1) Kix is an American hard roc… Read Full Bio ↴Multiple artists exist by this name.
1) Kix is an American hard rock band, being best known for the popular singles "Blow My Fuse", "Cold Blood", and "Don't Close Your Eyes". Carving out a nice niche in the booming 80s glam metal movement yet being bitten on the backside hard by record company games, the guys originally called themselves "The Shooze" before changing that to "The Generators" (and, for a couple of weeks, "The Baltimore Cocks") before settling on "Kix".
Donnie played in a band called Kicks and in a band called Jax, so he kind of combined those two things; he liked the three-letter thing, so he just made KIX.
The Baltimore-based band garnered quite a reputation for themselves as one of Maryland's most exciting live cover bands prior to signing to Atlantic Records in 1981. Led by frontman Steve Whiteman and creative mastermind/bassist Donnie Purnell, the band rounded itself out by taking in drummer Jimmy Chalfant as well as guitarists Ronnie Younkins (nicknamed "10/10") and Brian Forsythe.
The band hit the ground running after their 1978 formation. Playing the club circuit six nights a week for three straight years or so resulted in the band cultivating a huge local fan base and finally led to a contract with the Time Warner affiliate. Releasing their self-titled debut in 1981, the band showed off a desire to mix tongue-in-cheek humor with bombastic riffs and take influence from a wide variety of past influences in hard rock, punk music, and other styles. Kix's playlists featured what were to become live favorites such as "Atomic Bombs", the glorious "Yeah, Yeah, Yeah", and "The Kid". To support the release, the quintet set out to hit every club up and down the East Coast. Although often viewed as a part of the booming 80s heavy music scene, the guys featured more of a brash style reminiscent of AC/DC that mixed a tough attitude with catchy hooks, carving a nice niche for themselves.
Still, the guys' 1983 follow-up, titled 'Cool Kids', played up the more commercial side of the band, as shown by their collaboration with "Hot Child in the City" singer-songwriter Nick Gilder and move to a pop-influenced glam rock sound. Single "Body Talk" in particular found the group trying their hand at a dance music kind of style; rumors ran rampant that the song was written solely to appease the band's label. Said record company people were also said to have, eager to capture some steam at radio, also forced the band into shooting a horrendous video for the song which featured the band commiserating with ladies in full-on workout garb. Other songs such as "Restless Blood" and "Mighty Mouth" had a pop metal vibe with far more bite.
Eager to get back in the studio, Kix partnered up with Ratt producer Beau Hill (who'd also later work with Warrant and Winger) and released 'Midnite Dynamite', which the guys would call their "self-proclaimed favorite record ever." The 1985 album featured a great single in "Cold Shower"" and some other notable cuts such as "Sex" and "Bang Bang (Balls of Fire)". At the time, other energetic hard rock groups such as Quiet Riot had broke through in a big way, and the members of Kix wanted to step beyond mere underground acclaim to taste the big time. Nonetheless, a funny thing happened on the way to commercial success with album number three.
As the band got ready for a brief West Coast jaunt, which took them quite a ways from their East Coast home, the guys kept hearing some fishy stuff about another young, good-looking vocalist by the name of Bret Michaels. A big hoopla had started to form that this young upstart had stolen singer Steve Whiteman's stage act. Rumor became fact as the members of Kix discovered that the band Poison had, prior to relocating to California from the Harrisburg, PA area, often come out to see Kix perform live. Now local heroes in their own right, Bret Michaels and his band-mates had more than borrowed a few stage moves from the charismatic Kix lead singer as well as adopted things from several other artists. Sadly, when Kix got the opportunity to open for Poison at L.A.'s Country Club, their fears materialized in the flesh; though having a far lighter, pop-fueled style more in the vein of energetic rock n roll than metal, the Poison line-up had incorporated Kix's whole stage act. The guys felt stunned.
Weathered but not to be counted out, Kix returned to the studio in not too long, and the guys brought in hard rock veteran Tom Werman for assistance. Thankfully, the band achieved the massive commercial breakthrough that they had been hoping for. The band's fourth effort, 1988's 'Blow My Fuse', featured a monstrous hit in the power ballad "Don't Close Your Eyes". As the song raced up the charts, the guys began to garner the recognition that they had fought so long and so hard for. Many other excellent cuts also permeated 'Blow My Fuse', and the album itself earned serious praise from several music critics. The powerful tunes "Cold Blood," "Blow My Fuse," "Red Lite, Green Lite, TNT," and "No Ring Around Rosie" all showcased the band doing what it does best.
Kix finally graduated to large scale arenas. For the next year and a half, the band would open for heroes AC/DC and Aerosmith, as well as a slew of others including David Lee Roth, Ratt, and Britny Fox. KIX were on top of the world -- if only momentarily. Much larger problems were looming on the horizon. The old adage of "more money, more problems" had materialized itself as a stone around KIX' collective necks for years and years. The band's financial matters were now in a state of complete disarray. Now severely indebted to Atlantic Records, the band faced a painful wake up call when they realized that they hadn't made a penny off Blow My Fuse. To make matters even worse, the label had plans to shift KIX from their roster to the label's new imprint EastWest Records America. This proved to be disastrous move for the quintet as they now had to deal with a new regime to work their yet-to-be released fifth record.
By the time Hot Wire finally hit record stores in 1991, the musical climate had shifted dramatically. "Hair bands" were now a thing of the past. Grunge was all the rage, making a band like KIX a laughingstock. The new trend made it virtually impossible for KIX to garner the radio support necessary for them to prosper commercially. In hindsight, Hot Wire may have proven to be the band's best sounding record ever. Bolstered by a little MTV airplay, the album's first single "Girl Money" showcased everything that made KIX a first-rate bar band. With double-entendre verses in the vein of classic Bon Scott-era AC/DC, great musicianship, and a hearty sense of humor to boot, the track would have probably been huge in 1989. Selling just under 200,000 units, the album came and went and KIX returned to doing what it had done all along -- hitting the road.
The band then toured the Orient and recorded a live record at the University of Maryland's Cole Field House in 1992. It would be released by Atlantic in 1993 under the uninventive moniker, KIX Live. The 12-track live album would finally fulfill the band's contractual obligation to the label. By the time KIX Live was released, founding member and guitarist Brain Forsythe had quit the band returning to the fold in 1994 in time to record Show Business, the band's ill-fated debut on CMC. Released in 1995, Show Business tanked and the band was history.
Other projects (1996–2002)
In 1996, Steve Whiteman formed a band called Funny Money in Baltimore. Jimmy "Chocolate" Chalfant joined Funny Money as their drummer in 2003.
In 1998, Brian "Damage" Forsythe teamed up with ex-White Sister and Tattoo Rodeo drummer Rich Wright, and erstwhile Rhino Bucket members rhythm guitarist/lead vocalist Georg Dolivo and bassist Reeve Downes to forge Deep Six Holiday. He joined Rhino Bucket full-time in 2001.
Ronnie "10/10" Younkins relocated to Baltimore City, and would be part of the rock 'n' roll act Jeremy and the Suicides. He then moved to L.A., then wrote, recorded, and released the album The Slimmer Twins: Lack of Luxury, as a collaboration with vocalist Jeremy L. White in 2000. Back on the East Coast, he founded The Blues Vultures in 2002, maturing into the lead vocalist and primary songwriter, and in 2005, released the album The Blues Vultures: Cheap Guitars & Honky Tonk Bars.
Reunion (2003–present)
Kix reformed in late 2003 without songwriter and band leader Donnie Purnell. Kix then lined-up shows for September 2004, the line-up consisting of Whiteman (lead vocals), Younkins (guitars), Brian "Damage" Forsythe (guitars), Jimmy "Chocolate" Chalfant (drums, backing vocals), and Funny Money bassist/vocalist/songwriter Mark Schenker in place of Donnie Purnell.
On August 7, 2012, Frontiers Records announced that it had signed Kix; the band subsequently released a live CD/DVD, titled Live in Baltimore, in September, with a new studio album to follow in 2013.
On April 16, 2014, it was announced that the band had signed with Loud & Proud Records to release the band's first studio album in 19 years. On June 18, 2014, it was announced that the band would release this album - their seventh studio album - titled Rock Your Face Off, on August 5. Upon release, it debuted at No. 49 on the Billboard Top 200 (the band's second highest-charting record after 1988's Blow My Fuse), while debuting at No. 1 on Amazon Hard Rock, remaining there for more than three weeks. It was well-received by fans and critics alike. The hard rock webzine Sleaze Roxx published that Rock Your Face Off was awarded No. 1 in the Top Ten Albums of 2014 by editors and staff as well as No. 1 in Top Ten Albums of 2014 in the Sleaze Roxx Reader's Poll. The first time in the web site's history that an album has taken the top spot in both categories. Stereogum.com chose Rock Your Face Off as Album of the Week.
In February 2017, it was announced that Kix would headline the first night at Rockingham Festival 2017, which was held at Nottingham Trent University, United Kingdom.
Original Shooze drummer Donnie Spence died at the age of 64 on January 19, 2018 in Hagerstown, Maryland. On September 21, 2018 a 2 CD anniversary edition set named Fuse 30 Reblown – 30th Anniversary Special Edition was released. Producer Beau Hill who previously worked with Kix on their 1985 album, Midnite Dynamite remixed the original 24 track recordings. Fuse 30 Reblown is the original concept of current guitarist Schenker, who with help from record executive Madelyn Scarpulla, was able to obtain digital transfers from the original analog master recording reels. Schenker was also instrumental in rescuing the original 8-track demo reels and to digitally enhance and rescue the original 2-track demos. The second disc contains the 10 demo recordings for each one of the album tracks."
In 2020 the previous album Midnight Dynamite was remixed and re-released; called Midnight Dynamite Re-Lit, it is, to date, only available as a digital download. Beginning in November 2020, guitarist Ronnie Younkins took a leave of absence from touring and beginning in May 2021, Bob Paré began performing live with Kix.
In late February 2022, Ronnie returned to live performances with his own band. He remains on hiatus from live performances with Kix. On November 18, 2022, drummer Jimmy Chalfant suffered an apparent severe cardiac event while on stage at the Tally Ho Theater in Leesburg, VA, Matt Starr filled-in for Chalfant for live performances.
On May 7, 2023, from the stage at the M3 Festival, KIX announced their final show is scheduled for September 17, 2023 at Merriweather Post Pavilion in Columbia, MD.
KIX played their final concert Sunday, September 17 at the Merriweather. The show featured a special setlist along with appearances from KIX's former guitarists Ronnie Younkins and Brad Divens.
Final setlist
01. Atomic Bombs (with Ronnie Younkins on guitar)
02. The Kid (with Ronnie Younkins on guitar)
03. Midnite Dynamite
04. No Ring Around Rosie
05. Red Hot (Black & Blue) / Body Talk / Ball Baby / Luv-A-Holic / Love At First Sight / Love Pollution (instrumental medley)
06. Red Lite, Green Lite, TNT
07. Scarlet Fever
08. Don't Close Your Eyes
09. Girl Money
10. Book To Hypnotize / Cool Kids / Cold Chills / Bang Bang (Balls Of Fire) (instrumental medley)
11. The Itch
12. For Shame (with Brad Divens on guitar)
13. Mighty Mouth (with Brad Divens on guitar)
14. Cold Shower
15. Cold Blood (with Ronnie Younkins guitar intro and drum solo outro)
16. Blow My Fuse (with Ronnie Younkins on guitar)
17. Tear Down The Walls / Walkin' Away (with Ronnie Younkins and Brad Divens on guitar)
18. Yeah Yeah Yeah (with Ronnie Younkins and Brad Divens on guitar)
Discogs
Kix - 1981
Cool Kids - 1983
Midnite Dynamite - 1985
Blow My Fuse - 1988 - US: Platinum
Hot Wire - 1991 - US: 200,000+
Live - (1993 - Live album
$how Bu$ine$$ - 1995
The Essentials - 2002 - Compilation
Thunderground - 2004 - unofficial bootleg of demos
Rhino Hi-Five - 2006 - EP
Live in Baltimore - 2012 - Live
Rock Your Face Off - 2014 - US: 20,000+
Fuse 30 Reblown - 2018 - 30th Anniversary Special Edition of Blow My Fuse album
Midnight Dynamite - Re-Lit - 2020 - Midnight Dynamite remixed for 35 year Anniv.
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2) Kix, is a little known one off alias of Tom Middleton, with one release, the "To tha Beat" Ep.
Love At First Sight
Kix Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It was 6.8 on the Richter scale
A vision of beauty, well I'm caught in a stare
A red light turns green - not even aware
I just can't help it - I'm daydreaming at night
But just one look and it's love at first sight
It was love -- love at first sight
Love - Love at first sight
Love - Love at first sight
Well I found love -- but love ain't enough
So gimme that gimme that all that stuff
I'm free and easy
I got 1, 2, 3, 4 - Pretty girl friends I got to keep on getting while the
getting is good
Now 5, 6, 7, 8 - I would if I could
My dick was very hard and she dropped down to her knees
If that's the way she cooks such a hypermaniac
It was love - love at first sight
Love - Love at first sight
Love - Love at first sight
Love - Love at first sight
It was love - Love at first sight
I said love - Love at first sight
No it was love can't ya' see
Love at first sight
Oh - Give me a bite
The lyrics to Kix's song Love at First Sight speak to an explosive, almost instantaneous attraction to someone. The singer describes the experience as a physical one, feeling like his heart might fail and the experience registering a 6.8 on the Richter scale. He sees someone and is so struck by their beauty that he becomes entranced, not even realizing when a traffic light changes. The singer acknowledges that it was indeed love at first sight, but he also acknowledges that love is not enough to sustain a relationship. He boasts of his freedom and willingness to pursue multiple relationships, but then describes a sexual encounter with someone who was so compelling that he's again struck by the same intense feeling he experienced at first sight. The song ends with the singer asking for a bite, perhaps in reference to the woman who he is still enamored with.
The song seems to be a light-hearted look at the idea of attraction and the initial intensity that can arise from it. While the singer acknowledges that love is not enough for a lasting relationship, it's clear that he's still very much interested in pursuing the woman who captured his attention. The reference to sex feels somewhat out of place, given that most of the song is focused on the idea of love at first sight rather than physical intimacy. Nonetheless, the lyrics paint a picture of a narrator who is deeply struck by someone he's just met and is eager to make a connection.
Line by Line Meaning
Oh what an explosion, my hearts gonna fail
The singer experienced a strong physical reaction upon seeing the person he fell in love with.
It was 6.8 on the Richter scale
The singer's love was so intense that it could be compared to an earthquake.
A vision of beauty, well I'm caught in a stare
The person the singer saw was extremely beautiful, and he couldn't take his eyes off of them.
A red light turns green - not even aware
The singer was so lost in thought while seeing the person he fell in love with that he didn't even realize that the traffic light had turned green.
I just can't help it - I'm daydreaming at night
The singer's thoughts of this person were so all-consuming that he couldn't help but daydream about them even when he tried to sleep at night.
But just one look and it's love at first sight
Despite not having spoken to or interacted with the person, the singer knew that he was in love with them from the moment he laid eyes on them.
It was love -- love at first sight
Reaffirming that the singer's feelings are real and that he believes in love at first sight.
Love - Love at first sight
Repeating the refrain to emphasize the singer's point of view.
Well I found love -- but love ain't enough
The singer recognizes that while he's in love, being in love isn't always enough.
So gimme that gimme that all that stuff
The singer is looking for more than just love, he wants all the other things that come with being in a relationship.
I'm free and easy
The singer is not looking for anything serious and just wants to have fun.
I got 1, 2, 3, 4 - Pretty girl friends I got to keep on getting while the getting is good
The singer is boasting about the number of attractive female friends he has and wants to enjoy his freedom while he can.
Now 5, 6, 7, 8 - I would if I could
The singer is open to more relationships with other people, but only if the opportunity arises.
My dick was very hard and she dropped down to her knees
This line is vulgar and objectifying, and suggests that the singer views women purely as sexual objects.
If that's the way she cooks such a hypermaniac
This line does not seem to have any clear meaning and may be nonsensical or poorly written.
It was love - love at first sight
Repeating the refrain to emphasize the singer's belief in love at first sight.
Love - Love at first sight
Repeating the refrain to emphasize the singer's point of view.
Love - Love at first sight
Repeating the refrain to emphasize the singer's point of view.
Love - Love at first sight
Repeating the refrain to emphasize the singer's point of view.
It was love - Love at first sight
Reaffirming that the singer is in love with someone he saw for the first time.
I said love - Love at first sight
Restating the concept of love at first sight to show the singer's strong belief in this idea.
No it was love can't ya' see
Insisting that what the singer feels is real and true love.
Love at first sight
Repeating the main idea of the song one final time.
Oh - Give me a bite
This line is unclear, but may be a reference to wanting a taste of something, whether physically or metaphorically.
Lyrics © Universal Music Publishing Group
Written by: STEPHEN FRANCIS WHITEMAN, BRIAN JAY FORSYTHE
Lyrics Licensed & Provided by LyricFind