Blurred Lines
Pharrell Williams/Robin Thicke/T.I. Lyrics

Everybody get up
Requesting everyone to stand up and join in the following actions.

Hey, hey, hey Hey, hey, hey (ah) Hey, hey, hey (woo) Turn me up
Expressions of excitement and enthusiasm, requesting the audience to increase the volume.

If you can't hear, what I'm tryna say (hey girl, come here)
Asking someone to come closer if they are having difficulty hearing what is being said.

If you can't read, from the same page Maybe I'm going deaf (hey, hey, hey) Maybe I'm going blind (hey, hey, hey) Maybe I'm out of my mind (hey, hey, hey)
Suggesting that there may be a communication breakdown between the artist and the listener, emphasizing their frustration and possibly irrationality.

Okay, now he was close Tried to domesticate you But you're an animal Baby, it's in your nature (meow) Just let me liberate you (hey, hey, hey) You don't need no papers (hey, hey, hey) That man is not your maker (hey, hey, hey) And that's why I'm gon' take you (everybody get up)
Recognizing that the addressee is an independent and free individual who has the right to choose their own path in life and offering to release them from any external control.

Good girl I know you want it (hey) I know you want it I know you want it You're a good girl (oh yeah) Can't let it get past me (oh yeah) You're far from plastic (alright) Talkin' about getting blasted I hate these blurred lines I know you want it (hey) I know you want it (oh, oh, yeah yeah) I know you want it But you're a good girl (hey) The way you grab me Must wanna get nasty (hey, hey, hey) Go ahead, get at me Everybody get up (come on)
Acknowledging the addressee's positive traits, but also suggesting that they have sensual desires that they might be hesitant to express, and encouraging them to embrace their sexuality.

What do they make dreams for? When you got them jeans on? (Why?) What do we need steam for? You the hottest bitch in this place I feel so lucky (hey, hey, hey) You wanna hug me (hey, hey, hey) What rhymes with hug me? (Hey, hey, hey) Hey (everybody get up)
Playfully complimenting the addressee's attractive appearance and implying that they are sexually compatible, using rhyming patterns for humor and entertainment.

One thing I ask of you (okay) Let me be the one you back that ass up to (come on) Go from Malibu to Paris, boo (yeah) Had a bitch, but she ain't bad as you (uh-uh, ey) So, hit me up when you passin' through I'll give you something big enough to tear your ass in two Swag on 'em even when you dress casual (oh, oh, oh) I mean, it's almost unbearable (ey, ey, ey, ey) (everybody get up) In a hundred years not dare would I Pull a Pharcyde, let you pass me by (uh-uh, uh-uh, uh-uh) Nothin' like your last guy, he too square for you He don't smack that ass and pull your hair for you (like that) So I'm just watchin' (just watchin') and waitin' (and waitin') For you to salute the true big pimpin' Not many women can refuse this pimpin' (hey, hey, hey, hey, hey, hey) I'm a nice guy, but don't get confused, get pimpin' (everybody get up)
Making suggestive and boastful statements about the addressee's sexual appeal and offering to provide them with physical pleasure, expressing confidence in their own abilities and contrasting themselves with an unsatisfactory previous partner.

Shake your rump Get down Get up Do it like it hurt Like it hurt What, you don't like work? Hey (everybody get up)
Encouraging the audience to dance and move in a sexually suggestive manner while pretending to be in pain, using rhetorical questions for emphasis.

Baby, can you breathe? I got this from Jamaica It always works for me Dakota to Decatur (uh huh) No more pretending (hey, hey, hey) (uh huh) 'Cause now your winning (hey, hey, hey) (uh huh) Here's our beginning (hey, hey, hey) (uh huh) (uh) I always wanted a
Expressing that the artist has discovered an effective method of seduction and highlighting their success in using it, referencing various geographic locations for emphasis.