1) "Pump was an experim… Read Full Bio ↴There are at least three bands named "Pump".
1) "Pump was an experimental, pre-electronica, band, active between 1979-93. They released five cassette albums as MFH on the YHR label before changing their name to Pump in 1986 and recording the LP “The Decoration of the Duma Continues” in 1987 (Final Image) and “Sombrero Fallout” in 1992 (released by Plague Recordings in 2010).
History:
Andrew Cox (born 14 July 1961) met David Elliott (born 14 March 1961) at the University of Sussex in October 1979. The two lived on the same corridor of campus dorm York House and quickly realised they had similar left field musical interests, particularly krautrock and the newly happening industrial music scene. Elliott had written for a few music fanzines and, with Cox's help, decided to start his own, Neumusik, together with a campus radio show of the same name. Cox had a synthesizer and circuit boards and Elliott had some musical ideas so they also formed a band, MFH. Some thought this referred to the term Master of the Fox Hounds but in truth they were named after the author of a teach-yourself German book by Margaret Frohlich Hardy.
These were the days of cassette culture when legions of bedroom-based bands across the UK, taking a leaf from punk's Do-It-Yourself ethos, set up independent cassette labels to distribute their own music. MFH's "First Move" became the first release on York House Recordings in January 1980, comprising rudimentary sound collages and four synthesizer pieces by Cox. This was swiftly followed by a Cox solo, "Arioch", recorded using two radio oscillators. The duo's second album "Within 30 Miles", released in the summer, showcased shorter, more minimal pieces.
MFH's third album, "Masks", released in early 1981, represented what might be called a more mature affair, taken a step further with their fourth, "Ground Zero" which was recorded in Cornwall and released in the autumn, along with a second Cox solo, "Methods".
The combination of Elliott moving to France for a year and Cox dropping out of university altogether put MFH on hold for a while, although Elliott continued to build an impressive YHR catalogue including albums by Conrad Schnitzler, Asmus Tietchens, and Cluster & Farnbauer's Live In Vienna, all of whom he had interviewed for Neumusik. It was not until the spring and summer of 1982 that Cox and Elliott were able to record their fifth album, "Head", mainly using ARP Odyssey and Korg synthesizers. During this time, numerous tracks appeared on compilations, including The Elephant Table Album, inspired by the Wild Planet column in Sounds.
On graduating Elliott briefly moved back home to Chichester - where MFH played their first and (according to them) best ever concert, playing a variety of live electronics and guitar - before moving to London in 1984 where he started writing for Sounds and ZigZag amongst others. But with Cox still based in Cornwall, recording was sporadic, although they did record with Nurse With Wound and perform with Attrition (band) in 1985. The following year Cox moved to Southend, thus enabling more frequent sessions, not least a week at the relatively sophisticated Unicorn Studio in north London. It was also at this time that Elliott met Andrew Hulme of O Yuki Conjugate and founder of the Final Image label, who offered to release an LP.
Cox and Elliott continued recording on and off into 1987, enlisting guest appearances by Karl Blake and Malcolm Lane of Metabolist for sessions at IPS Studio in west London (where Nurse With Wound had recorded their early albums). The duo then decided to change their name from MFH to Pump and the album, "The Decoration of the Duma Continues", was finally released in the autumn. It featured a more sophisticated palette as well as two songs, fairly accurately described as "bad-mood music" by Simon Frith in The Observer. The LP was promoted by a few concerts at the London School of Economics (supporting Danielle Dax), London Musicians Collective and UK Electronica festival.
1988 saw a new track "Do This" for the Final Image compilation, "Nightlands" (also used in a BBC documentary about a railway line between Carlisle and Settle) and more sessions in Southend, but their day jobs were becoming more demanding: Elliott worked at the British Council, Cox as a computer programmer in the City. In 1991 they contributed tracks to Laurence Crane's and Johnny Miller's "30" cover versions project (30 cassettes of 30 songs each) and also formed a Nick Cave-inspired spin-off group, Henry, comprising Cox (guitar), Elliott (drums) and Paul Woods (vocals), although nothing was ever released. It was not until the autumn of 1992 when Pump traveled to Colin Potter's ICR studio near York, that they finally completed their follow-up album, "Sombrero Fallout" (named after a Richard Brautigan novel). Trident Music International (God, Test Department, etc.) offered to release the album the following year but for inexplicable reasons it never happened.
The group never officially dissolved but when Elliott moved to Japan in 1999 it was effectively the end of Pump. And tragically, Cox died of drink-related causes in January 2009. It was not quite the end, however. Plague Recordings released "Sombrero Fallout" in April 2010.
Forced Nostalgia released "The Decoration Of The Duma Continues" in 2011."
See:
http://en.wikipedia.org/wiki/Pump_(band)
http://www.plaguerecordings.com/artists_Pump.htm
2) Some people might say you can’t play 80ies Metal nowadays, you can’t do this, you can’t do that…come on…the only thing you can’t do is put music into drawers! It’s only Rock’N’ Roll…and they like it!!! Nothing more – nothing less. It’s beer drinkin’, whiskey slammin’, hotel trashin’; chick bangin’ – kick ass Rock-N-Roll! That’s what it’s all about. A description of them, the code they live by, or better both. Come inside and join the PUMP circle of friends. You won’t believe your eyes and ears. PUMP is one of the most exciting new bands of the new millennium. Lookin’ upon them and listening to their music may leave you changed for life. You might feel a sudden need to get drunk, remove your clothes and doin’ all the the things your Mom shouldn’t know. Just things you’ve only fantasized about. If so, welcome to the world of PUMP!
PUMP is a band with a solid foundation and real Rock-N-Roll blood runnin’ down their veins. 5 guys who where only born to do one thing, rock the world!!!!!! PUMP was formed in February 2002 by a group of talented, hard-working musicians. Tired of being told what type of music they should play, PUMP decided to go against the pervasive Grunge/Nu-Metal grain to play the hard rock music they love in the vain of Skid Row, Tesla, Whitesnake, Aerosmith and Dokken. Their defiance has paid off. After only a short time, they are taking hard rock and metal to a new generation. PUMP’s current line-up is led by vocalist Marcus Jürgens, whose raw vocal ability contributes to the band’s distinctive sound. The guitar team of Ulli Hauff and Aki Reissmann each bring his own unique guitar style to this hard-driving mix: bluesy, yet melodic with a heavy twist. Bassist Stephan Bürk and drummer Markus Kullmann provide the solid, rhythmic foundation on which the music is built. PUMP has what it takes to bring hard rock to a scene hungry for music that is loud, heavy, and straight from the gut. The music is about good times, bad times, sex, booze and lots of life stories, all wrapped up into high-energy Rock-N-Roll music. It’s pure, not pretend, not faked or forced. It’s just simple, but PUMP has something special, a gift, the passion, the drive, the ability to make it happen. It’s time to stand up and salute the next generation of Rock-N-Roll music. Some people already could witness their raw live energy whereas they had the opportunity to open up a few shows for Harem Scarem and legendary US-Rockers Dokken. Now it’s time to present their first full-length album produced by german top producer Tommy Newton which was recorded at the famous Area 51 Studios in Celle and proofs the amazing variety of PUMP. From hard driving heavy rockers to soulful ballads PUMP offers everything you need for your next Rock ‘n’ Roll party! On Tour with Axel Rudi Pell on the first leg of their European tour On Tour with Queensryche in Germany So lock up your daughters and prepare yourself to follow the call of the wild – Get ready to rock with PUMP. NOW!
3) Pump is a Rock / Hardcore / Punk band from Recife, Brazil. Members: Francielle Amaral(Vocals/Guitar),Sthephanne Burton(Guitar),Carla Souza(Bass/Backing vocal) & xxxx-xxxx-xxxx (Drums).
I'm Free
Pump Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've gone through changes
head full of dreams led astray
I tried to breakaway
I really don't know what's
been on my mind
I felt the urge to leave
it all behind
Ohh can you forgive me?
I had no reason
I will take the blame
lost my senses,
all my senses
I know I've hurt
you like no one before
give me another chance to
make it alright
I'm free, but why do I feel
so damm lonely
It's me, don't try to tell me it's over
I try to be cool all the time
I'm still pretending
I'm longing for you
day by day
I still adore you
It really scares me how
I miss your touch
it really scares me how
I fooled myself
can you hear me?
can you hear me?
Now it's all over, so much
left to say
I feel guilty, I'm so guilty
one bad decision I regret
every day
afraid to lose you for the
end of all days
can you hear me?
The song "I'm Free" by Pump is an emotional and introspective piece about regret and the desire for redemption. The opening lines describe the singer's feeling of wasting their time and going through changes that led them astray. They express their desire to break away and leave everything behind, but they seek forgiveness for their actions.
As the song continues, the singer acknowledges that they had no reason for their behavior and takes the blame for losing their senses and hurting the person they care about. They express their regret and the hope of making things right by asking for another chance to fix what has been broken.
The chorus of the song features the recurring phrase "I'm free," which may suggest that the singer has finally broken free from something that was holding them back, but they still feel lonely and lost. Despite their desire to move on, they are still longing for the person they hurt and adore. The song ends with the singer expressing their guilt and fear of losing the one they love forever.
Overall, "I'm Free" is a powerful song that explores the complexities of human emotions and relationships. The lyrics capture the pain of regret and the hope of redemption, and the melody emphasizes the feelings of loss and loneliness.
Line by Line Meaning
I felt like I've wasted my time
I had a feeling that I did not effectively utilize my time
I've gone through changes
I went through various transitions
head full of dreams led astray
My ambitions and aspirations were not fulfilled
I tried to breakaway
I attempted to separate myself from the situation
I really don't know what's been on my mind
I am unsure of my own thoughts and feelings
I felt the urge to leave it all behind
I had a strong urge to abandon everything
can you forgive me?
I am apologetic and am seeking forgiveness
Ohh can you forgive me?
I am pleading for forgiveness
I had no reason
I did not have any legitimate motivation in my actions
I will take the blame
I am admitting that I am the sole responsible party for my actions
lost my senses, all my senses
I became irrational and lost my sense of self
I know I've hurt you like no one before
I am aware that I have caused you more pain than anyone else
give me another chance to make it alright
I am asking for a second opportunity to correct my mistakes
I'm free, but why do I feel so damm lonely
Despite being unbound, I still feel a sense of isolation
It's me, don't try to tell me it's over
I know that I am at fault, and I refuse to accept that it is the end
I try to be cool all the time
I put on an act in attempt to appear composed
I'm still pretending
I am still putting on a facade
I'm longing for you day by day
I yearn for you incessantly
I still adore you
I still have admiration for you
It really scares me how I miss your touch
I am frightened by the sensation of longing for your touch
It really scares me how I fooled myself
I am intimidated by how I deceived myself
can you hear me?
I am checking to see if you are listening
Now it's all over, so much left to say
Even though it has ended, there is still so much left unsaid
I feel guilty, I'm so guilty
I am overcome with guilt
one bad decision I regret every day
I consistently regret one poor choice
afraid to lose you for the end of all days
I am terrified of losing you forever
can you hear me?
I am double checking to ensure that you are paying attention
Contributed by Harper N. Suggest a correction in the comments below.