Terry Reid (born 13 November, 1949, Huntingdon, England) is a singer, songw… Read Full Bio ↴Terry Reid (born 13 November, 1949, Huntingdon, England) is a singer, songwriter and guitarist. He first appeared on the scene as a member of The Jaywalkers, who had a minor hit in 1967 with the song "The Hand Don't Fit The Glove" but by that time The Jaywalkers had disbanded. Soon after, Reid began a solo career, releasing his first full-length album titled Bang Bang, You're Terry Reid. Reid went on to release three more full-length albums before retiring in 1981. Come 1991, Terry Reid returned with another full-length entitled The Driver. Most recently, three of Terry Reid's songs ("Seed of Memory", "To Be Treated", & "Brave Awakening") appeared on the soundtrack for the movie The Devil's Rejects.
Additional Bio:
Terry Reid was born in Huntingdon; he lived in Bluntisham & attended St.Ivo School, St.Ives, Cambridgeshire. After leaving school at the age of 16, Reid joined Peter Jay's Jaywalkers after being spotted by the band's drummer, Peter Jay. At the time, Reid was playing for a local band, The Redbeats. Regularly played at the River Club in St Ives. His public profile was enhanced in 1966 when The Jaywalkers were named as a support act for The Rolling Stones for their concert at the Royal Albert Hall. Graham Nash of The Hollies became friends with Reid at that concert, and suggested The Jaywalkers sign up with UK Columbia Records - an EMI label - to record with producer John Burgess. Their first single, the Soul-inspired "The Hand Don't Fit the Glove" was a minor hit in 1967, but by then The Jaywalkers had decided to disband.
Reid came to the attention of hits producer Mickie Most, who became his manager. His first single with Most, "Better By Far," became a radio favourite, but the album, Bang Bang, You're Terry Reid, was not a commercial success. With accompanying musicians Peter Solley on organ and Keith Webb on drums, a 1968 tour of the United States with Cream did much to gain Reid a loyal following. His final performance of the tour at the Miami Pop Festival garnered positive reviews from the music press.
The song "Without Expression" by Reid and Graham Nash, from Bang Bang, You're Terry Reid, was recorded by The Hollies in 1968 as "A Man With No Expression" and by Crosby, Stills, Nash and Young in 1969 as "Horses Through a Rainstorm", with Nash singing lead on both. Both versions were not released until years later.[1]
Yardbirds guitarist Jimmy Page became interested in Reid's work, and when The Yardbirds disbanded, Page wanted Reid to fill the vocalist spot for his proposed new group, the New Yardbirds, which was to become Led Zeppelin. Reid had already committed to go on the road with Cream (as an opening act on the 1968 US Tour). So he suggested to Page that he consider a young Birmingham based singer, Robert Plant, instead, having previously seen Plant's Band of Joy as a support act at one of his concerts. An alternative reason for Reid's refusal to join the nascent Led Zeppelin surfaced in a mid 80's article in NME on supposed satanic connections within the rock world. The article claimed that it was Page's "heavy reputation as a Crowleyan black magician", which frightened Reid away from commitment to the band. Reid later was offered a position as a member of Deep Purple when they decided to replace singer Rod Evans, but once again, he declined due to contractual agreements. Ian Gillan was given the position instead.
In 1969, Reid supported British tours, notably Jethro Tull and Fleetwood Mac. Reid, Solley and Webb toured the United States again when he opened for The Rolling Stones on their 1969 American Tour. He did not appear at the infamous Rolling Stones concert at Altamont Music Festival.[2] In his May 2016 interview with Marc Maron, he discussed other groups and people he toured with including Jimi Hendrix.
In December 1969, Reid had a falling out with producer Mickie Most, who wanted Reid to become a balladeer, and to strictly follow his own formula. Reid left England and settled in California to sit out the remainder of his contract with Most, making only sporadic live performances during that period. In 1970, he returned briefly to England to perform at the Isle of Wight Festival, supported by David Lindley and Tim Davis. During this period he also performed at the Atlanta II Pop Festival.[3] Reid was filmed performing in Glastonbury Fayre, the 1971 film by David Puttnam and Nicolas Roeg. In 1973, Reid returned with a new contract with Atlantic Records and a new album titled River. Produced by Yes' Eddie Offord, the album received favourable reviews, but failed commercially.
Reid playing in New York City, in 2010
Over the next decade, Reid switched to different labels in search of a winning formula; Seed of Memory released by ABC Records in 1976 (produced by Graham Nash) and Rogue Waves released by Capitol Records in 1979. He retired his solo career in 1981 to concentrate on session work, appearing on albums by Don Henley, Jackson Browne, UFO, High Stakes & Dangerous Men and Bonnie Raitt. In 1991, Reid returned with former Yes producer Trevor Horn, on the album The Driver. The album featured a cover version of the Spencer Davis Group classic written by Steve Winwood: "Gimme Some Lovin'", which had earlier appeared on the Days of Thunder soundtrack. "The Whole of the Moon", written by Mike Scott, was released as a single and received considerable airplay, with backing vocals performed by Enya. Reid has since been playing occasional live gigs with a band which has included Brian Auger. In the 1990s he also toured in the US and Hong Kong with ex-Rolling Stones guitarist Mick Taylor. In 1998, "Rich Kid Blues" was the eponymous song on an album released by Marianne Faithfull, produced by Mike Leander in 1984 but unreleased for 14 years. Touring in support of her 2002 album Kissin Time, Faithfull included a performance of "Rich Kid Blues" in her playlist.
In late 2005, Reid returned to the UK for his first tour in years. One venue billed him as 'The Man with a Hell of a Story To Tell'. That same year, three of his songs, "Seed of Memory", (the title track to Seed of Memory), "To Be Treated Rite", and "Brave Awakening", appeared in the movie The Devil's Rejects (2005), directed by Rob Zombie. Also, his song "Faith To Arise" was in the 2003 film Wonderland. In July/August 2007 Reid returned for another six-week UK tour being backed by The Cosmic American Derelicts, a band out of northern New Jersey and Southern New York.
On 26 June 2009, Reid appeared with Cosmic American Derelicts guitarist Eddie to perform at ex-band mate Peter Jay's Great Yarmouth club The Residence. At this gig Terry appeared on stage with the local support band Second Hand Blues to perform a cover of the Donovan song "Season of the Witch", this song has become one of the most watched videos of Terry Reid on YouTube, Terry also performed with Peter Jay for the first time in over 15 years on a cover of The Beach Boys song "Don't Worry Baby". On 28 June 2009, Reid and his band performed on The Park stage at the Glastonbury Festival. More recently Reid's voice was heard on the track "Listen" by DJ Shadow, on his best of album.
The American rock group Cheap Trick recorded Reid's "Speak Now" for their debut album. Also, in 1973, the American rock group REO Speedwagon recorded Reid's "Without Expressions (Don't Be The Man)" for their Ridin' The Storm Out album. "Without Expression (Don't Be The Man)" was also recorded by John Mellencamp on his greatest hits album, The Best That I Could Do: 1978–1988.
The Raconteurs with Jack White recorded a version of Reid's "Rich Kid Blues" for their second album Consolers of the Lonely in 2008.
The American rock group The Split Squad recorded a cover of Reid's "Tinker Taylor" for their debut album, "Now Hear This...", released in 2014.
The pairing of Shine and Reid debuted at the Pigalle Club in London on 26 August 2009. A studio collaboration, Shine featuring Terry Reid, was released as an MP3 EP in November 2009.
He returned to the UK to do a series of shows. The shows he did at The Jazz Café in London were recorded and released as the live album Live in London.
A documentary based on Reid's music career titled Superlungs is currently in production (2016) and features a quote by Led Zeppelin's Robert Plant stating "Terry was probably the best singer of that period".
Additional Bio:
Terry Reid was born in Huntingdon; he lived in Bluntisham & attended St.Ivo School, St.Ives, Cambridgeshire. After leaving school at the age of 16, Reid joined Peter Jay's Jaywalkers after being spotted by the band's drummer, Peter Jay. At the time, Reid was playing for a local band, The Redbeats. Regularly played at the River Club in St Ives. His public profile was enhanced in 1966 when The Jaywalkers were named as a support act for The Rolling Stones for their concert at the Royal Albert Hall. Graham Nash of The Hollies became friends with Reid at that concert, and suggested The Jaywalkers sign up with UK Columbia Records - an EMI label - to record with producer John Burgess. Their first single, the Soul-inspired "The Hand Don't Fit the Glove" was a minor hit in 1967, but by then The Jaywalkers had decided to disband.
Reid came to the attention of hits producer Mickie Most, who became his manager. His first single with Most, "Better By Far," became a radio favourite, but the album, Bang Bang, You're Terry Reid, was not a commercial success. With accompanying musicians Peter Solley on organ and Keith Webb on drums, a 1968 tour of the United States with Cream did much to gain Reid a loyal following. His final performance of the tour at the Miami Pop Festival garnered positive reviews from the music press.
The song "Without Expression" by Reid and Graham Nash, from Bang Bang, You're Terry Reid, was recorded by The Hollies in 1968 as "A Man With No Expression" and by Crosby, Stills, Nash and Young in 1969 as "Horses Through a Rainstorm", with Nash singing lead on both. Both versions were not released until years later.[1]
Yardbirds guitarist Jimmy Page became interested in Reid's work, and when The Yardbirds disbanded, Page wanted Reid to fill the vocalist spot for his proposed new group, the New Yardbirds, which was to become Led Zeppelin. Reid had already committed to go on the road with Cream (as an opening act on the 1968 US Tour). So he suggested to Page that he consider a young Birmingham based singer, Robert Plant, instead, having previously seen Plant's Band of Joy as a support act at one of his concerts. An alternative reason for Reid's refusal to join the nascent Led Zeppelin surfaced in a mid 80's article in NME on supposed satanic connections within the rock world. The article claimed that it was Page's "heavy reputation as a Crowleyan black magician", which frightened Reid away from commitment to the band. Reid later was offered a position as a member of Deep Purple when they decided to replace singer Rod Evans, but once again, he declined due to contractual agreements. Ian Gillan was given the position instead.
In 1969, Reid supported British tours, notably Jethro Tull and Fleetwood Mac. Reid, Solley and Webb toured the United States again when he opened for The Rolling Stones on their 1969 American Tour. He did not appear at the infamous Rolling Stones concert at Altamont Music Festival.[2] In his May 2016 interview with Marc Maron, he discussed other groups and people he toured with including Jimi Hendrix.
In December 1969, Reid had a falling out with producer Mickie Most, who wanted Reid to become a balladeer, and to strictly follow his own formula. Reid left England and settled in California to sit out the remainder of his contract with Most, making only sporadic live performances during that period. In 1970, he returned briefly to England to perform at the Isle of Wight Festival, supported by David Lindley and Tim Davis. During this period he also performed at the Atlanta II Pop Festival.[3] Reid was filmed performing in Glastonbury Fayre, the 1971 film by David Puttnam and Nicolas Roeg. In 1973, Reid returned with a new contract with Atlantic Records and a new album titled River. Produced by Yes' Eddie Offord, the album received favourable reviews, but failed commercially.
Reid playing in New York City, in 2010
Over the next decade, Reid switched to different labels in search of a winning formula; Seed of Memory released by ABC Records in 1976 (produced by Graham Nash) and Rogue Waves released by Capitol Records in 1979. He retired his solo career in 1981 to concentrate on session work, appearing on albums by Don Henley, Jackson Browne, UFO, High Stakes & Dangerous Men and Bonnie Raitt. In 1991, Reid returned with former Yes producer Trevor Horn, on the album The Driver. The album featured a cover version of the Spencer Davis Group classic written by Steve Winwood: "Gimme Some Lovin'", which had earlier appeared on the Days of Thunder soundtrack. "The Whole of the Moon", written by Mike Scott, was released as a single and received considerable airplay, with backing vocals performed by Enya. Reid has since been playing occasional live gigs with a band which has included Brian Auger. In the 1990s he also toured in the US and Hong Kong with ex-Rolling Stones guitarist Mick Taylor. In 1998, "Rich Kid Blues" was the eponymous song on an album released by Marianne Faithfull, produced by Mike Leander in 1984 but unreleased for 14 years. Touring in support of her 2002 album Kissin Time, Faithfull included a performance of "Rich Kid Blues" in her playlist.
In late 2005, Reid returned to the UK for his first tour in years. One venue billed him as 'The Man with a Hell of a Story To Tell'. That same year, three of his songs, "Seed of Memory", (the title track to Seed of Memory), "To Be Treated Rite", and "Brave Awakening", appeared in the movie The Devil's Rejects (2005), directed by Rob Zombie. Also, his song "Faith To Arise" was in the 2003 film Wonderland. In July/August 2007 Reid returned for another six-week UK tour being backed by The Cosmic American Derelicts, a band out of northern New Jersey and Southern New York.
On 26 June 2009, Reid appeared with Cosmic American Derelicts guitarist Eddie to perform at ex-band mate Peter Jay's Great Yarmouth club The Residence. At this gig Terry appeared on stage with the local support band Second Hand Blues to perform a cover of the Donovan song "Season of the Witch", this song has become one of the most watched videos of Terry Reid on YouTube, Terry also performed with Peter Jay for the first time in over 15 years on a cover of The Beach Boys song "Don't Worry Baby". On 28 June 2009, Reid and his band performed on The Park stage at the Glastonbury Festival. More recently Reid's voice was heard on the track "Listen" by DJ Shadow, on his best of album.
The American rock group Cheap Trick recorded Reid's "Speak Now" for their debut album. Also, in 1973, the American rock group REO Speedwagon recorded Reid's "Without Expressions (Don't Be The Man)" for their Ridin' The Storm Out album. "Without Expression (Don't Be The Man)" was also recorded by John Mellencamp on his greatest hits album, The Best That I Could Do: 1978–1988.
The Raconteurs with Jack White recorded a version of Reid's "Rich Kid Blues" for their second album Consolers of the Lonely in 2008.
The American rock group The Split Squad recorded a cover of Reid's "Tinker Taylor" for their debut album, "Now Hear This...", released in 2014.
The pairing of Shine and Reid debuted at the Pigalle Club in London on 26 August 2009. A studio collaboration, Shine featuring Terry Reid, was released as an MP3 EP in November 2009.
He returned to the UK to do a series of shows. The shows he did at The Jazz Café in London were recorded and released as the live album Live in London.
A documentary based on Reid's music career titled Superlungs is currently in production (2016) and features a quote by Led Zeppelin's Robert Plant stating "Terry was probably the best singer of that period".
Gimme Some Lovin'
Terry Reid Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Well my temperature's rising and my feet on the floor
Twenty people rockin' and there wanna go more
Let me in baby, I don't know what you've got
but you'd better take it easy, this place is hot
So glad we made it
So glad we made it
You gotta
Gimme some lovin' (Gimme some lovin')
Gimme some lovin' (Gimme gimme some lovin')
Gimme some lovin'
Everyday
Hey hey
Hey!
Well I feel so good, everything is sellin' high
You'd better take it ease cause the place is on fire
It's been a hard day and I don't know what to do
We made it baby and it happened to you
And I'm
So glad we made it
So glad we made it
You gotta
Gimme some lovin' (Gimme some lovin')
Gimme some lovin' (Gimme gimme some lovin')
Gimme some lovin'
Everyday
Twenty people rockin' and there wanna go more
Let me in baby, I don't know what you've got
but you'd better take it easy, this place is hot
So glad we made it
So glad we made it
You gotta
Gimme some lovin' (Gimme some lovin')
Gimme some lovin' (Gimme gimme some lovin')
Gimme some lovin'
Everyday
Hey hey
Hey!
Well I feel so good, everything is sellin' high
You'd better take it ease cause the place is on fire
It's been a hard day and I don't know what to do
We made it baby and it happened to you
And I'm
So glad we made it
So glad we made it
You gotta
Gimme some lovin' (Gimme some lovin')
Gimme some lovin' (Gimme gimme some lovin')
Gimme some lovin'
Everyday
The lyrics of Terry Reid's song "Gimme Some Lovin'" express excitement and enthusiasm in the midst of a blazing hot party. The singer's temperature is rising, and the people around him are getting more and more into the music. The singer is drawn to a specific person and wants access to their energy and vibe, but cautions that they need to take it easy because this place is hot.
As the song progresses, the singer expresses their happiness that they have made it to this party, and they are so thrilled that they are requesting more love and happiness to be brought their way by everyone around them. The lyrics create a sense of joy, fun, and elevated energy, underlining the fact that the singer is ready to let loose and lose themselves to the music.
Overall, the song is about letting go of all of your anxieties and stresses and accepting good vibes, love, and happiness.
Line by Line Meaning
Well my temperature's rising and my feet on the floor
I'm feeling the heat, my adrenaline is pumping, and I'm ready to move
Twenty people rockin' and there wanna go more
The energy in this place is electric and everyone is eager for more
Let me in baby, I don't know what you've got
I'm intrigued by you and what you have to offer, so let me in and show me
but you'd better take it easy, this place is hot
I sense the intensity of the atmosphere, so be careful not to overdo it
So glad we made it
I'm relieved and happy that we got here and are partaking in this experience together
Gimme some lovin' (Gimme some lovin')
I'm yearning for affection and positive vibes
Gimme some lovin' (Gimme gimme some lovin')
I crave and desire love, care, and attention
Everyday
This is a daily, never-ending desire for connection and positive energy
Well I feel so good, everything is sellin' high
I'm elated, life is great, and things are selling themselves
You'd better take it ease cause the place is on fire
Be calm and cautious because the excitement and energy are intensifying quickly
It's been a hard day and I don't know what to do
I've had a challenging day and I'm unsure how to move forward, but this experience is helping me forget about it
We made it baby and it happened to you
We're here, we're having fun, and we're experiencing this amazing moment together
Hey hey
A simple exclamation of excitement, enthusiasm, and enjoyment
Contributed by Savannah Y. Suggest a correction in the comments below.
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Ken Prescott
"All right, while we're still under a caution, I want you to go out and hit the pace car."
"Hit the pace car?"
"HIT THE PACE CAR!"
"What for?"
"Because you hit every other goddamn thing out there, I just want you to be perfect!"
jason lommen
Easily the best version of this sweet jam. Love it!
Ken Prescott
"All right, while we're still under a caution, I want you to go out and hit the pace car."
"Hit the pace car?"
"HIT THE PACE CAR!"
"What for?"
"Because you hit every other goddamn thing out there, I just want you to be perfect!"
Júnior Bispo
I Love This Song 😍
IndyB25
Best version of the song by far.
Throatwobbler Mangrove
@Júnior Bispo Actually “Days of Thunder”.
jason lommen
Dam right!
Júnior Bispo
NASCAR And IndyCar
Soundtrack
Sabrina Laumer
Great song and he does it best-
Julie Cowlam
WOW, am I glad I found this, FANTASTIC!
Eighteen Bull
My favourite gimme some loving track, a good few years ago this was blaring in my ears whilst playing a 16 lb salmon in ironbridge about 7 am with a gentle breeze blowin in my face
Boris B.