Luísa Sobral. A voice, guitar, paper and pen. From this an entire musical u… Read Full Bio ↴Luísa Sobral. A voice, guitar, paper and pen. From this an entire musical universe is created in each composition. 24 years of open choices. Instinctive and expectant. «The Cherry on my Cake» is the fruit of all those possibilities. Songs full of images. Videos that are imagined for the rhythm of each song. It’s her first full-length album under in her own name, outcome of a musical journey that started at the early age of 12.
The empathy with the musical instruments started with the guitar. It was with the guitar that she realised were the chords of her parent’s music come from. From The Beatles and from many others. And it was on an early age that she gave herself to the unique melodies that the jazz immortalized. The capacity of a melody to stand by itself, without the instruments. She embraced such artists as Billie Holiday, Ella Fitzerald, Chet Baker, and many others and with them in her heart she set off to the Berklee College of Music, in Boston, USA, to study music. In her 4 year stay in Boston she was nominated for the «Best Jazz Song» at the Malibu Music Awards (2008); «Best Jazz Artist» at the Hollywood Music Awards ; «International Songwriting Competition» (2007) and «The John Lennon Songwriting Competition» (2008).
More than being nominated or completing her studies, Luísa was also discovering herself every year that went by. Her musical identity would further develop in New York, where she moved after finish her degree in Boston (2009). In her bags a lot of what would eventually give shape to songs that where already wandering inside her head. Hers and her mother’s who confessed to her she had dreamed that her first album would be called «The Cherry on My Cake». Maternal magic that made a dream come true.
The learning of the jazz standards, the practice done by playing a Brazilian music in bars and the stamina of her creativity all filtered into songs that would either gain live in paper or in chords. One after another. Well thought melodies with images inside. «I Would Love To», «Don`t Let Me Down», «Why Should I», among other songs that came together in an EP («My Funny Clementine»). The emphasis on the starting theme was obvious: «Not There Yet». A triple time rhythm, like a jazz waltz, colorful, an imposing chorus and violins in heaven. The record composition wasn’t to become limited to the English language. Between trips to and from Portugal, Luisa performed at the Super Bock Super Rock festival in Stock 2009. At this gig she mentions how much she would like to have a song in Portuguese. Upon her return to the States Luisa sketches a poem and melody for “O Engraxador” (the shoe shine man). That is followed by “Xico and Dolores”. For the upcoming record the will for a Portuguese cover song was still very much present. Nobody would be better to fill this part than Rui Veloso, artist that Luisa’s father listens to insistently. Luisa registers Carlos Te’s lyric and tries a different version of “Saiu para a Rua”.
«The Cherry on my Cake» is the result of all of this: of the person who dreams to live in Paris - totally inspired by French cinema. Result of the hectic New York vibe, of the familiar affection for Lisbon. From Regina Spektor to Elis Regina. From Billie Holiday to Bjork. From the 50’s to ingenuousness. From sound to image. From voice and talent: “I have a good life” she concludes.
The empathy with the musical instruments started with the guitar. It was with the guitar that she realised were the chords of her parent’s music come from. From The Beatles and from many others. And it was on an early age that she gave herself to the unique melodies that the jazz immortalized. The capacity of a melody to stand by itself, without the instruments. She embraced such artists as Billie Holiday, Ella Fitzerald, Chet Baker, and many others and with them in her heart she set off to the Berklee College of Music, in Boston, USA, to study music. In her 4 year stay in Boston she was nominated for the «Best Jazz Song» at the Malibu Music Awards (2008); «Best Jazz Artist» at the Hollywood Music Awards ; «International Songwriting Competition» (2007) and «The John Lennon Songwriting Competition» (2008).
More than being nominated or completing her studies, Luísa was also discovering herself every year that went by. Her musical identity would further develop in New York, where she moved after finish her degree in Boston (2009). In her bags a lot of what would eventually give shape to songs that where already wandering inside her head. Hers and her mother’s who confessed to her she had dreamed that her first album would be called «The Cherry on My Cake». Maternal magic that made a dream come true.
The learning of the jazz standards, the practice done by playing a Brazilian music in bars and the stamina of her creativity all filtered into songs that would either gain live in paper or in chords. One after another. Well thought melodies with images inside. «I Would Love To», «Don`t Let Me Down», «Why Should I», among other songs that came together in an EP («My Funny Clementine»). The emphasis on the starting theme was obvious: «Not There Yet». A triple time rhythm, like a jazz waltz, colorful, an imposing chorus and violins in heaven. The record composition wasn’t to become limited to the English language. Between trips to and from Portugal, Luisa performed at the Super Bock Super Rock festival in Stock 2009. At this gig she mentions how much she would like to have a song in Portuguese. Upon her return to the States Luisa sketches a poem and melody for “O Engraxador” (the shoe shine man). That is followed by “Xico and Dolores”. For the upcoming record the will for a Portuguese cover song was still very much present. Nobody would be better to fill this part than Rui Veloso, artist that Luisa’s father listens to insistently. Luisa registers Carlos Te’s lyric and tries a different version of “Saiu para a Rua”.
«The Cherry on my Cake» is the result of all of this: of the person who dreams to live in Paris - totally inspired by French cinema. Result of the hectic New York vibe, of the familiar affection for Lisbon. From Regina Spektor to Elis Regina. From Billie Holiday to Bjork. From the 50’s to ingenuousness. From sound to image. From voice and talent: “I have a good life” she concludes.
Canção do Instante
Luísa Sobral Lyrics
Se eu tivesse o dom
De viajar no tempo
Prendia cada momento
de mim para mim
Na sensação do bom
Causa e efeito
Na dobra do sempre
Ficar assim
Sem ter um fim
Quem me dera
Quebrar todas as regras
Quem me dera
Viver só do que alegra
Ai quem me dera!
Livrar-me do que já era
E o que já foi
Poder voltar a ser
Imagino um cata-vento
De regular o centro
Pra viver só com sentimento
Só com o sentimento!
Salvar o instante
Quem me dera
Quebrar todas as regras
Quem me dera
Viver só do que alegra
Ai quem me dera!
Livrar-me do que já era
E o que já foi
Poder voltar a ser
De viajar no tempo
Prendia cada momento
de mim para mim
Na sensação do bom
Causa e efeito
Na dobra do sempre
Ficar assim
Sem ter um fim
Quem me dera
Quebrar todas as regras
Quem me dera
Viver só do que alegra
Ai quem me dera!
Livrar-me do que já era
E o que já foi
Poder voltar a ser
Imagino um cata-vento
De regular o centro
Pra viver só com sentimento
Só com o sentimento!
Salvar o instante
Quem me dera
Quebrar todas as regras
Quem me dera
Viver só do que alegra
Ai quem me dera!
Livrar-me do que já era
E o que já foi
Poder voltar a ser
Lyrics © O/B/O APRA AMCOS
Written by: Joana Alegre, Luisa Sobral
Lyrics Licensed & Provided by LyricFind
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Maria Barrelas
Lindo
Paulo Martins
Adoro
João Farias
Muito bonito! 👏👏👏
Joana Alegre
obrigada!!
raizminha
Outra belíssima composição e letra da Grande Joana. Harmonia perfeita neste dueto. Muitos parabéns à duas grandes vozes e compositoras da nossa MÚSICA portuguesa.
Joel Laia
Adoro as duas vozes e sabe tão bem ouvi-las juntas
Joana Alegre
muito obrigada!
Paula Rodrigues
Esta canção é uma oração 🥰
Parabéns às duas. Bela música.
teresa branco
Lindas