Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Hip Hop Is Dead
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Hip hop just died this mornin'
And she's dead, she's dead
Yeah, niggaz smoke, laugh, party, and die in the same corner
Get cash, live fast, body their man's mama
Rich-ass niggaz is ridin' with three llamas
Revenge in their eyes, Hennessey and the ganja
Word to the wise with villain state of minds
Grindin', hittin' Brazilian dimes from behind
Grindin', hittin' Brazilian dimes from behind
(Grindin', hittin' Brazilian dimes from behind)
Whenever, if ever, I roll up, it's sown up
Any ghetto will tell ya Nas helped grow us up
My face once graced promotional Sony trucks
Hundred million in billin', I helped build 'em up
Gave my nigga my right, I could have gave left
So like my girl Foxy, a nigga went Def
So, nigga, who's your top ten?
Is it MC Shan?
Is it MC Ren?
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ
Hip hop just died this mornin'
And she's dead, she's dead
The bigger the cap, the bigger the peelin'
Come through, something ill, missin' the ceilin'
What influenced my raps? Stick-ups and killings
Kidnappings, project buildings, drug dealings
Criticize that, why is that?
'Cuz Nas rap is compared to legitimized crap
'Cuz we love to talk on ass we gettin'
Most intellectuals will only half listen
So you can't blame jazz musicians
Or David Stern with his NBA fashion issues
Oh, I they like me in my white tee
You can't ice me, we here for life, B
On my second marriage, hip hop's my first wifey
And for that we not takin' it lightly
If hip hop should die, we die together
Bodies in the morgue lie together
All together now
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ
Everybody sound the same, commercialize the game
Reminiscin' when it wasn't all business
If it got where it started
So we all gather here for the dearly departed
Hip hopper since a toddler
One homeboy became a man then a mobster
If the guys let me get my last swig of Vodka
R.I.P., we'll donate your lungs to a Rasta
Went from turntables to mp3s
From "Beat Street" to commercials on Mickey D's
From gold cables to Jacobs
From plain facials to Botox and face lifts
I'm lookin' over my shoulder
It's about eighty niggaz from my hood that showed up
And they came to show love
Sold out concert, and the doors are closed shut
In the song "Hip Hop Is Dead," Nas reflects on the current state of hip hop and expresses his frustration with the commercialization and homogenization of the genre. He begins the song by saying that if hip hop were to die, he would use his AK-47 to kill all the DJs on every station. Nas is expressing that hip hop has lost its authenticity and is no longer the voice of the people.
The lyrics go on to describe the problems with the current state of the industry. Nas talks about how people in the ghetto are living fast and dying young, and about the influence of drug dealing and violence on his upbringing. He criticizes the way that commercialized music has become celebrated while real art is ignored. He also mentions that the genre has changed so much that people don't even recognize it anymore. Nas believes that real hip hop is dead, and that something needs to be done to bring it back to life.
Overall, "Hip Hop Is Dead" is a powerful statement about the state of the industry and the importance of authenticity in music. Nas is speaking out against the homogenization of hip hop and calling for a return to the genre's roots.
Line by Line Meaning
If hip hop should die before I wake
In case the spirit of hip hop dies, and Nas is no longer able to express his thoughts and emotions through music.
I'll put an extended clip inside of my AK
He will protect and preserve the culture of hip hop by arming himself with his AK47 rifle.
Roll to every station, murder the DJ
Nas will retaliate against every mainstream station that's not supporting real hip hop and killing the art form. Here, DJ represents the whole hip hop industry.
Hip hop just died this mornin'
Hip hop has been dying a slow, painful death, and finally, it is gone for good.
And she's dead, she's dead
Hip hop is a female figure, and she's now dead and buried.
Yeah, niggaz smoke, laugh, party, and die in the same corner
This line represents the harsh realities of the ghetto, where people live and die in the same place without any change, influence or progress.
Get cash, live fast, body their man's mama
The never-ending cycle of violence, money, and power ruling over the love and respect for human lives and families of the fellow man.
Rich-ass niggaz is ridin' with three llamas
The power is with the corrupt, wealthy elite who control everything from behind a wall of oppressive force.
Revenge in their eyes, Hennessey and the ganja
They seek vengeance and retribution, but they're too drunk, too high, too lost in pursuit of justice and change.
Word to the wise with villain state of minds
A message for anyone who can understand the reality of the situation and see that the ones in power are actually the villains in disguise.
Grindin', hittin' Brazilian dimes from behind
Grinding and hustling to make ends meet; not above using/abusing/maim the women for pleasure or gain.
Whenever, if ever, I roll up, it's sown up
Whenever Nas comes around, the game is his to take, and he's got everything covered.
Any ghetto will tell ya Nas helped grow us up
Nas's music grows and shapes the ghetto to understand the truth about what's happening around them.
My face once graced promotional Sony trucks
From being a rising star to gracing the billboard charts and storefronts, Nas has come a long way in the game.
Hundred million in billin', I helped build 'em up
His music has earned millions, and he helped Sony reach peak positions in the music industry.
Gave my nigga my right, I could have gave left
Nas gave everything he could to help his friends to stay loyal to his roots, which could have potentially helped him even more.
So like my girl Foxy, a nigga went Def
Like Foxy Brown, Nas's friend and fellow rapper, he stepped away from the industry due to disagreements and differences with the record company.
So, nigga, who's your top ten?
Nas is asking other people in the industry who their favorite rappers are; a way to see how hip hop is losing its essence and authenticity.
Is it MC Shan?
Nas is referring to a rapper MC Shan, who he considers the 'real' hip hopper.
Is it MC Ren?
Another reference to a rapper MC Ren, who is known for his gangsta rap style and hard-hitting rhymes.
Everybody sound the same, commercialize the game
The commercialization of hip hop has led to the loss of uniqueness and individuality in the artists, making them seem identical and conforming to the industry standard.
Reminiscin' when it wasn't all business
Nas is reminiscing the times when hip hop was more about the art and culture and not about the business, profits, and margins.
If it got where it started
If the culture continues this way and forgets where it all began.
So we all gather here for the dearly departed
Nas and his fellow hip hop artists gather to mourn the loss of their beloved art form.
Hip hopper since a toddler
Nas has been in love with hip hop since his childhood.
One homeboy became a man then a mobster
One of his childhood friends turned into a criminal or a gangster.
If the guys let me get my last swig of Vodka
If he's about to be killed, Nas just needs one last drink to calm his nerves.
R.I.P., we'll donate your lungs to a Rasta
When Nas and his friends die, they want to donate their lungs to a Jamaican Rasta, who believes that he can smoke anything.
Went from turntables to mp3s
The evolution of hip hop with technological advancements from vinyl records to digital mp3s.
From "Beat Street" to commercials on Mickey D's
From a time when 'Beat Street' movie helped hip hop culture gain popularity among mainstream audiences to now, where rappers willingly commercialize their music and associate with fast food chains like McDonald's.
From gold cables to Jacobs
From wearing jewelry worth thousands of dollars to agreeing to wear designer dog chains around their necks in music videos.
From plain facials to Botox and face lifts
From using simple face cleaning routines to becoming obsessed with botox and facial reconstruction to look perfect and fit into the industry standard of beauty.
I'm lookin' over my shoulder
Nas is watching his back and aware of his surroundings in case anyone tries to harm him.
It's about eighty niggaz from my hood that showed up
Nas's friends and supporters from his area have come to see him perform and show their love and respect.
And they came to show love
They came because they genuinely care for him and his music; they're not here for any ulterior motives.
Sold out concert, and the doors are closed shut
The concert is full, and there's no more space left. The doors are closed, and no one can enter now.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Jerry Lordan, Nasir Jones, Douglas Ingle, Will Adams
Lyrics Licensed & Provided by LyricFind
@chegadesuade
This track is more relevant year after year, proving that Nas is legitimately timeless and a hip hop prophet.
@rogermoore3180
TRUTH BE TOLD !!!
@HorrorMoviesNGuns
The more crazy part is that this was the last actual good year for Hip-Hop consecutively. After that the years in Hip-Hop were either shockingly good, mid, or horrible just like 2007-2011 was.
@primepeternice1318
The original authenticity of Hip Hop of the year's have kept the custodians of it even more younger today than ever before. The MCs of the past who were, even though younger, were noble, respectful, and mature students of The Originators. That respect and discipline has made them even better as elders, so to speak, in their content and material. Nas and other Hip Hop soldiers, of the past will continue to preserve the art the way it should be until their last breath on the last day.
@marcusthomas9817
This Bassline is hittin real hard..
@chiapets2594
2010 is Officially died last time i like a song on the radio. Now i only loke the underground oldschool rappers
@ch.illmatic
Nas seriously predicted it
@skuzzlebutt5261
It was dead for years before the song was ever thought of.
@SMUS16475
No. It wasn't predicted. That's when it died.
@uncleruckus7928
Are you dumb nas said hip hop is bettet now than in 06 stupid hip hop isnt dead you are delusional