Snoop's debut album, Doggystyle, produced by Dr. Dre and released in 1993 by Death Row Records, debuted at number one on both the Billboard 200 and Billboard Top R&B/Hip-Hop Albums charts. Selling almost a million copies in the first week of its release, Doggystyle became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name?" and "Gin & Juice". In 1994 Snoop released a soundtrack on Death Row Records for the short film Murder Was the Case, starring himself. His second album, Tha Doggfather (1996), also debuted at number one on both charts, with "Snoop's Upside Ya Head" as the lead single. The album was certified double platinum in 1997.
After leaving Death Row Records, Snoop signed with No Limit Records, where he recorded his next three albums, Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released Paid tha Cost to Be da Boss. He then signed with Geffen Records in 2004 for his next three albums, R&G (Rhythm & Gangsta): The Masterpiece, Tha Blue Carpet Treatment, and Ego Trippin'. Malice 'n Wonderland (2009), and Doggumentary (2011) were released on Priority. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. He also coaches a youth football league and a high school football team. In September 2009 Snoop was hired by EMI as the chairman of reactivated Priority Records.
In 2012, after a trip to Jamaica, Snoop announced a conversion to Rastafarianism and a new alias, Snoop Lion. As Snoop Lion he released a reggae album, Reincarnated, and a documentary film of the same name, about his Jamaican experience, in early 2013. His 13th studio album, Bush, was released in May 2015 and marked a return of the Snoop Dogg name. His 14th solo studio album, Coolaid, was released in July 2016. Snoop has 17 Grammy nominations without a win.
In 2018, he released his first gospel album, Bible of Love.
Kool Moe Dee ranks Snoop at No. 33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery" and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and AllMusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".
Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."
Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game". How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality, as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.
Snoop re-popularized the use of -izzle speak, particularly in the pop and hip-hop music industry.
Snoop Dogg is a lifelong fan of professional wrestling. On March 30, 2008, Snoop Dogg appeared at WrestleMania XXIV as a Master of Ceremonies for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina. On a March 23, 2015 episode of Raw, Snoop Dogg appeared in a segment with Hulk Hogan and Curtis Axel. At WrestleMania 32, he accompanied his cousin Sasha Banks to the ring for her match, rapping over her theme music. He was also inducted into the WWE Hall of Fame in 2016.
Broadus made a special guest appearance in All Elite Wrestling on the January 6, 2021, episode of AEW Dynamite, titled New Year's Smash. During this appearance, Snoop appeared in the corner of Cody Rhodes during Rhodes's match with Matt Sydal. He later gave Serpentico a Frog Splash, with Rhodes then delivering a three-count.
Snoop Dogg would join The Miz to host both nights of WrestleMania 39. During Night 1, he accompanied Rey Mysterio in a lowrider during his entrance, paying tribute to the late Eddie Guerrero. On Night 2, he introduced Shane McMahon to face The Miz in another spontaneous match. McMahon would sustain a quad injury during the match prompting Snoop Dogg to improvise and finish the match himself, ultimately defeating Miz. Snoop Dogg's improvisational acts were lauded by wrestlers and executives, including WWE chief content officer Triple H.
Nuthin' but a g'thang
Snoop Dogg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
One, two, three and to the fo'
Snoop Doggy Dogg and Dr. Dre are at the do'
Ready to make an entrance, so back on up
(Cause you know we 'bout had to rip shit up)
Gimme the microphone first, so I can bust like a bubble
Compton and Long Beach together, now you know you in trouble
Ain't nothin' but a G thang, baaaaabay!
Death Row is the label that paaaaays me!
Unfadable, so please don't try to fade this (Hell yeah)
But, uh, back to the lecture at hand
Perfection is perfected, so I'm 'a let 'em understand
From a young G's perspective
And before me dig out a bitch I have ta' find a contraceptive
You never know she could be earnin' her man,
And learnin' her man, and at the same time burnin' her man
Now you know I ain't wit that shit, Lieutenant
Ain't no pussy good enough to get burnt while I'm up in it
(yeah) Now that's realer than real-deal Holyfield
And now all you hookas and ho's know how I feel
Well if it's good enough to get broke off a proper chunk
I'll take a small piece of some of that funky stuff
Hook: Snoop Doggy Dogg
It's like this and like that and like this and uh
It's like that and like this and like that and uh
It's like this and like that and like this and uh
Dre, creep to the mic like a phantom
[Dr. Dre]
Well I'm peepin', and I'm creepin', and I'm creep-in'
But I damn near got caught, 'cause my beeper kept beepin'
Now it's time for me to make my impression felt
So sit back, relax, and strap on your seatbelt
You never been on a ride like this befo'
With a producer who can rap and control the maestro
At the same time with the dope rhyme that I kick
You know, and I know, I flow some ol funky shit
To add to my collection, the selection
Symbolizes dope, take a toke, but don't choke
If ya' do, ya' have no clue
O' what me and my homey Snoop Dogg came to do
Hook: Snoop Doggy Dogg & Dr. Dre
It's like this and like that and like this and uh
It's like that and like this and like that and uh
It's like this, and we ain't got no love for those
So jus' chill, 'til the next episode
[Snoop Doggy Dogg]
Fallin' back on that ass with a hellified gangsta' lean
Gettin' funky on the mic like a' old batch o' collard greens
It's the capital S, oh yes, the fresh N-double O-P
D-O-double G-why D-O-double G ya' see
Showin' much flex when it's time to wreck a mic
pimpin' ho's and clockin' a grip like my name was Dolomite
Yeah, and it don't quit
I think they in a mood for some mothafuckin' G shit
So Dre. (What up Dogg?)
We gotta give 'em what dey want (What's that, G?)
We gotta break 'em off somethin' (Hell yeah)
And it's gotta be bumpin' (City of Compton!)
[Dr. Dre]
It's where it takes place so I'm a ask your attention
Mobbin like a mothafucka but I ain't lynchin
Droppin' the funky shit that's makin the sucka niggaz mumble
When I'm on the mic, it's like a cookie, they all crumble
Try to get close, and your ass'll get smacked
My mothafuckin homie Doggy Dogg has my back
Never let me slip, 'cause if I slip, then I'm slippin'
But if I got my Nina, then you know I'm straight trippin'
And I'm a continue to put the rap down, put the mack down
And if your bitches talk shit, I have ta' put the smack down
Yeah, and ya' don't stop
I told you I'm just like a clock when I tick and I tock
But I'm never off, always on, 'til the break dawn
see-O-M-P-T-O-N, and the city they call Long Beach
Puttin' the shit together
Like my nigga D.O.C., no one can do it better
Hook: Dr. Dre & Snoop Doggy Dogg
Like this, that and this and uh
It's like that and like this and like that and uh
It's like this, and we ain't got no love for those
So jus' chill, 'til the next episode
The lyrics of Snoop Dogg's "Nuthin' but a G thang" paint a picture of two Gs, Snoop Dogg and Dr. Dre, doing what they do best - laying down rhymes on a funky beat. The song opens with a call to attention, as the duo announces their arrival at the door and prepares to rip the place up. Snoop takes the mic first and delivers a bombastic verse that boasts of Compton and Long Beach's power now that they're together. He then reflects on life from a young G's perspective, emphasizing the importance of contraception before engaging with a woman. Snoop's verse closes with a resounding statement that there's no pussy good enough to get burnt while he's up in it.
Line by Line Meaning
One, two, three and to the fo'
Snoop Doggy Dogg and Dr. Dre are counting down, getting ready to start the song.
Snoop Doggy Dogg and Dr. Dre are at the do'
Snoop and Dre have arrived and are ready to perform.
Ready to make an entrance, so back on up
(Cause you know we 'bout had to rip shit up)
They are about to make a big entrance and start performing, warning everyone to back up because they are going to be intense.
Gimme the microphone first, so I can bust like a bubble
Snoop wants to start the song and dominate the mic.
Compton and Long Beach together, now you know you in trouble
Snoop and Dre rep their hometowns and show that they are not to be messed with.
Ain't nothin' but a G thang, baaaaabay!
Two loc'ed out G's so we're craaaaazay!
They are pure gangsters and proud of it.
Death Row is the label that paaaaays me!
Unfadable, so please don't try to fade this (Hell yeah)
Snoop is signed to Death Row Records and is untouchable, telling haters not to mess with him.
Perfection is perfected, so I'm 'a let 'em understand
From a young G's perspective
And before me dig out a bitch I have ta' find a contraceptive
Snoop is confident in his skills and wants to show the world his perspective. He also makes sure to use protection before sleeping with someone.
You never know she could be earnin' her man,
And learnin' her man, and at the same time burnin' her man
Now you know I ain't wit that shit, Lieutenant
Ain't no pussy good enough to get burnt while I'm up in it
Snoop is wary of women who may have other motives, and he won't let any woman burn him by double-crossing him.
Now that's realer than real-deal Holyfield
And now all you hookas and ho's know how I feel
Snoop is telling everyone that he's honest and real, and wants everyone to know how he feels.
Well if it's good enough to get broke off a proper chunk
I'll take a small piece of some of that funky stuff
If it's worth it, Snoop will take a small piece of the action.
It's like this and like that and like this and uh
It's like that and like this and like that and uh
Dre, creep to the mic like a phantom
The rhythm and flow of the song is described, with Dre coming in on the mic like a ghost.
But I damn near got caught, 'cause my beeper kept beepin'
Now it's time for me to make my impression felt
So sit back, relax, and strap on your seatbelt
Dre is describing being nearly caught by someone, while also saying he's ready to make his impact on the song and for the listeners to get ready for what's to come.
You never been on a ride like this befo'
With a producer who can rap and control the maestro
At the same time with the dope rhyme that I kick
Dre is telling the audience that they have never been on a ride like this before, with a producer who can also rap and control the music at the same time.
To add to my collection, the selection
Symbolizes dope, take a toke, but don't choke
If ya' do, ya' have no clue
O' what me and my homey Snoop Dogg came to do
Dre talks about adding this song to his collection, with the selection symbolizing quality. Listeners can get a taste of their quality, but should not underestimate them.
Fallin' back on that ass with a hellified gangsta' lean
Gettin' funky on the mic like a' old batch o' collard greens
Snoop is hyping himself up, doing his signature gangsta lean, and making it clear that he's getting funky on the mic like a classic food dish.
It's the capital S, oh yes, the fresh N-double O-P
D-O-double G-why D-O-double G ya' see
Showin' much flex when it's time to wreck a mic
pimpin' ho's and clockin' a grip like my name was Dolomite
Snoop is hyping himself up even more, making it clear that he is the fresh N-double O-P (which stands for New Original People), with a lot of influence and power. He also talks about the women he's involved with and the money he's making.
Yeah, and it don't quit
I think they in a mood for some mothafuckin' G shit
So Dre. (What up Dogg?)
We gotta give 'em what dey want (What's that, G?)
We gotta break 'em off somethin' (Hell yeah)
And it's gotta be bumpin' (City of Compton!)
Snoop and Dre are aware that everyone wants to hear some straight-up gangsta shit, so they plan to give the audience exactly what they want.
Mobbin' like a mothafucka but I ain't lynchin'
Droppin' the funky shit that's makin' the sucka niggaz mumble
When I'm on the mic, it's like a cookie, they all crumble
Try to get close, and your ass'll get smacked
My mothafuckin' homie Doggy Dogg has my back
Snoop is saying that he's mobbing around aggressively like crazy, but he's not lynching anyone. He's also dropping crazy bars, and warns competitors that they'll get smacked if they get close. He also gives a shout-out to his Doggy Dogg, who's got his back.
I told you I'm just like a clock when I tick and I tock
But I'm never off, always on, 'til the break of dawn
C-O-M-P-T-O-N, and the city they call Long Beach
Puttin' the shit together
Like my nigga D.O.C., no one can do it better
Snoop is comparing himself to a clock that never stops ticking and rapping, until the break of dawn. He shouts out Compton and Long Beach, and compares his talent with his friend D.O.C.'s talent, saying no one else can do it better than them.
So just chill, 'til the next episode
The song is coming to an end, with the appeal to listeners to chill until their next project.
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: CALVIN BROADUS, LEON HAYWOOD, FREDERICK KNIGHT
Lyrics Licensed & Provided by LyricFind
@djsyferr9475
if your still watching this your a legend, May God bless you
@obasiswift
Thanks you to still got the cd always bumping
@GenikaShanelWatkins
Thank you
@andrewmalekela3577
🙏🙏🤝
@lilpriest999
Forever be golden song when play all night GTA SA😂
@Carmediaedits
Ye sir
@tutorjames666
This wasn't just a song. It was a vibe. It was an era.
@MrHusseingaber
True
@Memelord6599v2
G Funk era
@rebekahann626
But the vibe will never die