I Don't Mind
Postmodern Jukebox feat. Wilkie Ferguson III Lyrics


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Yeah ursher, baby
This is for the A

Shawty, I don’t mind if you dance on a pole
That don’t make you a ho
Shawty, I don’t mind
When you work until three
If you’re leaving with me
Go make that money, money, money
Your money, money, money
Cause I know how it is
Go and handle your biz
And get that money, money, money
Your money, money, money
You can take off your clothes
Long as you coming home girl, I don’t mind

The ballers in here tonight
They gon’ buy a hundred bottles
As soon as you shake it I know
They gon’ make it colossal in here
Cause shawty you thinkin’ them tricks that
You do with your body
Got all of these niggas they crowding around
You like they seen Beyonce in here
You want your own and you
Need your own, baby, who am I to judge?
Cause how could I ever trip about it
When I met you in the club?
I make enough for the both of us
But you dance anyway
You know I was raised in the A

Shawty, I don’t mind if you dance on a pole
That don’t make you a ho
Shawty, I don’t mind
When you work until three
If you’re leaving with me
Go make that money, money, money
Your money, money, money
Cause I know how it is
Go and handle your biz
And get that money, money, money
Your money, money, money
You can take off your clothes
Long as you coming home girl, I don’t mind

When you get off of work I’ll be
Ready to go in the ‘Rari
And when we get home we’ll have us
Our own private party in here
So I don’t worry at all about
The things they do or say i love you anyway
You can twerk while in a split
You racking up them tips
Your body rock and your booty poppin’
I’m proud to call you my bitch
They be lookin’, but they
Can’t touch you, shawty
I’m the only one to get it
So just go ahead and keep
Doing what you doing

Shawty, I don’t mind if you dance on a pole
That don’t make you a ho
Shawty, I don’t mind
When you work until three
If you’re leaving with me
Go make that money, money, money
Your money, money, money
Cause I know how it is
Go and handle your biz
And get that money, money, money
Your money, money, money
You can take off your clothes
Long as you coming home girl, I don’t mind

(It's ya boy, Juicy J)
I’m just tryna cut her up, tryna bust a nut
Tryna take somebody bitch, turn her to a slut
Tryna fill my cup, tryna live it up
Throw some hundreds on that ass
Walk her out the club
(yeah, ho) Lap dance for the first date
Bet I threw a few bands that’s third base
It’s okay if you work late
We can still party like it’s your birthday
We can still party hard in your birthday suit
Knock that pussy out the park
Like my name Babe Ruth
Shawty she just want a tip
I just want to see her strip
If you fuck me like you love
Me shawty you might get rich
Have her own cake, her own place
Blow her own gas, no Rolaid
When we in the bed she like to roleplay
Tell her friend to join in both ways

Shawty, I don’t mind if you dance on a pole
That don’t make you a ho
Shawty, I don’t mind
When you work until three
If you’re leaving with me
Go make that money, money, money
Your money, money, money
Cause I know how it is
Go and handle your biz
And get that money, money, money
Your money, money, money




You can take off your clothes
Long as you coming home girl, I don’t mind

Overall Meaning

The lyrics of "I Don't Mind" by Postmodern Jukebox feat. Wilkie Ferguson III convey a message of acceptance, non-judgment, and unconditional love towards a partner who works as an exotic dancer. The singer expresses that they don't mind if their partner dances on a pole for a living, emphasizing that it doesn't define their worth as a person. The song recognizes the importance of financial independence and the value of hard work, encouraging the partner to go and make money regardless of the means.


The lyrics also touch upon the realities of nightlife and the entertainment industry, depicting a scene where men lavish attention and money on the partner for her performance. Despite the external pressures and judgments, the singer remains steadfast in their support and love for the partner. The lyricist celebrates the partner's body and talents, likening her presence to that of a star like Beyoncé and affirming her agency and empowerment in her choice of work.


The song highlights the singer's readiness to embrace and celebrate the partner's profession, promising a luxurious lifestyle and private party once they're together. There's a sense of protection and possessiveness, with the singer expressing pride in the partner and their relationship. The lyrics convey a sense of loyalty and exclusivity, with the singer asserting that no one else can touch or possess the partner like they do.


Towards the ending verses of the song, Juicy J's guest rap adds a more explicit and stereotypical portrayal of relationships and interactions in the club scene. While his language may be crude and objectifying, it contrasts with the overall theme of respect and acceptance in the song. The lyrics reiterate the partner's right to autonomy and financial independence, alluding to a mutually beneficial and respectful dynamic in their relationship.


Overall, "I Don't Mind" celebrates individual agency, love without judgment, and supporting a partner in their choices and aspirations, even if they involve societal taboos like exotic dancing. The song promotes understanding, acceptance, and standing by a loved one through thick and thin, despite societal norms or pressures.


Line by Line Meaning

Yeah ursher, baby
Yes, usher, baby


This is for the A
This is for Atlanta


Shawty, I don’t mind if you dance on a pole
I don't mind if you express yourself by dancing on a pole


That don’t make you a ho
That doesn't define you as a derogatory term


When you work until three
When you work late into the night


If you’re leaving with me
If you choose to be with me


Go make that money, money, money
Go earn your income


Your money, money, money
The money you rightfully earned


Cause I know how it is
Because I understand the hustle


Go and handle your biz
Go take care of your business


You can take off your clothes
You have the freedom to express yourself


Long as you coming home girl, I don’t mind
As long as you come home to me, I support you




Lyrics © O/B/O APRA AMCOS

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@vannkleis4080

i love how they can make a song about a stripper sound so classy

@postmodernjukebox

+Vann Kleis Keepin' it classy!

@reneeangely8446

Yeah. Now the sound of this sounds like he’s talking about a Vegas showgirl!

@fisharmor

The tap break in the middle simply makes this video.

@postmodernjukebox

+fisharmor Sarah is incredible! Check her out in this! https://www.youtube.com/watch?v=PJ9YPafw82U

@LuigiLaitinen

@@postmodernjukebox She sure is!
Even especially in this really nice amazingly cool video, featuring Sarah Reich doing some really neat tap dancing action (which really fascinates me a lot) in lovely dark shiny High Heeled Shoes as well.
https://m.youtube.com/watch?v=bD9uIukX4Rs

@Lolwutfordawin

now that I can understand the lyrics, it really makes me love this song, the guy accepting what his gf does, and loving her anyway

@postmodernjukebox

+Lolwutfordawin What a nice guy :P

@jordanpink1306

The way he pronounces the words especially "hoe" makes me crack up every time

@missbubu1611

It’s a hilarious song.

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