Shawn Lee is a multi-instrumentalist from Kansas. He has also released work… Read Full Bio ↴Shawn Lee is a multi-instrumentalist from Kansas. He has also released work as Shawn Lee's Ping Pong Orchestra and his current touring project is called AM & Shawn Lee.
Talent will out, they say, but sometimes the exit route is a long and winding road. For Shawn Lee, the journey began in Wichita, Kansas.
Shawn grew up in a rural area on the outskirts of the city. His mother is half Lebanese, half American Indian, his father Irish-American. While his peers got off on cheesy corporate rock and the kind of line-dancing tunes recently fashionable in Gap ads, Shawn was groovin' to the blaxploitation funk Sly and the Isleys. Later, his local Baptist Church widened his appreciation of black music, but when he sang in its gospel choir, he discovered some of his white 'friends' were racists who disapproved. "Fuck this," he thought. "I'm leaving the Mid-West" It was 1988.
Next stop Los Angeles. Already an able multi-instrumentalist (guitar,drums,bass,etc) Shawn now set about developing his songwriting. There were bands, publishing deals, relationships and day jobs: more notches on the bedpost of experience. This period also saw Shawn befriend the late Jeff Buckley, and somebody, somewhere has a tape of them jamming "Honky Tonk Woman" Be sure that Buckley would have recognized Shawn's talent.
In 1995, Shawn moved to London, where he recorded his solo debut. For all the wrong reasons, the album was never released. It was soul destroying; a bit like somebody erasing 3 years of your life." Resolving to write and record on his own terms, Shawn kept working. He passed CD's of songs to friends with no agenda other than "hope you enjoy it." As Shawn continued to do it his way, air play garnered by a self-financed EP prompted several major labels to phone him. He had no intention of re-boarding the corporate merry-go-round, though. Instead, he opted to sign a deal with Mark Jones at Wall of Sound. "The label's got real credibility," he says "and Mark was happy to put out a record which sounds exactly like I wanted it to." Subsequently Shawn became the flagship artist for the new Wall of Sound imprint, We Love You....
Which brings us to Monkey Boy, an inspired and beautifully crafted album which warrants your undivided attention. Like the best work by The Isley Brothers, it takes rock, soul, funk and folk textures, then fuses them with unquestionable panache. For afters, there's deft scratching, sumptuous bossa-nova and a dark waltz which evokes Burt Bacharach on downers. What's new pussycat? This is.
The bossa track is 'Happiness', all itch-scratching Latin percussion a la Sergio Mendez. Had Arthur Lee's Love formed in Rio rather than Los Angeles, they might have sounded like this. Further in, A&R Man of Love (yes, the title's ironic) was inspired by Vincent Gallo's fabulous soundtrack for Buffalo 66. You'll be pleased to know that as much as Shawn admires Gallo's many talents, he doesn't share his arrogance.
Shawn's album was self-produced, and although friends dropped by to add strings, double bass, brass and woodwind, Shawn's skills as a multi-instrumentalist hold court. You'll notice, too, that his voice is a marvel throughout; check out "Harmony In Falsetto" (a self-explanatory ballad), or his sweet-honey-in-the-rock delivery on "Floating" Class.
If Ian Brown is the king of the swingers, I'm a baboon's arse and Britney's Nina Simone..
It's time to swap bravado and pap for soul and a solid gold talent. Shawn Lee, aka Monkey Boy, is top banana....
http://www.facebook.com/amandshawnlee
http://www.shawnlee.net
Talent will out, they say, but sometimes the exit route is a long and winding road. For Shawn Lee, the journey began in Wichita, Kansas.
Shawn grew up in a rural area on the outskirts of the city. His mother is half Lebanese, half American Indian, his father Irish-American. While his peers got off on cheesy corporate rock and the kind of line-dancing tunes recently fashionable in Gap ads, Shawn was groovin' to the blaxploitation funk Sly and the Isleys. Later, his local Baptist Church widened his appreciation of black music, but when he sang in its gospel choir, he discovered some of his white 'friends' were racists who disapproved. "Fuck this," he thought. "I'm leaving the Mid-West" It was 1988.
Next stop Los Angeles. Already an able multi-instrumentalist (guitar,drums,bass,etc) Shawn now set about developing his songwriting. There were bands, publishing deals, relationships and day jobs: more notches on the bedpost of experience. This period also saw Shawn befriend the late Jeff Buckley, and somebody, somewhere has a tape of them jamming "Honky Tonk Woman" Be sure that Buckley would have recognized Shawn's talent.
In 1995, Shawn moved to London, where he recorded his solo debut. For all the wrong reasons, the album was never released. It was soul destroying; a bit like somebody erasing 3 years of your life." Resolving to write and record on his own terms, Shawn kept working. He passed CD's of songs to friends with no agenda other than "hope you enjoy it." As Shawn continued to do it his way, air play garnered by a self-financed EP prompted several major labels to phone him. He had no intention of re-boarding the corporate merry-go-round, though. Instead, he opted to sign a deal with Mark Jones at Wall of Sound. "The label's got real credibility," he says "and Mark was happy to put out a record which sounds exactly like I wanted it to." Subsequently Shawn became the flagship artist for the new Wall of Sound imprint, We Love You....
Which brings us to Monkey Boy, an inspired and beautifully crafted album which warrants your undivided attention. Like the best work by The Isley Brothers, it takes rock, soul, funk and folk textures, then fuses them with unquestionable panache. For afters, there's deft scratching, sumptuous bossa-nova and a dark waltz which evokes Burt Bacharach on downers. What's new pussycat? This is.
The bossa track is 'Happiness', all itch-scratching Latin percussion a la Sergio Mendez. Had Arthur Lee's Love formed in Rio rather than Los Angeles, they might have sounded like this. Further in, A&R Man of Love (yes, the title's ironic) was inspired by Vincent Gallo's fabulous soundtrack for Buffalo 66. You'll be pleased to know that as much as Shawn admires Gallo's many talents, he doesn't share his arrogance.
Shawn's album was self-produced, and although friends dropped by to add strings, double bass, brass and woodwind, Shawn's skills as a multi-instrumentalist hold court. You'll notice, too, that his voice is a marvel throughout; check out "Harmony In Falsetto" (a self-explanatory ballad), or his sweet-honey-in-the-rock delivery on "Floating" Class.
If Ian Brown is the king of the swingers, I'm a baboon's arse and Britney's Nina Simone..
It's time to swap bravado and pap for soul and a solid gold talent. Shawn Lee, aka Monkey Boy, is top banana....
http://www.facebook.com/amandshawnlee
http://www.shawnlee.net
Hangin' By A Thread
Shawn Lee Lyrics
We have lyrics for 'Hangin' By A Thread' by these artists:
Company of Wolves crack of dawn i'm lying on the floor all last night…
Ghost & the Big Sky Sometimes I feel like I'm dreaming high Creeping up inside y…
Graham Gouldman Do do do do do do do Do do do do…
Jann Arden When I cry I close my eyes And every tear falls…
The wonderlands Oh honey I'm hanging by a thread And the tailor with the…
We have lyrics for these tracks by Shawn Lee:
8 Million Ways To Die I′ve got fire for a heart, I'm not scared of…
A&R Man of Love When the mellow moon begins to beam, Every night I dream…
Don't Trust Men ParolesTraductionRap) YEAH WE GOT ANOTHER ONE RIGHT HERE BRA…
Happiness Happiness is a drug Happiness don't pull the rug on Happines…
Happiness (Ashley Beedle's Secret Beach Bossa 7" mix) You make a brotha wanna faint, damn Or put you on…
Happiness (Ashley Beedle's West Coast Beach Bossa vocal mix) You make a brotha wanna faint, damn Or put you on…
I Can't Save You I just can't get you out of my head Boy your…
Kill Somebody There′s a light A certain kind of light That never shone on…
Kiss the Sky I hold my head up just enough to see the…
Kiss the Sky (feat. Nino Moschella) I hold my head up just enough to see the…
Mary Jane Come here, baby. Mary I love you. Do it girl. Female…
No Surprises A heart that's full up like a landfill A job that…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Raul Medina
What version is this?! This is not the album version :U !
Tina Oelker
found this one 1996 on talkin´loud ´96 _ N° 7