Lou Rawls, who learned of gospel music through his grandmother in Chicago, became a successful singer, primarily from the 1950s through the 1980s. He was a high school classmate of music giant Sam Cooke, and they sang together in the Teenage Kings of Harmony, a '50s gospel group.
After graduating from Chicago's Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a local gospel group, and then with the Holy Wonders. In 1951, Rawls replaced Cooke in the Highway QC's after Cooke departed to join The Soul Stirrers in Los Angeles. Rawls was soon recruited by the Chosen Gospel Singers and himself moved to Los Angeles, where he subsequently joined the Pilgrim Travelers
After graduating from Chicago's Dunbar Vocational Career Academy, Rawls enlisted in the U.S. Army as a paratrooper in the 82nd Airborne Division. He left the "All-Americans" three years later as a sergeant, and hooked up with The Pilgrim Travelers as he traveled to Los Angeles. In 1958, while touring the South with the Travelers and Sam Cooke, Rawls was in a serious car crash. Rawls was pronounced dead before arriving at the hospital, where he stayed in a coma for five and a half days. It took him months to regain his memory, and a year to fully recuperate. Rawls considered the event to be life-changing.
Alongside Dick Clark as master of ceremonies, Rawls was recovered enough by 1959 to be able to perform at the Hollywood Bowl. He was signed to Capitol Records in 1962, the same year he sang the soulful background vocals on the Sam Cooke recording of "Bring it on Home to Me." Rawls himself charted with a cover of the song in 1970 (with the title shortened to "Bring It On Home").
Rawls' first Capitol solo release was Stormy Monday (a.k.a. I'd Rather Drink Muddy Water), a jazz album. On August 21, 1966, he opened for The Beatles at Crosley Field in Cincinnati.
Though his 1966 album Live! went gold, Rawls would not have a star-making hit until he made a proper soul album, appropriately named Soulin', later that same year. The album contained his first R&B #1 single, "Love Is a Hurtin' Thing". In 1967 Rawls won his first Grammy Award for Best R&B Vocal Performance, for the single "Dead End Street."
In 1969, the singer was co-host of NBC's summer replacement series for the Dean Martin Show along with Martin's daughter, singer Gail Martin.
After leaving Capitol in 1971, Rawls joined MGM, at which juncture he released his Grammy-winning single "Natural Man." He had a brief stint with Bell Records in 1974, where he recorded a cover of Hall & Oates' "She's Gone." In 1976, Rawls signed with Philadelphia International Records, where he had his greatest album success with the million-selling All Things in Time. The album produced his most successful single, "You'll Never Find Another Love Like Mine", which topped the R&B and Adult Contemporary charts and went to number two on the pop side, becoming Rawls' only certified million-selling single in the process.
Subsequent albums, such as 1977's When You've Heard Lou, You've Heard It All yielded such hit singles as "Lady Love". Other releases in the 1970s included the classic album Sit Down And Talk To Me.
In 1982, Rawls received a star on the Hollywood Walk of Fame.
On the night of September 29, 1977, Rawls performed the national anthem of the United States prior to the Earnie Shavers-Muhammad Ali title fight at Madison Square Garden. He would be requested to sing the anthem many times over the next 28 years, and his final performance of it came on October 23, 2005. The crowd at that performance may not have known that Rawls was extremely ill with cancer, but he reportedly delivered an electrifying performance to kick off Game Two of the 2005 World Series between the Chicago White Sox and Houston Astros.
In 1980, Rawls began the "Lou Rawls Parade of Stars Telethon" which benefits the United Negro College Fund. The annual event, known since 1998 as "An Evening of Stars: A Celebration of Educational Excellence", consists of stories of successful African-American students who have benefited from and/or graduated from one of the many historically black colleges and universities who receive support from the UNCF, along with musical performances from various recording artists in support of the UNCF's and Rawls' efforts. The event has raised over US$200 million in 27 shows for the fund through 2006.
In January 2004, Rawls was honored by the United Negro College Fund for his more than 25 years of charity work with the organization. Instead of hosting and performing as he usually did, Rawls was given the seat of honor and celebrated by his performing colleagues, including Stevie Wonder, The O'Jays, Gerald Levert, Ashanti, and many others. His final television performance occurred during the 2005-2006 edition of the telethon, honoring Stevie Wonder in September 2005, just months before entering the hospital and after having been diagnosed with cancer earlier in the year. This program, aired in January, 2006, contains his final public television performance, where he performed two classics, "You Are the Sunshine of My Life," and a final ode to Frank Sinatra with, "It Was A Very Good Year."
At the time of Rawls' death, news and UNCF figures noted the significance of Rawls' final performance, "It Was a Very Good Year." The song is a retrospective of one's life and its lyrics include, "When I was seventeen, it was a very good year. It was a very good year for small town girls and soft summer nights...And now those days grow short, it is the autumn of years, and now I think about life as vintage wine from fine old kegs, from the brim to the dregs, it pours sweet and clear, it was a very good year."
Rawls appeared in a segment of the first season of Sesame Street, to sing the alphabet. He dismissed the concept of using cue cards for the performance, but reversed such decision when he forgot the order of the letters.
Throughout Rawls' singing career, he had the opportunity to appear in many films, television shows, and commercials. He can be seen in such films as Leaving Las Vegas, Blues Brothers 2000, and Angel, Angel, Down We Go. He had a supporting role in the Baywatch spin-off, Baywatch Nights. He also appeared in the western television series, Big Valley, (starring legend Barbara Stanwyck, along with Lee Majors and Linda Evans) where he played a hired hand. Here, he delivered the memorial line: "Ain't a horse that can't be rode; ain't a man that can't be throwed".
Rawls lent his rich baritone voice to many cartoons, including Hey Arnold! as the voice of Harvey The Mailman, Garfield, and The Proud Family. For many of the Film Roman Garfield specials, Rawls would often compose songs for them, which he would then sing usually doing a duet with Desiree Goyette. He also was famously in American sitcom The Fresh Prince of Bel Air.
For many years, he was a spokesperson for the Colonial Penn Life Insurance Company. He was also a spokesman for Budweiser, helping promote the brand on radio and TV to African-American markets much as Ed McMahon did for the white audience. Budweiser was a key sponsor for the Rawls telethon and UNCF.
Rawls was also a regular guest host on "Jazz Central", a program aired on the BET Jazz cable channel.
He appears as "Dr. Rawls" in a dream on an episode My Wife and Kids, where he breaks into a parody version of "You'll Never Find", which a frightened Damon Wayans is afraid of having a colonoscopy the following day. Rawls uses the scope as a microphone in the scene. Rawls appears as a commentator in the second half of the unrated commentary of Anchorman: The Legend of Ron Burgundy.
Rawls was also a guest star during the second season of The Muppet Show. He also made a brief appearance on the series finale of Martin. (The show's character Tommy is excited to see Lou Rawls at Nipsey's and mentioned that his favorite song is "Natural Man." Lou replied that he received a letter from a female claiming that she and her boyfriend broke up because of the song. This eludes to the episode where Tommy and Pam decide to move in together, but winded up fighting and ultimately breaking up because Tommy played the song "Natural Man" so much that it drove Pam crazy.)
The following is a list of Lou Rawls singles that made the top 50 on the Billboard Hot 100. His first Hot 100 entry was "Three O'Clock in the Morning" in 1965, and his final was "Wind Beneath My Wings" in 1983. In addition to those two, nine other singles peaked at positions below the top 50 on the Hot 100, and additional singles reached the R&B, Adult Contemporary and Bubbling Under charts.
* "Love Is a Hurtin' Thing" - 1966, #13 (also #1 R&B)
* "Dead End Street" - 1967, #29
* "Show Business" - 1967, #45
* "Your Good Thing (Is About to End)" - 1969, #18
* "A Natural Man" - 1971, #17
* "You'll Never Find Another Love Like Mine" - 1976, #2 (also #1 R&B and #1 Adult Contemporary); certified Gold for sales of one million copies
* "Lady Love" - 1978, #24
You've Lost That Lovin' Feeling
Lou Rawls Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Anymore when I kiss your lips
There's no tenderness
Like before in you fingertips
You're trying hard not to show it,
But baby, baby I know it
You've lost that lovin' feelin', oh that lovin' feelin'
There's no tenderness in your eyes
When I reach out for you
Girl, you're starting to criticize
Every little thing I do
It makes me just feel like crying
'cause baby, something beautiful's dying
You've lost that lovin' feelin', oh that lovin' feelin'
You've lost that lovin' feelin', now it's gone, gone, gone
Baby, baby, I get down on my knees for you
If you would only love me like you used to do
We had a love, love, love, love affair every day
Oh don't, don't, don't, don't take it away
Listen to me, talkin' to you
You've lost that lovin' feelin', oh that lovin' feelin'
You've lost that lovin' feelin', now it's gone, gone, gone
And I can't go on
The lyrics of Lou Rawls's "You've Lost That Lovin' Feeling" depict a lover realizing that their partner has lost the passion in their relationship. The first verse describes how the partner no longer kisses with the same tenderness or responsiveness as before, and that there's a visible lack of affection in their gestures. Despite the partner's attempt to hide their disinterest, the singer can sense that the love has faded away.
The chorus repeats the title, emphasizing the disappointment and sadness that the singer feels with the loss of the love. The second verse continues to describe the disengagement of the partner, as well as their increasingly critical attitude towards the singer. The last line of the verse reveals the singer's internal struggle as they recognize that something beautiful in the relationship is dying.
In the bridge, the singer pleads with their partner to regain the love that they once shared, promising to do anything to make it happen. The song's final chorus repeats the title with added emphasis as the singer expresses their inability to move on from the love that is now only a memory.
Overall, the song is a poignant reminder of the pain that comes with realizing that a once passionate love has disappeared. The lyrics are straightforward, yet convey a deep sense of heartbreak and longing.
Line by Line Meaning
You never close your eyes
You no longer feel the emotional closeness that you once did
Anymore when I kiss your lips
You no longer feel the love that you once did when we kiss
There's no tenderness
You are no longer demonstrating the kindness and sensitivity you once showed
Like before in you fingertips
You touch me differently; less gently than before
You're trying hard not to show it,
You are attempting to hide the fact that you have lost feelings for me
But baby, baby I know it
But I can sense it and know that something has changed
You've lost that lovin' feelin', oh that lovin' feelin'
Your love and passion for me have diminished greatly
You've lost that lovin' feelin', now it's gone, gone, gone
Your love for me has disappeared completely
There's no tenderness in your eyes
You no longer look at me with kindness and love
When I reach out for you
When I try to connect with you
Girl, you're starting to criticize
You find fault in everything I do
Every little thing I do
Even my smallest actions are not pleasing to you anymore
It makes me just feel like crying
It hurts me deeply to see our love deteriorate like this
'cause baby, something beautiful's dying
Our beautiful relationship is falling apart before our very eyes
Baby, baby, I get down on my knees for you
I will do anything to try and save our love
If you would only love me like you used to do
If you could only show me the same love and affection you once did
We had a love, love, love, love affair every day
We had a strong and passionate love every single day
Oh don't, don't, don't, don't take it away
Please don't let our love slip away completely
Listen to me, talkin' to you
Please listen to my plea to save our relationship
And I can't go on
I cannot keep living without your love and affection
Contributed by Vivian S. Suggest a correction in the comments below.