Don't Say Yes Until I Finish Talking
SMASH Cast feat. Christian Borle Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That's the way of the studio system
We bow to every rear of all the studio chiefs
And you can bet your ass we've kissed 'em
Even the birds in the Hollywood Hills
Know the secret to our success
It's those magical words that pay the bills:
Yes, yes, yes, and yes
Gentlemen! Take a memo.
Today the trades are all aglow
With grosses for our Miss Monroe
The things those vermin mustn't know
Is what she puts us through
She makes directors wait all day
One line per hour is all she'll say
And still, she thinks we're gonna pay
She needs a talking to
Tomatoes like her must be put in their place
If she don't shape up soon, she'll soon be walking
'Cause the buck stops with me
(Yes you're right, we agree!)
Uh, don't say yes until I finish talking
She's got them all tied up in knots
Makes each producer faint and plotz
She thinks she's queen and calls the shots
As she sits on a throne
She needs to learn she's only skin
The next girl's waiting for a spin
I made a star of Rin Tin Tin and paid him with a bone
Tomatoes like her
Well, they're easy to find
We throw them out as soon as they start squacking
So, get me some younger dish
(We concur, as you wish!)
Hey! Don't say yes until I finish talking
And while you've got me on a roll
Let's find a role for Nat King Cole
Tell Mankiewicz his script is trite
A little lower, to the right
I think that Brando is miscast
That television just won't last
That I'm the King of Hollywood
(All hail the king!)
Oh, that feels good
Which brings me back to that dumb blonde
To her demands, I now respond
Some buy your act, but I'm not conned
You'd better fall in line
Your two bazooms are nuts to boot
I'll keep you in a bathing suit
When you stop bringing in the loot
Well, go back to the vine
Tomatoes like you
They all whither and die
My powers, though, will never be diminished
So don't bring me to my boiling point
You're just a broad, I own the joint
I'm in control, you're just a face
So allow me to cut to the chase
I'll make another movie star
Could someone light my damn cigar?
And then say "yes"
Cause yes, men
I'm finished
(YES!)
The song "Don't Say Yes Until I Finish Talking" is a satirical take on the world of Hollywood and the power dynamics that underscore it. The lyrics describe a studio executive who commands ultimate power over actors and actresses, shaping their careers and manipulating their lives to his own advantage. He dismisses the worth of the people he controls, calling Marilyn Monroe a "tomato" and treating her as though she is disposable. This is reflective of the Hollywood culture of the time, which was often ruthless and exploitative. The executive is obsessed with his own power and status, declaring himself the "King of Hollywood" and demanding that everyone around him defers to him. He is uncompromising when it comes to his demands and is dismissive of anyone who would question his authority. Ultimately, the song highlights the corrupting influence of power and the dangers of those who wield it without conscience or empathy.
The song was featured in the television show "Smash," which followed the creation and production of a Broadway musical based on the life of Marilyn Monroe. The character who performs the song is a Hollywood executive named Eileen Rand (played by Anjelica Huston). The song was written specifically for the show by Marc Shaiman and Scott Wittman, the same team behind the hit Broadway musical "Hairspray." It is performed as a mock-up of a big band number from the Golden Age of Hollywood.
Line by Line Meaning
A studio executive has no beliefs
Studio executives are willing to change their beliefs to satisfy the studio system
That's the way of the studio system
The studio system requires executive compliance
We bow to every rear of all the studio chiefs
Executives submit to the desires of all studio chiefs
And you can bet your ass we've kissed 'em
Executives will do anything to please studio chiefs
Even the birds in the Hollywood Hills
Everyone knows the secret to success in Hollywood
Know the secret to our success
The ability to say yes to everything results in success
It's those magical words that pay the bills:
Saying yes is what keeps the money flowing
Yes, yes, yes, and yes
The answer is always yes
Today the trades are all aglow
The media is filled with buzz about the latest release
With grosses for our Miss Monroe
The financial profits from Marilyn Monroe's latest movie are impressive
The things those vermin mustn't know
The public should remain unaware of the difficulties working with Monroe
Is what she puts us through
Dealing with Monroe causes stress and frustration for executives
She makes directors wait all day
Monroe is extremely difficult to work with and wastes time on set
One line per hour is all she'll say
Monroe is slow and uncooperative on set
And still, she thinks we're gonna pay
Despite her poor performance, Monroe expects to receive her full salary
She needs a talking to
Monroe needs to be disciplined for her actions
Tomatoes like her must be put in their place
Actresses like Monroe need to be controlled
If she don't shape up soon, she'll soon be walking
Monroe will be fired if she does not improve her attitude and performance quickly
'Cause the buck stops with me
The executive has the final say in all decisions
(Yes you're right, we agree!)
Executive assistants and colleagues are quick to agree with their boss
Uh, don't say yes until I finish talking
The executive wants to make their point before anyone agrees or disagrees
She's got them all tied up in knots
Monroe's behavior is causing problems for everyone around her
Makes each producer faint and plotz
Monroe's behavior is causing producers to become overwhelmed
She thinks she's queen and calls the shots
Monroe believes she is in charge and can make the final decisions
As she sits on a throne
Monroe's behavior and attitude is reminiscent of royalty
She needs to learn she's only skin
Monroe should realize that she is replaceable
The next girl's waiting for a spin
There are plenty other actresses waiting to take Monroe's place
I made a star of Rin Tin Tin and paid him with a bone
The executive has a history of creating successful stars and rewards them accordingly
Tomatoes like her
Actresses like Monroe
Well, they're easy to find
There are many actresses like Monroe
We throw them out as soon as they start squacking
Actresses who are difficult are quickly fired
So, get me some younger dish
Find me a younger, more obedient actress
(We concur, as you wish!)
Executive assistants and colleagues agree without objection
Hey! Don't say yes until I finish talking
The executive wants to be heard before anyone agrees or disagrees
And while you've got me on a roll
The executive is on a roll and wants to keep talking
Let's find a role for Nat King Cole
The executive is considering giving singer Nat King Cole a new role
Tell Mankiewicz his script is trite
The executive thinks the script is poor and wants it rewritten
A little lower, to the right
The executive is making a hand gesture to show where changes need to be made
I think that Brando is miscast
The executive believes that Marlon Brando is poorly cast in the film
That television just won't last
The executive believes that television is not a viable form of entertainment
That I'm the King of Hollywood
The executive believes that they are the ultimate authority in Hollywood
(All hail the king!)
Employees and colleagues praise and recognize the executive's authority
Oh, that feels good
The executive enjoys being recognized and praised
Which brings me back to that dumb blonde
The executive returns to discussing Marilyn Monroe
To her demands, I now respond
The executive will no longer comply with Monroe's demands
Some buy your act, but I'm not conned
The executive knows that Monroe's behavior is not genuine
You'd better fall in line
Monroe should start following orders and stop causing problems
Your two bazooms are nuts to boot
Monroe's physical appearance is not enough to excuse her poor behavior
I'll keep you in a bathing suit
The executive will use Monroe for her sex appeal
When you stop bringing in the loot
If Monroe stops being financially successful, she will be replaced
Well, go back to the vine
Monroe will be fired and can return to obscurity
Tomatoes like you
Actresses like Monroe
They all whither and die
Actresses who are difficult and disobedient quickly lose their success
My powers, though, will never be diminished
The executive's authority will never be weakened
So don't bring me to my boiling point
Monroe should not push the executive to their limit
You're just a broad, I own the joint
The executive has complete power over Monroe and the industry
I'm in control, you're just a face
The executive has all of the power, and Monroe is just a pawn
So allow me to cut to the chase
The executive wants to get to the point and make decisions quickly
I'll make another movie star
The executive will create more successful stars in the future
Could someone light my damn cigar?
The executive wants a cigar and expects it to be given to them
And then say "yes"
Everyone is expected to say yes to the executive's decisions
Cause yes, men
The people around the executive always say yes
I'm finished
The executive is done speaking
(YES!)
Everyone around the executive agrees and praises their authority
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Moonmellows
A studio executive has no beliefs
That's the way of a studio system
We bow to every rear of all the studio chiefs
And you can bet your ass we've kissed 'em
Even the birds in the Hollywood hills
Know the secret to our success
It's those magical words that pay the bills:
Yes, yes, yes, and yes
Gentlemen! Take a memo.
Today the Trades are all aglow
With grosses for our Miss Monroe
The things those vermin mustn't know
Is what she puts us through
She makes directors wait all day
One line per hour is all she'll say
And still, she thinks we're gonna pay
She needs a talking to
Tomatoes like her must be put in their place
If she don't shape up soon, she'll soon be walking
'Cause the buck stops with me
Yes you're right, we agree!
Uh, don't say yes until I finish talking
She's got them all tied up in knots
Makes each producer faint in plots
She thinks she's queen and calls the shots
As she sits on a thrown She needs to learn she's only skin
The next girl's waiting for a spin
I made a star of Rin Tin Tin
And paid him with a bone Tomatoes like her
Well, they're easy to find We throw them out as soon as they start squacking
So, get me some younger dish
We concur, as you wish!)
Hey! Don't say yes until I finish talking
And while you got me on a roll
Let's find a role for Nat King Cole
Tell Mankowitz his script is trite
A little lower, to the right I think that Brando is mis-cast
That television just won't last
That I'm the kind of Hollywood
All hail the king!
Oh, that feels good Which brings me back to that dumb blonde
To her demands, I now respond
Some buy her act, but I'm not conned
You better fall in line You're too bazooms and nuts to boot
I'll keep you in a bathing suit
When you stop bringing in the loot
Well, go back to the vine
Tomatoes like you They all whither and die
My powers, though, will never be diminished
So don't bring me to my boiling point
You're just a broad, I own the joint
I'm in control, you're just a face
So allow me to cut to the chase
I'll make another movie star
Can someone light my damn cigar?
And then say "yes"
Cause yes, men I'm finished
Yes!
Al Kidneys
[STUDIO EXECUTIVES]
A studio executive has no beliefs
That's the way of a studio system
We've bowed to every rear of all the studio chiefs
And you can bet your ass we've kissed 'em
Even the birds in the Hollywood hills
Know the secret to our success
It's those magical words that pay the bills
Yes, yes, yes, and yes!
[DARRYL]
(Spoken) Gentlemen! Take a memo
Today the trades are all aglow
With grosses for our Miss Monroe
The things those vermin mustn't know
Is what she puts us through
She makes directors wait all day
One line per hour's all she'll say
And still, she thinks we're gonna pay
She needs a talking to
Tomatoes like her must be put in their place
If she don't shape up soon, she'll soon be walking
'Cause the buck stops with me
[STUDIO EXECUTIVES]
Yes, you're right, we agree!
[DARRYL]
Uh, don't say yes until I finish talking
She's got them all tied up in knots
Makes each producer faint and plotz
She thinks she's queen and calls the shots
As she sits on her throne
She needs to learn she's only skin
The next girl's waiting for a spin
I made a star of Rin Tin Tin
And paid him with a bone!
Tomatoes like her, well, they're easy to find
We throw them out as soon as they start squawking
So, get me some younger dish
[STUDIO EXECUTIVES]
We concur, as you wish!
[DARRYL]
Hey! Don't say yes until I finish talking!
And while you've got me on a roll
Let's find a role for Nat King Cole
Tell Mankiewicz his script is trite
A little lower, to the right
I think that Brando is miscast
That television just won't last
That I'm the king of Hollywood
[STUDIO EXECUTIVES]
All hail the king!
[DARRYL]
Ooh, that feels good
Which brings me back to that dumb blonde
To her demands, I now respond
Some buy your act, but I'm not conned
You better fall in line
You're two bazooms and nuts to boot
I'll keep you in a bathing suit
When you stop bringing in the loot
We'll go back to the vine
Tomatoes like you, they all whither and die
My powers, though, will never be diminished
So don't bring me to my boiling point
You're just a broad, I own the joint
I'm in control, you're just a face
Allow me to cut to the chase
I'll make another movie star
Can someone light my damn cigar?
And then say "yes"
'Cause yes, men
I'm finished
[STUDIO EXECUTIVES]
Yes!
farah nur kamilia
Male Ensemble:]
A studio executive has no beliefs
That's the way of a studio system
We bow to every rear of all the studio chiefs
And you can bet your ass we've kissed 'em
Even the birds in the Hollywood hills
Know the secret to our success
It's those magical words that pay the bills:
Yes, yes, yes, and yes
[A bunch of scuffling about Darryl Zanuck coming]
[Tom:] Gentlemen! Take a memo.
Today the Trades are all aglow
With grosses for our Miss Monroe
The things those vermin mustn't know
Is what she puts us through
She makes directors wait all day
One line per hour is all she'll say
And still, she thinks we're gonna pay
She needs a talking to
Tomatoes like her must be put in their place
If she don't shape up soon, she'll soon be walking
'Cause the buck stops with me
([Ensemble:] Yes you're right, we agree!)
Uh, don't say yes until I finish talking
She's got them all tied up in knots
Makes each producer faint in plots
She thinks she's queen and calls the shots
As she sits on a throne
She needs to learn she's only skin
The next girl's waiting for a spin
I made a star of Rin Tin Tin
And paid him with a bone
Tomatoes like her
Well, they're easy to find
We throw them out as soon as they start squawking
So, get me some younger dish
([Ensemble:] We concur, as you wish!)
Hey! Don't say yes until I finish talking
And while you got me on a roll
Let's find a role for Nat King Cole
Tell Lankowitz his script is trite
A little lower, to the right
I think that Brando is mis-cast
That television just won't last
That I'm the king of Hollywood
([Ensemble:] All hail the king!)
Oh, that feels good
Which brings me back to that dumb blonde
To her demands, I now respond
Some buy her act, but I'm not conned
You better fall in line
You're too bazooms and nuts to boot
I'll keep you in a bathing suit
When you stop bringing in the loot
Well, go back to the vine
Tomatoes like you
They all whither and die
My powers, though, will never be diminished
So don't bring me to my boiling point
You're just a broad, I own the joint
I'm in control, you're just a face
So allow me to cut to the chase
I'll make another movie star
Can someone light my damn cigar?
And then say "yes"
Cause yes, men
I'm finished
[Ensemble:]
YES!
4lph4numeric
I love how Tom's such a nice guy and then he steps into this hard-ass role and totally owns it. Christian Borle's really fantastic.
Pie CatLady
Yes, yes and yes! Christian Borle is absolutely marvelous. He brings hot sauce to every character he plays. Don't forget he was Smee/George Darling in the live broadcast of Peter Pan from NBC. I didn't recognize him in the pirate makeup until I saw the cast list.
Charlotte
And max in sound of music live for NBC
Mathilda Thompson
and marvin in Falsettos. such a versatile man!
monikavec
this is, pretty strangely, my most favorite song from the whole Smash from the first time i heard it <3
grace
same but the reason it's my fav is bc i really really like Christian Borle's voice and the choreography is the best ✨
xZGiraffesInPinkZx
When he sang this on the show my mouth was hanging open the whole time... Bravo :)
Sara G
I like this song because I have been a Christian Borle fan since Legally Blonde and they really don't utilize his singing skills much in the show so this song is great.
Jasmina Skratulja
he did this better than how it was supposed to be performed
Colleen O'Neill
This was so amazing. Why can't Tom be in the show? He is perfection.