Their song "Runnin' from the Devil" inspired the Van Halen song "Runnin' With the Devil".
The group disbanded again in 1970. After again reforming with a line-up including Bonner, Satchell, Middlebrooks, Jones, Webster, trumpeter Bruce Napier, trombonist Marvin Pierce, and keyboardist Walter "Junie" Morrison, the Players had a minor hit on the Detroit-based Westbound label in 1971 with "Pain" which reached the Billboard R&B Top 40. Detroit vocalist Dale Allen shared co-lead vocals on some of the early Westbound material, although not credited on the albums "Pain" and "Pleasure".
The bandβs first big hit was "Funky Worm", which hit #1 on the Billboard R&B Charts and made the pop Top 15 in May 1973. The band signed with Mercury Records in 1974. By this time, their lineup had changed again, with keyboardist Billy Beck instead of Morrison and Jimmy "Diamond" Williams on drums instead of Webster. On later album releases, they added second guitarist/vocalist Clarence 'Chet' Willis and conga player Robert "Rumba" Jones to the lineup. Bonner sang lead vocals on most of the band's hits.
The band had seven Top 40 hits between 1973 and 1976, including "Fire" (#1 on both the R&B and pop charts for two weeks and one week respectively in February 1975) and "Love Rollercoaster" (#1 on both the R&B and pop charts for 1 week in January 1976). The group's last big hit was "Who'd She Coo" a #1 R&B hit in August 1976.
The band became widely known not only for their sound, which has been sampled and copied by countless R&B and hip-hop artists since, but for their sexually provocative album covers, including the cover of 1974's Ecstasy, which featured a man and a woman in a pose of arousal wearing chains and leather, and 1975's Honey, which featured a nude woman holding an overflowing jar of honey and dropping some into her mouth with a ladle.
There is an urban legend that has it that a scream on "Love Rollercoaster" that came during the break after the second verse was the sound of someone being murdered in the studio while the track was being recorded. It is widely believed to be the scream of a female model (the nude woman Ester Cordet featured on the image for the Honey album) after being stabbed with a knife by the band's manager. She was complaining that the honey and fibre glass she was sitting on reacted when mixed causing permanent damage to her legs during the image photography, ending her modelling career. She then approached the manager seeking compensation during the recording of "Love Rollercoaster" only to be stabbed and attacked.
The Ohio Players then left the scream in as a sick tribute.[1] The band did not discredit this rumor at the time, because, as one band member put it later, "that makes you sell more records." This is just an urban legend however, as are any other disturbing explanations, including a person murdered outside the recording studio (although recording studios are soundproof and the scream would not have been heard), a band member murdering his girlfriend or a cleaning woman in the recording studio, or a real scream taken from a 911 call or a Psychiatric ward.
Clarence Satchell died in January 1996 after he had a brain aneurysm. Ralph Middlebrooks died in November 1997.
The Red Hot Chili Peppers were one of the bands heavily influenced by the Ohio Players, covering "Love Rollercoaster" for the film Beavis and Butt-head Do America. In the UK, there was a chain of music and DVD stores named after one of their hit songs, "Fopp". "Fopp" was also covered by Soundgarden for an EP called Fopp.
What's Going On?
Ohio Players Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's too many of you crying
Brother, brother, brother
There's far too many of you dying
You know we've got to find a way
To bring some lovin' here today, yea
Father, father
You see, war is not the answer
For only love can conquer hate
You know we've got to find a way
To bring some lovin' here today
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh, what's going on
What's going on
Ya, what's going on
Ah, what's going on
In the mean time
Right on, baby
Right on
Right on
Father, father, everybody thinks we're wrong
Oh, but who are they to judge us
Simply because our hair is long
Oh, you know we've got to find a way
To bring some understanding here today
Oh
Picket lines and picket signs
Don't punish me with brutality
Talk to me
So you can see
What's going on
Ya, what's going on
Tell me what's going on
I'll tell you what's going on - Uh
Right on baby
Right on baby
The Ohio Players' song "What's Going On?" is a funky, humorous tribute to a particularly funky worm. The song begins with a lighthearted banter between the band members and instructions for the listeners to step right this way and get started. The band then introduces the main character of the song, a six-foot worm that only comes out of his hole when he wants to "get down." The worm is described as the "funkiest worm in the world" and the band proceeds to imitate the sound of the worm coming out of his hole.
The band then describes how the worm plays in a band, playing guitar without any hands, and gets everyone up and dancing. The song then ends with a humorous dialogue between the band members, including the worm's manager who claims he is going to make a million dollars and keep it all because the worm can't spend it. The Ohio Players were known for their funk-inspired music and this song is no exception, with a catchy beat and fun lyrics.
Overall, the song is an entertaining and playful way to celebrate a funky worm, and the Ohio Players' unique style and sense of humor shine through.
Line by Line Meaning
You're a little late
We have already started, but you can join us now
So step right this way
Come a little closer to us
And we'll get started
We can begin now
What? Say it now
Go ahead and speak up if you have something to say
Oh, say it now, say it now
Don't hesitate to share your thoughts with us
Me and the Ohio Players
The group of musicians in Ohio Players, including myself
Are gonna tell you about a worm
We are going to introduce you to something interesting
He's the funkiest worm in the world
This worm is the most rhythmically exciting creature you will ever encounter
Alright, sing it, Clarence
Let's hear it from Clarence, who is going to provide more details on this worm
Clarence, theres' a worm in the ground
Clarence is going to talk about a worm that lives in the ground
Yes, there is
It's true, such a worm exists
Granny Thats right
The granny in the group confirms that there is indeed a funky worm underground
Clarence he's six feet long
The worm in question is six feet long
Granny six feet long
The granny in the group confirms that the worm is six feet long
Clarence he only comes around
This worm only emerges out of the ground occasionally
Granny when he wants to get down
He appears to come out to groove to some funky music
But when he comes out of his hole
When he emerges from his habitat
He sounds something like this
He makes some funky noise when he grooves to the music
Oh that's funky
The sound made by the worm when it dances moves us to dance too
Like nine cans of shaving powder, that's funky
The worm's funky sound is so intense and rhythmic that it compares to nine cans of shaving powder
And through all the land, yeah
People everywhere have heard of his funky sound
He plays in a band
He is a part of a group of creatures that make funky music
Plays guitar without any hands
The worm plays guitar, but without the use of his hands
Pretty good, I might add
His lack of hands does not interfere with his skill in guitar playing
When he grabs his guitar and starts to pluck
When he picks up his guitar and plays
Everybody wants to get up and dance
His music is so catchy that people cannot resist dancing to it
Ah, get it baby
This is an expression for urging someone to groove to the music
Don't, don't, don't
This is another expression to encourage someone to let loose and enjoy the music
Don't fight the feeling
Do not resist the urge to dance and have fun
Hey, don't stop now honey, get down
Keep grooving and dancing to this funky sound, my dear friend
I'm his manager, heh, heh
I am responsible for the business side of things for the worm's music career
Gonna make a million dollars
We are going to hit it big with this funky music
I get it all, cause he can't spend it
The money made goes to me because the worm cannot use it
There he goes
The worm is retreating back into his hole
Goin' back in his hole
He is returning back to his habitat
Just the same way he came out
He does to return underground the same way he emerged out of it
Do we get paid for this
We should be receiving compensation for showcasing this funky worm's moves
I just wanted to make sure
I wanted to double-check if there is payment involved
We do, OK
Yes, we are going to get paid for this funky performance
Lyrics Β© Wixen Music Publishing, DistroKid, BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Royalty Network, Capitol CMG Publishing, Warner Chappell Music, Inc.
Written by: Alfred W Cleveland, Marvin P Gaye, Renaldo Benson
Lyrics Licensed & Provided by LyricFind
SixThirty
Best version of this song hands down. I stand ten toes down on that.
Invisible Sun
Truthfully I have yet to hear a bad rendition of this classic. I can even get with Quincy Jones' version with Valerie SImpson on those background vocals!
That's My Cut!
I hear that ... but I can't sleep on Les McCann and Donny Hathaway version either.
Barry Jordan
Damnit Pete Rock, caught that break!!
Eric Bell
Love this track!π
Harry Heath
They made this song theirs
George Monroe
@ 4:00 begins the dopest buildup ever and then that classic breakbeat at the end...
Eric Bell
Like Marvin said" War is not the answer, only Love can conquer hate".ππ
Sky1Luv
Yo Pete Rock caught that outro like Scorpion from Mortal Kombat. 'Get over here!' Lol. My man is sick with itπ€―ππΎπ€£π
Neal Howard
Pete Rock!