Snoop's debut album, Doggystyle, produced by Dr. Dre and released in 1993 by Death Row Records, debuted at number one on both the Billboard 200 and Billboard Top R&B/Hip-Hop Albums charts. Selling almost a million copies in the first week of its release, Doggystyle became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name?" and "Gin & Juice". In 1994 Snoop released a soundtrack on Death Row Records for the short film Murder Was the Case, starring himself. His second album, Tha Doggfather (1996), also debuted at number one on both charts, with "Snoop's Upside Ya Head" as the lead single. The album was certified double platinum in 1997.
After leaving Death Row Records, Snoop signed with No Limit Records, where he recorded his next three albums, Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released Paid tha Cost to Be da Boss. He then signed with Geffen Records in 2004 for his next three albums, R&G (Rhythm & Gangsta): The Masterpiece, Tha Blue Carpet Treatment, and Ego Trippin'. Malice 'n Wonderland (2009), and Doggumentary (2011) were released on Priority. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. He also coaches a youth football league and a high school football team. In September 2009 Snoop was hired by EMI as the chairman of reactivated Priority Records.
In 2012, after a trip to Jamaica, Snoop announced a conversion to Rastafarianism and a new alias, Snoop Lion. As Snoop Lion he released a reggae album, Reincarnated, and a documentary film of the same name, about his Jamaican experience, in early 2013. His 13th studio album, Bush, was released in May 2015 and marked a return of the Snoop Dogg name. His 14th solo studio album, Coolaid, was released in July 2016. Snoop has 17 Grammy nominations without a win.
In 2018, he released his first gospel album, Bible of Love.
Kool Moe Dee ranks Snoop at No. 33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery" and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and AllMusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".
Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."
Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game". How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality, as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.
Snoop re-popularized the use of -izzle speak, particularly in the pop and hip-hop music industry.
Snoop Dogg is a lifelong fan of professional wrestling. On March 30, 2008, Snoop Dogg appeared at WrestleMania XXIV as a Master of Ceremonies for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina. On a March 23, 2015 episode of Raw, Snoop Dogg appeared in a segment with Hulk Hogan and Curtis Axel. At WrestleMania 32, he accompanied his cousin Sasha Banks to the ring for her match, rapping over her theme music. He was also inducted into the WWE Hall of Fame in 2016.
Broadus made a special guest appearance in All Elite Wrestling on the January 6, 2021, episode of AEW Dynamite, titled New Year's Smash. During this appearance, Snoop appeared in the corner of Cody Rhodes during Rhodes's match with Matt Sydal. He later gave Serpentico a Frog Splash, with Rhodes then delivering a three-count.
Snoop Dogg would join The Miz to host both nights of WrestleMania 39. During Night 1, he accompanied Rey Mysterio in a lowrider during his entrance, paying tribute to the late Eddie Guerrero. On Night 2, he introduced Shane McMahon to face The Miz in another spontaneous match. McMahon would sustain a quad injury during the match prompting Snoop Dogg to improvise and finish the match himself, ultimately defeating Miz. Snoop Dogg's improvisational acts were lauded by wrestlers and executives, including WWE chief content officer Triple H.
Nuthin But A 'G' Thang
Snoop Dogg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Snoop Doggy Dogg and Dr. Dre are at the do'
Ready to make an entrance, so back on up
Cause you know we 'bout to rip shit up
Gimme the microphone first
So I can bust like a bubble
Compton and Long Beach together
Ain't nuthin' but a G thing, baby
Two locked out nigga's so we're crazy
Death row is the label that pays me
Unfadable, so please don't try to fade this
(Hell, yeah)
But, uh, back to the lecture at hand
Perfection is perfected, so I'm a, let 'em understand
From a young G's perspective
And before me dig out a bitch I have to find a contraceptive
You never know she could be earnin' her man
And learnin' her man, and at the same time burnin' her man
Now you know, I ain't wit that shit, lieutenant
Ain't no pussy good enough to get burnt while I'm up in it
(Yeah)
Now, that's realer than real-deal Holyfield
And now all you hookahs and ho's know how I feel
Well if it's good enough to get broke off a proper chunk
I'll take a small piece of some of that funky stuff
It's like this and like that and like this and uh
It's like that and like this and like that and uh
It's like this and like that and like this and uh
Dre, creep to the mic like a phantom
Well, I'm peepin', and I'm creepin', and I'm creepin'
But I damn near got caught, 'cause my beeper kept beepin'
Now it's time for me to make my impression felt
So sit back, relax, and strap on your seat belt
You never been on a ride like this befo'
With a producer who can rap and control the maestro
At the same time with the dope rhyme that I kick
You know, and I know, I flow some ol' funky shit
To add to my collection, the selection
Symbolizes dope, take a toke, but don't choke
If ya' do, ya' have no clue
O' what me and my homey Snoop Dogg came to do
It's like this and like that and like that and uh
It's like that and like this and like that and uh
It's like this, and who gives a fuck about those?
So just chill, 'til the next episode
We ain't got to be there
('Cos you're over the project)
We ain't got to be there
(Yeah, yeah)
Fallin' back on that ass with a hellified gangsta' lean
Gettin' funky on the mic like a old batch old collard greens
It's the capital S, oh yes, the fresh N double O P
D O double G Y, D O double G, ya see
Showin' much flex when it's time to wreck a mic
Pimpin' ho's and clockin' a grip like my name was dolomite
Yeah, and it don't quit
I think they in a mood for some mothafuckin' G shit
So Dre
(What up Dogg?)
We gotta give 'em what they want
(What's that, G?)
We gotta break 'em off somethin'
(Hell, yeah)
And it's gotta be bumpin'
(City of Compton)
It's where it takes place, so I'm a ask your attention
Mobbin' like a motherfucker, but I ain't lynching
Droppin' the funky shit that's makin' the sucka niggaz mumble
When I'm on the mic, it's like a cookie, they all crumble
Try to get close, and your ass'll get smacked
My mothafuckin' homie Doggy Dogg has got my back
Never let me slip, 'cause if I slip, then I'm slippin'
But if I got my nina, then you know I'm straight trippin'
And I'm a continue to put the rap down, put the mack down
And if your bitches talk shit, I have ta' put the smack down
Yeah, and ya' don't stop
I told you I'm just like a clock when I tick and I tock
But I'm never off, always on, 'til the break dawn
C O M P T O N, and the city they call Long Beach
Puttin' the shit together
Like my nigger D O C, no one can do it better
Like this, that and this and uh
It's like that and like this and like and uh
It's like this, and who gives a fuck about those?
So just chill, 'til the next episode
We ain't got to be there
('Cos you're over the project)
We ain't got to be there
(Yeah, yeah)
We ain't got to be there
('Cos you're over the project)
We ain't got to be there
(Yeah, yeah)
We ain't got to be there
('Cos you're over the project)
We ain't got to be there
(Yeah, yeah)
The lyrics to Snoop Dogg's song "Nuttin' but a G Thang" describe the entrance of Snoop Dogg and Dr. Dre, two of the most prominent rappers in the early 90s. The song is about their rise to fame and the troubles that come with their newfound success. The lyrics reference Compton and Long Beach, which were two major cities in the Los Angeles area where gang violence and rap music flourished. The lyrics also touch on the importance of safe sex and the dangers of infidelity.
The chorus, "Ain't nuthin' but a G thang, baby," refers to the G-funk music style that Dr. Dre helped pioneer. G-funk is characterized by its use of synthesizers and laid-back beats, which gave the music a mellow vibe that was perfect for cruising in cars or simply hanging out with friends. The lyrics also mention Death Row Records, the infamous record label that Snoop Dogg and Dr. Dre were signed to during the early 90s. Death Row Records was known for its association with gang violence, specifically the infamous East Coast vs. West Coast feud that led to the murders of Tupac Shakur and The Notorious B.I.G.
Overall, the lyrics to "Nuttin' but a G Thang" are a celebration of gangsta rap culture and the success achieved by Snoop Dogg and Dr. Dre. The song is a testament to the groundbreaking music that they created and the impact it had on hip-hop as a whole.
Line by Line Meaning
One, two, three and to the fo'
Counting down the start of the song
Snoop Doggy Dogg and Dr. Dre are at the do'
Acknowledging the presence of Snoop Dogg and Dr. Dre
Ready to make an entrance, so back on up
Prepared to come in and make a big impact
Cause you know we 'bout to rip shit up
Expected to perform at a high level and dominate
Gimme the microphone first
Requesting to have the first turn on the mic
So I can bust like a bubble
To deliver an explosive and impressive performance
Compton and Long Beach together
Representing the collaboration of two cities
Now you know you in trouble
Indicating that the audience should be prepared for something exceptional
Ain't nuthin' but a G thing, baby
Describing the style and essence of the song as being gangster
Two locked out nigga's so we're crazy
Referring to Snoop Dogg and Dr. Dre as daring and unpredictable
Death row is the label that pays me
Acknowledging the record label that financially supports the artist
Unfadable, so please don't try to fade this
Implying that their success and talent cannot be diminished
(Hell, yeah)
Expressing agreement and enthusiasm
But, uh, back to the lecture at hand
Returning the focus to the topic at hand
Perfection is perfected, so I'm a, let 'em understand
Explaining that their skills are so refined that they are easily comprehensible
From a young G's perspective
Providing insight from the point of view of a young gangster
And before me dig out a bitch I have to find a contraceptive
Highlighting the importance of protection before engaging in sexual activities
You never know she could be earnin' her man
Cautioning that a woman may have ulterior motives or a hidden agenda
And learnin' her man, and at the same time burnin' her man
Describing a situation where a woman may be manipulating and deceiving her partner
Now you know, I ain't wit that shit, lieutenant
Rejecting and disapproving of such behavior
Ain't no pussy good enough to get burnt while I'm up in it
Asserting that no sexual encounter or relationship is worth the potential negative consequences
(Yeah)
Expressing agreement or affirmation
Now, that's realer than real-deal Holyfield
Stating that their perspective is authentic and genuine
And now all you hookahs and ho's know how I feel
Addressing women in a derogatory manner, asserting that they understand his sentiments
Well if it's good enough to get broke off a proper chunk
If something is of high quality, it deserves significant attention
I'll take a small piece of some of that funky stuff
Desiring a small portion of something enjoyable and appealing
It's like this and like that and like this and uh
Describing the flow and style of the song
It's like that and like this and like that and uh
Further emphasizing the rhythmic pattern and structure
Dre, creep to the mic like a phantom
Referring to Dr. Dre's entrance on the mic as mysterious and impactful
Well, I'm peepin', and I'm creepin', and I'm creepin'
Observing and moving cautiously and discreetly
But I damn near got caught, 'cause my beeper kept beepin'
Almost getting caught due to a beeper continuously alerting
Now it's time for me to make my impression felt
Preparing to assert their influence and leave a lasting impact
So sit back, relax, and strap on your seat belt
Encouraging the listeners to get ready and enjoy the ride
You never been on a ride like this befo'
Implying that the experience they are about to provide is unique and unparalleled
With a producer who can rap and control the maestro
Collaborating with a talented producer who can both rap and orchestrate the music
At the same time with the dope rhyme that I kick
Simultaneously delivering impressive lyrics and rhythm
You know, and I know, I flow some ol' funky shit
Acknowledging that their style is characterized by funky and captivating elements
To add to my collection, the selection
Adding their performance to their body of work and showcasing their chosen tracks
Symbolizes dope, take a toke, but don't choke
Depicting their music as representing excellence, encouraging the audience to enjoy it without being overwhelmed
If ya' do, ya' have no clue
Warning that if the audience cannot handle it, they don't fully understand
O' what me and my homey Snoop Dogg came to do
Indicating their purpose and intention with Snoop Dogg as their partner
We ain't got to be there
Asserting that they don't have the obligation to be present
('Cos you're over the project)
Implying that the project or situation doesn't concern them
Fallin' back on that ass with a hellified gangsta' lean
Describing their swagger and confident demeanor
Gettin' funky on the mic like a old batch old collard greens
Delivering a dynamic and infectious performance like an old, flavorful dish
It's the capital S, oh yes, the fresh N double O P
Referring to Snoop Dogg himself with emphasis on his style and freshness
D O double G Y, D O double G, ya see
Highlighting Snoop Dogg's well-known stage names as part of his identity
Showin' much flex when it's time to wreck a mic
Demonstrating great skill and confidence when it comes to performing on the microphone
Pimpin' ho's and clockin' a grip like my name was dolomite
Boasting about his ability to control women and make a significant amount of money
Yeah, and it don't quit
Asserting that their momentum and success will continue indefinitely
I think they in a mood for some mothafuckin' G shit
Suggesting that the audience is craving authentic and hardcore gangster content
So Dre
Directly addressing Dr. Dre
(What up Dogg?)
Having a conversation with Dr. Dre
We gotta give 'em what they want
Recognizing the audience's desires and the need to deliver
(What's that, G?)
Dr. Dre asking what the plan or response should be
We gotta break 'em off somethin'
Intending to provide the audience with a significant and impressive performance
(Hell, yeah)
Expressing agreement and enthusiasm
And it's gotta be bumpin'
Referring to the quality and energy of the song
(City of Compton)
Referencing the city of Compton where the song originates from
It's where it takes place, so I'm a ask your attention
Informing that the events and story of the song unfold in Compton, requesting the audience's full focus
Mobbin' like a motherfucker, but I ain't lynching
Describing moving and acting with a large group of people with intensity, but without engaging in racially motivated violence
Droppin' the funky shit that's makin' the sucka niggaz mumble
Releasing impressive and unique music that leaves the less talented artists in awe or speechless
When I'm on the mic, it's like a cookie, they all crumble
Asserting that his presence and performance make other artists seem insignificant or weak in comparison
Try to get close, and your ass'll get smacked
Warning against attempting to challenge or compete with them as it would result in defeat or humiliation
My mothafuckin' homie Doggy Dogg has got my back
Acknowledging the loyalty and support of Snoop Dogg as a close friend and associate
Never let me slip, 'cause if I slip, then I'm slippin'
Stating that Snoop Dogg always watches out for him and prevents any mistakes or mishaps
But if I got my nina, then you know I'm straight trippin'
When armed with a gun, he becomes dangerous and volatile
And I'm a continue to put the rap down, put the mack down
Continuing to dominate the rap industry and assert his presence and influence
And if your bitches talk shit, I have ta' put the smack down
Taking action and putting disrespectful individuals or women in their place
Yeah, and ya' don't stop
Asserting that their momentum and success will not cease
I told you I'm just like a clock when I tick and I tock
Comparing himself to a clock, emphasizing his consistency and reliability
But I'm never off, always on, 'til the break dawn
Demonstrating his continuous presence and dedication to his craft until daybreak
C O M P T O N, and the city they call Long Beach
Spelling out the names of Compton and Long Beach, emphasizing their importance and influence
Puttin' the shit together
Bringing everything together in a cohesive and powerful manner
Like my nigger D O C, no one can do it better
Acknowledging the talent and skills of D O C, asserting that nobody else can match their abilities
Like this, that and this and uh
Describing the song's structure and flow
It's like that and like this and like and uh
Further emphasizing the rhythm and style of the song
It's like this, and who gives a fuck about those?
Asserting that they are not concerned with the opinions or feelings of others
So just chill, 'til the next episode
Encouraging the audience to relax and wait for the next exciting development or event
We ain't got to be there
Reiterating that they have no obligation to be present
('Cos you're over the project)
Implying that their interest or involvement is limited
We ain't got to be there
Emphasizing their lack of obligation
(Yeah, yeah)
Expressing agreement or affirmation
Lyrics © BMG RIGHTS MANAGEMENT US, LLC , Universal Music Publishing Group, Warner/Chappell Music, Inc.
Written by: CORDOZAR CALVIN BROADUS, FREDERICK KNIGHT, LEON HAYWOOD
Lyrics Licensed & Provided by LyricFind
@djsyferr9475
if your still watching this your a legend, May God bless you
@obasiswift
Thanks you to still got the cd always bumping
@GenikaShanelWatkins
Thank you
@andrewmalekela3577
🙏🙏🤝
@lilpriest999
Forever be golden song when play all night GTA SA😂
@Carmediaedits
Ye sir
@tutorjames666
This wasn't just a song. It was a vibe. It was an era.
@MrHusseingaber
True
@Memelord6599v2
G Funk era
@rebekahann626
But the vibe will never die