Let's Make A Movie
Next Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Baby, let me direct ya
Be the co-star with ya boo
Let's make a movie
It's gonna be me and you
I'm gonna be the camera crew
We could do what you want to do
Let's make a movie
Dim the lights
Camera, action
Record your rewards of satisfaction
Let's make a movie
Hey boy, what you waitin' for
Go ahead baby, press record
Each scene makes me want you more
Let's make a movie

No acting, girl it's all pure action
My star actress on the mattress
My red light special
Watch the light by the lense
So when record is in that's when we begin, baby

Take one, take two, take three
Zoomin' on what we're doin' when you're on top of me
And lean my chin in, you just might win an emmy
Mamma gimmie, and baby we can

Baby, let me direct ya
Be the co-star with ya boo
Let's make a movie
It's gonna be me and you
I'm gonna be the camera crew
We could do what you want to do
Let's make a movie

Dim the lights
Camera, action
Record your rewards of satisfactoin
Let's make a movie
Hey boy, whatchu waitin' for
Go ahead baby, press record
Each scene makes me want you more
Let's make a movie

You can be so corny
'Cause girl you got me horny
I'll beat some crews, I'll keep it firm
Superstar, super sperm
No need for a supporting cast
Props be chocolate grass
And your sexy ass (Sexy ass)
Quiet on the set
(Don't say a word)
We ain't even started yet
Better get your ticket

Take four, take five, take six
You wanted your big break
Baby, this is it, oh

Baby, let me direct ya
Be the co-star with ya boo
Let's make a movie
It's gonna be me and you
I'm gonna be the camera crew
We could do what you want to do
Let's make a movie

Dim the lights
Camera, action
Record your rewards of satisfaction
Let's make a movie
Hey boy, what you waitin' for
Go ahead baby, press record
Each scene makes me want you more
Let's make a movie

Take one, get me on the bed
Take two, in the kitchen instead
Take three, anyway you want to be
Baby, just say yes

Take four, get me on the floor
Take five, up against the door
Take six, real freaky shit
I'm sure you'll like it

Take seven, back seat on my ride
Take eight, on the grass outside
Take nine, from behind
Take ten, turn on the lights
Take eleven, on top of me
Take twelve, you're tasting me
Now that we're done, baby
Let's watch us on TV

Baby, let me direct ya
Be the co-star with ya boo
Let's make a movie
It's gonna be me and you
I'm gonna be the camera crew
We could do what you want to do
Let's make a movie

Dim the lights
Camera, action
Record your rewards of satisfaction
Let's make a movie
Hey boy, what you waitin' for
Go ahead baby, press record
Each scene makes me want you more
Let's make a movie

Let me produce ya babe
Let me direct ya babe
I want to cast you
And let me do your booking too





It's gonna be me and you
I'm gonna be the camera crew

Overall Meaning

The lyrics to Next's "Let's Make A Movie" are essentially the proposal for the kind of sexual experience the singer wants with their partner. The lyrics use the language of film-making as euphemisms for sexual activity. The singer invites their partner to "be the co-star" and let them direct the action of the "movie" they are going to create together. The singer will be the camera crew, filming each scene of what the two people want to do. The lyrics suggest that there is no need for acting in this movie, just "pure action" between the two people.


The sexual themes of the lyrics are not subtle, with lines like "My star actress on the mattress/My red light special," and "I'll beat some crews, I'll keep it firm/Superstar, super sperm." The lyrics also encourage experimentation and variety in sexual activity, with lines like "Take one, get me on the bed/Take two, in the kitchen instead/Take three, anyway you want to be/Baby, just say yes."


Overall, the lyrics to "Let's Make A Movie" are a fairly explicit invitation to engage in sexual activity, using the language of film-making as a metaphor for the various acts the singer wants to engage in with their partner.


Line by Line Meaning

Baby, let me direct ya
The singer wants to take control of the situation and guide their partner in creating an intimate scene


Be the co-star with ya boo
The partner will play an important role in this intimate scene, and the singer wants them to feel like they are part of the movie-making process


Let's make a movie
The singer wants to create an intimate moment that feels like a movie, with both partners as the stars of the show


It's gonna be me and you
The focus of this intimate moment is solely on the two partners involved, creating an intense connection between them


I'm gonna be the camera crew
The artist will be the one recording the scene, making them a part of the intimate moment while still remaining somewhat detached


We could do what you want to do
The singer wants their partner to feel free to express their desires and take an active role in creating the scene


Dim the lights
The singer wants to create a mood that is both intimate and cinematic, by reducing the brightness in the room


Camera, action
This line signals the start of the intimate moment, just like in a movie production


Record your rewards of satisfaction
The artist is encouraging their partner to fully enjoy the intimate moment and record it so they can watch it later


Hey boy, what you waitin' for
The artist is urging their partner to take action and start the intimate moment


Go ahead baby, press record
The singer wants their partner to take an active role in recording the scene, making it feel like a collaborative effort


Each scene makes me want you more
The artist is deeply attracted to their partner, and every moment they share together only intensifies their passion


You can be so corny
The singer finds their partner's jokes and gestures endearing and believes they contribute to the intimacy of the scene


'Cause girl you got me horny
The singer is sexually aroused by their partner and is eager to explore that desire during this intimate moment


I'll beat some crews, I'll keep it firm
The singer is confident in their ability to create a cinematic moment, and wants their partner to feel secure and comfortable throughout the experience


Superstar, super sperm
The artist is fond of using playful and humorous language to keep the mood light and fun, even during an intimate moment


No need for a supporting cast
The artist believes that the scene is best when it's just the two of them, without any additional actors or distractions


Quiet on the set
The singer wants to create a professional atmosphere, as if they are filming a movie or TV show


We ain't even started yet
The singer is eager to get started and wants their partner to know that the best is yet to come


Better get your ticket
The artist is teasing their partner, suggesting that they will be in for an exciting ride during this intimate moment


Take one, take two, take three
The artist is directing their partner in creating multiple scenes during this intimate moment, just like in a movie production


Zoomin' on what we're doin' when you're on top of me
The artist is describing a specific moment during the scene, where their partner is on top of them, and wants to capture it on camera


And lean my chin in, you just might win an emmy
The singer is being playful and teasing, suggesting that the intimacy of the moment is so good that it could win an award


Mamma gimmie, and baby we can
The artist is using playful language to encourage their partner to keep going and make the moment even more intimate


Take four, take five, take six
The singer wants to create multiple scenes and angles during this intimate moment, building up the momentum and excitement


You wanted your big break
The singer is playing off of the idea that the partner is an aspiring actor, and wants to give them a chance to shine during this intimate moment


Take seven, back seat on my ride
The singer is creating a specific scene during this intimate moment, suggesting they are in a car and being intimate in the back seat


Take eight, on the grass outside
The artist is creating a specific scene during this intimate moment, suggesting they are outdoors and being intimate on the grass


Take nine, from behind
The artist is creating a specific scene during this intimate moment, suggesting that they are being intimate from a certain angle


Take ten, turn on the lights
The singer wants to turn the lights on and create a specific mood during the intimate moment


Take eleven, on top of me
The singer is creating a specific scene during this intimate moment, suggesting that their partner will be on top of them during the scene


Take twelve, you're tasting me
The artist is creating a specific scene during this intimate moment, suggesting that their partner will perform a specific act


Now that we're done, baby
The artist is suggesting that the intimate moment has come to an end


Let's watch us on TV
The artist wants to relive the intimate moment by watching the recorded footage together, as if they are watching a movie


Let me produce ya babe
The singer wants to take a more active role in creating the intimate moment, by guiding their partner's actions and movements


Let me direct ya babe
The artist wants to take a more active role in creating the intimate moment, by guiding their partner's actions and movements


I want to cast you
The singer wants to make their partner feel like a star, by involving them in the creation of an intimate moment


And let me do your booking too
The singer wants to take care of all of the details, like scheduling and planning, so that their partner can simply enjoy the intimate moment




Lyrics © Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC, Warner Chappell Music, Inc.
Written by: KEIR GIST, DARREN LIGHTY, ROBERT HUGGAR, EDDIE BERKELEY

Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found

More Versions