Maddie Marlow and Taylor Dye never intended to hit a nerve when they sat down on St. Patricks Day and wrote āGirl In A Country Song.ā Merely expressing their own reaction to the reductive tilt of todayās BroCountry, the pair and co-writer Aaron Schwerz shamelessly skewered its Xeroxed stereotypes; āGirlā was as much a lark as it was ever āmeaningful social commentary.ā
Yet the response was so instant and intense, there was no denying it. NPRās āAll Things Consideredā cited Maddie & Tae for āturning heads in different ways with their very first single,ā Rolling Stone cited them as one of ā10 New Artists You Need to Knowā and David Letterman couldnāt get the plucky duo to New York fast enough. Even elevated cultural think-tank The Atlantic marveled, āCheekily appropriating much of the sound of modern country, the two young women directly quote well-known bro-country lyrics and titlesā¦ā
No one was more surprised than the natives of Sugar Land, Texas and Ada, Oklahoma. Still in the studio tracking overdubs for āGirl,ā they signed their record deal before Dan Huff had even finished four sides on the sunshineānāmoxie pair.
āWe wanted to go at it from a girlās perspective, and we wanted to put ourselves in the shoes of this girl,ā says Dye. āYou know, how does she feel wearing those cut-off shorts, sitting on the tailgate?ā
āBoys, we love you, we want to look good, but itās not all weāre good for,ā Marlow cautions with a laugh. āWe are girls with something to say. We were brought up to know how we should be treated.ā
Simple as that. But thereās so much more to Maddie & Tae than the song that is either a feminist declaration, an echo of Janet Jacksonās rebuke āIāve got a name, and it aināt āBabyā,ā or this yearās feel-good finger-wag to dumb boys. NPRās lead pop critic Ann Powers agrees, āMaddie and Tae are more. Theyāre songwriters, powerful harmonizers, and in the video for āGirl In A Country Song,ā natural comediennes.ā
One listen to their self-titled EP shows that. The reeling mean-girl send-up āSierra,ā with its bending steel and trotting acoustic guitar, boasts harmonies that turn in on each other and the kind of truth thatās hilarious and straight-up.
āThere was this beauty-queen bully from high school who sent my friends and I home in tears plenty of times,ā Marlow explains. āIn order to get over it, I had to write a song. So I brought the idea of āSierra,ā and started singing, āI wish I had something nice to sayā¦ā
āTae and our co-writer Aaron Scherz lit up and ran with it.ā
Any one whoās suffered through and survived high school can relate. But the ability to rhyme āSierra, Sierra, life aināt all tiarasā¦ā and taking the rejoinder āyouāre gonna find out karmaās aā¦ā to the brink is what sets these two late teenagers apart.
Effervescent and savoring every moment, Maddie & Tae laugh when they lean into the cautionary āThat high horse youāre ridingā¦ can buck you off clean,ā then let their harmonies swoop free and high on the outro.
Like a lot of young women, Maddie & Tae grew up on the Dixie Chicksā full-tilt acoustica. Both dreamers who knew what they wanted early, the pair met at 15 through their vocal coach and came to Nashville for āa summer camp publishing deal.ā They met Big Machineās SVP of A&R Allison Jones ā and fate stepped in.
As Tae recalls, āShe said, āIf you really want to pursue this, you will need to move to Nashville.ā I knew that was what I wanted, but moving to Nashville also meant I had to figure out how to graduate from high school early, and Maddie had to turn down college.ā
In 2013, it was decided. The pair relocated ā and never looked back. Publishing deal in hand, they were immersed in creativity, seeking a voice that was both authentic and truly their own. Like Taylor Swift, the duo knew by speaking their truth, their uniqueness would set them apart.
As Marlow told Rolling Stone Country, āOur whole project revolves around keeping it real and being honest. We didnāt filter anything, because we felt like when it comes from an honest place, the truth will resonate so much better. The thing about Taylor, everything is real and relevant to what sheās going through, and thatās why people connect with her.ā
Listening to the double harmonies over an acoustic guitar hope-strung-over-doubt mid-tempo āFly,ā Maddie & Taeās conviction is evident. Will whatās been built be betrayed? How do you keep the faith when youāre so unsure? Where is the courage to maintain your place when youāre afraid of the outcome?
Not since āWide Open Spacesā has an act embraced the will to grow so unabashedly. In perfect synchronization, Maddie & Tae sing, āKeep on climbing, though the ground might shake, keep on reaching through the limb might break/ weāve come this far, donāt be scared now āCause you can learn to fly on the way downā¦ā
Itās the sort of song that empowers people wherever they are in life, whatever challenge they may be encountering. Yes, it is about coming of age, but itās also facing the things that scare you ā and having the faith to transcend.
āāFlyā hits home every time we listen to it,ā Dye offers. āWe really wanted to write a song that was, āYou may not have anything figured out, but it doesnāt matter.āā
Indeed. Townes Van Zant wrote, āTo live is to flyā¦ā For Maddie & Tae, their wings are in the music. What they feel, how they live, what they dream ā this is where they rise. One need only listen to the tumbledown hoedown āYour Side of Town,ā thatās all high jinx and higher spirits as the pair warn off a no-good man for the last time, to understand.
Even in the hardcore throw-down, all bucking backbeat and bee-sting guitar, there is a romp and a plucky audacity that shows these young ladies have no interest in letting anything break their spirits. Just as importantly, they fear no fiddles, no banjos, no steel guitars, even as they have bulked up drums that crash and guitars that slash and sting like the big boys.
While Rolling Stone observed, āCheekily appropriating much of the sound of modern country,ā there is so much more to Maddie & Tae than that. Independent thinkers, strong livers, hardcore dreamers, the pair are reaching for the sky ā and winking at us all while they do it.
Sometimes, itās the freshest faces and brightest sounds that pull us in. For Maddie & Tae, who embrace real country, itās that merge of whatās right now and what they love that sets them apart/captures our imaginations in the best possible way.
I Don't Need To Know
Maddie & Tae Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That had you starin' last Friday night
Both of you in that corner booth
Sittin' so close, just one shadow in the neon light
Everybody wanna tell me everything you're doin'
And shine a light on just how on you're movin'
But I don't need to know
I don't need to know
Who's keepin' you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody tellin' me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keepin' you company
I don't need to know, no, no
A friend of a friend saw you dancin'
But you hate dancin', boy, what the hell?
What you tryin' to prove?
Are you puttin' on a show for whoever wants to watch?
On second thought
I don't need to know
I don't need to know
I don't need to know
Who's keepin' you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody tellin' me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keepin' you company
No
No, no, no
No, no, no
What you don't know can't kill ya
So keep it to yourself now, will ya?
What you don't know can't kill ya
So keep it to yourself now, will ya?
'Cause I don't need to know
I don't need to know
I don't need to know
Who's keepin' you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody tellin' me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keepin' you company
I don't need to know
I don't need to know
I don't need to know
I don't need to know
The song "I Don't Need To Know" by Maddie & Tae is a powerful declaration of independence and self-assurance. The song is about a person who is being bombarded with information about their ex-partner's whereabouts and activities, but they do not want to know any details about it. The singer is confident in their own worth and does not need validation or reassurance from anyone else. The lyrics talk about how the singer does not want any third-party observations or updates, as they are convinced that what they don't know can't hurt them.
The song explores the idea that sometimes ignorance is bliss. By not knowing what their ex is doing, they can focus on moving on and living their life. They are not interested in their ex's new relationships or friendships and would rather not waste their energy worrying about something that is out of their control.
Overall, the message of the song is that it is better to focus on oneself and to let go of the past. The singer is strong in their convictions and is not swayed by what others think or say. By the end of the song, the singer is no longer bothered by the rumours and is content in their own life.
Line by Line Meaning
I got a text about the dress that she was wearin'
I received a message about the outfit that a woman was wearing
That had you starin' last Friday night
You were gazing at her on a past Friday night
Both of you in that corner booth
You and the woman were seated together in a corner booth
Sittin' so close, just one shadow in the neon light
You two were in close proximity, appearing as a single shadow under neon lights
Everybody wanna tell me everything you're doin'
Others want to gossip about your actions
And shine a light on just how on you're movin'
They want to make it clear how you're behaving
But I don't need to know
I am uninterested in the information
Who's keepin' you company
I don't need to know the identity of your companion
The only thing worse than my imagination
My imagination would be the only thing worse than what is being said about you
Is all of these third-party observations
These accounts from people not directly involved are also unpleasant
A friend of a friend saw you dancin'
Someone who knows someone claims to have seen you dancing
But you hate dancin', boy, what the hell?
You supposedly dislike dancing, so why would you do it?
What you tryin' to prove?
Why are you attempting to make a point?
Are you puttin' on a show for whoever wants to watch?
Are you pretending for an audience?
On second thought
After further consideration
No
I really don't need to know any of this
What you don't know can't kill ya
Not knowing something won't harm you
So keep it to yourself now, will ya?
Please refrain from telling me
Lyrics Ā© Universal Music Publishing Group, OLE MEDIA MANAGEMENT LP, Warner Chappell Music, Inc.
Written by: Adam Hambrick, Jimmy Robbins, Maddie Marlow, Taylor Elizabeth Dye
Lyrics Licensed & Provided by LyricFind
Rana Raniah
I got a text about the dress that she was wearing
That had you staring, last Friday night
Both of you were in that corner booth
Sitting so close, just one shadow in the neon light
Everybody wanna tell me everything you're doing
And shine a light on just how on you're moving
But I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know, no
A friend of a friend saw you dancing
But you hate dancing, boy, what the hell?
Whatchu trying to prove?
Are you putting on a show for whoever wants to watch?
On second thought
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
No, no, no...
What you don't know can't kill ya
So keep it to yourself now, will ya?
What you don't know can't kill ya
So keep it to yourself now, will ya?
'Cause I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
I don't need to know
Naweza Shaikh
I DON'T NEED TO KNOW
I got a text about the dress that she was wearing
That had you staring, last Friday night
Both of you were in that corner booth
Sitting so close, just one shadow in the neon light
Everybody wanna tell me everything you're doing
And shine a light on just how on you're moving
But I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know, no
A friend of a friend saw you dancing
But you hate dancing, boy, what the hell?
Whatchu trying to prove?
Are you putting on a show for whoever wants to watch?
On second thought
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
No, no, no...
What you don't know can't kill ya
So keep it to yourself now, will ya?
What you don't know can't kill ya
So keep it to yourself now, will ya?
'Cause I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
I don't need to know
Rana Raniah
I got a text about the dress that she was wearing
That had you staring, last Friday night
Both of you were in that corner booth
Sitting so close, just one shadow in the neon light
Everybody wanna tell me everything you're doing
And shine a light on just how on you're moving
But I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know, no
A friend of a friend saw you dancing
But you hate dancing, boy, what the hell?
Whatchu trying to prove?
Are you putting on a show for whoever wants to watch?
On second thought
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
No, no, no...
What you don't know can't kill ya
So keep it to yourself now, will ya?
What you don't know can't kill ya
So keep it to yourself now, will ya?
'Cause I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
So why is everybody telling me?
The only thing worse than my imagination
Is all of these third-party observations
I don't need to know
I don't need to know
I don't need to know
Who's keeping you company
I don't need to know
I don't need to know
I don't need to know
I don't need to know
Joe J
How are they not superstars? I could listen to Maddie & Tae all day. I can say that and keep my man card!
alex kennedy
I agree 100 percent I'm a straight guy and I'm obsessed with their music
alex kennedy
they're nice to look at too! besides having beautiful voices
katyloveskittys
Same sister same
Yee2Min
Love this line "The only thing worse than my imagination ... Is all of these third-party observations" so much that I wrote it in my planner for keepsake! <3
Jade Moore
"I don't need to know, who's keeping you company"
Love your songs but these lyrics and this song hit the mark!!
Well-done girls!! ā¤ļø
April Kicinski
I love this song š
It sounds like how I feel right now.
Sharon Wagner
I have felt like that for the past 6 months. Itās a bad feeling.
Desdoesgood
Iād love to see a music video for this
Rachel Dickson
Hi Maddie and Tae, absolutely loving this beautiful country sound š Beautiful guitar playing with beautiful voices š Awesome lyrics and guitar riffs š Thank you so much for sharing this with us šš¤ Sending lots of love from Melbourne, Australia