Novembers Doom formed in 1989, but it was not until 1992 that Novembers Doom would receive some attention in the metal world. An early deal with Regress Records, of Italy, allowed Avantgarde Records to hear the band. This demo (Her Tears Drop) was heavy, combined with moods of darkness and despair. The two songs would lead to the release of the band's full length debut CD, Amid Its Hallowed Mirth on Avant Garde and Nuclear Blast. Exploring and expanding, the band added female backing vocals and continued its thick, eerie brand of metal. A compilation track for Pavement Music soon followed. In 1997, Novembers Doom released the EP For Every Leaf That Falls. The album was well received, leading to favourable reviews and response worldwide. Novembers Doom has since released their second full length album Of Sculptured Ivy and Stone Flowers, with Martyr Music Group. This new offering had received rave reviews.
In May of 2000, Novembers Doom entered the recording studio once again, to record the follow up to Of Sculptured Ivy and Stone Flowers. The band has recorded The Knowing with Studio One's Chris Djuricic. The CD is an extension of the previous material, only taking steps in new directions to enhance their already original sound.
In July of 2000, Novembers Doom officially became a member of Dark Symphonies. Realizing the bands potential, they constructed a deal with Martyr Music Group, to include the band on its roster, releasing The Knowing to the public.
Now, with their third full length release receiving praise, and a European licensed release of the CD through Pavement Music, Novembers Doom secured themselves more attention than before.
To Welcome the Fade
In October 2002, Novembers Doom entered the studio to begin work on their second full length of new material for Dark Symphonies. The band's fourth full length album would be entitled To Welcome the Fade, only this time they recruited the talents of the Grammy Award-winning producer, Neil Kernon. Kernon, best known for his work with acts like Hall & Oates, Kansas, Yes, Queensrÿche, Judas Priest, and more recently Nevermore and Cannibal Corpse, brought a new power and clarity to the sound of the band. This album was chosen as the Number One metal album of 2002 in Metal Maniacs magazine by one of its head editors, Novembers Doom was also a featured cover story on their January 2003 issue.
Signing with The End
In 2004, a successful tour in North America with The Gathering eventually leading to a signing with The End Records that summer. The band entered the studio in the fall to record their fifth album, The Pale Haunt Departure. This time around the band enlisted the help of the very respected producer and artist Dan Swanö (Edge of Sanity, Bloodbath and Nightingale) for the mixing duties, and the mastering went to metal guitarist and producer James Murphy (Testament, Obituary and Disincarnate).
In March 2005, The Pale Haunt Departure was released with a tour supporting it. Novembers Doom continues to forge ahead, meshing diverse musical styles and textures in the pursuit of always creating a new and unique listening experience with each new release, while retaining their heavy sound and dark lyrics.
The Novella Reservoir
In June 2006, the band's sixth full-length album, The Novella Reservoir, was announced on The End Records' website. The album will contain eight tracks. It is a follow-up to The Pale Haunt Departure.
Discography
* Her Tears Drop (Demo 1995)
* Amid Its Hallowed Mirth (Full-length 1995)
* For Every Leaf That Falls (EP 1997)
* Of Sculptured Ivy and Stone Flowers (Full-length 1999)
* The Knowing (Full-length, 2000)
* To Welcome the Fade (Full-length 2002)
* Reflecting In Grey Dusk (Best of/Compilation 2004)
* The Pale Haunt Departure (Full-length 2005)
* The Novella Reservoir (Full-length 2007)
* Into Night's Requiem Infernal (Full-length 2009)
* Aphotic (Full-length 2011)
* Bled White (Full Length 2014)
* Hamartia (Full Length 2017)
Devil's Light
Novembers Doom Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When I can look back through the vacancy
Visit the grave where my soul is trapped
And tip my hat to the demons before me
In the glow of Devils light, I can seen the face of God
To judge the man that stands before the flame
It burns bright, cast the Devils light, my soul is in pain
Just once I want to see a tear
A small sign to show me you care
Stomach ache, heart ache...
I'd rather die alone
In the glow of Devils light, I have seen the face of God
To judge the man that stands before the flame
It burns bright, cast the Devils light, My soul is in pain
The limit of my mind has reached its end
I'll become the monster you say I am
In the glow of Devils light, I have seen the face of God
To judge the man that stands before the flame
It burns bright, cast the Devils light, my soul is in pain
In the glow of Devils light, I have seen the face of God
To judge the man that stands before the flame
It burns bright, cast the Devils light, my soul is in pain
The lyrics of Novembers Doom's song "Devil's Light" delve into the themes of identity, introspection, and pain. The singer expresses a desire to transform into someone else, to escape their current state of being. They long to look back on their life and acknowledge the emptiness within. They mention visiting the grave where their soul is trapped, implying a sense of confinement and imprisonment. The line "tip my hat to the demons before me" suggests a recognition of the darkness that has influenced their journey.
The singer then talks about being able to see the face of God in the glow of the Devil's light. This can be interpreted as a metaphor for gaining a deeper understanding of spirituality and morality, perhaps through confronting one's own struggles and dark side. There is an element of judgment present, as they mention wanting to judge the person they see before the flame. This could reflect a desire for self-reflection and evaluation, as well as grappling with questions of right and wrong.
The repeating line "it burns bright, cast the Devil's light, my soul is in pain" emphasizes the suffering and turmoil the singer is experiencing. They yearn for some form of emotional connection, expressed through the desire to see a tear and feel cared for. The lyrics reflect a yearning for release from anguish, a longing to escape the confines of their own mind.
Overall, "Devil's Light" addresses themes of self-discovery, introspection, and the search for meaning in a world filled with darkness. It explores the complex relationship between light and darkness, good and evil, and the challenges of finding one's true identity amidst turmoil.
Line by Line Meaning
I'm waiting to be someone else
I yearn to escape my current state and transform into a different persona.
When I can look back through the vacancy
Once I can reflect upon the emptiness within me and understand its significance.
Visit the grave where my soul is trapped
To confront and acknowledge the burial site where my essence is imprisoned.
And tip my hat to the demons before me
To pay respect and acknowledge the malevolent forces that came before me.
In the glow of Devils light, I can seen the face of God
Under the illumination of evil, I perceive the essence of divinity.
To judge the man that stands before the flame
To assess and evaluate the individual that confronts the intense fire.
It burns bright, cast the Devils light, my soul is in pain
The intense brightness of the Devil's light inflicts anguish upon my soul.
Just once I want to see a tear
On a single occasion, I yearn to witness a teardrop.
A small sign to show me you care
A small gesture or indication demonstrating your concern and compassion.
Stomach ache, heart ache...
Experiencing physical and emotional suffering simultaneously.
I'd rather die alone
I would prefer to pass away without companionship or support.
The limit of my mind has reached its end
My mental capacity has reached its utmost limit.
I'll become the monster you say I am
I will transform into the embodiment of the monstrous creature you claim me to be.
Writer(s): Garry Naples, Lawrence, Michael Feldman, Paul Kuhr, Roberts, Vito Marchese
Contributed by Nathan N. Suggest a correction in the comments below.