1) Ron Raphael Braunstein (b… Read Full Bio ↴There are multiple artists named Necro;
1) Ron Raphael Braunstein (born June 7, 1976), better known by his stage-name Necro, is an American rapper from Brooklyn. He is the owner of Psycho+Logical-Records founded November 1999. He is the younger brother of rapper Ill Bill.
Necro was born in Brooklyn, New York and grew up in the Glenwood Houses, where he lived for eight years from about 6 years old to age 14, when he moved to Canarsie. Born into a Jewish family, he is the son of Israeli expatriates, with ancestry from Israel and Romania. Necro's father was a Romanian-born Israeli soldier and his mother an Orthodox baal teshuva.
He began his musical career at 11, playing in a death metal band named Injustice. He made a transition from heavy metal to hip hop. In 1988, he started rapping after being influenced by his older brother, rapper Ill Bill. Necro derived his stage-name from the Slayer song "Necrophiliac". Before that he called himself "Mad Mooney", which was a character from a Clive Barker book. He made his first demo in about 1990 and won a demo battle contest on the Stretch Armstrong and Bobbito show on WKCR-FM. In about 1993 Necro started rapping full-time and made a demo called "Do The Charles Manson". In 1995 he proceeded to rap on the Wildman Steve and DJ Riz show WBAU 90.3FM.
Necro plays a hip-hop subgenre called horrorcore. He has played rap metal and has combined rap with death metal music. Necro refers to his music as "death rap" to describe his style of ultraviolent hip hop and to distinguish himself from other genre labels created by the media. His music combines death metal beats with explicit raps about violence, death, the occult, drugs and sex.
Necro is known for releasing conceptual songs. Songs have tackled topics like the Manson murders: "Creepy Crawl" "Cockroaches", "Scalpel", "The 12 King Pimp Commandments", "Dead Body Disposal", "The Human Traffic King", "White Slavery" "I Need Drugs", "Food For Thought", "S.T.D.", picking up women ("86 Measures of Game"), cannibalism ("Human Consumption"), suicide ("You Did It"), bondage and sex games ("EdgePlay"), watersports and micturition ("Piss"), life as a pimp ("Out the Pocket"), a revenge tale ("Some Get Back (Revenge)"), and war narratives ("First Blood").
Necro is a devoted fan of the 1983 film Scarface. Necro sampled the main character from Scarface, Tony Montana, in "Cockroaches". Necro has also rapped, "I live scarface scenes" in "Gory Days", and rapped Montana's infamous quote, "you fuck with me you fucking with the best", whilst sampling the quote simultaneously in "asBESTos". Necro also took the title from "Push It to the Limit" which appeared in the film's soundtrack and used the title for his own song "Push it to the Limit". Al Pacino's work besides Scarface plays a recurrent theme throughout Necro's work. Necro's new collaboration with Kool G Rap is called The Godfathers as is the movie The Godfather that made a star of Al Pacino. In "asBESTos", Necro raps, "I'm completely rehabilitated, reinvigorated, reassimilated" which is taken directly from an Al Pacino quote in Carlito's Way.
2) Heavy Psychedelic Metal from Brazil: NECRO is a psychedelic rock band from Maceió, Brazil. The band was formed in 2009. NECRO’s music is characterized by its unique blend of psychedelic rock, which incorporates elements of heavy metal, progressive rock, and Brazilian folk music. The band’s sound is often described as ethereal, trippy, and atmospheric, with a focus on intricate guitar work, hypnotic rhythms, and haunting melodies
P.O.W.'s
Necro Lyrics
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Hyde distress terrorists, the methodists of death bitch
Incorrect politicly linguisticly I'm lethal
Yo check my history it ain't no mystery to people
The Governer of Brit will have your mother sucking dick
Fuckin rubbin on her clit until she's bludgeoned by a brick
Yo to hell with secret-service men my burners stay disturbing them
They turned into my servants when my urchins said to murder them
Your governments discorvered cut to pieces in my coven kid
I'll tarnish you with carnage now your seargant's paying homage
Got Bin Laden and Saddam wrapped in bondage in the garbage
My knife's out, so stand back the White house is ran sacked
Despite how the Anthrax choked life out your grand papps
Torture is imense torture crawlin out your vents
The gore Hyde that invents put dents in your defense
I'm like Malcom when he came back from Mecca--not a racist
But when they come to kill me at my speech I'll shoot 'em in they faces
I lived a life of aggrevation, contemped in laceration
So I'm exempt from assassination attempts
Attack you like airborne pilots, beat you like General Cornwallace
You cornballs are minimal adjust your eyelids private
Ending your squadron, run up on you like Benjamin Martin
With the Inidan Axe peelin your skin back for startin
I'll start a revolution with this rugged rhyme
But fuck your Source cover I want my face on the cover of Time
You Benedict Arnold's will be smokin crack like bridges
We're burning bridges So you can't cross 'em cause our militia's vicious
The 13 colonies bring it to you, get on the horse
We'll be ripping your chest while they're stitching your flesh like Betsy Ross
Images of onslaught cadavers and bleeding
I'd give a shout out to the soldiers that fought so I could have freedom
After war, on the return trip, burning my psyche
Extractin the passion from the paws of Christ it's pricey
Nuclear frost California first to break off
Space cowboys 30 cc's ready for take off
Lieutenants tank holdin my rank we climb sky ports
Islamic amputees disguised as cyborgs
I was born to die the first martyr
Torn from a place with burnt buildings and no father
Raise the ediquite of warface torture to make
War to Kuwait grenades tossed I through the corpse in the lake it's more cake
Revolution 9 new york quake it's an emergency
Bridges for tunnels this underworld is a murder spree
Fuckin with G world trade in the cloud
Terror network I'm still smellin people downtown
Whipe some tear gas the ying and the yang dead in the fear
10 to 15 they watch the dent in heaven appear
They held me captive I was being bludgeoned and starved
Seeing stars half a day from introduction to God
Feel the scars on my flesh my whole mind was destroyed
Hardest test of my life, the kind I try to avoid
I heard voices in my sleep one night a visitor spoke
Quoting the art of war the voice had given me hope
Broke out a sweat grab the tech, shot away to freedom
Hundreds die for their lives and now I've got you beaten
I'm defeatin any enemy that comes in my path
Wether political or criminal I let the guns blast
Coming mass like Marcos and Brooklyn's my Chiapos
Rage a war against police they can't look me in the optics
Sabac is equivelant to the object of militance
Consider this your option with the lives of imbevelence
I'm commited and deligent, equipt with the killer shit
The opressors nightmare if I talk it I'm livin it
I robbed the Auschwitz I was tattood with numbers for labor
Kids, babies, and mothers were sent directly to gas chambers
Stepping out of freight cars sorted by age and profession
And whether or not you capable of working the slave labor
Children and elderly people were the first to be taken
To shower rooms and exterminated and burnt to creamation
The rest of us kept behind and electric fence shaved heads
Starvin and workin to death and perished by days end
Truthfully we were the lucky ones, the fortunate
I remember stories of ways the doctors mainly used to torture men
Children and pregnant women unspeakable horrors
6 million martyrs from the sheet of the surgery with no anesthesia
I'm a prisonor of war or religion
A prisonor of nazi Germany I'm caught in the system
With dreams of torturing Hitler with blow torches and pistols
For every jew that died I survived my story continues
The lyrics of Necro's song "P.O.W.'s" are filled with violent imagery and a strong anti-establishment sentiment. The song portrays the artist as a rebellious figure, challenging authority and advocating for revolution. The lyrics express a deep hatred for those in power, particularly government officials and law enforcement. There are references to terrorism, torture, and acts of violence against political figures.
The first verse describes the artist's disregard for politicians and their attempts to control and manipulate the public. The lyrics suggest a willingness to resort to extreme measures, including murder and sexual violence, to defy such authority. There is also a sense of pride in being part of an anarchist movement that challenges the government.
The second verse likens the artist to Malcolm X, a prominent figure in the civil rights movement who was known for his radical views. It portrays the artist as an advocate for change, even willing to use violence to defend himself and his beliefs. The lyrics criticize mainstream media (represented by the Source magazine) for not giving enough recognition to the artist's message.
The third verse shifts the focus to war and its aftermath. It alludes to the horrors of warfare and the impact it has on individuals, both physically and mentally. The lyrics describe a personal experience of captivity, torture, and eventual liberation. The artist expresses a determination to fight against any enemy, be it political or criminal, and to live out the ideals they preach.
Overall, the lyrics of "P.O.W.'s" paint a picture of a rebellious figure, willing to use extreme tactics to challenge authority and fight for their beliefs. The song explores themes of violence, warfare, and resistance against oppressive systems.
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