SHOW-YA is a female hard rock/heavy metal band that briefly enjoyed big pop… Read Full Bio ↴SHOW-YA is a female hard rock/heavy metal band that briefly enjoyed big popularity in Japan, and made a valiant attempt at making it worldwide. Formed in 1984, the group’s very first gig was in at Dingwall’s in London. The group consisted of vocalist Keiko Terada, guitarist Miki Igarashi, keyboardist Miki Nakamura, bassist Satomi Senba and drummer Miki Tsunoda. Seemingly from the start, the group targeted the international market, early on playing in the USSR and Mexico, and later making a sustained attack on the U.S.. The band made their debut album Masquerade Show in 1985 for Toshiba-EMI. It was helped considerably by the fact their debut single “Suteki Ni Dancing” was used in a Coca-Cola commercial. Much of the focus was on the band’s sexy singer Keiko Terada, whose trademark was the fake rose tattoo she wore above her right breast. She adopted the rose mark after being deeply impressed by Bette Midler’s performance in the film The Rose, in which Midler played a Janis Joplin-like character. The tattoo was in fact the focus of the cover of their 1988 live album Turn Over. Having amassed enough hits to release a “best of” in 1988, they increasingly went after the international market.

In 1989 they recorded Outer Limits in LA with Beau Hill (Ratt, Winger, Warrant, Europe) serving as executive producer. The album included three songs sung in English, a first for the group. The following year SHOW-YA released the album in the States, and did a heavy promotional campaign in support. This was during the LA hair metal boom, and the band was frequently compared to then popular Vixen, and Lita Ford. In January 1990 SHOW-YA played to an industry heavy audience at the Palace in Hollywood, but the reaction they received was in general lukewarm. While the members were all technically very strong, they never managed to connect strongly with the US audience. The usual explanation was that their lyrics were weak, and the English singing not strong enough. The group’s management later flew writers over to Japan to witness their performance at Budokan, but the band were not able to really handle interviews in English, and junket did not really enhance their image in the States. Beyond language problems, while the band was rooted in album-oriented rock style metal, with a prominent keyboard sound and Japanese sensibilities, the music often sounded overtly pop, and thus they were not completely embraced by American metal fans, who generally favored a heavier sound. Despite their hard work and hefty financial support from their management company, the band never really took off in the States, and being away from Japan so much started leading to an erosion of their Japanese fan base. After releasing the Hard Way, touring, and then releasing the 1991 live album Hard Way Tour, Terada left the group and attempted a solo career. In 1995 the band tried to make a comeback with a new singer who spoke English more proficiently, but by then their fan base had evaporated. They tried again in 1998 with a six song EP, and then packed it in for good. In 2002, SHOW-YA’s Golden Best was released. In the US it was claimed that they had sold over 2 million units.

Current members:

* Keiko Terada - Vocals
* Miki "sun-go" Igarashi - Guitar
* Miki Nakamura - Keyboard
* Satomi Senba - Bass
* Miki "mittan" Tsunoda - Drums

Discography

Albums

* Masquerade Show (1985)
* Queendom (1986)
* Ways (1986)
* Trade Last (1987)
* Immigration (1987)
* Turn Over (Live) (1988)
* Glamour (1988)
* White (Best of/Compilation) (1988)
* Outerlimits (1989)
* Hard Way (1990)
* Hard Way Tour 1991 (1991)
* SHOW-YA Greatest 1985-1990 (Best of/Compilation)(1991)
* Touch the Sun (1995)
* SHOW-YA Twin Best (Best of/Compilation) (1996)
* SHOW-YA Golden Best (Best of/Compilation) (2002)
* SHOW-YA 20th Anniversary The Best (Bestof/Compilation) (2005)

Video releases

* Date Line (1987)
* Rollin World (1989)
* 1990 Budokan - Reach for the World (1990)
* Distance On Their Way (1991)
* Hard Way Tour 1991 (1991)

Bad Boys
SHOW-YA Lyrics

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カッコだけの流行すたりが
今日も人を狂わせる
見えない糸君をあやつる誰かが
声を殺し笑ってる
ストレスに神経まで犯されて
ナーバスな瞳が怯えてる
HEY BOYS! 机の前で
いい子でいるのは

BAD BOYS! あなたじゃないわ
HEY BOYS! 憶病すぎる
自分に飽きたら
BAD BOYS! ここへおいで

誰のために我慢してるの
早く早く目を覚ませ
怒る事も喜ぶ事も忘れて
影の様に歩いてる
退屈な毎日だけ繰返す
気が付けば鎖に繋がれる
HEY BOYS! ママの言う事
破ってごらんよ
BAD BOYS! 勇気を出して
HEY BOYS! こわがらないで
私のハートを
BAD BOYS! 感じてごらん

HEY BOYS! 机の前で
いい子でいるのは
BAD BOYS! あなたじゃないわ
HEY BOYS! 憶病すぎる
自分に飽きたら
BAD BOYS! ここへおいで
HEY BOYS! ママの言う事
破ってごらんよ
BAD BOYS! 勇気を出して
HEY BOYS! こわがらないで

私のハートを
BAD BOYS! 感じて

Overall Meaning

The lyrics of SHOW-YA’s song BAD BOYS depict a rebellious nature that does not comply with the societal norm of being a "good kid" who behaves and does what they are told. The opening lines of the song set the tone with the reference to the superficiality of trends and how they control people’s behavior. The lyrics go on to suggest that there is an invisible force that is controlling the individual singing the song, making them feel stressed and nervous. The rebellious tone increases as the song progresses, with the lyrics challenging the idea of sacrificing oneself for others and the monotony of everyday life.

The lyrics also touch on the fear of breaking away from societal expectations and the courage it takes to do so. The chorus of the song encourages "bad boys" to break free from the chains that are holding them back, to not be afraid and to come to the singer who is calling them towards a more exciting and fulfilling life. These lyrics are a powerful representation of the struggle to be oneself in a world that often values conformity over individuality.

Overall, the song BAD BOYS is a passionate call to action for those who feel held back by their current circumstances or the expectations of others. It encourages people to embrace their true selves, take risks, and step out of their comfort zones to live a life that is more fulfilling.

Line by Line Meaning

カッコだけの　流行すたりが
The transient craze of just trying to look cool

今日も　人を　狂わせる
Is still driving people crazy today

見えない糸　君をあやつる誰かが
Someone unknown is manipulating you like a puppeteer with invisible strings

声を殺し　笑ってる
They laugh, muffling their voice

ストレスに　神経まで犯されて
Stressed to the point of nerves being invaded

ナーバスな　瞳が怯えてる
Your nervous eyes are anxious

HEY BOYS!　机の前で
Hey boys! Sitting in front of your desks

いい子でいるのは
Just being a good boy

BAD BOYS!　あなたじゃないわ
That's not you, bad boys

HEY BOYS!　憶病すぎる
Hey boys! Too cowardly

自分に飽きたら
If you're bored with yourself