You know when you deconstruct something and decides to revamp your way? But… Read Full Bio ↴You know when you deconstruct something and decides to revamp your way? But think of something good, with components first. You dismounts until only those sobrem, raw gold. And from there you goes back and creates a new element. In the case of music, a new genre. Well then, many call it style. But you can also call it a night with the "Oba Oba Samba House Live" CD and DVD being released.

We speak of a night in the life of Fernando Diniz (bass, keyboards and voice), Luciano Tiso (guitar, bass and vocals), Leco Cavalini (guitar, voice and chips) and Cleber Tiso (percussion and vocals) and Oba Oba company. The night of November 27, 2011, when the record was written.
In less than two hours, the group walks the pagoda to heavy rock, national and gringo, disassembling them and turning into a combination of electronic beats with melody and rhythm of the samba. But that's not all. Is all this.

The light show's opening, the presence of a DJ on stage opening work, percussion and extending the carpet taken from "Mas Que Nada" by Jorge Benjor (then Ben), with vignette of "In the beggining" of Deeplick, master the slopes.

Cavaco, guitar, bass, voice and melody draw what they will turn to night. The electronic beat accents in "Fisher King" with "Waves of Feeling", the first hit of the Rappa ("If My knees ached no more ..." identified?) With the presence of new Deeplick (vignettes of work lead to his signature).
And the score 3-0 mark in the next excitement, "Ze Gatão" music of their own where the show turns into house electro rave in Batidão bursting chest and synth lead.

When you expect any surprises were lodged up there, they join Kings of Leon and the Red Hot Chilli Peppers ("Use Somebody" and "Otherside") in electronic version samba and you end up delivering. Especially when a Foo Fighters derive a result ("Times Like These") combined with "Mistakes" by Kiko Zambianchi in Batidão electro.

It has (very) own more songs, of course, as the electronic sambas "This Time I learn" and "Magic of Love", the latter taken slower and romantic. And there's also the genre to rebuild international classics as "Fly Away" by Lenny Kravitz.
Reggae is also present in "Hey Ragga" with "Natiruts Reggae Power", where the swing gives the cue for the animation festival electronics. This, only the DVD.
The genus praieiro takes account of the night with "In Beira Beach", and pop, to invite the audience to sing along. And speaking of the beach, the war cry of the Carnival of Salvador, "Yo-aê-ou-ou-ou-ou-oooooo", dominates the stage and audience in the house version of "Prefix Summer" with the introduction of "Summer Hit "(also on DVD only).

The crispness not to, and jump from Jamaica to the wheels with the pagoda "I'll push, but I will not turn on now" "Malandragem Gives a Time." To complete the introduction of the song has heavy guitar riff, "Play the Guitar".
Samba romantic slower? "Why not Call?" Oba Oba's own. Whether you step on the accelerator? "She Wants Pressure" almost a samba brakes. The group focuses on the cannons to the Caribbean, the broth thickens on stage with horn section and pulls ska with "Heats" and "My Stage", the first single. "Who wants to climb on my stage screams," invite the chorus.
We have the first special guest of the night. I mean, dual participation, Fred and Gustavo, who sing along to electro-house-samba "Monday is the day to Muie."
In the DVD, a pout pourri of standarts of country music: "Evidence," "I'll Take a Pingão" and "Galopeira", packaged in Batidão delicious.

In the second contribution, is called to the stage to sing Fernandinho Beatbox anthem of Planet Hemp, "Keep Respect." Think of rap and samba with electronica. I mean, think not - hear it is (very) best.
Two business cards of Brazilian swing are sung in unison: "Do not Want Money" (Tim Maia) and "Taj Mahal" (Jorge Benjor) in version samba rock. And the same samba rocker closes the work with "Praieiro" and "Final Batucada".

It gets a taste of want more. In the air, in the audience and on stage. But it's certainly not just taste. From which to draw as many pearls, the sea is very deep. And, most importantly, fertile. Yay!

Mr. Jones / Carla
Oba Oba Samba House Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Sha la la la la la la la, oh yeah
Sha la la la la la la la, oh yeah

Sha la la la la la la la, oh yeah
Sha la la la la la la la, oh yeah

Eu cheguei a deixar
Vestígios pra você me achar

Foi assim
Que entreguei meu coração devagar

Eu tentei te roubar
Aos poucos pra você notar
Que fui eu
Te guardei onde ninguém vai tirar

Do fundo dos meus olhos
Pra dentro da memória eu te levei
Amor você me tentou
Oh Carla

Eu te amei como jamais
Um outro alguém vai te amar
Antes que o sol pudesse acordar
Eu te amei
Oh Carla

Eu te amei como jamais
Um outro alguém vai te amar
Antes que o sol pudesse acordar
Eu te amei
Oh Carla

Eu cheguei a deixar
Vestígios pra você me achar
Foi assim
Que entreguei meu coração devagar

Eu tentei te roubar
Aos poucos pra você notar
Que fui eu
Te guardei onde ninguém vai tirar

Do fundo dos meus olhos
Pra dentro da memória eu te levei
Amor você me tentou
Oh Carla

Eu te amei como jamais
Um outro alguém vai te amar
Antes que o sol pudesse acordar
Eu te amei
Oh Carla

Eu te amei como jamais
Um outro alguém vai te amar
Antes que o sol pudesse acordar

Eu te amei
Oh Carla

Overall Meaning

The song "Mr. Jones / Carla" by Oba Oba Samba House is a love song about a person who has fallen deeply in love with Carla. In the beginning of the song, the singer makes use of the "sha la la" phrase to express the depth of his feelings for Carla. He talks about leaving hints so that she could find him and how he slowly stole her heart. He is deeply in love with Carla and has taken her to a place where no one can take her away from him.

The singer emphasizes the love he has for Carla by stating that he loved her like no one else ever will. He said he loved her before the sun could rise, indicating that their love was pure and unbreakable. He reiterates this feeling by repeating the chorus at the end of the song.

Overall, the song is a celebration of love, its power and ability to transform someone's life.

Line by Line Meaning

Sha la la la la la la la, oh yeah
The repetition of 'sha la la la la la la la' and 'oh yeah' is a musical expression of joy and excitement.

Eu cheguei a deixar
I left behind traces for you to find.

Vestígios pra você me achar
Clues for you to find me.

Foi assim
That's how it happened.

Que entreguei meu coração devagar
Slowly, I gave you my heart.

Eu tentei te roubar
I tried to steal you.

Aos poucos pra você notar
Little by little so you would notice.

Que fui eu
That it was me.

Te guardei onde ninguém vai tirar
I kept you where no one could take you away.

Do fundo dos meus olhos
From the depths of my eyes.