A talented singer and bass guitarist, trained in classical piano and percussion, she joined her sisters in the 60s Detroit garage rock group The Pleasure Seekers whilst still in her teens and never looked back. By the early 70s, Suzi went off to England to work with producer Mickie Most, while her sister Patti joined the all-woman rock band Fanny. An underground following spread around Suzi's charisma and powerful singing.
Suzi found herself singing the material of songwriting duo Chinn & Chapman, musicians who were also having hits with Sweet. Combining shades of bubblegum pop with a hard rock spirit, similar to the power pop ethos of the era, Suzi embraced the glam sound. Under their tutelage, she had four top ten rock hits in the U.K., but she remained mostly unknown in the U.S.
However, her U.K. fame expanded through the 70s, with Suzi becoming a successful solo singer, bassist, and songwriter with a string of charting hits. Her appeal extended into the 80s while many of her contempoaries broke up. Notable songs of his period include "Can The Can", "Devil Gate Drive", "Tear Me Apart", and "The Wild One", among many others.
Suzi extended her career to television in 1979 when she guest starred for three seasons on the hit television series 'Happy Days'. She played the character Leather Tuscadero, who was the younger sister of Fonzie's love interest, Pinky Tuscadero. In 1979, at the height of the disco era, she finally made the U.S. Top Five with the track "Stumblin' In", a duet with Chris Norman.
In her musical career she has had 16 hit singles, sold over 45 million records and toured since 1964. She has also had guest appearances in the Runaways documentary "Edgeplay" and various UK television shows including Minder, Dempsey And Makepeace and Absolutely Fabulous.
In 1990, Suzi trod the boards in London's West End playing the lead in the musical Annie Get Your Gun and wrote and starred in a musical about Talullah Bankhead.
Suzi continues to write, perform and record her own original material and has a forthcoming new album Naked Under Leather. She also hosts an excellent show on BBC Radio 2.
Quatro's first single "Rolling Stone" did not achieve popularity anywhere except Portugal, where it made number one. Most introduced Quatro to the songwriting and production team Nicky Chinn/Mike Chapman. Her second single "Can the Can" (1973) was a number one hit throughout Europe and in Australia. It was followed up by three further hits: "48 Crash" (1973), "Daytona Demon" (1973) and "Devil Gate Drive" (1974) on RAK Records. Her first two albums were also European and Australian successes.
These recordings, however, met little success in her native U.S., despite tours in the mid-1970s supporting Alice Cooper, and, except in Australia, the popularity of Quatro's rocking glam rock declined from 1975. In the interim, she did enjoy success as a session player.
Quatro's fortunes did not change until 1978 when "If You Can't Give Me Love" became a hit in the UK and Australia. This did nothing to prompt Stateside success, but "Stumblin' In", a duet recorded that same year for RSO Records with Chris Norman of Smokie secured a #4 peak in the U.S. Both tracks featured on the "If You Knew Suzi" album. A year later, Quatro released "Suzi... And Other Four Letter Words". She called it her favourite album. This featured singles, such as "She's In Love With You", which made number 11 in the UK , "Mama's Boy" (34) and "I've Never Been In Love" (56). In 1980, her song "Rock Hard" was featured on the soundtrack of the cult film Times Square, along with some punk and new wave bands like Talking Heads, Ramones, XTC and The Pretenders. This success period proved brief however, and her last UK hit was "Heart of Stone" in late 1982. In 1985 Quatro collaborated with Bronski Beat and members of The Kinks, Eddie and the Hot Rods, and Dr Feelgood on the Mark Cunningham-produced version of David Bowie's classic "Heroes", released the following year as the 1986 BBC "Children In Need" single.
In December 2005, a documentary chronicling Quatro's life, "Naked under leather" directed by former Runaway Victory Tischler Blue appeared. In February 2006, Quatro released "Back To the Drive", produced by Sweet guitarist Andy Scott. The album's title track was penned by her former collaborator Mike Chapman.
March 2007 saw Quatro release a version of The Eagles' "Desperado", followed by the publication of her autobiography, "Unzipped".
Suzi Quatro has sold over 45 million records.
http://www.suziquatro.com
Mama's Boy
Suzi Quatro Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the way he sees things through his eyes
It's impossible to disguise
He's a mama's boy
So confusing to my sense of humour
Is the way he hurts so easily
Anyone can see he's a mama's boy
Firstly he holds me too softly
Then he touches me barely
Mama's boy
Then he loves me too quickly
Always everything but manly
Mama's boyMama's boy
It's a funny kind of situation
Can't relate to what is happpening
I'm tired of making time with a mama's boy
It's an insult to my sense of living
When it seems I'm doin' all the giving
I can't waste one more night
He's a mama's boy
Firstly he holds me too softly
Then he touches me barely
Mama's boy
Then he loves me too quickly
Always everything but manly
Mama's boy
Mama's boy
Firstly he holds me too softly
Then he touches me barely
Mama's boy
Then he loves me too quickly
Always everything but manly
Mama's boy
Mama's boy
Well she tied him to her apron strings
Now he needs her advice on everything
Oh anyone can see he's a mama's boy
Don't know why he gets involved with women
He's a closet case with all the trimmings
He's such a pretty thing
He's a mama's boy
Na Na Na Na Na Na Mama's Boy
Na Na Na Na Na Na Mama's Boy
Mama's Boy
Na Na Na Na Na Na Mama's Boy
Na Na Na Na Na Na Mama's Boy
Mama's Boy
Suzi Quatro's song "Mama's Boy" is a reflective tale about her lover, who is too attached to his mother, to the point that it affects their relationship. Suzi Quatro's lover resembles a typical "mama's boy" who is tied to his mother's apron strings and requires her advice and dependency in everything he does. By looking across his shoulder, he indicates that he still needs her protection, which explains his soft approach to handling relationships. He hurts easily, and he loves too quickly, which makes him appear feminine and unmanly. His immaturity concerning love and relationships shows that he is not ready to commit to a woman besides his mother.
Suzi Quatro's frustration arises from his lover's lack of independence, which makes it difficult to relate to him. Suzi Quatro finds it confusing that despite being a grown-up man, her lover still behaves like a boy who is yet to break free from his mother's control. The song implies that such a man is not ready for a serious relationship because he is emotionally dependent and has not yet learned to stand on his own two feet.
Line by Line Meaning
By the way he looks across his shoulder
Observing the way he peers over his shoulder gives the notion that he constantly seeks approval.
And the way he sees things through his eyes
His perspective is uniquely influenced by his mother's teachings and advice.
It's impossible to disguise
His reliance on his mother is obvious and cannot be concealed.
He's a mama's boy
He excessively depends on his mother for support and guidance.
So confusing to my sense of humour
His behavior, which lacks masculinity, is perplexing and doesn't fit conventional societal norms.
Is the way he hurts so easily
He is incredibly sensitive to criticism or any negative feedback from his partner.
Anyone can see he's a mama's boy
It is apparent to others that his behavior is influenced by his close relationship with his mother.
Firstly he holds me too softly
His embrace is too gentle, lacking passion and strength.
Then he touches me barely
His physical contact is timid, cautious, and lacking intensity.
Mama's boy
Reiterating that his behavior is driven by his relationship with his mother, rather than his sense of self.
Then he loves me too quickly
He falls in love too easily and excessively, without truly understanding the meaning of love.
Always everything but manly
He behaves in ways that stereotypically signify femininity, which is contrary to traditional masculinity.
It's a funny kind of situation
The relationship between him and his mother, and how it affects his behavior, is ironic and not conducive to a healthy adult relationship.
Can't relate to what is happpening
His behavior doesn't make sense, and it's hard to comprehend how his relationship with his mother affects his life.
I'm tired of making time with a mama's boy
His inability to prioritize his romantic relationships and the excessive involvement of his mother is exhausting and frustrating.
It's an insult to my sense of living
His lack of traditional masculinity is insulting and offensive to the societal norms and beliefs that the artist has internalized.
When it seems I'm doin' all the giving
The artist feels like she is putting more effort into the relationship than he is, making it feel one-sided and imbalanced.
I can't waste one more night
The singer is fed up and no longer willing to endure this unhealthy relationship.
Well she tied him to her apron strings
The mother is overly controlling and doesn't allow her son to live an independent and mature life.
Now he needs her advice on everything
The mother still has an excessive influence over her son's life, making him incapable of making decisions on his own.
Oh anyone can see he's a mama's boy
His reliance on his mother is so apparent that others can easily see it.
Don't know why he gets involved with women
His excessive dependence on his mother and the lack of traditional masculinity leads to confusion about his sexual orientation.
He's a closet case with all the trimmings
He is not open about his sexual orientation or romantic relationships, which is likely influenced by his relationship with his mother.
He's such a pretty thing
His physical appearance is conventionally attractive, yet his lack of traditional masculinity contradicts societal expectations.
Na Na Na Na Na Na Mama's Boy
Asserting the main subject of the song and his excessive reliance on his mother throughout.
Lyrics © Universal Music Publishing Group
Written by: JAMES M. FRANKS
Lyrics Licensed & Provided by LyricFind
Svein Sigurd Gismarvik
The Queen of rock has ruled for 50 years.
Jessica Ah-see
If I ever found out that she has passed away I would break in two she is the best rock star out of the female Rockstars
Sólfinn Hansen
She is performing a concert here on Saturday :)
guillermo paucar
Inigualable excepcional fantastica hace bailar al cojo al muerto lo resucita nadie en su pleno juicio puede dejar de bailar al ritmo de esta dama reyna del llamado glam rock desde lima peru su hincha exitosa cantante ...
Yuriy Yamnenko
I love this song for real
Техно Дом
Здорово 👍 рок 🎸 навсегда
Mark Russell
Awesome song by the amazing legend suzi quatro QUEEN of leather you are amazing singer with a beautiful voice and magnificent vocals and you can definitely sing and player the guitar 🎸 🎤🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎼
Andersson Gomes
Clássica boa✍😭
Раули
Молодец Сюзи ты самая лучшая была и есть ,и будеш тебя и сегодня милионы твои поклоникт,с болшим удовольствие слкщают твои песни,.
The Hand
Love you Queen Suzi