His achievements include selling 53 million albums, eight top ten albums, two number one singles on the Billboard charts, and awards from both the American Music Awards and Grammy Awards.
Michael Bolton had an extensive, though not very successful, career under his real name, Michael Bolotin, before emerging in the mid-'80s as a major soft rock balladeer. Bolton began recording in 1975. This first album was self-titled using his original surname, Bolotin. Early in his musical career, he focused on hard rock. His band, Blackjack, once toured with heavy metal singer Ozzy Osbourne. He turned up on RCA Records in the mid-'70s singing in a gruff, Joe Cocker-like voice both his own blue-eyed soul songs and cover tunes. Neither record buyers nor critics were much interested by the result. He then became the lead singer in Blackjack, a heavy metal band that made two albums for Polydor at the end of the '70s and the start of the '80s. In 1983, he changed his name to Michael Bolton, signed to Columbia Records as a solo act, and relaunched his career.
Michael Bolton was released in April 1983, and made the Top 100 bestsellers, as did its single, "Fools Game." At the same time, "How Am I Supposed to Live Without You," which Bolton had co-written, became a Top 40 hit for Laura Branigan. Nevertheless, Bolton's second Columbia album, Everybody's Crazy (1985), was a commercial flop. His breakthrough came with his third album, The Hunger, released in September 1987. On this album, Bolton abandoned the more hard rock aspects of his style to concentrate on blue-eyed soul singing: both on his own songs, such as "That's What Love Is All About," and on covers like Otis Redding's "(Sittin' On) The Dock of the Bay." Those two songs became Top 40 hits.
Soul Provider, released in July 1989, turned Bolton into a superstar, reaching the Top Ten, selling four million copies, and spawning five Top 40 singles, including Bolton's number one version of "How Am I Supposed to Live Without You," and the Top Ten hits "How Can We Be Lovers" and "When I'm Back on My Feet Again." "How Am I Supposed to Live Without You" won Bolton a Grammy Award for Best Male Pop Vocal Performance. Time, Love & Tenderness, released in April 1991, was even more successful, hitting number one, selling six million copies, and featuring four Top 40 hits, including the chart-topping cover of Percy Sledge's "When a Man Loves a Woman," and the Top Ten hits "Love Is a Wonderful Thing" (later the subject of a successful plagiarism suit brought against Bolton by the Isley Brothers) and "Time, Love and Tenderness."
Bolton won another Grammy Award for Best Male Pop Vocal Performance, for "When a Man Loves a Woman," but he had to put up with abuse from two camps of detractors at the February 1992 ceremony. Just after Bolton had performed, pre-rock songwriter Irving Gordon won the Song of the Year award for "Unforgettable" and pointedly attacked songs that "scream, yell, and have a nervous breakdown" and singers who "have a hernia" when they sing. Then, backstage, Bolton faced a hostile press corps of critics unhappy with his tendency to copy great soul singers like Redding, Ray Charles, and Sledge. Bolton suggested they apply their lips to a certain part of his anatomy. He further responded with Timeless: The Classics in September 1992, an album made up entirely of cover songs. It went to number one, sold three million copies, and featured a Top 40 hit in Bolton's version of the Bee Gees' "To Love Somebody." Bolton's next album of original material, The One Thing, came in November 1993. It hit the Top Ten, sold three million copies, and featured the Top Ten hit "Said I Loved You...But I Lied." Bolton released Greatest Hits 1985-1995 in the fall of 1995, which debuted in the Top Ten. The following year, This Is the Time: Christmas Album appeared.
Bolton returned with All That Matters, his first album of new material since 1993's The One Thing, in the fall of 1997. Instead of continuing his success, it was a surprise flop. Not only did it not generate a hit single, it barely cracked the Top 40 and fell out of the charts after 15 weeks. Its lack of success didn't stop Bolton from turning his attention to My Secret Passion, a collection of opera and arias that he released in January 1998. By classical standards, the album was a hit, and the record received a great deal of press and surprisingly good reviews. He supported the two albums with a summer tour which were co-headlined with Wynonna Judd. He voluntarily stepped back for almost four years, disappearing from the public eye until the spring of 2002 when he began promoting Only a Woman Like You, his first album on Jive Records. After a brief sabbatical, he returned with Til the End of Forever, a hybrid new album of seven new recordings and a live greatest-hits concert. In 2006 he released Bolton Swings Sinatra, a 12-song tribute to Ol' Blue Eyes that included a duet with fiancée/actress Nicolette Sheridan.
It would be worth mentioning "Can I Touch You There" proved to be one of the all-time hit love songs from Micheal Bolton from the album Greatest Hits.
www.michaelbolton.com/
The Very Thought of You
Michael Bolton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The little ordinary things that everyone ought to do
I'm living in a kind of daydream
I'm happy as a king
And foolish as it may seem
To me that's everything
The mere idea of you, the longing here for you
I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you, my love
I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you, my love
In this song, Michael Bolton expresses how the mere thought of his loved one makes him forget about the ordinary things of life. He lives in a daydream where he finds happiness and feels like a king. The idea of his loved one fills him with longing and he feels that time moves slowly until he is near the person. He sees her everywhere- in the flowers, in the stars, and even in his dreams. It's the mere thought of this person that fills him with joy and love.
The lyrics portray a person who is deeply in love and consumed by the thought of their lover. The singer is so taken by the thoughts of their lover that they are unable to focus on anything else. The imagery used in the song is evocative and conveys the intensity of the singer's feelings for their loved one. It's almost as if the very idea of their loved one fills their entire being with love and joy, and they are unable to escape from this feeling.
Line by Line Meaning
The very thought of you and I forget to do
Thinking about you makes me forget to do the little ordinary things that everyone ought to do
The little ordinary things that everyone ought to do
Tasks and chores that need to be completed on a regular basis
I'm living in a kind of daydream
I am lost in a happy and idealistic world created by my thoughts of you
I'm happy as a king
I feel incredibly happy and content
And foolish as it may seem
Although it may seem silly or irrational to some, my thoughts of you mean everything to me
To me that's everything
Thinking about you means the world to me and brings me immense joy and happiness
The mere idea of you, the longing here for you
Just the thought of you and my intense desire to be with you
You'll never know how slow the moments go till I'm near to you
Time seems to slow down when I am not with you
I see your face in every flower
Your image and presence is so strong in my thoughts that I imagine seeing you in everything around me
Your eyes in stars above
Even the stars remind me of you and your beautiful eyes
It's just the thought of you
All I need is to think of you and I find happiness
The very thought of you, my love
My thoughts of you are so strong and intense that they have become my love for you
Lyrics © CONSALAD CO., Ltd., Kanjian Music, Warner Chappell Music, Inc.
Written by: Ray Noble
Lyrics Licensed & Provided by LyricFind