Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews), but when his initial ambitions failed he began his career as a conventional blues singer and pianist.
Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.
In 1951, Hawkins joined guitarist Tiny Grimes's band, and was subsequently featured on some of Grimes's recordings. When Hawkins became a solo performer, he often performed in a stylish wardrobe of leopard skins, red leather and wild hats.
His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales, although it failed to make the Billboard pop or R&B charts.
The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session. Afterward he had to relearn the song from the recorded version. Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording's overt sexuality. Nonetheless it was banned from radio in some areas.
Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes." These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."
He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack – and deep in the plot – of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage in Harlem.
His 1957 single "Frenzy" (found on the early 1980s compilation of the same name) was included in the compilation CD, Songs in the Key of X: Music from and Inspired by the X-Files, in 1996. This song was featured in the show's Season 2 episode "Humbug". It was also covered by the band Batmobile. "I Put a Spell on You" was featured during the show and over the credits of Episode 303 of The Simpsons.
In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey.
In July 1991, Hawkins released his album Black Music for White People. The record features covers of two Tom Waits compositions: "Heart Attack and Vine" (which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit), and "Ice Cream Man" (which, contrary to popular belief, is a Waits original, and not a cover of the John Brim classic). Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching #42 on the UK singles chart.
When Dread Zeppelin recorded their "disco" album, It's Not Unusual in 1992, producer Jah Paul Jo asked Hawkins to guest. He performed the songs "Jungle Boogie" and "Disco Inferno".
Hawkins also toured with The Clash and Nick Cave during this period, and not only became a fixture of blues festivals, but appeared at many film festivals as well, including the Telluride Film Festival premier of Mystery Train.
Hawkins died on February 12, 2000 after surgery to treat an aneurysm. He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring".
Although Hawkins was not a major success as a recording artist, his highly theatrical performances from "I Put a Spell On You" onward earned him a steady career as a live performer for decades afterward, and influenced subsequent acts. He opened for Fats Domino, Tiny Grimes and the Rolling Stones. This exposure in turn influenced rock groups such as The Cramps, Screaming Lord Sutch, Black Sabbath, Arthur Brown, Dread Zeppelin, The Horrors, Marilyn Manson, Tom Waits, Alice Cooper and Glenn Danzig.
Orange Colored Sky
Screamin' Jay Hawkins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Minding my business,
When out of the orange-colored sky...
WHAM! BAM! ALAKAZZAM!
Wonderful you came by.
I was hummin' a tune
Drinkin' in sunshine,
WHAM! BAM! ALAKAZZAM!
I got a look at you.
One look and I yelled "Help Me!"
Watch out for flyin' glass.
Cause the ceiling fell in
And the bottom fell out.
I went into a spin
And I started to shout,
"I've been hit... this is it... THIS IS IT!"
I was walkin' along
Minding my business,
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky.
Look out below!
One look and I yelled "Help Me!"
Watch out for flyin' glass.
Cause the ceiling fell in
And the bottom fell out.
I went into a spin
And I started to shout,
"I've been hit... I've been hit... THIS IS IT!"
I was walkin' along
Minding my business,
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky.
FLASH! BAM! ALAKAZZAM!
Wonderful you came by!
The lyrics to "Orange Colored Sky" by Screamin' Jay Hawkins describe the moment when love hits unexpectedly and suddenly, as if out of nowhere. The singer is walking and enjoying the sunshine, when suddenly, "out of the orange-colored sky," a person appears ("Wonderful you came by"). The impact of this surprise is so intense that the singer feels as though the "ceiling fell in" and the "bottom fell out," causing them to spin and shout in shock. The suddenness and intensity of this encounter is emphasized by the repetition of "WHAM! BAM! ALAKAZZAM!"
The city of heaven and paradise, reflecting the color orange, becomes the symbol of love and passion. The phrase "out of the orange-colored sky" is used repeatedly to emphasize how unexpected and spontaneous love can be. The phrase "watch out for flyin' glass" is a metaphor for caution not being taken in the face of sudden love, leading to the possibility of getting hurt. The use of "Help Me" and repetition of "THIS IS IT!" indicate that the singer was unprepared for such an experience but is willingly accepting of it despite the risks.
Line by Line Meaning
I was walkin' along
Minding my business,
When out of the orange-colored sky...
I was enjoying life without a care in the world and then something unexpected happened that changed everything.
WHAM! BAM! ALAKAZZAM!
Wonderful you came by.
You arrived suddenly and unexpectedly, like magic, and it was a pleasant surprise.
I was hummin' a tune
Drinkin' in sunshine,
When out of that orange-colored sky...
I was feeling happy, singing to myself and enjoying the sunshine when once again, a surprise came out of nowhere.
I got a look at you.
When I saw you, I was instantly captivated by your beauty and charm.
One look and I yelled "Help Me!"
Watch out for flyin' glass.
Cause the ceiling fell in
And the bottom fell out.
I went into a spin
And I started to shout,
"I've been hit... this is it... THIS IS IT!"
Your appearance had such a powerful impact on me that it was like a shock to my system. It felt like everything around me was collapsing and I was in complete turmoil.
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky.
When I fell in love with you, it was just as sudden and unexpected as the first time I saw you.
Look out below!
I'm so in love with you that it feels like the ground beneath me is unstable - I'm on shaky ground.
FLASH! BAM! ALAKAZZAM!
Wonderful you came by!
Your presence always feels magical to me and makes me feel alive and grateful for having you in my life.
Contributed by Elliot L. Suggest a correction in the comments below.
@franznarf
Orange Colored Sky
I was walkin' along
Minding my business
When out of the orange-colored sky...
WHAM! BAM! ALAKAZZAM!
Wonderful you came by
I was hummin' a tune
Drinkin' in sunshine
When out of that orange-colored sky...
WHAM! BAM! ALAKAZZAM!
I got a look at you
One look and I yelled "Help me!"
Watch out for flyin' glass
Cause the ceiling fell in
And the bottom fell out
I went into a spin
And I started to shout
"I've been hit... this is it... THIS IS IT!"
I was walkin' along
Minding my business
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky
Look out below!
One look and I yelled "Help Me!"
Watch out for flyin' glass
Cause the ceiling fell in
And the bottom fell out
I went into a spin
And I started to shout
"I've been hit... I've been hit... THIS IS IT!"
I was walkin' along
Minding my business
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky
FLASH! BAM! ALAKAZZAM!
Wonderful you came by!
(Delugg Milton / Stein William)
@robertorick6383
Jay was known for his novelty/horror songs, but he admired other black pop and R&B singers like Nat King Cole, and wanted to have more recordings like them issued, so that's why he did more serious and pop sounding recordings in his favor . As a result of his unique singing style (he never could sing as smooth as Nat Cole) , it sounded like a unique combination of jazz, pop, and R&B. The 1957 Epic release "At Home With Screamin' Jay Hawkins" was an attempt to showcase his other talents to sing more straight forward songs aside from his best-known Halloween novelties. Of course, Jay loved to ad-lib a bit on these songs, giving them a unique and special twist.
@leahcimolrac1477
That sax 🎷 solo is one of the greatest things I’ve ever heard
@MrFishermanbob
You bet!!!!!!
@countrychess
Ruptures de rythmes, pas évidentes à opérer, et le solo de Sam " The man " Taylor au 🎷 . 🤠👍
@destroyernoah
What a voice.
@franznarf
Orange Colored Sky
I was walkin' along
Minding my business
When out of the orange-colored sky...
WHAM! BAM! ALAKAZZAM!
Wonderful you came by
I was hummin' a tune
Drinkin' in sunshine
When out of that orange-colored sky...
WHAM! BAM! ALAKAZZAM!
I got a look at you
One look and I yelled "Help me!"
Watch out for flyin' glass
Cause the ceiling fell in
And the bottom fell out
I went into a spin
And I started to shout
"I've been hit... this is it... THIS IS IT!"
I was walkin' along
Minding my business
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky
Look out below!
One look and I yelled "Help Me!"
Watch out for flyin' glass
Cause the ceiling fell in
And the bottom fell out
I went into a spin
And I started to shout
"I've been hit... I've been hit... THIS IS IT!"
I was walkin' along
Minding my business
When love came and hit me in the eye...
WHAM! BAM! ALAKAZZAM!
Outta the orange-colored sky
FLASH! BAM! ALAKAZZAM!
Wonderful you came by!
(Delugg Milton / Stein William)
@Bogframe
I love his version!
@EddieCesc
Fabulous,rockin´regards from Catalonia.
@apastrouveful
magnifique !! tou simplement rien a rajouté!!!
@azuldelcielo7555
best version