Elliot was widely considered the most charismatic member of the Mamas & the Papas due to her sense of humor and optimism, in part because of her large size and weight. She was one of the most beloved members of the group, and her warm, distinctive voice was a large factor in their success. She is best remembered for her vocals on the group's Billboard hits "California Dreamin", "Monday, Monday", and "Words of Love", as well as her first hit as an independent act, "Dream a Little Dream Of Me".
Cass was in love with fellow Mamas & Papas band member Denny Doherty. His affair with another married band member, Michelle Phillips, was one of the causes of the break-up of the band. Elliot resented Michelle's perceived betrayal of their friendship and helped to support the band's decision to fire Michelle in June 1966, when it became clear that John Phillips could no longer work with her. The band quickly replaced Michelle with Jill Gibson, girlfriend to their producer Lou Adler. However, by late August of 1966, Michelle was let back into the group, while Jill received a lump sum for her efforts. Gibson would later admit to feeling betrayed by the band.
Cass gave birth to a daughter named Owen Vanessa Elliot, on 26 April 1967, without naming the father.
Elliot guest-starred three times on Julie Andrews's 1973 television series, The Julie Andrews Hour. Cass's voice blended surprisingly well with that of Andrews, given their stylistic differences, and they created a pleasing onscreen chemistry. Cass also made guest appearances on The Carol Burnett Show.
Elliot was a close friend and neighbor of coffee heiress Abigail Folger, who was a victim of the Charles Manson murders. She was also close to actress Sharon Tate, writer Wojciech Frykowski, and international hairdresser Jay Sebring, all victims of the Manson madness in the summer of 1969. Singer and performer Sammy Davis, Jr. was also a good friend of Elliot and this group, and Davis has been quoted as saying that they had all been together days before the tragedy, and were it not for he and Cass each flying off to other gigs that week, they too could have been victims of the Manson Family.
After the breakup of The Mamas & the Papas in July 1968, Elliot went on to have a successful solo career, even headlining briefly in Las Vegas, for the whopping contract at that time of USD$40,000 per week. Though her Vegas gig ended badly, she was a regular on TV talk shows and variety shows in the 1970s. Her most successful recording during this period was Dream a Little Dream of Me from her solo album of the same name, released by Dunhill Records. At the height of her career in 1974, having just finished performing at the London Palladium theatre, she died of a heart attack. The coroner surmised her heart had weakened to the point of failure due to Elliot's weight and the effects of several crash diets over the years.
Elliot was married twice. In 1963 she wed James Hendricks; they divorced in 1968 (Hendricks had been a member of "Cass Elliot and the Big Three," later named "The Mugwumps"). In 1971 she married Baron Donald von Wiedenman, a journalist.
It should be noted, that Mama Cass died in the exact same bed, in the exact same room, (although a few years prior), as manic drummer of The Who, Keith Moon, in an apartment owned by singer-songwriter Harry Nilsson.
An urban legend holds that Elliot died while choking on a sandwich, sometimes specified as a "ham" sandwich. Shortly after her death, but before her autopsy, The Times published an article that quoted her doctor as speculating that she "probably... died as a result of choking on a sandwich while lying in bed". However, the coroner found no food in her trachea, and reported the cause of death as heart failure. Nevertheless, the rumor spread, with the popular imagination adding that the sandwich contained ham (it possibly originated as an unkind remark about Elliot's weight). Another version of the story holds that the doctor found a sandwich or partially eaten sandwich in her room, causing him to speculate about the cause of death. Apparently, that version of the story has no corroboration either.
Another popular myth circulated about Elliot. While the Mamas & the Papas were touring as The Magic Circle (their name before changing it to The Mamas & the Papas), Elliot begged friend Denny Doherty to let her join the band. Though she had a great voice, the band's leader, John Phillips, didn't feel her voice blended well with the band's other female vocalist, his wife Michelle Phillips. But Elliot followed the band wherever they appeared, even to an engagement in the Virgin Islands. Here, she was finally accepted into the band. The myth purports that while in VI, a piece of copper tubing fell on her head and miraculously changed her voice. Though untrue, the myth has been repeated by such music professionals as Casey Kasem. Elliot was hit on the head with a copper pipe during a nightclub renovation, but it had no effect on her voice. The myth was apparently started by band member John Phillips as a justification for letting her into the band after initially refusing to allow her to join. He tells the story himself on the PBS special California Dreamin': The Songs of the Mamas and the Papas, insisting it's true.
Both rumors were mentioned in the Filmfour-produced film Beautiful Thing, of which Mama Cass' music is a big feature.
The E! True Hollywood Story biography about Elliot reports (and revives) the completely unfounded and baseless rumor that singer/songwriter John Lennon of The Beatles may have been the father of Elliot's daughter, Owen. This rumor most likely originated from Cass's fantasies due to her obsession with the Beatle -- demonstrated in the Mamas and the Papas rendition of the song "I Call Your Name," written by Lennon/McCartney, in which Cass literally calls out John's (Lennon) name. Many, many years later after the death of Mama Cass, bandmate Michelle Phillips helped Owen find her real biological father.
The song "Make Your Own Kind of Music" was featured in the ABC television show LOST, during the opening of season 2. It was played by Desmond to distract the survivors entering the Hatch.
Burn Your Hatred
Mama Cass Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've just got to get myself away from you
You've twisted and you've turned my mind
Because of all the dark I find inside of you
'Side of you, got to let me lie
Burn your hatred out on someone else!
You're bringing me down every day
As well as you
We're at the crossroads wet with tears
And I don't want to spend my years hating you
Hating you, got to let me lie
Burn your hatred out on someone else!
Although I've tried to get along
I know that my heart still belongs inside of you
And all this fighting ain't no use
Cause in the end I'll just refuse to part from you
Part from you ' got to let me lie
Burn your hatred out on someone else!
The lyrics to Mama Cass's song "Burn Your Hatred" describe a relationship that has gone sour, with the singer finally at the point of needing to escape from their toxic partner. The artist describes feeling overwhelmed and twisted by the dark emotions they sense in their partner, and pleading with them to direct their hatred toward someone else. They lament how their partner's negativity has brought them down every day, but acknowledges that their heart still belongs to them. Despite their efforts to get past their issues, the singer concludes that it's time to let go and move on.
The song seems to speak to the struggle of trying to reconcile with someone who constantly brings negativity into a relationship. Even though the singer still loves their partner, they know that the constant fighting and hatred is not sustainable in the long term. The repetition of the refrain, "Burn your hatred out on someone else!" underscores the plea for the partner to channel their anger elsewhere, and highlights the desire for the singer to finally break free of their toxic relationship.
Overall, "Burn Your Hatred" is a poignant portrayal of the complex emotions that come with being in love with someone who brings negativity into your life. It is a classic example of Mama Cass's soulful music that continues to resonate with listeners today.
Line by Line Meaning
I've had my say and now I'm through
I have spoken my mind and I am done with this conversation
I've just got to get myself away from you
I need to distance myself from you
You've twisted and you've turned my mind
You have manipulated and confused my thoughts
Because of all the dark I find inside of you
Because of the negativity and darkness in you that I have witnessed
'Side of you, got to let me lie
I need to escape the negative aspects of you
Burn your hatred out on someone else!
Stop directing your hate towards me and find someone else to vent on
I don't need the things you say
I do not require or desire to hear the hurtful things you say
You're bringing me down every day
Your actions and words are constantly causing me emotional distress
As well as you
You are also affected by this negativity
We're at the crossroads wet with tears
We are at a moment of emotional crisis
And I don't want to spend my years hating you
I do not wish to waste my time and energy on hating you
Hating you, got to let me lie
I need to release myself from this hatred
Although I've tried to get along
Despite my efforts to make peace
I know that my heart still belongs inside of you
I know deep down that I still care for you
And all this fighting ain't no use
All of our arguments and tension are pointless
Cause in the end I'll just refuse to part from you
Because ultimately, I cannot bear to leave you
Part from you ' got to let me lie
I am conflicted between wanting to leave and wanting to stay
Burn your hatred out on someone else!
Stop directing your hate towards me and find someone else to vent on
Lyrics © Universal Music Publishing Group
Written by: GRAHAM NASH
Lyrics Licensed & Provided by LyricFind
Rick Kirchhoff
on A Song That Never Comes
This lady was one of a kind anid miss her . . .