Too Late
Res; Talib & Hi Tek Kweli Lyrics
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Like it's way crunk, yeah
Fake punks get they face lumped
Sent to the most high, by the most fit
You gotta do, fuck that almost shit
The fam is close knit
You diggin', know the clock don't stop tickin'
Glocks still spittin', the whole block politickin'
Leaving no evidence of a struggle for survival
Songs relevant to the times like the psalms read in the Bible
Stepping to this leaves thoughts in your head 'it's suicidal'
It's the T to the A-L-I-B the deep rooter
Rolling with my wanna battle cats who chief buddha
And see through the overspecialized, underpressurized
No lie texturized, emcees who got the masses mesmerized
With empty rhetoric, they better quit
Niggas so hollow that they echo like sentiments
Nowadays rap artists coming half-hearted
Commercial like pop, or underground like black markets
Where were you the day hip-hop died?
Is it too early to mourn? Is it too late to ride?
Kwa is chillin', Tone is chillin'
What more can I say, we stay building
And make killings
Take children through the wilderness, by the hand
It's a great feeling, show 'em how to be a man
Exactly, pack trees in my khakis
My sound fat like a Neve while you thin like a Mackie
C'mon, shine so bright when I walk by
You got ta squint like the motherfucking sun in your eye
What! Say somethin, you stay frontin
It ain't nothing, let off like I'm big game hunting
Me and Tek stay way blunted
Wave running on beaches with white sand
With a slight tan
Smack the mic stand with my right hand
When I'm excited
Leave you so far in the dust that you forced to bite it
On fire like property lost to riots
Yo, ain't no stopping us when we all united
Nowadays rap artists coming half-hearted
Commercial like pop, or underground like black markets
Where were you the day hip-hop died?
Is it too early to mourn? Is it too late to ride?
The opening lyrics to "Too Late" by Res, Talib Kweli, and Hi-Tek, describe the power of bass in music and the authenticity of hip-hop in a society where "fake punks" try to imitate it. The lyrics also reference the violence and political maneuvering that still exist in many communities. The chorus then poses a question to the listener about the current state of hip-hop, which has become commercialized, with many artists selling empty rhetoric to the masses.
The verses then focus on Kweli's and Hi-Tek's contributions to the song. Kweli uses his verse to criticize the current state of hip-hop, where many artists are selling out for commercial success, instead of making meaningful music. He also uses his verse to pay homage to the roots of hip-hop and his current crew, showing that real hip-hop is about bringing communities together. Hi-Tek's contribution focuses more on his personal success and how it has allowed him to relax and enjoy life, while still producing great music and performing with Kweli.
Overall, the song "Too Late" is a commentary on the state of hip-hop in the early 2000s, and how it had changed from its roots of being a platform for social justice and community building.
Line by Line Meaning
Yo, when the bass thump, the place jump
The crowd gets hyped and energized when the bass of the music bumps
Like it's way crunk, yeah
The energy is high and the vibe is similar to a crunk party
Fake punks get they face lumped
Those who are fake and try to act tough get beat up
Sent to the most high, by the most fit
Those who get beat up are sent to the afterlife by the strongest person present
You gotta do, fuck that almost shit
You have to fully commit to something and not just try halfway
The fam is close knit
The group of friends is like a family and very close to each other
You diggin', know the clock don't stop tickin'
You understand that time is always moving forward and there's no stopping it
Glocks still spittin', the whole block politickin'
Gun violence is still prevalent and the whole neighborhood is involved in political discussion
Like presidents with they minds dead on arrival
People in power don't have a clear, functioning mind and just go through the motions
Leaving no evidence of a struggle for survival
Their actions make it seem like they haven't faced any real challenges or obstacles
Songs relevant to the times like the psalms read in the Bible
Their music reflects what's going on in the world, just like the Bible reflects past events
Stepping to this leaves thoughts in your head 'it's suicidal'
Their music is so powerful and thought-provoking that it might make you think drastic thoughts
It's the T to the A-L-I-B the deep rooter
This is Talib, the one who stays true to the roots and foundation of hip-hop
Rolling with my wanna battle cats who chief buddha
Talib hangs out with skilled rappers who are peaceful and wise like a Buddhist leader
And see through the overspecialized, underpressurized
Talib can see through those who are overhyped but undercooked as artists
No lie texturized, emcees who got the masses mesmerized
Some rappers deceive their audience with their polished texture and hypnotize them with their performance
With empty rhetoric, they better quit
Rappers who spew out meaningless words and phrases should stop
Niggas so hollow that they echo like sentiments
These rappers are so empty and shallow that they just repeat cliched phrases
Nowadays rap artists coming half-hearted
Many modern rappers are not fully invested in their craft and just go through the motions
Commercial like pop, or underground like black markets
These rappers either aim for mass appeal like pop artists, or target specific niche markets like black underground scenes
Where were you the day hip-hop died?
When did you notice that hip-hop music lost its soul and essence?
Is it too early to mourn? Is it too late to ride?
Should we feel sad and grieve for hip-hop's decline, or is it too late to even try and revive it?
Kwa is chillin', Tone is chillin'
Kweli and Hi Tek are relaxed and taking it easy
What more can I say, we stay building
There's not much else to say besides we keep making music and growing as artists
And make killings
We make great music that people love and appreciate
Take children through the wilderness, by the hand
We guide and mentor young artists who are still developing their craft
It's a great feeling, show 'em how to be a man
It's fulfilling to help these artists grow and mature
Exactly, pack trees in my khakis
Talib is carrying weed in his pants
My sound fat like a Neve while you thin like a Mackie
My music has a rich, full sound like a Neve mixing console, while yours sounds weak and skinny like a Mackie mixer
C'mon, shine so bright when I walk by
Talib exudes such a strong presence that he shines bright when he walks past you
You got ta squint like the motherfucking sun in your eye
You have to squint and shield your eyes from the brightness of Talib's presence
What! Say somethin, you stay frontin
What's up! Speak up if you have something to say, don't just pretend and act fake
It ain't nothing, let off like I'm big game hunting
There's no problem here, I'm just gonna let loose and have fun like I'm hunting big game
Me and Tek stay way blunted
Talib and Hi Tek are high and relaxed
Wave running on beaches with white sand
They're visualizing running on a beach with white sand
With a slight tan
They're imagining having a slight tan from being in the sun
Smack the mic stand with my right hand
Talib hits the mic stand to emphasize his points
When I'm excited
He does it when he's pumped up and enthusiastic
Leave you so far in the dust that you forced to bite it
He leaves his competition behind and they have no choice but to admit defeat
On fire like property lost to riots
He's on fire and unstoppable like when a property gets destroyed in a riot
Yo, ain't no stopping us when we all united
There's no way to stop us when we work together as a group
Lyrics © BMG Rights Management
Written by: Talib Kweli Greene, Tony Cottrell
Lyrics Licensed & Provided by LyricFind