Indefinitely
Old 97\'s Lyrics


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Well the room was Mediterranean and the meaning was two-fold
We got busted by your mother though you're 29 years old
And the pictures wrapped in cellophane like sandwiches or stamps
Burned holes in my pockets and in the inseam of my pants

And your graduation date was in Absentia today
And you wished you was there with her but you told her not to stay
And the redwoods and the oak trees and the double yellow lines
Although they're in perfect symmetry they keep imperfect time

I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely
I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely

Well the car was Japanese perhaps, Hungarian and blue
And it followed you down highway one, kept almost out of view
And it symbolizes something although you don't know what it is
Like loneliness and longing for a future perfect kiss

I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely
I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely

Well second hand's the first thing that you see when you wake up
And it rolls by in slow motion and you rub it for good luck
Time is gonna tell your little secrets to me
There's a frightened girl inside of you and I'm gonna set her free

I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely
I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely





I don't mean no, I don't mean maybe
I'm indefinitely, I'm indefinitely

Overall Meaning

The lyrics to Old 97's "Indefinitely" are filled with symbolic language and metaphors that make it difficult to discern a clear narrative. The opening lines describe a Mediterranean room that has a double meaning not immediately clear. The second line referencing getting caught by someone's mother despite being nearly 30 years old seems to imply a sense of shame or embarrassment. The third line referencing pictures wrapped in cellophane, like sandwiches or stamps, depicts something precious or cherished that has been preserved. The burning of holes in pockets and inseams could be a metaphor for something valuable that is slowly getting lost or destroyed. The mention of a graduation date being in absentia could be referring to a missed opportunity in life, or an incomplete journey.


The second paragraph continues with imagery that is both specific and ambiguous. The description of a car that is "Japanese perhaps, Hungarian and blue" could represent an unknown or foreign object that is following the singer. This object is imbued with a sense of mystery and symbolism, again representing something coveted yet unknown. The reference to "loneliness and longing for a future perfect kiss" creates a sense of emotional longing and desire. A slightly sinister undertone follows in the next line, suggesting a 'frightened girl' hidden inside someone that the singer wishes to set free.


Overall, the lyrics to "Indefinitely" are a combination of vague and specific metaphors that create a sense of ambiguity within a narrative. The song is somewhat open to interpretation, but it is clear that the singer is dealing with feelings of longing, regret, and uncertainty.


Line by Line Meaning

Well the room was Mediterranean and the meaning was two-fold
The setting of the room was Mediterranean and held more than one significance or interpretation


We got busted by your mother though you're 29 years old
Even though the person is 29 years old, their mother caught them doing something wrong


And the pictures wrapped in cellophane like sandwiches or stamps
There were pictures wrapped in cellophane that remind the singer of small, neat packages like sandwiches or stamps


Burned holes in my pockets and in the inseam of my pants
The pictures were so important to the artist that they figuratively created holes in their pockets and clothing


And your graduation date was in Absentia today
The person was not present for their own graduation ceremony


And you wished you was there with her but you told her not to stay
Even though they wanted to be there with someone, they told them to leave


And the redwoods and the oak trees and the double yellow lines
The scenery of redwoods, oak trees, and double yellow lines are all precisely symmetrical, but time doesn’t follow the same pattern


Although they're in perfect symmetry they keep imperfect time
The artist notes that even though these things are precisely symmetrical, time moves differently than perfect patterns


I don't mean no, I don't mean maybe I'm indefinitely, I'm indefinitely I don't mean no, I don't mean maybe I'm indefinitely, I'm indefinitely
The artist is sure of their feelings and intentions, and will not waver from their decision


Well the car was Japanese perhaps, Hungarian and blue
The car that followed the person had Japanese and Hungarian elements and was blue


And it followed you down highway one, kept almost out of view
The car followed the person on Highway One but stayed out of sight


And it symbolizes something although you don't know what it is
The car holds meaning for the artist, although they're unsure of what it represents


Like loneliness and longing for a future perfect kiss
The car's meaning is like loneliness and the desire for a perfect kiss in the future


Well second hand's the first thing that you see when you wake up
The first thing the singer sees when they wake up is something that was previously owned


And it rolls by in slow motion and you rub it for good luck
This previously owned item passes by like it’s in slow motion, and the singer rubs it for good luck


Time is gonna tell your little secrets to me
The artist is confident that with time, they will eventually uncover the other person’s secrets


There's a frightened girl inside of you and I'm gonna set her free
The artist recognizes that the other person is scared, and they want to help free them from their fear




Lyrics © Peermusic Publishing, BMG RIGHTS MANAGEMENT US, LLC
Written by: KENDALL DEWAYNE BETHEA, MURRAY HAMMOND, PHILIP WAYNE PEEPLES, STEWART RANSOM MILLER

Lyrics Licensed & Provided by LyricFind
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