Most of her career has been as lead singer for The Staple Singers. She first recorded solo for the Stax subsidiary Volt in 1969. Subsequent efforts included a Curtis Mayfield-produced soundtrack on Curtom, a nod to disco for Warner Bros. Records in 1979, a stab at electro-pop with Holland-Dozier-Holland in 1984, and a collaboration with Prince in the late 1980s and early 90s (producing the two solo albums Time Waits for No One in 1989 and The Voice in 1993, and various other collaborations). Staples has a rich contralto voice that has neither the range of Aretha Franklin nor the power of Patti LaBelle. Her otherworldly power comes instead from a masterful command of phrasing and a deep-seated sensuality expressed through timbre manipulation. Both the Staple Singers and Mavis found fresh audiences stemming from their participation on the CD Rhythm, Country and Blues, and in 1996 she issued Spirituals and Gospel: Dedicated to Mahalia Jackson. Her next recording project didn't land for another eight years, although Have a Little Faith on Alligator Records became her highest profile release in years.
Staples released a new album for Anti- Records titled We'll Never Turn Back on April 24, 2007. The Ry Cooder-produced concept album focuses on songs of the civil rights movement and includes two new original songs.
See also:
Wikipedia
Official Site
I'll Take You There
Mavis Staples Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I know a place
Ain't nobody cryin'
Ain't nobody worried
Ain't no smilin' faces
Mm-mm, no, no
Lyin' to the races
Help me, come on, come on
(I'll take you there)
Help me, y'all
(I'll take you there)
Help me now
(I'll take you there)
Oh, mm-mm (I'll take you there)
Oh, oh, mercy
(I'll take you there)
Oh, let me take you there
(I'll take you there)
Oh-oh-ho, let me take you there
(I'll take you there)
Play it Mary, play your
Play your piano now
All right
Ah, do it, do it
Come on now
Play on it, play on it
Big Daddy, now
Daddy, Daddy, Daddy
Play your, um
Ooh, Lord
All right now
Baby, little lady, easy now
Help me now
Come on, little lady
All right
Dum-dum-dum-dum
Doin' sockin' soul
Aah, oh, aah
I know a place, y'all
(I'll take you there)
Ain't nobody cryin' there
(I'll take you there)
Ain't nobody worried, y'all
(I'll take you there)
No smilin' faces
(I'll take you there)
Uh-uh
(Lyin' to the races)
(I'll take you there)
Oh, oh, no
Oh
(I'll take you there)
Oh, oh,
(I'll take you there)
Mercy now
(I'll take you there)
I'm callin' callin' callin' for mercy
(I'll take you there)
Mercy, mercy
(I'll take you there)
You gotta, gotta, gotta let me
Let me take you, take you
Take you over there
The song "I'll Take You There" by Mavis Staples is a gospel crossover hit that was released in 1972. The song is about finding a place where there is no pain, no worry, and no unhappiness. This place is described as a place where there are no "lyin' to the races," which may be interpreted as a reference to racial inequality. The lyrics suggest that the only way to get to this place is with the help of others.
The "I'll Take You There" chorus provides an uplifting and reassuring message, suggesting that there is hope and kindness to be found in the midst of adversity. The repeated call for help in the verses may be interpreted as a plea for communal assistance in the face of hardship. The song also features a soulful instrumental section that showcases the piano playing of Albertina Walker.
Overall, the song can be seen as a message of hope and resilience in difficult times, urging listeners to keep pushing forward and to look for the good in the world.
Line by Line Meaning
Ah, ha
Beginning of the song, no meaning inferred.
I know a place
The singer knows of a place where things are better than they currently are.
Ain't nobody cryin'
At this place, there is no crying or sorrow.
Ain't nobody worried
There is no worrying or anxiety at this place.
Ain't no smilin' faces
Contrary to expectation, there aren't even any people smiling at this place.
Mm-mm, no, no
The lack of smiles/frowns is reiterated.
Lyin' to the races
Suggests that people are cheating to compete, which is not a worry in this place.
Help me, come on, come on
The artist is asking for help to reach this place.
Somebody, help me, now
The call for help is more urgent.
(I'll take you there)
The artist is confident that this place is attainable with assistance and is inviting listeners to join.
Help me, y'all
A plea for help from multiple people.
Oh, mm-mm (I'll take you there)
Reiteration of the previous line.
Oh, oh, mercy
Exclamation of amazement that this place exists.
(I'll take you there)
Reiteration of the offer to lead listeners to this place.
Oh, let me take you there
A request for permission to lead the listener to this place.
(I'll take you there)
Reiteration of the offer to lead the listener to this place.
Oh-oh-ho, let me take you there
Further reiteration of the offer to lead the listener to this place.
(I'll take you there)
Further reiteration of the offer to lead the listener to this place.
Play it Mary, play your
The singer is urging Mary to play her piano to inspire and uplift the listeners.
Play your piano now
Clarification of the previous line.
All right
An exclamation of encouragement or approval.
Ah, do it, do it
Further encouragement for Mary to play her piano.
Come on now
An additional exclamation of encouragement.
Play on it, play on it
Repeat of the previous lines to further encourage Mary to play her piano.
Big Daddy, now
A request for Big Daddy to join in providing uplifting encouragement to the listener.
Daddy, Daddy, Daddy
Further encouragement for Big Daddy to contribute.
Play your, um
A call for Big Daddy to play his instrument.
Ooh, Lord
A general exclamation of amazement, joy or awe.
All right now
An expression of encouragement and enthusiasm.
Baby, little lady, easy now
The singer is encouraging the listener to relax and take it easy.
Help me now
A repeat of the plea for assistance with reaching the promised place.
Come on, little lady
An appeal to a female listener to join the artist on the journey to the promised place.
All right
An expression of encouragement and enthusiasm.
Dum-dum-dum-dum
No specific meaning inferred.
Doin' sockin' soul
Engaging in energetic, soulful entertainment or music making.
Aah, oh, aah
Sounds of vocalizations expressing strong emotions like surprise, joy or enthusiasm.
(I'll take you there)
Reiteration of the offer to guide the listener to the aforementioned place of joy and peace.
Ain't nobody cryin' there
Reiteration of the fact that sadness and sorrow are absent in this place.
(I'll take you there)
Reiteration of the promise to take the listener to the desired place.
Ain't nobody worried, y'all
Reiteration of the fact that worry is absent in the promised place.
(I'll take you there)
Reiteration of the commitment to aid in reaching this place of joy.
No smilin' faces
Clarification that, while it may be expected that there would be many smiles at the promised place, there aren't.
(I'll take you there)
Reiteration of the willingness to help the listener attain their goal of finding the promised place of cheer.
Uh-uh
Response to lack of expected smiles.
(Lyin' to the races)
Reminder of the games people play to win, which isn't a factor at the desired place.
(I'll take you there)
Reiteration of the promise to help the listener reach the promised place.
Oh, oh, no
Exclamation of surprise or incredulity about the absence of the expected happiness.
Oh
A general exclamation expressing a clear emotion, like wonder, surprise, or enthusiasm.
(I'll take you there)
A restatement of the thing that we know 'there is a place'. The line is an assurance that the promise is still being held to.
Oh, oh, mercy
An exclamation of excitement in anticipation of taking the listener to the promised joyous place. It could also suggest that the journey to the promised place has begun.
(I'll take you there)
The singer is reassuring the listener that following on this journey will lead them to the promised place.
I'm callin' callin' callin' for mercy
On the journey to the promised place, the artist is calling out for mercy as it is likely that the journey is troublesome or strenuous.
Mercy, mercy
Repetition of the call for mercy.
(I'll take you there)
The singer is assuring the listener that once the journey has been accomplished, it will bring happiness to them.
You gotta, gotta, gotta let me
The singer is requesting for voluntary submission or acquiescence to their offer to lead the listeners to the place of happiness.
Let me take you, take you
The artist is encouraging the listener to use their offer to be taken to the happy place.
Take you over there
The artist is encouraging and proposing that the listener must be willing to be taken to the place of happiness.
Lyrics © Universal Music Publishing Group
Written by: Alvertis Isbell
Lyrics Licensed & Provided by LyricFind
Patricia Reid
#BookerTJones deserves #TopBilling❣👉🏽🎶🎹🎵🎶👈🏽👈🏽
Another #ChartTopping #Innovator
Who helped change music #FOREVER•~
Now-a-days, they call it #ROCKnROLL-
And I like it☆¤☆¤☆
Suzanne Glad
She's been sounding damn good for almost 50 years!! What a national treasure.
Mogadon 1
'Aint nobody lying'...apart from -
John Kennedys assassination
Robert Kennedys assassination (2 gunmen)
Martin Luther Kings assassination
and John Lennons assassination - 2 gunmen (security guard outside - Jose Perdomo - a CIA agent)
Michael Johnson
@Mogadon 1 she's not talking about earth!!
Research0digo
Over 70 years for The Staple Singers! :D RIP 'Pop' Staples.
The Good Scepter
LORD HAVE MERCY! The first time she cried out let me take you there I got the chills again!
She still has THE HOLY GHOST with her👏🏽👏🏽👏🏽
Scott Thrower
In spite of the pulseless audience, Mavis kills it
Serious One
Right? But Michelle Obama was singing along and having a good time.
DH
@Serious One So was the President and lots of others I think. They are in the White House, not a concert arena. Manners, respect, is what I was taught.
Babette Lewis
One of the BEST female vocalists alive today! What a performer! What a sound! Heaven.
BONANZA BYRD
One of her greatest! Sing it Mavis!!