Michael Hedges was a conservatory composition major who applied his classically trained musical background in combination with radical innovation to “reinvent” the steel string acoustic guitar. He combined many unusual techniques on the acoustic guitar with a wide range of musical styles, and was also considered a dynamic performer in concert - in short, a “Paganini” of the guitar.
He is known for extensive use in several pieces of two handed tapping techniques (nearly a contrapuntal style of multiple voices). He used the fingers of his right (typically picking) hand to slap harmonic "chords" at the 12th, 7th or 5th fret (or elsewhere). He made use of right hand hammer-ons, particularly on bass notes, and often used the left hand for melodic or rhythmic hammer-ons and pull offs, as well as unusual strummings, that played, as mentioned, independent voices to the right hand. These techniques tended to convert the guitar into a quasi-keyboard like instrument for certain musical purposes. He also made extensive use of string dampening as employed in classical guitar, and was known to insist strongly on the precise duration of sounds and silences in his pieces. Other facets to his playing were percussive slapping on the guitar body and extensive use of artificial harmonics. He also played guitar-variants like the Harp Guitar (an instrument with additional bass strings that Hedges used to play Bach's Prelude to Cello Suite #1 in G Major in its intended key), and the Trans-Trem Guitar.
Michael Hedges was discovered by William Ackerman who heard him performing in a Palo Alto cafe (the former Varsity Theater) and immediately signed him to a recording contract (1980). For several years Hedges toured and performed in concert with Ackerman. He also appeared on several of Ackerman's albums. In turn William Ackerman produced Hedge's first two albums.
The first two records Michael Hedges made - Breakfast in the Field and Aerial Boundaries - were milestones for the acoustic guitar. He then branched out into singing and performing more popular forms of music, although he would periodically make a return to more guitar-centred music. His record Oracle won the 1998 Grammy for Best New Age Album. Hedges was in fact quite a multi-instrumentalist, playing piano, percussion, tin whistle, harmonica, and flute, among others on his albums. Bassist Michael Manring contributed to many of Michael's records.
Many acoustic guitarists claim a very broad range of influences and will not fit into any genre, but this was truer of Hedges than of any other. His musical education was largely in modern 20th century composition. He listened to Leo Kottke, Bruce Cockburn, Martin Carthy, John Martyn, John Fahey, and the Beatles, but his approach to composition owed much to Stravinsky, Varèse, Webern, and experimental composers such as Morton Feldman. He saw himself as a composer who played guitar, rather than a guitarist who composed music. He was often categorized as New Age due to his association with the Windham Hill record label. Somewhat in reaction to this, he would describe his music as "Heavy Mental", "New Edge", ""Thrash Acoustic", "Deep Tissue Gladiator Guitar" or "Savage Myth Guitar," amongst other terms.
Hedges was killed in a car accident in 1997 at the age of 43. His unfinished last recordings were brought to completion in the album Torched, with the help of his friends David Crosby and Graham Nash.
Tomorrow Never Knows
Michael Hedges Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And float down stream
It is not dying
It is not dying
Lay down all thought
Surrender to the void
It is shining
That you may see
The meaning of within
It is being
It is being
That love is all
And love is everyone
It is knowing
It is knowing
That ignorance and hate
May mourn the dead
It is believing
It is believing
But listen to the
Color of your dreams
It is not living
It is not living
Or play the game
Existence to the end
Of the beginning
Of the beginning
Of the beginning
Of the beginning
Of the beginning
Of the beginning
Of the beginning
These lyrics from Michael Hedges's song Tomorrow Never Knows are a call to let go of your thoughts and surrender to the present moment. He urges the listener to turn off their mind and relax, letting themselves float down stream. This state of surrender is not dying as some may perceive it to be. Instead, it is shining and an opportunity to see the meaning within oneself.
Hedges goes on to suggest that it's crucial to realize that love is all around and that it's everyone. It's a knowing that goes beyond ignorance and hate, even in the mourning of the dead. He encourages us to listen to the color of our dreams, which is not living but also not dying. We can play the game of existence until we reach the end of the beginning.
Overall, the song's lyrics are a transcendental call to let go of our preconceived notions of death and embrace the present moment. By surrendering to the void and embracing love, we can find meaning and purpose within ourselves.
Line by Line Meaning
Turn off your mind, relax
Release your thoughts, ease your mind
And float down stream
Let go and follow the natural flow of life
It is not dying
This state of mind is not morbid or detrimental
It is not dying
This state of mind is not morbid or detrimental
Lay down all thought
Abandon all cognitive processes
Surrender to the void
Accept the emptiness and detachment from the physical world
It is shining
This void is illuminated and full of potential
It is shining
This void is illuminated and full of potential
That you may see
In this state of mind, gain insight into yourself
The meaning of within
Discover the significance of your innermost self
It is being
This meaning is rooted in your existence
It is being
This meaning is rooted in your existence
That love is all
Realize that love is the universal force
And love is everyone
Love encompasses everyone and everything
It is knowing
This understanding is fundamental knowledge
It is knowing
This understanding is fundamental knowledge
That ignorance and hate
Acknowledge that ignorance and hatred exist in the world
May mourn the dead
These negative emotions can cause grief and sorrow
It is believing
Nevertheless, have faith
It is believing
Nevertheless, have faith
But listen to the
Pay attention to
Color of your dreams
The vividness and significance of your aspirations
It is not living
Life is not solely composed of these aspirations
It is not living
Life is not solely composed of these aspirations
Or play the game
Alternatively, engage in existence
Existence to the end
Live life to its entirety
Of the beginning
From the very start
Of the beginning
From the very start
Of the beginning
From the very start
Of the beginning
From the very start
Of the beginning
From the very start
Contributed by Josiah Y. Suggest a correction in the comments below.