Nova is the granddaughter of an epiphone-playing traveling evangelist; her father was a National Accordion Champion and her mother a classical organist. Having a family of wanderers who migrated across the U.S. every few years, the landscape and the musical influences were constantly changing: Spanish tangos, Sunday morning gospel, classical and jazz were the accompaniment to her home life. Her first song was recorded when she was three years old, and by the age of eight she was studying piano and performing in community musical productions.
As a teenager in Michigan, Shara honed her musical prowess singing along to Whitney Houston music videos and Mariah Carey albums. When pop music wasn't enough, she enrolled in the music program at the University of North Texas, immersing herself in the songs of Henry Purcell and Claude Debussy. After college, she moved to New York City and fell in love with its cold winters and busy streets. She continued to study opera on the Upper West Side during the day, but at night she frequented downtown clubs such as Tonic, Knitting Factory, and The Living Room, catching performances by Antony and the Johnsons, Nina Nastasia, and Rebecca Moore. She began to spend less time sight-reading Mozart and more time de-tuning her Gibson electric guitar to play her own newly-written songs. Coaxed out of recital halls and onto the small stages of bars and clubs, Shara assembled a coterie of musicians to accompany her with bass and drums, music boxes, wine glasses, and wind chimes. She released two full albums in 2001 (AwRY and Quiet B Sides) as well as a remix album with her band entitled AwRY.
In performance she showed unusual versatility, channeling the vocal theatrics of Kate Bush, the soulful seductiveness of Nina Simone and the gothic pop of Portishead. Her infatuation with theater and costumes inspired her to wear superhero capes, ball gowns, or Tudor corsets on stage, depending on her mood. Her deeply personal songs transcended the histrionics of opera; Shara was at last singing about what was closest to her heart. She began to see her own music as the most precious gift she could give to the world - as reflected in her namesake, "My Brightest Diamond".
Of course, opera never really left her, and Shara's performance blurred the lines between rock show and recital, setting baroque love songs alongside French carols and Prince covers. Her vocal lines reached for Puccini, but her guitar was pure PJ Harvey. The center of gravity here was the workmanship of a woman whose imagination had no limits. To sharpen her skills, Shara studied composition with Australian composer Padma Newsome (of Clogs) and began to incorporate a string quartet in her live show. The influences of Nat King Cole and Henry Mancini rounded out the edges. A few years later, she met Sufjan Stevens at The Medicine Show, a variety show hosted by New York City's incendiary poet, Sage, at Arlene's Grocery. This, in turn, led to a yearlong sabbatical from her work, doing splits and round-offs (not to mention the human pyramid) as one of the notorious Illinoisemakers. Shara was quickly promoted as cheerleading captain.
All of this led to an impressive resume, but My Brightest Diamond still had no album to show for it. So in 2004, she began work on two records: one featuring songs accompanied by a string quartet titled "A Thousand Shark's Teeth", and a more standard rock album featuring a full band (featuring Earl Harvin on drums, Chris Bruce on bass, and, on one song, her father Keith on accordion) titled "Bring Me The Workhorse", released to critical acclaim in August 2006 on Asthmatic Kitty Records.
Her songs distil stories to their most distressing points of contact: a phone call, an injured horse, a dragonfly caught in a spider's web. She doesn't share all the information - just the stuff that matters. The effect is a sensational compression of time, in which an entire event is summarized in a single note. This, of course, is the essence of opera. But My Brightest Diamond is much more than that. There is also the humor one might find in an old TV episode of Wonder Woman or Lewis Carroll's Alice in Wonderland. Shara's songs reconcile all the complex emotions found in each of us: she can grieve as comfortably as she can laugh, sometimes in the same breath.
Sites: BandCamp
In The Beginning
My Brightest Diamond Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There was a spark
Like two great symbols clanging
We met head on
Da da da da da da da da da
Da da da da da da da da da
There was no time
Our love lives suspended
Into action
This, the oldest story
This, the finest tale
Our time,
Our question
Waits
Will we cease it?
Can we catch it?
Our will to will
Our will to will
My only chance at this
I will take hold of it
This glorious day
The earth is shaking
Hallelujah
Hallelujah
And I will join the unending in
Hallelujah
Hallelujah
Oh no, no matter
No matter
No matter what
This glorious day
The earth is shaking
Hallelujah
Hallelujah
And I will join the unending in
Hallelujah
Hallelujah
Hallelujah
Hallelujah
The song "In the Beginning" by My Brightest Diamond is a testament to the beginning of a love story. The opening lines, "In the beginning, there was a spark, like two great symbols clanging," set the scene for a love so intense that it feels like the creation of the universe. The singer describes how their love lives were suspended in time, with no past or future, but merely existing in the present moment.
The song then describes how the two lovers interacted, with the line "And when you spoke, one heart jumped into action." This line is particularly poignant because it shows how the two lovers were so perfectly in sync that one person's actions could have a profound effect on the other.
The song is ultimately about the power of love to make us feel alive and embrace the uncertainty of life. The chorus is full of joy and celebration, with the repeated "Hallelujahs" emphasizing the singer's gratitude for finding love.
Overall, "In the Beginning" is a beautiful and poetic ode to the powerful beginnings of a love story.
Line by Line Meaning
In the beginning
At the start of our story
There was a spark
A moment of electricity between us
Like two great symbols clanging
Our connection was loud and bold
We met head on
We collided with force
Da da da da da da da da da
A musical interlude
Da da da da da da da da da
Another musical interlude
There was no time
We were lost in the intensity of the moment
Our love lives suspended
Our emotions were frozen in time
And when you spoke one heart jumped
Your words had a powerful effect on me
Into action
My heart responded to your words
This, the oldest story
Our love is a tale as old as time
This, the finest tale
Our love story is the most beautiful ever told
Our time, Our question, Waits
The fate of our love hangs in the balance
Will we cease it?
Will we seize the opportunity to be together?
Can we catch it?
Can we hold onto our love?
Our will to will, Our will to will
Our determination to make our love last
My only chance at this, I will take hold of it
I will do everything in my power to make our love work
This glorious day, The earth is shaking
A moment of pure happiness
Hallelujah Hallelujah
An expression of joy and gratitude
And I will join the unending in
I will celebrate with the rest of the world
Oh no, no matter, No matter what
Nothing can bring us down
Lyrics © DOMINO PUBLISHING COMPANY
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