You know when you deconstruct something and decides to revamp your way? But… Read Full Bio ↴You know when you deconstruct something and decides to revamp your way? But think of something good, with components first. You dismounts until only those sobrem, raw gold. And from there you goes back and creates a new element. In the case of music, a new genre. Well then, many call it style. But you can also call it a night with the "Oba Oba Samba House Live" CD and DVD being released.

We speak of a night in the life of Fernando Diniz (bass, keyboards and voice), Luciano Tiso (guitar, bass and vocals), Leco Cavalini (guitar, voice and chips) and Cleber Tiso (percussion and vocals) and Oba Oba company. The night of November 27, 2011, when the record was written.
In less than two hours, the group walks the pagoda to heavy rock, national and gringo, disassembling them and turning into a combination of electronic beats with melody and rhythm of the samba. But that's not all. Is all this.

The light show's opening, the presence of a DJ on stage opening work, percussion and extending the carpet taken from "Mas Que Nada" by Jorge Benjor (then Ben), with vignette of "In the beggining" of Deeplick, master the slopes.

Cavaco, guitar, bass, voice and melody draw what they will turn to night. The electronic beat accents in "Fisher King" with "Waves of Feeling", the first hit of the Rappa ("If My knees ached no more ..." identified?) With the presence of new Deeplick (vignettes of work lead to his signature).
And the score 3-0 mark in the next excitement, "Ze Gatão" music of their own where the show turns into house electro rave in Batidão bursting chest and synth lead.

When you expect any surprises were lodged up there, they join Kings of Leon and the Red Hot Chilli Peppers ("Use Somebody" and "Otherside") in electronic version samba and you end up delivering. Especially when a Foo Fighters derive a result ("Times Like These") combined with "Mistakes" by Kiko Zambianchi in Batidão electro.

It has (very) own more songs, of course, as the electronic sambas "This Time I learn" and "Magic of Love", the latter taken slower and romantic. And there's also the genre to rebuild international classics as "Fly Away" by Lenny Kravitz.
Reggae is also present in "Hey Ragga" with "Natiruts Reggae Power", where the swing gives the cue for the animation festival electronics. This, only the DVD.
The genus praieiro takes account of the night with "In Beira Beach", and pop, to invite the audience to sing along. And speaking of the beach, the war cry of the Carnival of Salvador, "Yo-aê-ou-ou-ou-ou-oooooo", dominates the stage and audience in the house version of "Prefix Summer" with the introduction of "Summer Hit "(also on DVD only).

The crispness not to, and jump from Jamaica to the wheels with the pagoda "I'll push, but I will not turn on now" "Malandragem Gives a Time." To complete the introduction of the song has heavy guitar riff, "Play the Guitar".
Samba romantic slower? "Why not Call?" Oba Oba's own. Whether you step on the accelerator? "She Wants Pressure" almost a samba brakes. The group focuses on the cannons to the Caribbean, the broth thickens on stage with horn section and pulls ska with "Heats" and "My Stage", the first single. "Who wants to climb on my stage screams," invite the chorus.
We have the first special guest of the night. I mean, dual participation, Fred and Gustavo, who sing along to electro-house-samba "Monday is the day to Muie."
In the DVD, a pout pourri of standarts of country music: "Evidence," "I'll Take a Pingão" and "Galopeira", packaged in Batidão delicious.

In the second contribution, is called to the stage to sing Fernandinho Beatbox anthem of Planet Hemp, "Keep Respect." Think of rap and samba with electronica. I mean, think not - hear it is (very) best.
Two business cards of Brazilian swing are sung in unison: "Do not Want Money" (Tim Maia) and "Taj Mahal" (Jorge Benjor) in version samba rock. And the same samba rocker closes the work with "Praieiro" and "Final Batucada".

It gets a taste of want more. In the air, in the audience and on stage. But it's certainly not just taste. From which to draw as many pearls, the sea is very deep. And, most importantly, fertile. Yay!

Meu erro
Oba Oba Samba House Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Bastaria, ah meu Deus
Era tudo o que eu queria
Eu dizia o teu nome
Não me abandone jamais
Eu quis dizer
Você não quis escutar
Agora não peça
Não me faça promessas

Eu não quero dizer
Nem quero acreditar
Que vai ser diferente
Que tudo mudou
Você diz não saber
O que houve de errado
E o meu erro foi crer
Que estar ao teu lado

Bastaria, ah meu Deus
Era tudo o que eu queria
Eu dizia o teu nome
Não me abandone
Bastaria, ah meu Deus
Era tudo o que eu queria
Eu dizia o teu nome

Não me abandone
Não me abandone
Não me abandone, não
Não me abandone jamais
Não me abandone jamais
Não me abandone jamais
Mesmo querendo
Eu não vou me enganar
Eu conheço os seus passos

Eu vejo os seus erros
Não há nada de novo
Ainda somos iguais
Então não me chame
Não olhe pra trás
Você diz não saber
O que houve de errado
E o meu erro foi crer
Que estar ao teu lado

Bastaria, ah meu Deus
Era tudo o que eu queria
Eu dizia o teu nome
Não me abandone
Bastaria, ah meu Deus
Era tudo o que eu queria
Eu dizia o teu nome

Não me abandone
Não me abandone
Não me abandone, não
Não me abandone jamais
Não me abandone jamais, não não não
Não me abandone jamais, não
Não me abandone jamais, eh
Não me abandone jamais

Não me abandone jamais
Não me abandone jamais

Overall Meaning

The lyrics to Oba Oba Samba House's song "Meu erro" convey the pain and disappointment of unrequited love. The singer expresses their sincere desire for their love interest and their willingness to do anything to keep them by their side. However, despite their efforts, the relationship fails, and the singer feels abandoned and betrayed. In the chorus, the singer pleads with their love interest not to abandon them, as that is all they truly want.

The song's verses reveal the tension and frustration of trying to hold onto a relationship that is slowly falling apart. The singer acknowledges their partner's faults, but they still hold onto hope that things could be different. Ultimately, the song suggests that the singer's error was believing that the relationship could endure despite obvious problems.

Overall, "Meu erro" is a heartfelt expression of longing and loss, capturing the complex emotions of a failed romance.

Line by Line Meaning

Bastaria, ah meu Deus
All I needed was for you to stay

Era tudo o que eu queria
That was all I ever wanted

Eu dizia o teu nome
I would call out your name

Não me abandone jamais
Please don’t ever leave me

Eu quis dizer
I tried to tell you

Você não quis escutar
But you didn’t want to listen

Agora não peça
Now don’t ask for

Não me faça promessas
Promises you cannot keep

Eu não quero dizer
I don’t want to say

Nem quero acreditar
I don’t even want to believe