Rufus Thomas (March 26, 1917 – December 15, 2001) was a rhythm and blues an… Read Full Bio ↴Rufus Thomas (March 26, 1917 – December 15, 2001) was a rhythm and blues and soul singer from Memphis, Tennessee, United States, who recorded on Sun Records in the 1950s and on Stax Records in the 1960s and 1970s. He was the father of soul singer Carla Thomas (best known for the classic song "B-A-B-Y") and keyboard player Marvell Thomas. A third daughter, Vaneese, a former French teacher, for years had a recording studio in upstate New York where she sang for television commercials.
The above biography taken from: Wikipedia - Rufus Thomas
The Crown Prince of Dance; an early rock & roll DJ, Memphis soul icon and creator of the Funky Chicken.
Artist Biography (below) by Richie Unterberger
Few of rock & roll's founding figures are as likable as Rufus Thomas. From the 1940s onward, he has personified Memphis music; his small but witty cameo role in Jim Jarmusch's Mystery Train, a film which satirizes and enshrines the city's role in popular culture, was entirely appropriate. As a recording artist, he wasn't a major innovator, but he could always be depended upon for some good, silly, and/or outrageous fun with his soul dance tunes. He was one of the few rock or soul stars to reach his commercial and artistic peak in middle age, and was a crucial mentor to many important Memphis blues, rock, and soul musicians.
Thomas was already a professional entertainer in the mid-'30s, when he was a comedian with the Rabbit Foot Minstrels. He recorded music as early as 1941, but really made his mark on the Memphis music scene as a deejay on WDIA, one of the few black-owned stations of the era. He also ran talent shows on Memphis' famous Beale Street that helped showcase the emerging skills of such influential figures as B.B. King, Bobby Bland, Junior Parker, Ike Turner, and Roscoe Gordon.
Thomas had his first success as a recording artist in 1953 with "Bear Cat," a funny answer record to Big Mama Thornton's "Hound Dog." It made number three on the R&B charts, giving Sun Records its first national hit, though some of the sweetness went out of the triumph after Sun owner Sam Phillips lost a lawsuit for plagiarizing the original Jerry Leiber/Mike Stoller tune. Thomas, strangely, would make only one other record for Sun, and recorded only sporadically throughout the rest of the 1950s.
Thomas and his daughter Carla would become the first stars for the Stax label, for whom they recorded a duet in 1959, "'Cause I Love You" (when the company was still known as Satellite). In the '60s, Carla would become one of Stax's biggest stars. On his own, Rufus wasn't as successful as his daughter, but issued a steady stream of decent dance/novelty singles.
These were not deep or emotional statements, or meant to be. Vaguely prefiguring elements of funk, the accent was on the stripped-down groove and Rufus' good-time vocals, which didn't take himself or anything seriously. The biggest by far was "Walking the Dog," which made the Top Ten in 1963, and was covered by the Rolling Stones on their first album.
Thomas hit his commercial peak in the early '70s, when "Do the Funky Chicken," "(Do The) Push and Pull," and "The Breakdown" all made the R&B Top Five. As the song titles themselves make clear, funk was now driving his sound rather than blues or soul. Thomas drew upon his vaudeville background to put them over on-stage with fancy footwork that displayed remarkable agility for a man well into his 50s. The collapse of the Stax label in the mid-'70s meant the end of his career, basically, as it did for many other artists with the company. In 2001, Rufus Thomas was inducted into the Blues Hall of Fame. Later that year, on December 15, he died at St. Francis hospital in Memphis, TN.
The above biography taken from: All Music Biography - Rufus Thomas by Richie Unterberger
The above biography taken from: Wikipedia - Rufus Thomas
The Crown Prince of Dance; an early rock & roll DJ, Memphis soul icon and creator of the Funky Chicken.
Artist Biography (below) by Richie Unterberger
Few of rock & roll's founding figures are as likable as Rufus Thomas. From the 1940s onward, he has personified Memphis music; his small but witty cameo role in Jim Jarmusch's Mystery Train, a film which satirizes and enshrines the city's role in popular culture, was entirely appropriate. As a recording artist, he wasn't a major innovator, but he could always be depended upon for some good, silly, and/or outrageous fun with his soul dance tunes. He was one of the few rock or soul stars to reach his commercial and artistic peak in middle age, and was a crucial mentor to many important Memphis blues, rock, and soul musicians.
Thomas was already a professional entertainer in the mid-'30s, when he was a comedian with the Rabbit Foot Minstrels. He recorded music as early as 1941, but really made his mark on the Memphis music scene as a deejay on WDIA, one of the few black-owned stations of the era. He also ran talent shows on Memphis' famous Beale Street that helped showcase the emerging skills of such influential figures as B.B. King, Bobby Bland, Junior Parker, Ike Turner, and Roscoe Gordon.
Thomas had his first success as a recording artist in 1953 with "Bear Cat," a funny answer record to Big Mama Thornton's "Hound Dog." It made number three on the R&B charts, giving Sun Records its first national hit, though some of the sweetness went out of the triumph after Sun owner Sam Phillips lost a lawsuit for plagiarizing the original Jerry Leiber/Mike Stoller tune. Thomas, strangely, would make only one other record for Sun, and recorded only sporadically throughout the rest of the 1950s.
Thomas and his daughter Carla would become the first stars for the Stax label, for whom they recorded a duet in 1959, "'Cause I Love You" (when the company was still known as Satellite). In the '60s, Carla would become one of Stax's biggest stars. On his own, Rufus wasn't as successful as his daughter, but issued a steady stream of decent dance/novelty singles.
These were not deep or emotional statements, or meant to be. Vaguely prefiguring elements of funk, the accent was on the stripped-down groove and Rufus' good-time vocals, which didn't take himself or anything seriously. The biggest by far was "Walking the Dog," which made the Top Ten in 1963, and was covered by the Rolling Stones on their first album.
Thomas hit his commercial peak in the early '70s, when "Do the Funky Chicken," "(Do The) Push and Pull," and "The Breakdown" all made the R&B Top Five. As the song titles themselves make clear, funk was now driving his sound rather than blues or soul. Thomas drew upon his vaudeville background to put them over on-stage with fancy footwork that displayed remarkable agility for a man well into his 50s. The collapse of the Stax label in the mid-'70s meant the end of his career, basically, as it did for many other artists with the company. In 2001, Rufus Thomas was inducted into the Blues Hall of Fame. Later that year, on December 15, he died at St. Francis hospital in Memphis, TN.
The above biography taken from: All Music Biography - Rufus Thomas by Richie Unterberger
Easy Livin' Plan
Rufus Thomas Lyrics
Don't leave me baby, please don't go
Don't leave me baby, please don't go
I swear I love you baby more than I did before
You left me drunk standing in the back door crying
You left me drunk standing in the back door crying
If you don't come back I'm afraid I'll lose my mind
Everybody makes mistakes baby and I've paid for mine
Everybody makes mistakes baby and I've paid for mine
Please come back baby try me one more time
That teacher, that preacher, that gambling man
They're all trying to make it on the easy plan
The lawyer, the doctor, even down to baker
They're all trying to keep up with the undertaker
Chauffeur run around with the sonographer girl
Drummer in the band beating their way through the world
The preachers jump straight up and down
-in the corner proud Alabama bound
Don't leave me baby, please don't go
Don't leave me baby, please don't go
I swear I love you baby more than I did before
That teacher, that preacher, that gambling man
They're all trying to make it on the easy plan
The lawyer, the doctor, even down to baker
They're all trying to keep up with the undertaker
Chauffeur run around with the sonographer girl
Drummer in the band beating their way through the world
The preachers jump straight up and down
-in the corner proud Alabama bound
Don't leave me baby, please don't go
Don't leave me baby, please don't go
I swear I love you baby more than I did before
Don't leave me baby, please don't go
I swear I love you baby more than I did before
You left me drunk standing in the back door crying
You left me drunk standing in the back door crying
If you don't come back I'm afraid I'll lose my mind
Everybody makes mistakes baby and I've paid for mine
Everybody makes mistakes baby and I've paid for mine
That teacher, that preacher, that gambling man
They're all trying to make it on the easy plan
The lawyer, the doctor, even down to baker
They're all trying to keep up with the undertaker
Chauffeur run around with the sonographer girl
Drummer in the band beating their way through the world
The preachers jump straight up and down
-in the corner proud Alabama bound
Don't leave me baby, please don't go
Don't leave me baby, please don't go
I swear I love you baby more than I did before
That teacher, that preacher, that gambling man
They're all trying to make it on the easy plan
The lawyer, the doctor, even down to baker
They're all trying to keep up with the undertaker
Chauffeur run around with the sonographer girl
Drummer in the band beating their way through the world
The preachers jump straight up and down
-in the corner proud Alabama bound
Don't leave me baby, please don't go
Don't leave me baby, please don't go
I swear I love you baby more than I did before
Lyrics © JOSEPH BIHARI LIVING TRUST DBA MODERN MUSIC PUB COMPANY
Written by: JOSEA, JOE, THOMAS, RUFUS
Lyrics Licensed & Provided by LyricFind
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stratocat9999
I used to have this on a 78, and i haven't heard it in about 35 years! Thanks for sharing!
bellgardens53
Rufus is great
52fabien52
Recorded In 1957,Memphis(Sun Records) Hervey Simmons,Evelyn Young(Tenor Sax) Willie Dee(Trumpet) Lewis Steinberg(Bass) Jeff Grayer(Drums) ''Probably''Billy Morrow(Piano) Unidentified Guitar