There is at least seven artists named Natas:

1. Detroit Acid Rap Tr… Read Full Bio ↴There is at least seven artists named Natas:

1. Detroit Acid Rap Trio Natas;
2. Argentinian stoner rock group Natas, that after the release of their first album Delmar changed its name to Los Natas;
3. Lithuanian singer Natas;
4. Hardcore/Gabber producer Robert Gilmore (aka Rob Gee). Alias for one release (12" vinyl, "The Master Plan", 1993) on Bastard Loud Records, New York City;
5. Chicagoan death/thrash metal turned crossover trio, also known as Not Us;
6. German one-man black metal performer, later known as Kriegskarthaun;
7. Black Metal from west coast of Norway, Sunnfjord Natas, descending from the band Mara.

Detroit Acid Rap Trio Natas: Esham, TNT and Mastamind defined a dark style of hardcore rap characterized by decadent motifs and heavy metal-like aggression.

Taking considerable influence from Niggaz4life-era NWA, the Detroit, MI, trio came hard on their 1992 debut album, Life After Death, to the point where their anger-exuding music alienated all but a small cult audience fascinated with their anarchic disposition and their self-termed style of "Acid Rap." On this album they rapped about the most disturbing and shocking themes imaginable, capturing the darkest corners of their burnt-out city's most horrible ghettos with their lyrics in an attempt to be as hardcore as possible. To further the impact of these lyrics, Esham self-produced the album, laying down gritty beats and making effective use of rock samples to give the album a harsher tone.

Successive albums found the trio improving their rapping and their production, as they slowly matured, moving progressively away from mere exploitation. By the end of the '90s, their music had considerably evolved in terms of not only lyrical content and delivery but also in terms of production, resulting in an innovative realization of their original intent that finally blossomed on WWW.Com (Wicket World Wide).

Before forming NATAS, group leader Esham had already established himself as a solo artist, debuting at the end of the '80s with Boomin' Words From Hell, followed by a few EPs. At this time, Esham was a student at Osborne High School in Detroit, where he eventually crossed paths with Mastamind in the tenth grade. After listening to a three-song demo tape given to him by Mastamind, Esham decided to form a group with the promising rapper and TNT, a longtime friend. The three got together and decided to call themselves NATAS as a symbol of their anarchic, evil disposition at the time, being mere teenagers. In 1992, Esham released NATAS' debut album, Life After Death, on his REEL Life Productions label. Two years later he released a similar follow-up album, Blaz4me, an album nearly as twisted and disturbing as its predecessor. Then came the dark Doubelievengod album in 1995, which found the trio moving forward artistically as well as ideologically. When NATAS released Multikillionaire: The Devil's Contract in 1997, it became clear that the group had reached a turning point. Along with Esham's accompanying Bruce Wayne: Gotham City 1987 album from the same year, Multikillionaire broadened Natas' scope, aiming for conceptualism while abandoning the exploitative elements of previous works. NATAS resurfaced in 1999 with WWW.Com (Wicket World Wide), claiming that their name was an acronym for "Nation Ahead of Time And Space" rather than Satan spelled backwards in hopes of changing their image. The album improved upon Mulitkillionaire's flaws and represented a more mature representation of the group's ambitions. Featuring live instruments where Esham used to place samples, the album's production was considerably innovative for its time, marrying a rock attitude with a rap aesthetic and garnering considerable acclaim from the underground. Following this release, both Esham and Mastamind took time off to work on solo albums in the wake of the album's success and the Detroit rap scene's sudden evolution to a substantial hotspot for up-and-coming talent.

Pirma valanda 25 minutes
Natas Lyrics

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Pirma valanda 25 minutės
Po truputį pildos mano posmų eilutės
Tavęs nėra šalia, nebebus ir ryte

Ir bėga prabėga valandos ir minutės
Ir nieko nebelieka, tiktai meilės likutis
Kol jis širdyje - prisiminsiu tave

Man miego trūksta ir nuorūkos rūksta
Meilės siūlelis vėlei nutrūksta
Gal laikas suriš, bet mazgą paliks

Kas buvo tarp mūsų, daugiau nebeliko
Ką turėjom anksčiau, šiandien viskas išnyko
Tave praradau neatrasiu daugiau

Pirma valanda 25 minutės
Po truputį pildos mano posmų eilutės
Tavęs nėra šalia, nebebus ir ryte

Bėga prabėga valandos ir minutės

Ir nieko nebelieka tiktai meilės likutis
Kol jis širdyje - prisiminsiu tave

Overall Meaning

These lyrics describe the feeling of loss and longing after a breakup. The singer reflects on the passing of time, the absence of their former partner, and the dwindling remnants of love. The lyrics convey a sense of sadness, with references to sleeplessness and the lingering pain of a broken heart.

In the first paragraph, the singer acknowledges the passing of the first hour and 25 minutes since the breakup. They mention how their thoughts and emotions slowly fill up like lines of poetry. The absence of their former partner is keenly felt, and the singer knows that they will no longer be there in the morning. This highlights the emptiness and the realization that the relationship is over.

The second paragraph continues to highlight the passing of time. The singer laments that nothing remains except for the residue of love. They reflect on the fact that as long as that love still exists in their heart, they will continue to remember their former partner. This emphasizes the lasting impact of love, even after the relationship has ended.

In the third paragraph, the singer expresses their sleeplessness and restlessness. They describe the cravings and addiction-like qualities of love, comparing it to a thread that is slowly breaking. They wonder if it is time to move on and let go, but acknowledge that there will always be a knot of unfinished business or unresolved emotions between them.

The final part of the lyrics repeats the sentiments expressed earlier. The passing of time is reiterated, as the singer mentions the continual ticking away of hours and minutes. They emphasize that nothing remains except for the remnants of love. Despite the loss, the singer acknowledges that as long as that love still exists within them, they will always remember their former partner.

Overall, these lyrics capture the bittersweet feelings of loss, nostalgia, and longing after a breakup. The passage of time is a recurring theme, underscoring the slow healing process and the enduring impact of love.

Line by Line Meaning

Pirma valanda 25 minutės
The first hour, 25 minutes

Po truputį pildos mano posmų eilutės
My lines of phases will gradually fill

Tavęs nėra šalia, nebebus ir ryte
You are not near, nor will you be in the morning anymore

Ir bėga prabėga valandos ir minutės
And hours and minutes pass by quickly

Ir nieko nebelieka, tiktai meilės likutis
And nothing remains, only the remnants of love

Kol jis širdyje - prisiminsiu tave
As long as it remains in my heart - I will remember you

Man miego trūksta ir nuorūkos rūksta
I lack sleep, and the ashes burn

Meilės siūlelis vėlei nutrūksta
The thread of love breaks too late

Gal laikas suriš, bet mazgą paliks
Perhaps time will tie, but it will leave a knot

Kas buvo tarp mūsų, daugiau nebeliko
What was between us, is no more

Ką turėjom anksčiau, šiandien viskas išnyko
What we had before, today everything is gone