Savior
Lo3rd Lyrics

You are no one
The singer suggests that the person being addressed has no value or importance to them.

Can't believe they eat yo' lies
The singer expresses disbelief in the fact that some people believe the lies of the person being addressed.

Can't believe they idolize someone like you
The singer expresses disbelief in the fact that some people revere or admire the person being addressed despite their deceitful nature.

And I know that you think you
The artist acknowledges the person being addressed's self-importance.

Better than the most of us
The artist implies that the person being addressed thinks they are superior to the majority of people.

You're not a savior, you're an impostor
The singer challenges the person being addressed's claim of being a savior, and accuses them of being a deceptive impostor instead.

Yeah when you speak I throw up
The singer uses hyperbole to express their disgust towards the person being addressed's words.

'cause I know you just talk
The artist dismisses the person being addressed's words as mere talk with no substance or truth behind them.

And I'm better than you
The artist asserts their superiority over the person being addressed based on their actions and character.

I don't even have to try
The artist implies that their superiority over the person being addressed is natural and effortless.

Go on, I won't let you finish, fucking stop
The singer aggressively interrupts the person being addressed and commands them to stop speaking.

Yeah, I'ma go off
The artist asserts their intention to express their anger or frustration in a confrontational way.

I can't even stand your fucking tone
The singer expresses their annoyance and displeasure with the person being addressed's tone of voice.

And all the shit that you fucking do
The singer dismisses the person being addressed's actions as negative or worthless.

Spin around my head, they never stop
The singer implies that the thoughts or memories of the person being addressed's actions keep occupying their mind and do not disappear easily.

Why you keep lookin' at me like you know me?
The artist questions the judgmental or intrusive way the person being addressed looks at them.

Who are you trying to save? It's so stupid
The artist calls into question the person being addressed's motives for claiming to be a savior and dismisses it as ridiculous or pointless.

Talk, all the things you say are lies
The singer repeats that the person being addressed's words are deceitful lies.

Cry, that's what's left for you
The singer suggests that the person being addressed has no recourse or excuse left and can only resort to crying in response to their criticism.

You fucking cunt
The artist uses a profane insult to express their anger and disgust towards the person being addressed.

This time I'm done, savior my nuts
The artist asserts their decision to end the conversation and mocks the person being addressed by suggesting that they try to save their testicles.

Dead in the dead of night
The artist uses alliteration to describe a situation of death or danger near midnight or late at night.

Slicing like I'm meta knight
The singer uses a simile to compare their skill and dexterity to a fictional character known for their swordfighting ability.

I just leave you dead to rot right
The artist boasts about their ability to kill or defeat others and leave them to decay or decompose.

I just saw a reason to go Broke and it's nine lives
The singer suggests that their reason for taking risks or being reckless is linked to their financial struggles and limited resources.

Go into the bank and tell The broker like nine lies
The singer uses wordplay to suggest that they would deceive a bank broker with their lies or false statements.

And you better run, I seen some better ones Get a C4, set a C4 bomb
The singer issues a warning to others in a threatening manner, and then suddenly alludes to a violent and destructive act involving explosives.

End of scene right right And you're dead tonight
The artist suggests that a dramatic or deadly conclusion is imminent, and that their opponent will die tonight.

Think I know where you were getting at
The artist implies that they understand the intention behind the actions or words of the person being addressed.

First rule they told me is there's no dying
The singer reveals a possible source of wisdom or guidance they received, which emphasizes the importance of survival or staying alive.

Leaving no surprises
The singer suggests that they will act in a predictable, calculated way that leaves no room for surprises or unexpected outcomes.

Yeah, yeah they treat me like a robber
The artist repeats that they feel mistreated or unfairly judged.

Bitch I'm a marauder
The artist uses a boastful or aggressive insult to assert their identity as a violent and destructive person.

Leaving down what we see
The artist suggests that they want to leave a record or legacy of their observations or experiences.

Leaving down what we What we say in every week of the day
The singer emphasizes the importance of verbal communication and expression, and suggests that they want to document their opinions or thoughts consistently.

Told that boy go and fight, he declined it
The artist implies that someone refused a challenge or opportunity to fight, and possibly finds it cowardly or weak.

Fuck that I might as well try it
The singer reveals their willingness to take on a challenge or risk despite its difficulty or danger.

Yeah i might die Leave it to fate to decide black eyed why
The singer acknowledges the possibility of dying, and suggests that their fate or its explanation will remain unknown or mysterious.

Get out my eye
The singer uses a figurative expression to command someone to stop looking at them or bothering them.

Looking down what I have wanted yeah Worse very it's too much
The artist reflects on their desires or goals, and suggests that it caused them disappointment, frustration or distress.