Enemy
Kp'da Truth/ The Weeknd Lyrics

Oh oh, oh oh
The singer is feeling a mix of excitement and nervousness as he approaches the girl.

So back, I'm so bad, I'm so bad
The singer is admitting that he is not in a good state of mind, likely due to heavy drinking and a difficult week.

Can I be honest with you please?
The singer is asking for permission to speak truthfully to the girl.

It's really hard for me to speak right now
The singer is struggling to express himself due to his emotional and mental state.

Girl, I been drinkin' all day
The singer has been drinking all day, likely as a coping mechanism for his problems.

It's been a long week
The singer has had a difficult week and is looking for a way to unwind.

Can't you tell by my face?
The singer's facial expression reflects the stress he's been dealing with and his current state of mind.

I wanna lose myself between your legs
The singer desires physical intimacy with the girl as a way to escape from his problems.

I wanna make your body shake
The singer wants to give the girl pleasure and is using that as a way to distract himself from his own problems.

Girl, if you drink this fifth, no chase
The singer is offering the girl alcohol in hopes that it will loosen her inhibitions and make things easier for him.

I promise you'll have nothing to say, nothing to say
The singer is hoping that if the girl drinks enough, she won't be able to resist him and he won't have to deal with any pushback or conversation.

'Cause the least I deserve is no conversation
The singer believes that he has had a hard enough week and deserves physical gratification without having to talk about it.

I been working all week
The singer has been dealing with the stress of work and wants to unwind without any hassle.

I'd rather be your enemy
The singer is admitting that he doesn't want a real emotional connection with the girl and would rather have a purely physical relationship, if any at all.

Than any friend you think I would be
The singer is setting low expectations for himself in the girl's eyes, making it clear that he does not want to be perceived as a close friend or someone she can rely on.

I'm just tryin' take you home without a word
The singer doesn't want to have to talk much or communicate his intentions, he just wants to get physical with the girl.

Now I'm just trying to kiss your neck without a word
The singer is escalating his physical advances with the girl, still avoiding talking or discussing anything emotionally significant.

Girl I'm just trying to lay you down without a word
The singer is being aggressive in his pursuit, again without communication or consent from the girl.

Girl I'm just trying to get you high without a word
The singer is trying to get the girl intoxicated as a way of making his physical advances easier and more likely to succeed.

Girl I'm just trying to make you numb without a word
The singer wants the girl to be emotionally detached or numb during their physical encounter, further emphasizing his lack of interest in any emotional connection.

Girl I'm just trying to make you cum without a word
The singer is solely focused on his own physical pleasure and wants the girl to orgasm without any significant communication or intimacy beyond that.

Girl I'm just trying to make you sleep without a word
The singer wants the girl to be passive and placid during their encounter, emphasizing his complete lack of interest in anything beyond physical gratification.

Girl, I'm just trying to let you leave without a word
After their encounter, the singer doesn't want to have any emotional connection or conversation with the girl and just wants her to leave without any exchange.

Please, please, please
The singer is begging for the girl's compliance and acquiescence to his wishes.

Let me, let me, let me
The singer is demanding control over the situation and expecting the girl to follow his lead.

I forgot what it feels to regret my sins
The singer has been indulging in vice and self-destructive behavior and is beginning to lose touch with the reality of the consequences.

I need that old thing back baby
The singer is nostalgic for a past version of himself where he was more in control of his impulses and didn't feel the same level of guilt or shame for his actions.

You can help me out baby
The singer is again trying to use someone else, in this case the girl, to help him assuage his own problems.

You remind me of a feeling that I used to have
The singer is associating the girl with past feelings of pleasure and escape, again emphasizing her role as an object rather than a person.

So I don't know what to expect from you tonight
The singer is uncertain about the girl's response to his advances and is acknowledging his lack of control over the situation.

But I'm not trying to waste nobody's time
The singer is being somewhat disingenuous here, as his entire goal is to use the girl for his own pleasure without regard for her emotional investment or needs.

I'm just trying to find material, some inspiration
The singer is looking to exploit his physical encounter with the girl for his own artistic purposes, again emphasizing his self-serving motives.

'Cause the least I deserve is no conversation
The singer is again reiterating that he doesn't feel obligated to have any real emotional or personal connection with the girl and expects her compliance without any significant conversation or explanation.

There ain't nothin' wrong, you can pick and choose
The singer is trying to justify his behavior by suggesting that it is normal and okay, and is also encouraging the girl to be complicit in his actions by suggesting that she can pick and choose how to participate.

Just don't call tomorrow askin' 'what did I do?'
The singer is preemptively trying to avoid any kind of emotional conversation or remorse by insisting that he has done nothing wrong and expecting the girl to go along with it.

You know what you did, all to blame is you
The singer is blaming the girl for anything that happens between them, absolving himself of any responsibility or guilt.