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Lennon/Mc Cartney Lyrics


Well, I tried so hard to settle down
But the angel of destruction keeps on houndin' me all around
But I know in my heart
The leaves are shining in the sun
That we never really parted
Oh no, oh, help me, lord
Oh, help me, lord
Please, help me, lord, yeah, yeah
Help me to help myself
Help me to help myself

They say the lord helps those who helps themselves
So I'm asking this question in the hope that you'll be kind
'Cause I know deep inside
The leaves are shining in the sun
I was never satisfied
Oh no, oh, help me, lord
Please, help me, lord, yeah, yeah
Help me to help myself
Help me to help myself


Lyrics © Sony/ATV Music Publishing LLC



Written by: JOHN LENNON

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

Dennis G.S. Price

This is a well done, but at times overreacting documentary about the relationship between Lennon and McCartney. It was well researched and fact based putting together many sourced interviews. It is an interesting study of John and Paul's partnership and goes much deeper into it than any other documentary I have seen up to date. In the vein of the 'Anthology' series, it is compiled completely of direct quotes mostly from the two and of those closest to them. I do feel that it is trying to push a particular narrative at times, but it never fully draws any conclusions.

The main objective of the series is to explore the deep and emotional relationship between the two. It was implied that there was a deep love between the two (which I don't think could be denied) that may have had sexual undertones and implications, especially from Lennon's perspective. It was an interesting watch if not a bit unsettling and heartbreaking at times. It is a fully sourced exploration of the relationship as a sort of, if not outright, love affair. I found it worth the watch.

I would recommend watching the series in it's entirety. It is a really thorough look at the dynamics of the personal and working relationship of the two. I'm happy that someone finally took the time to do it, though my only complaint is that they didn't need to try to push the narrative quite as much. There was already enough there for certain conclusions to be drawn. Also, it may have served better to follow a more chronological order, although I think the time jumps were well thought out. They help to support and move the story along with emotional weight.

I view this documentary as a mostly accurate depiction of the Lennon McCartney relationship and it's attempts to answer a lot of troubling questions. I always wondered why there was so much hurt, anger, competitiveness, and obsessive behaviors, especially where John was concerned. As the Beatles themselves have said, it was very much like a marriage. I think of it more so as a marriage between Paul and John, with George and Ringo like the children. When you put things in those contexts it really does make a lot of sense.

John would be the first to admit that he was a 'Jelous Guy', and it was likely that, combined with the fierce competitiveness that drove a deep wedge between him, Paul, and possibly many other people in his life. As anyone would acknowledge, personal relationships and emotions are very complicated and multilayered. I think this is especially true when considering those who are highly sensitive, creative and intelligent. Add drugs, alcohol, free love, fame, success and fortune in the mix and you really do create one crazy stew!

One interesting topic it brought to my attention was the indication that Paul, working on 'The Family Way' soundtrack with George Martin, was the first time Paul McCartney worked on music, and was credited for, with someone other than John Lennon. It was suggested by Yoko to Paul that (even though Paul was thoughtful enough to ask and was given the OK by John, being that John at the time was in Spain filming 'How I Won the War') this may have been the first rift in the professional relationship of the two. It was said that John could be very sensitive and easily hurt but would not express his true feelings in theese type of circumstances.

Paul had already collaborated with George Martin on the scores for Yesterday and Eleanor Rigby. Although John may or may not have been trobled by that, he would (or could) have had some imput on them, felt part of their creative process, or at least be partially credited for them. In this instance he may have felt left out and was insulted for not being asked to collaborate or be given some credit for the project. This may have been the point that he really began to feel threatened by the working relationship between Paul and George Martin. Perhaps he felt that this was proof of George Martin's supposed favor of Paul's abilities over his own (and / or vice versa) and saw Paul, only too willingly, take advantage of that in his absence.

It has been said by anyone who closely knew him, that Lennon could be unreasonably sensitive at times. It seems obvious that from this point forward the collaboration between the two started to become less and the competition more prominent.

I find it interesting too, in the context of 'The Family Way' as a sort of push / pull of the circumstance surrounding the group at that particular point in The Beatles career.
All four seemed to be at a cross road, spending less time together and getting involved in their own personal projects.

Paul living the bachelor life, getting involved in the avant-garde art and counter culture of the period, while John was feeling the escalating tension between his family, career and personal desires coming to a head. This may have been an attempt by George Martin to keep Paul grounded. He may have used this time to sway him in a particular direction with themes of love, commitment and traditional family values.

It has been documented that prior to the making of 'Sgt. Pepper's' George Martin was pushing for an album of similar themes regarding their experiences growing up in suburban Liverpool. Perhaps George was worried about them (maybe Paul in particular) straying to far off course from theese humble and sobering ideals. Meanwhile, John was in the process of following Paul's lead into a less traditional way of life, desperate for a way to break free from the constraints of suburban life and fatherhood. It's somewhat ironic that once John began to feel liberated, Paul was happily and confidently moving in the other direction as the 'traditional' family man. It is easy to see how John may have felt left hanging and let down by Paul.

Add in the feelings of abandonment and betrayal that John would frequently be plaged by; the belief that George favored and put more thought into Paul's compositions; Paul beginning to work more closely with George on his compositions; the feeling that his own compositions were not getting as equal thought or consideration from the two; this was the beginnings of a perfect storm beginning to brew within the band.

As we now know, it was only a matter of time before the passing of Brian Epstien, the debacle of Apple and it's lack of true leadership and management, the collapse of the 'Get Back project and numerous other factors, all contributed to the eventual break up and bitter fued between the Lennon McCartney partnership. I think it can be clearly seen that Paul's insistence of Lee Eastman and rejection of Allen Kline as manager, would be viewed by John's as yet another instance of Paul attempting to get more favor and attention than himself.

The miracle of it all is that we not only got amazing music but also a fascinating story from all of that turmoil. I'm sure they will be the basis of endless discussion for generations to come!

The Paul McCartney interview about the music for 'The Family Way' was in the most recent and the most interesting of additions to the six part series, which I believe may be concluded now. 'The Family Way' is discussed in vol 5 part 2 at 11:30



All comments from YouTube:

breathless345

After 200K views, You Tube blocked and removed Vol 1 of this series. I’ve addressed the flagged issue and am uploading again (PLEASE NOTE: This version does NOT differ significantly from the original published in April 2019). Apologies for any inconvenience.

Arthur Ramirez

@breathless345 hi my

dyerk

Do you have the echo tracks available to download? They sound great!

steve weiser

you did an absolute wonderful job and homage to the Beatles and most of all their fans

Dale Cooper

@breathless345 I love the videos. When are you making a "Understanding George and the Beatles" ?

azapro911

Blessing in disguise, the echo fits this format extremely well, sounds like memories of long ago.

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Sol Cartledge

I understand why you had to echo the music for copyright reasons, but I find it really effective...like a long passageway of the mind...

james jackson

I TOTALLY AGREE, IT ADDS A DREAMLIKE QUALITY.

TankMcHavoc Productions

I get the feeling you would LOVE the US Capitol versions

KOSAK

My God exactly !!!! The echo makes you feel like you’re travelling across the universe, space and time to find the Golden Beatles moments ! ❤️

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