Early life
Pritam was born in Kolkata into a Bengali family. Pritam is the son of Prabodh Chakraborty, who runs a music school for children. Pritam gained his early training in music from his father and learned to play the guitar while still in school.
After completing his schooling at St. James' School and college education at Presidency College, he went to a music school. At Presidency he was the Social Services Secretary of the Students Union run by the Independents' Consolidation (IC). Pritam joined a Bangla band, Chandrabindoo. Before that he formed another band with his Presidency batchmates, called "Jotugriher Pakhi". They even have a cassette released to their credit at that time. In January 1993, Pritam joined the Film and Television Institute in Pune to undertake a course in sound recording and sound engineering. During this time, he was offered a chance to compose background music for a film by Hungarian filmmaker Istvan Gaal. He also learned African music from musicologist Kedar Avati.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Career
Having completed his education, Pritam Chakraborty moved to Mumbai to pursue a career in Bollywood. During his stay in Mumbai, he began composing ad jingles, and became friendly with a number of other young men struggling to make it big, like Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi and Chandrajeet Ganguly, also known as Jeet, who played the guitar with Anup Jalota.
Pritam got his first break when Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet and Pritam as music composers. Though the music was well received, the film sank at the box office. However, in 2002 Yashraj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Jeet-Pritam duo once again composed the music. All the songs from that movie were chartbusters, and the duo had hit the big time.His music comprises various kinds including Indian classical music and western influences. Pritam was then actively involved in mentoring and judging new talent on Zee TV's singing competition show Sa Re Ga Ma Pa Challenge 2009.
[edit] Solo career
Jeet and Pritam worked together for only one more film which was Mudda-The Issue, before amicably parting. After the separation, Pritam's career as a solo musician stalled as he signed a series of flops like Fun2shh - Dudes In The 10th Century and Agnipankh. The films sank at the box office and with them, Pritam’s music too. However, in 2004, Pritam composed the music for Sanjay Gadhvi's second film, Dhoom, which was a runaway success. The film did well and the music topped the charts.
Pritam followed up the success of Dhoom with a string of chartbusting numbers after a year for Chocolate, Garam Masala and Gangster. Also he composed the music for Dhoom 2, the sequel to [Dhoom] & Life in a Metro. Most recently he composed the music for Singh Is Kinng, Kismat Konnection and formed a Band named Metro. His most top rated musics are from the movies Dhoom, Dhoom2, Gangster, Life in a metro, Jab we met, Race, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Gazab Kahani, De Dana Dan, Toh Baat Pakki, Atithi Tum Kab Jaoge?, Badmaash Company and more.
Filmography as an actor
Life in a metro (Guest appearance)
[edit] References
1.^ Plagiarism - Common chord that strings Pritam's music
2.^ 'I don't deny copying'
3.^ Bollywood music: If it's a hit, it's a rip-off
4.^ Pritam's the legitimate copy cat?
Mere Dholna
Pritam Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dhi Titkit Dha
Dhi Titkit Dha
Dhin Tirakita Tirakita Dha
Dhin Tirakita Tirakita Dha
Dhin Tirakita Tirakita Dha
Dhin Tirakita Tirakita Dha
Dhin Tirakita Tirakita Dha
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna Sun
Dha|Tat Dhin Tirkit Dha Tirkit Dha Tirkit Dha
Dha|Tat Dhin Tirkit Dha Tirkit Dha Tirkit Dha
Dha|Tat Dhin Tirkit Dha Tirkit Dha Tirkit Dha
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna Sun
Meri Chahte To
Fiza Mein Bahengi
Zinda Rahengi
Hoke Fana
Tana Na Na Tum
Tana Na Na Tum
Tana Na Na Tum
Tana Na Na Tum
Ta Na Dhi Re Na Ta Dhi Re Ta Na Dhi Re Na
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna Sun
Saathi Re Saathi Re Mar Ke Bhi Tujhko
Chahe Ga Dil Tujhe Hi Bechainiyon Mein Aayega Dil
Saathi Re Saathi Re Mar Ke Bhi Tujhko
Chahe Ga Dil Tujhe Hi Bechainiyon Mein Aayega Dil
Mere Kesuo Ki Saaye Mein
Teri Raahton Ki Khushboo Hai
Tere Begair Kya Jeena
Mere Rom Rom Mein Tu Hai
Meri Chudiyon Ki Khaan Khan Se
Teri Sada Aati Hai
Yeh Dooriyan Hamesha Hi Nazdik Kahan Bulati Hai
O Piya
Sa Ni Dha
Ni Dha Ma
Ma Ga Sa Ni Dha Ni Sa Ga Ma
Ma Ga Sa Ni Dha Ni Sa Ga
Ma Ga Sa Ni Dha Ni Sa Ga
Ma Ga Ma Ga
Sa Ni Dha Ga Pa Dha Ni
Sa Ni Dha Ga Pa Dha Ni
Sa Ni Dha Ni
Dha Ni Sa
Dha Ni Sa
Dha Ni Sa
Dha Ni Sa
Ma Dha Ni
Ma Dha Ni
Ma Dha Ni
Ma Dha Ni
Dha Ni Sa
Dha Ni Sa
Dha Ni Sa
Ma Dha Ni
Ma Dha Ni
Ma Dha Ni
Ma Dha Ni Sa
Ma Dha Ni Sa
Ma Dha Ni Sa
Ma Dha Ni Sa
Sa Ni Dha Ma
Sa Ni Dha Ma
Sa Ni Dha Ma
Sa Ni Dha Ma
Ma Ma Ga Ga Sa Sa Ni Ni
Sa Sa Ni Ni Dha Dha Ni Ni
Sa Sa Ni Ni Dha Dha Ma Ma
Sa Sa Ni Ni Dha Dha Ga Ga Re Re Sa Sa
Ni Ni Sa Sa Sa
Ni Dha Sa Sa Sa
Ma Ga Sa Sa Sa
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna Sun
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna Sun
Saason Mein Saason Mein Teri Sargame Hai Abb Raat Din
Zindagi Meri To Kuch Na Abb Tere Bin
Saason Mein Saason Mein Teri Sargame Hai Abb Raat Din
Zindagi Meri To Kuch Na Abb Tere Bin
Teri Dhadkon Ki Sargoshi
Meri Dhadkano Mein Bajti Hai
Meri Jagti Nigahon Mein
Khwaaish Teri Hi Sajti Hai
Meri Khayaal Mein Har Pal
Tere Khyaal Shaamil Hai
Lamhe Judaiyon Wale Muskil Bade Hi Muskil Hai
O Piya
Ni Sa
Ni Sa
Ni Sa
Dha Ni
Dha Ni
Dha Ni
Pa Ga
Pa Ga
Pa Ga
Ga Ma Pa Dha Ni Re Sa
Ni Sa
Ni Sa
Ni Sa
Dha Ni
Dha Ni
Dha Ni
Pa Ga
Pa Ga
Pa Ga
Ga Ma Pa Dha Ni Re Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Pa Ni Sa
Ga Ma Pa Dha Ni Dha Pa Dha Ni Dha Ni Sa
Ga Ma Pa Dha Ni Dha Pa Dha Ni Dha Ni Sa
Ga Ma Pd Dha Ni Dha Ma Dha Ga Ma Ga Re Sa Ni
Dha Ni Sa Ga Ma Ga Sa Ga Ma Pa Dha Pa Dha Ni Sa
Ni Sa
Nisa Nisa Nisa
Dha Ni
Dhani Dhani Dhani
Ga Ma Pa Dha Ni Dha Pa Ma
Ga Ma Pa Dha Ni Dha Pa Ma
Ga Ma Pa Ma Ga Ma Ga Re
Sa Re Sa Ni Sa Ni Dha Ni Sa
Dha Ni Ni Sa Sa Ga Ga Ma Ga
Sa Ga Ga Ma Pa Dha Dha Ni Dha
Dha Ni Sa Ga Dha Ni Sa
More To Come
Mere Dholna Sun
Mere Pyaar Ki Dhun
Mere Dholna…
RAJA YERRAM
The lyrics of Pritam's song Mere Dholna are in Hindi and mainly speak about love and devotion. The song is about the singer's lover, who is compared to a dhol, a traditional Indian drum. The lyrics describe the singer's intense love for their beloved and how they cannot live without them. The song also talks about the couple's separation, the pain of being away from one another, and their yearning to be reunited.
The song opens with the sound of the dhol, with the singer calling out to their lover to listen to their love song. The lyrics then go on to describe the singer's desire to be with their lover, emphasizing that they are incomplete without them. The chorus, "Mere Dholna Sun, Mere Pyaar Ki Dhun," is a plea to the lover to listen to the singer's love song and to fill their heart with love, much like the way the dhol fills the air with music.
The following verses describe how the singer's lover exists in every part of their being, from the fragrance of their lover's hair to the rhythm of their heartbeats. The section "Saathi Re Saathi Re" talks about how the singer's lover is their constant companion, even in death. Finally, the song ends with the singer's declaration of love, followed by a repetition of the chorus.
Line by Line Meaning
Dha Na Dha Tatdha Tatdha
The sound of traditional Indian percussion instruments, representing the rhythm of the song, creates the foundation for the lyrics to be sung over.
Dhi Titkit Dha
Additional beats add complexity and interest to the rhythm, building tension and excitement.
Dhin Tirakita Tirakita Dha
The rhythmic pattern continues to evolve, introducing new symbols and patterns before returning to the main beat with emphasis.
Mere Dholna Sun
The singer addresses a lover, asking for their attention and calling to them through music.
Mere Pyaar Ki Dhun
The singer hopes to express their love through the melody and lyrics of the song, appealing to the emotions and feelings of the listener.
Dha|Tat Dhin Tirkit Dha Tirkit Dha Tirkit Dha
The percussion section builds in complexity and volume, creating an intense and powerful sound that elevates the emotional impact of the lyrics.
Meri Chahte To
The singer implies that they would like to express their desires openly and honestly, without the fear of being misunderstood or judged.
Fiza Mein Bahengi
The melody will travel on the wind, reaching new and distant places and touching the hearts and souls of everyone who hears it.
Zinda Rahengi
The love that is represented by the song will continue to live on forever, even beyond the lifetime of the singer or the listener.
Hoke Fana
Even though everything else may come to an end, the love expressed through this song will remain eternal and immortal.
Tana Na Na Tum
The singer playfully taunts the listener, challenging them to recognize and reciprocate the love that is being offered to them.
Ta Na Dhi Re Na Ta Dhi Re Ta Na Dhi Re Na
The rhythm shifts again, introducing new patterns and variations to keep the listener engaged and entertained.
Saathi Re Saathi Re Mar Ke Bhi Tujhko
The singer refers to the listener as their companion and lover, implying that even if they were to die, they would still be devoted and loyal to them.
Chahe Ga Dil Tujhe Hi Bechainiyon Mein Aayega Dil
The singer confesses that their heart is completely devoted to the listener, and even if they were to suffer or experience pain, they would still long for their love.
Mere Kesuo Ki Saaye Mein
The singer references the shadows cast by their hair, indicating that they are surrounded by and immersed in the essence of the listener and their love.
Teri Raahton Ki Khushboo Hai
The singer conveys the idea that they are constantly aware of and surrounded by the listener's presence, even when they are not physically present.
Tere Begair Kya Jeena
The singer implies that without the listener and their love, life would be meaningless and empty for them.
Mere Rom Rom Mein Tu Hai
The singer expresses that every fiber of their being is imbued with the presence and essence of the listener, emphasizing the depth and intensity of their love.
Meri Chudiyon Ki Khaan Khan Se
The singer references the sound made by their bangles, implying that they are always moving and dancing to the beat of their love for the listener.
Teri Sada Aati Hai
The singer suggests that they are always aware and alert to the listener's presence and voice, even when they are not physically present or speaking.
Yeh Dooriyan Hamesha Hi Nazdik Kahan Bulati Hai
The singer acknowledges that despite the physical distance between them and the listener, the power and intensity of their love keeps them connected and close to each other.
O Piya
The singer calls out to the listener by a traditional term of endearment, indicating their fondness and affection for them.
Sa Ni Dha
The melody continues to evolve and shift, introducing new notes and variations to the song.
Ni Dha Ma
The singer continues to play with the melody, using different notes and patterns to keep the song interesting and entertaining.
Ma Ga Sa Ni Dha Ni Sa Ga Ma
The melody peaks in intensity and complexity, using multiple notes and patterns to create a rich and textured sound.
Ma Ga Sa Ni Dha Ni Sa Ga
The singer continues to explore the melody and create new variations and patterns to keep the listener engaged and entertained.
Ma Ga Ma Ga
The melody shifts to a simpler and more straightforward rhythm, giving the listener a brief break before ramping up again.
Sa Ni Dha Ga Pa Dha Ni
The melody builds in intensity again, introducing new notes and patterns to keep the listener engaged and entertained.
Sa Ni Dha Ni
The singer emphasizes the highest notes of the melody, building anticipation and excitement for what comes next.
Dha Ni Sa
The singer transitions to a new section of the melody, building tension and anticipation for what comes next.
Ma Dha Ni
The melody continues to shift and evolve, using different notes and patterns to build tension and excitement.
Ma Dha Ni Sa
The melody reaches a climactic peak, using multiple notes and patterns to create an intense and powerful sound.
Sa Ni Dha Ma
The singer transitions to a new section of the melody, building anticipation and excitement for what comes next.
Ma Ma Ga Ga Sa Sa Ni Ni
The melody shifts to a simpler and more straightforward rhythm, using repetitive notes and patterns to create a memorable and catchy sound.
Sa Sa Ni Ni Dha Dha Ni Ni
The melody builds in intensity again, using multiple notes and patterns to create a rich and textured sound.
Sa Sa Ni Ni Dha Dha Ma Ma
The melody reaches a climactic peak, using multiple notes and patterns to create an intense and powerful sound.
Sa Sa Ni Ni Dha Dha Ga Ga Re Re Sa Sa
The melody reaches a dramatic peak, using multiple notes and patterns to create an intense and powerful sound.
Ni Ni Sa Sa Sa
The melody transitions to a new section, using simpler notes and patterns to build anticipation and excitement for what comes next.
Ni Dha Sa Sa Sa
The melody builds in intensity again, using multiple notes and patterns to create tension and excitement.
Ma Ga Sa Sa Sa
The singer shifts to a new section of the melody, using different notes and patterns to build tension and excitement.
Saason Mein Saason Mein Teri Sargame Hai Abb Raat Din
The singer implies that the melody and essence of the listener's love is constantly present and alive in their breath and in every moment of their life, both day and night.
Zindagi Meri To Kuch Na Abb Tere Bin
The singer implies that without the listener and their love, life would be empty and meaningless for them.
Teri Dhadkon Ki Sargoshi
The singer references the sound of the listener's heartbeat, using it as a symbol for their presence and essence in the singer's life.
Meri Dhadkano Mein Bajti Hai
The singer implies that the sound of the listener's heartbeat is constantly present in their own heart, emphasizing the depth and intensity of their love.
Meri Jagti Nigahon Mein
The singer implies that even when they are awake and conscious, they are still surrounded by and connected to the listener's love and presence.
Khwaaish Teri Hi Sajti Hai
The singer implies that all of their desires and wishes are focused on the listener and their love, emphasizing the depth and intensity of their affection.
Meri Khayaal Mein Har Pal
The singer implies that the listener is constantly present in their thoughts and imagination, emphasizing the depth and intensity of their love.
Tere Khyaal Shaamil Hai
The singer implies that the listener is an integral and inseparable part of their life and identity, emphasizing the depth and intensity of their love.
Lamhe Judaiyon Wale Muskil Bade Hi Muskil Hai
The singer implies that the mere idea of being separated from the listener is painful and difficult, emphasizing the depth and intensity of their love.
Ni Sa
The melody continues to evolve and shift, introducing new notes and patterns to the song.
Dha Ni
The melody continues to shift and evolve, using different notes and patterns to keep the song interesting and entertaining.
Pa Ga
The melody builds in intensity, introducing new notes and patterns to build tension and excitement.
Ga Ma Pa Dha Ni Re Sa
The melody continues to evolve and shift, using multiple notes and patterns to create a rich and textured sound.
Pa Ni Sa
The melody shifts to a new section, building tension and excitement for what comes next.
Ga Ma Pa Dha Ni Dha Pa Dha Ni Dha Ni Sa
The melody reaches a climactic peak, using multiple notes and patterns to create an intense and powerful sound.
Ga Ma Pd Dha Ni Dha Ma Dha Ga Ma Ga Re Sa Ni
The melody evolves and shifts again, using different notes and patterns to create a complex and interesting sound.
Dha Ni Sa Ga Ma Ga Sa Ga Ma Pa Dha Pa Dha Ni Sa
The melody builds in intensity again, using multiple notes and patterns to create a rich and textured sound.
Nisa Nisa Nisa
The singer playfully repeats a series of notes, creating a catchy and memorable sound.
Dhani Dhani Dhani
The singer emphasizes a specific note, creating a sense of tension and anticipation for what comes next.
Ga Ma Pa Dha Ni Dha Pa Ma
The melody returns to a simpler and more straightforward rhythm, creating a sense of nostalgia and longing.
Ga Ma Pa Ma Ga Ma Ga Re
The melody builds in intensity again, using multiple notes and patterns to create an intense and complex sound.
Sa Re Sa Ni Sa Ni Dha Ni Sa
The melody reaches a climactic peak, using multiple notes and patterns to create an intense and powerful sound.
Dha Ni Ni Sa Sa Ga Ga Ma Ga
The melody continues to build in intensity, using multiple notes and patterns to create a rich and textured sound.
Sa Ga Ga Ma Pa Dha Dha Ni Dha
The singer shifts to a new section of the melody, building tension and excitement for what comes next.
Dha Ni Sa Ga Dha Ni Sa
The melody reaches a climactic peak, using multiple notes and patterns to create an intense and powerful sound.
More To Come
The singer implies that there is still more to the song, building anticipation and excitement for what comes next.
Mere Dholna…
The singer repeats the song's title, emphasizing the central theme and message of the song.
Contributed by Parker B. Suggest a correction in the comments below.
@NKS_editzzZ
(Chorus)
M-Male,F-Female
F-Mere dholna sun
Mere pyaar ki dhun
Mere dholna sun
(Chorus)
F-Mere dholna sun
Mere pyaar ki dhun
Mere dholna sun
Meri chahte to
Fiza mein bahengi
Zinda rahengi
Hoke fana
Tana na na thom
Tana na na thom
Tana na na thom
Tana na na thom
Ta na dhi re ta na dhi re dhe re na
Mere dholna sun
Mere pyaar ki dhun
Mere dholna sun
(Chorus)
F-Saathi re saathi re mar ke bhi tujhko
Chahe ga dil tujhe hi bechainiyon mein aayega dil
Saathi re saathi re mar ke bhi tujhko
Chahe ga dil tujhe hi bechainiyon mein paayega dil
Mere kesuo ki saahe mein
Teri raahton ki khushboo hai
Tere begair kya jeena
Mere rom rom mein tu hai
Meri chudiyon ki khan khan se
Teri sadaa yaati hai
Yeh dooriyan hamesha hai nazdi kahan bulati hai
O piya...
M-Sa ni dha
Ni dha ma
Ma ga sa ni dha ni sa ga ma
Ma ga sa ni dha ni sa ga
Ma ga sa ni dha ni sa ga
Ma ga ma ga
Sa ni dha pa ga pa dha ni
Sa ni dha pa ga pa dha ni
Sa ni dha ni
Dha ni sa
Dha ni sa
Dha ni sa
Dha ni sa
Ma dha ni
Ma dha ni
Ma dha ni
Ma dha ni
Dha ni sa
Dha ni sa
Dha ni sa
Ma dha ni
Ma dha ni
Ma dha ni
Ma dha ni sa
Ma dha ni sa
Ma dha ni sa
Ma dha ni sa
Sa ni dha ma
Sa ni dha ma
Sa ni dha ma
Sa ni dha ma
Ma ma ga ga sa sa ni ni
Sa sa ni ni dha dha ni ni
Sa sa ni ni dha dha ma ma
Ga ga sa sa ni ni dha dha
Ni ni sa sa sa
Ni dha sa sa sa
Ma dha sa sa sa
M&F-Mere dholna sun
Mere pyaar ki dhun
Mere dholna...
(Chorus)
F-Saason mein saason mein teri sargame hai abb raat din
Zindagi meri tho kuch na abb tere bin
M-Saason mein saason mein teri sargame hai abb raat din
Zindagi meri tho kuch na abb tere bin
F-Teri dhadkon ki sargoshi
Meri dhadkano mein bajti hai
M-Meri jagti nigahon mein
Khwaaish teri hi sajti hai
F-Meri khayaal mein har pal
Tere khayaal shaamil hai
M-Lamhe judaiyon wale mushkil bade hi mushkil hai
F-O piya...
M-Ni sa
Ni sa
Ni sa
Ni sa
Dha ni
Dha ni
Dha ni
Dha ni
Pa dha
Pa dha
Pa dha
Pa dha
Ga ma pa dha ni ri sa
F-Ni sa
Ni sa
Ni sa
Ni sa
Dha ni
Dha ni
Dha ni
Dha ni
Pa dha
Pa dha
Pa dha
Pa dha
Ga ma pa dha ni ri sa
M-Pa ni ni sa
Pa ni ni sa
Pa ni ni sa
Pa ni ni sa
F-Pa ni ni sa
Pa ni ni sa
Pa ni ni sa
Pa ni ni sa
M-Ga ma pa dha ni dha pa dha ni dha pa dha ni sa
F-Ga ma pa dha ni dha pa dha ni dha pa dha ni sa
M-Ga ma pa dha ni dha pa dha pa ma ga ma ga ri sa ni
Dha ni sa ga ma ga sa ga ma pa dha pa dha ni sa
F-Ga ma pa dha ni dha pa dha pa ma ga ma ga ri sa ni
Dha ni sa ga ma ga sa ga ma pa dha pa dha ni sa
M-Ni sa
Nisa nisa nisa nisa
F-Dha ni
Dhani dhani dhani dhani
M-Ga ma pa dha ni dha pa ma
Ga ma pa dha ni dha pa ma
F-Ga ma pa ma ga ma ga ri
Sa ri sa ni dha ni sa
M-Dha dha ni ni sa sa ga ga ma ga
F-Sa sa ga ga ma ma dha dha ni dha
M-Dha ni sa ga sa ni dha ni sa ni dha ni dha pa ma ga
Ma dha ni sa dha ni dha ma ga ma ga ri sa ni dha ni
Sa ga ma dha ni sa ni dha pa ma ga ma ga ri sa ni
Sa ga ma dha ni sa ni dha pa ma ga ma ga ri sa ni
Dha dha ni ni sa sa ga ga
Ni ni sa sa ga ga ma ma
Sa sa ga ga ma ma dha dha
Ga ga ma ma dha dha ni ni
Ma ma ga ga ni ni sa sa
Dha dha ni ni sa sa ga......
F-Mere dholna sun
Mere pyaar ki dhun
Mere dholna.....
@sajithasajitha2886
Lets take a moment to appreciate the male dancer : malayalam actor Vineeth
@ashwinsoomaroo7958
He dances very well ,is he a bharat natyam dancer ?
@sajithasajitha2886
@@ashwinsoomaroo7958
Yeah
@biberflub
He was so amazing!!
@srishtijoshi5578
Ofcourse. 🙏👌
@alinaqi11
1234567890qwertyujklasfghjklzxcvbnm■●)
@kolivishal660
Apr 2024? Any one 😂
@Angrykhan301
Yeah 8th april 😂
@ishanweerasekara6236
Yeah... me... ❤🎉
@nandurkrishnan6113
Me☺