Heather
MYMAS & THE GANG Lyrics


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A collision with a police motorbike in 1993
Meant Heather Mills' left leg was cut
Off just below the knee

Heather, everyone thinks you're
A money-grabbing slag
Who wanked off Arabs for cash and
There's no one you wouldn't shag
You're a compulsive liar, it said in The Sun
You're worse that Myra Hindley
Maxine Carr and Rose West rolled into one
But I'm sure there's a side to
You that I’ll probably never see
Much like that bit of leg you lost in 1993

Heather Mills-McCartney you're my
Favourite amputee
Now will you share the money you've
Robbed off Sir Paul with me?
Heather Mills-McCartney you're my
Favourite amputee
And even if I knew two others you'd
Still be in my top three
But that's just me do you agree, Mr b?

You said you've never done any porn but
On the web I saw some stuff
It looked like it was the 80s though
Because you had a great big muff
There was some German bloke with his cock out
And next to him you were lying
I didn't see any penetration shots though
It wasn't through want of trying
Paul McCartney's kids never liked you
From the word go
You couldn't make a veggie sausage and
You nicked their old man's dough
But I'll love you as much as
Anyone I've ever loved before
Actually there's one leg less to
Love so proportionally that's more

Heather Mills-McCartney you're my
Favourite amputee
Now will you share the money you've
Robbed off Sir Paul with me?
Heather Mills-McCartney you're my
Favourite amputee
Now give us a flash of your hairy gash
And a look at your stumpy knee




Now give us a flash of your hairy gash
And a look at your stumpy knee

Overall Meaning

The lyrics of MYMAS & THE GANG's song "Heather" present a controversial and provocative portrayal of Heather Mills, known for her marriage to Sir Paul McCartney and the accident in 1993 that led to the amputation of her left leg below the knee. The song begins by referencing the tragic event of Heather's accident, acknowledging the physical trauma she endured as a result of the collision with a police motorbike. This sets the stage for a series of crude and derogatory comments about Heather, painting her as a promiscuous and deceitful figure.


The lyrics then take a harshly judgmental tone towards Heather, accusing her of being a gold-digger and engaging in various unsavory activities for financial gain. The references to her alleged promiscuity and dishonesty are particularly scathing, likening her to infamous criminals such as Myra Hindley, Maxine Carr, and Rose West. The Sun newspaper's disparaging remarks about Heather are also highlighted, emphasizing the negative media portrayal she has faced.


Despite the vitriol directed towards her, the song's narrator expresses a contradictory fascination with Heather, referring to her as their "favorite amputee." This paradoxical admiration suggests a complex mix of attraction and contempt towards Heather, as the singer acknowledges her flaws while still finding a sense of fascination or appeal in her persona. The lyrics also touch on the contentious topic of Heather's financial settlement with Sir Paul McCartney, hinting at a desire to share in her supposed wealth.


The imagery in the song becomes increasingly graphic and explicit as it delves into rumors and explicit content surrounding Heather, including allegations of involvement in pornography. The lyrics depict a voyeuristic encounter with illicit material featuring Heather, further tarnishing her public image in a lurid and disrespectful manner. The mention of Paul McCartney's children's disapproval and accusations of financial impropriety contribute to the overall negative portrayal of Heather, painting her as a controversial and divisive figure.


In conclusion, while "Heather" by MYMAS & THE GANG may shock and offend with its inflammatory lyrics and graphic descriptions, it also reveals a complex mix of fascination, disdain, and morbid curiosity towards a polarizing public figure. The song encapsulates the tabloid culture that often sensationalizes and demonizes celebrities, presenting a scathing commentary on the intersection of fame, scandal, and public perception.




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