyed.
The people blindly follow the orders of their religious leaders.
The messenger of fear is slowly growing nearer to the time,
An ominous warning that something terrible is approaching.
A sign.
A warning of what is to come.
The weaver in the web that he made!
The impending disaster is a result of the choices and actions of those involved.
A bishop rings a bell,
A religious leader signals the coming of something significant.
A cloak of darkness fell across the ground
The atmosphere grows tense and ominous.
Without a sound!
The impending doom arrives without any warning or indication.
The silent choir sing and in their silence,
Even in silence, the choir sings and communicates something significant.
Bring jaded sound, harmonic ground.
The choir's music conveys a sense of despair and dissonance, but also underlying beauty and harmony.
Clear the battlefield and let me see
Amidst the destruction and chaos, attempt to find any sense of victory or justification.
All the profit from our victory.
All the benefits and gains achieved from victory.
You talk of freedom, starving children fall.
While claiming to fight for freedom, many innocent and vulnerable suffer and die in the fight.
Are you deaf when you hear the season's call?
Despite nature's warnings and cycles, you still pursue violent conflict.
Were you there to watch the earth be scorched?
Did you witness the catastrophic destruction you caused?
Did you stand beside the spectral torch?
Witnessing and participating in the destructive flames of war.
Know the leaves of sorrow turned their face,
The suffering of those impacted by the conflict is visible and palpable.
Scattered on the ashes of disgrace.
The aftermath of the conflict is shameful and tragic.
Ev'ry blade is sharp; the arrows fly
The violence and fighting is intense and brutal.
Where the victims of your armies lie,
The innocent are the true victims of the conflict.
Where the blades of brass and arrows reign
The weapons of war bring destruction and pain.
Then there will be no sorrow,
Only when all conflict ends will there be no more sadness and tragedy.
Be no pain.
The end of violence and war will lead to an end of suffering and agony.
Contributed by Landon G. Suggest a correction in the comments below.
NeuroScope
0:00 - Dance on a Volcano
8:38 - Sound Chaser
21:30 - Just The Same
29:52 - JR Piano Medley
38:12 - Piece of the π
41:18 - Tarkus
I love this album, it cracked open the door to expose me to what I consider top tier old prog rock, Hearing and loving these 'Tributes ' before the originals made me search them out, over a decade later I own a bunch the old Genesis, ELP, Yes and King Crimson on CDs and cannot get enough, I just saw Steve Hackett perform Seconds Out & Selling England in their entirety last week, seeing it performed masterfully by passionate musicians was something I'll never forget. Coming back to this CD and hearing the newer prog heavyweights give it a go is just as good IMO. Sucks that not all the tracks are on Spotify at time of posting (missing Sound Chaser & Tarkus) hence searching out this on youtube. Thanks for posting.
Jonathan Fanelli
This is nothing short of remarkable Jordan! I don't know anyone who would even attempt something like this; it's almost as if Emerson's work was sacred in some way, and no one touches it. But you have made this even better! Keith is smiling down. Shine on my friend!
ratbatblu
This is so amazing; what an incredible tribute. RIP, Keith.
Haon666
RIP Keith and RIP Greg
Albert Rivas-Ubach
There is no keyboardists as Jordan... He is unique!!
R.I.P to Emerson, he was simply... giant...
Ted Petry
Marcus Guzman Still have Rick Wakeman, but the best keyboards are a thing of the past. Missing the sounds of Kieth Emerson, a leader and pioneer.
Hellborg81
you meant there is no keyboardist as Keith, right?
M Rel
ELP is my favorite group ever. This is an outstanding version of Tarkus. Thanks so much for sharing it Jordan. I enjoy every minute of it.
G. K.
Incredible piece of work here, sorry about the loss of your friend Jordan.
eddyvideostar
GK: This is rough stuff. KE thought he'd be the only one that could play his music.
DJI MINI 2
Tarkus was and is my favorite album of ELP. Thanks to Jordan for such a great performance!
Вы не поверите, в далеком детстве я была на концерте ВИА "Ариэль", так вот все второе отделение у них было - Tarkus группы Emeron, Lake and Palmer! Как мы тогда не умерли - уму непостижимо.
Как жаль, что Эмерсон и Лейк покинули нашу грешную землю :(