Born in Hawaii and raised in both Southern California and Israel, singer/so… Read Full Bio ↴Born in Hawaii and raised in both Southern California and Israel, singer/songwriter Sara Lov started playing music alongside pianist Dustin O'Halloran when they formed the dream pop duo Devics in 1993. The group later moved to Italy and signed with Bella Union, a U.K.-based record label run by Cocteau Twins' Simon Raymonde. Devics released 5 full length albums, several ep's and toured extensively. In 2008, Lov began a solo career and teamed with producer and collaborator Zac Rae (My Brightest Diamond, Fiona Apple, Death Cab For Cutie). Together they recorded 2 full length albums "Seasoned Eyes Were Beaming" in 2009 and "I Already Love You" (an album of cover songs) in 2011. Lov spent a good part of 2009/2010 touring in Europe and the US. Sara Lov & Zac Rae have just finished recording "Some Kind of Champion" an album of originals by Sara Lov and collaborators Dustin O'Halloran, Hauschka, Scott Leahy, Zac Rae & Jonathan Price. The album is set for release sometime in late August of 2015 and was funded by her fans via pledgemusic.com/saralov (which remains active until the album release)
“Simple and sad with a shot of scotch.” That’s how musician Sara Lov describes her simultaneously dark and angelic sound that has been also described as “honeyed” (NME), “haunting” (The Sun), and “smokey” (MOJO). The former frontwoman of Devics and current solo singer paints an apt picture of melodies that are both minimalist and poignant with heady vocals that warm you from the inside.
For a singer freshly on her own, Lov (no, the “e” isn’t missing, and yes, that’s her real name) exudes immense confidence. The artist was formerly a part of indie favorite dream pop band Devics, a critical favorite in the UK where they were famously signed to Bella Union by Cocteau Twins’ Simon Raymonde. It is perhaps because of the success of Devics that Lov finds the idea of going out on her own exciting, if a little unnerving. “I learn every day and doing scary things makes me grow,” Lov says. “Dustin [[artist]Dustin O'Halloran, the other half of Devics] and I make wonderful music together, but like every creative person there’s always that insistent urge to write both music and lyrics for yourself, test yourself, challenge yourself.”
Lov views much of her life in a similar way – taking something frightening that could have overwhelmed others, and making it a positive influence on her life and music. At the age of five, the Hawaiian-born Lov was kidnapped by her father and taken to Israel, then Minnesota, and then ended up in L.A. at age 12 where she was raised by her uncle. “My father really encouraged me creatively,” Lov says. “The one thing I am certain of is that for most of my young life, music was the consistency and stability I had. It was my escape and my sanity.”
Perhaps that’s why Lov feels a certain nostalgia for a time in her life that most would imagine to be traumatic or marked by stolen innocence, going as far as to name her debut solo album, Seasoned Eyes Were Beaming (Nettwerk), after the idealism of youth. “As you get older it’s harder to find beauty and innocence in anything,” she says. “It’s easy to get jaded and loose your sense of idealism. So, to find that thing that brings you back to your ‘young eyes’ or that thing that makes you feel excited to be alive again even though you are seeing it through seasoned eyes... even if just for a moment, it’s a beautiful thing.”
Produced by Zac Rae (Fiona Apple, Annie Lennox, My Brightest Diamond), mixed by Darrell Thorp (Radiohead, Beck), and featuring cameos from Alex Brown Church (Sea Wolf) and Solon Bixler (Great Northern), Seasoned Eyes shows steely confidence, even with Lov’s oft-shaky vocals. A cover of Arcade Fire’s “My Body is a Cage,” shows Lov’s versatility in her ability to turn an already stunning song even more gorgeous, filling out the instrumentals with cello, Ukulele, pump organ, and celesta.
On her original tracks, Lov is similarly inventive. “Animals,” which Lov describes as a breakup song, is a dramatic musical dialogue between Lov and Alex Brown Church led by jaunty, child-like guitar picking.
It’s Lov’s lyrics, though, which are the highlight of her music, and the part she is most reluctant to talk about, preferring instead for listeners to interpret on their own. On “Fountain,” over mournful strings and theatrical keys, Lov sings “Fountain, fountain, we are the same / all that anyone ever has for you are the things you reflect back to them,” and with restrained anger, “Don’t you wish you could throw your pennies back at them.”
On “Animals,” Lov reflects on what she learned from a broken relationship: “I never, never learned to swim until you came around and pushed me in”,” she sings. With “A Thousand Bees,” she works on letting go and moving on, as she sings “How sweet is the revenge when you don’t want it anymore / How meaningless the defense when you’re not fighting anymore,” over a rapidly tapped snare and swelling keys. On “Tell Me How,” she expresses, “I’m really good at getting hurt babe / Not so great at feeling good.”
For an artist who was curious about recording and performing on her own, Lov has proven she had little to be concerned about. “I had always wanted to make a solo record but I guess I never believed I could do it on my own,” she says. “I’m really glad I did it, a whole world opened up to me.” Listeners to Seasoned Eyes Were Beaming are certain to be just as pleased.
“Simple and sad with a shot of scotch.” That’s how musician Sara Lov describes her simultaneously dark and angelic sound that has been also described as “honeyed” (NME), “haunting” (The Sun), and “smokey” (MOJO). The former frontwoman of Devics and current solo singer paints an apt picture of melodies that are both minimalist and poignant with heady vocals that warm you from the inside.
For a singer freshly on her own, Lov (no, the “e” isn’t missing, and yes, that’s her real name) exudes immense confidence. The artist was formerly a part of indie favorite dream pop band Devics, a critical favorite in the UK where they were famously signed to Bella Union by Cocteau Twins’ Simon Raymonde. It is perhaps because of the success of Devics that Lov finds the idea of going out on her own exciting, if a little unnerving. “I learn every day and doing scary things makes me grow,” Lov says. “Dustin [[artist]Dustin O'Halloran, the other half of Devics] and I make wonderful music together, but like every creative person there’s always that insistent urge to write both music and lyrics for yourself, test yourself, challenge yourself.”
Lov views much of her life in a similar way – taking something frightening that could have overwhelmed others, and making it a positive influence on her life and music. At the age of five, the Hawaiian-born Lov was kidnapped by her father and taken to Israel, then Minnesota, and then ended up in L.A. at age 12 where she was raised by her uncle. “My father really encouraged me creatively,” Lov says. “The one thing I am certain of is that for most of my young life, music was the consistency and stability I had. It was my escape and my sanity.”
Perhaps that’s why Lov feels a certain nostalgia for a time in her life that most would imagine to be traumatic or marked by stolen innocence, going as far as to name her debut solo album, Seasoned Eyes Were Beaming (Nettwerk), after the idealism of youth. “As you get older it’s harder to find beauty and innocence in anything,” she says. “It’s easy to get jaded and loose your sense of idealism. So, to find that thing that brings you back to your ‘young eyes’ or that thing that makes you feel excited to be alive again even though you are seeing it through seasoned eyes... even if just for a moment, it’s a beautiful thing.”
Produced by Zac Rae (Fiona Apple, Annie Lennox, My Brightest Diamond), mixed by Darrell Thorp (Radiohead, Beck), and featuring cameos from Alex Brown Church (Sea Wolf) and Solon Bixler (Great Northern), Seasoned Eyes shows steely confidence, even with Lov’s oft-shaky vocals. A cover of Arcade Fire’s “My Body is a Cage,” shows Lov’s versatility in her ability to turn an already stunning song even more gorgeous, filling out the instrumentals with cello, Ukulele, pump organ, and celesta.
On her original tracks, Lov is similarly inventive. “Animals,” which Lov describes as a breakup song, is a dramatic musical dialogue between Lov and Alex Brown Church led by jaunty, child-like guitar picking.
It’s Lov’s lyrics, though, which are the highlight of her music, and the part she is most reluctant to talk about, preferring instead for listeners to interpret on their own. On “Fountain,” over mournful strings and theatrical keys, Lov sings “Fountain, fountain, we are the same / all that anyone ever has for you are the things you reflect back to them,” and with restrained anger, “Don’t you wish you could throw your pennies back at them.”
On “Animals,” Lov reflects on what she learned from a broken relationship: “I never, never learned to swim until you came around and pushed me in”,” she sings. With “A Thousand Bees,” she works on letting go and moving on, as she sings “How sweet is the revenge when you don’t want it anymore / How meaningless the defense when you’re not fighting anymore,” over a rapidly tapped snare and swelling keys. On “Tell Me How,” she expresses, “I’m really good at getting hurt babe / Not so great at feeling good.”
For an artist who was curious about recording and performing on her own, Lov has proven she had little to be concerned about. “I had always wanted to make a solo record but I guess I never believed I could do it on my own,” she says. “I’m really glad I did it, a whole world opened up to me.” Listeners to Seasoned Eyes Were Beaming are certain to be just as pleased.
The World We Knew
Sara Lov Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Over and over I keep going over the world we knew
Once when you walked beside me
That inconceivable, that unbelievable world we knew
When we two were in love
And every bright neon sign turned into stars
And the sun and the moon seemed to be ours
Each road that we took turned into gold
But the dream was too much for you to hold
Now over and over I keep going over the world we knew
Days when you used to love me
And every bright neon sign turned into stars
And the sun and the moon seemed to be ours
Each road that we took, it turned into gold
But the dream was too much for you to hold
Now over and over I keep going over the world we knew
Days when you used to love me
Over and over I keep going over the world we knew
Once when you walked beside me
That inconceivable, that unbelievable world we knew
When we two were in love
And every bright neon sign turned into stars
And the sun and the moon seemed to be ours
Each road that we took turned into gold
Now over and over I keep going over the world we knew
Days when you used to love me
And every bright neon sign turned into stars
And the sun and the moon seemed to be ours
Each road that we took, it turned into gold
But the dream was too much for you to hold
Now over and over I keep going over the world we knew
Days when you used to love me
Over and over I keep going over the world we knew
The lyrics to Sara Lov's song The World We Knew revolve around the idea of reminiscing over a past love and the world that they shared together. The first stanza sets the mood of the song, as the singer muses about going over the memories of the past love affair over and over again, highlighting how deep and profound the love between them was. The second stanza describes how, when they were together, even the brightest neon sign could not compare to the light that shone for them, and how the world seemed to be theirs for the taking. They walked a path of gold, but ultimately the dream of being together was too much for the other person to hold.
Line by Line Meaning
Over and over I keep going over the world we knew
I'm constantly thinking about the past and that world we used to know
Once when you walked beside me
There was a time when we were together and it felt perfect
That inconceivable, that unbelievable world we knew
That world we used to share was so amazing that it almost seems impossible now
When we two were in love
We were in love, and that made everything feel more vibrant and alive
And every bright neon sign turned into stars
The world was so beautiful that even common things seemed extraordinary
And the sun and the moon seemed to be ours
We were so in love that it felt like the whole universe belonged to us
Each road that we took turned into gold
Everything we did together was full of joy and wonder
But the dream was too much for you to hold
Our love was so intense that it may have been overwhelming for you, leading to its end
Days when you used to love me
I spend my time remembering the days when you were still in love with me
Contributed by Elena T. Suggest a correction in the comments below.
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