Within two months, 'Awaiting the Day of Liberation' was unleashed upon the masses. This demo sold 1500 copies worldwide and started the spread of the Necrocult plague. 1994 marked the release of 'Procreation of the Inner Temple.' This full length CD unfortunately was doomed to only 1000 copies. Despite the primitive nature of the recording, '...Inner Temple' contained the most grotesque and experimental music the band had recorded to date. '...Inner Temple' has become a collector's item and a pivotal release for those who have since dared to enter The Chasm.
Alas, the journey had only just begun. In 1995, the second full-length album and one of the most obscure to emerge from the Mexican scene was released. 'From the Lost Years...' contained over 70 minutes of pure slow, grey and depressive Metal of Death. By this time, the feeling and intensity of The Chasm's creations had become totally familiar to the followers of the band. The style was refined and maintained, yet was becoming ever more and more advanced. 1997 marked the final year of The Chasm in their homeland. During the recording sessions for 'Deathcult for Eternity: The Triumph' several key decisions were made. The most vital for the health and continued improvement of The Chasm was relocation. But during this time, physical movement was not the only problem facing them. The release of 'Deathcult….' was delayed for over a year after the initial recording! Again, however, despite suffering from a primitive recording, once unleashed, it was hailed as a classic piece by the Metal underground. The ferocious power and utter intensity was stronger than ever. Those who witnessed The Chasm's first live US appearance at Milwaukee Metal fest XII (1998) felt the force of the Necrocultic attack -- ugly, extreme and dark Death Metal at its rawest and finest.
After relocation to the United States, things temporarily turned for the worse. A big decision was made to look for a better deal/ label, and as a means of furthering this quest, the infamous 'Promo '99' was recorded and pressed just a few weeks before Milwaukee Metalfest XIII to aid in this quest. Several labels expressed interest, but in the end, Dwell Records won the contract. In this period only Dwell had the faith and believed in the music and the band. During the falling leaves and the bleak air of October 1999, the 'Procession to the Infraworld' recording began at Sheffield Studios (Sheffield, Indiana). The result? The band's most uncompromising, darkest and extreme creation with the new line-up, the unbridled fusion of the elements from a wide spectrum of Musical Metal Knowledge with daring variety and insane moods & atmospheres provided the listener with an impressive and chaotic experience while remaining authentic and refreshing.
A key factor in the sonic aura of 'Procession...' was the 1998 addition of veteran deathmonger Julio Viterbo (ex-Cenotaph (Mexico), ex-Shub Niggurath) to the already deadly mix of original members Daniel Corchado and Antonio Leon (percussive devastation). Early in 1999, The Chasm welcomed their new warrior, bassist Alfonso Polo (ex-Allusion). Throughout all this time, The Chasm had established themselves as a strong force in the live circuit. They shared the stage with bands such as: Therion, Suffocation, Morbid Angel, Nile, Disgorge, Unleashed, Rotting Christ, Scepter, Thornspawn,Cianide, Bloodstorm, Black Witchery, Mayhem to name a few; in addition to several appearances in the American Metalfest series (Texas, New Jersey, and Milwaukee).
A few months after the successful release of 'Procession…' the relationship with Dwell began to break down, leading to the bands decision to leave them for good. The search for a new label became like an impossible task,
because as they had experienced in the past, as the total lack of interest from the pseudo Death Metal labels turned into just a waste of time for a band as adventurous as The Chasm. In the meantime the band already had the new hymns of death ready to be recorded and unleashed for the next opus macabre, so something had to be done, something dramatic and definitive...
In August 2001, the decision was made: Lux Inframundis Productions was created by Corchado with only one simple and important purpose: releasing The Chasm's upcoming attack 'Reaching the Veil of Death', completely produced by The Chasm. Recorded by Corchado at the bands headquarters and at Lux Inframundis Studios this short but deadly new evocation quickly became a Dark and Devastating inspiration for those involved with the Chasmcult. Without any kind of support from any label the band had shown once again the most important point of their Cult and it must be emphasized: The Chasm's motivation for creating such extreme music comes directly from mind and soul. They follow their instincts and feelings, not caring about any trend. The utter anxiety to reach the portal to the other side is THE core concept of this Deathcult.
A few months after the release of 'Reaching...' the small/underground label Witches Brew offered The Chasm a one record deal for the European release of the Ultimate Invocation of total Death: 'Conjuration of the Spectral Empire', again totally produced by Corchado at Lux Inframundis. This new chapter become available in December 2002, and has already been hailed and praised by such magazines as worldwide, as once again the band accomplished another chapter in their chaotic odyssey....
In March 2003 Alfonso Polo decided to leave the band, with this change the band decided to stay at their main core as a 3 piece force, with no replacement added. In stepped Earache imprint Wicked World to reward the eternal persistence and daring of The Chasm by signing the band in July 2003. Now the future plans are focused in 2003-04, to the creation of the New Hymns of Death and the continuing, single minded epic vision that is The Chasm.
Chapter #8, "The Spell of Retribution", was released in Nov. 2004 via Wicked World, marking the beginning of a new era for the band, this prompted THE CHASM to focus in getting as many shows as possible to promote the spell, and in the end, 2005 became the busiest year of the band in the live circuit, starting the year with their first US tour ever, with the help of Roberto Lizarrage (Infinitum Obscure), Alfonso Polo and George Velaetis (Darkness Eternal) in the 4 string attack duties.
After the band returned from this journey Viterbo was diagnosed with kidney failure, dramatically changing the plans and perspective of THE CHASM in the touring area, since then the band has been fully concentrated in creating destructive music with the strong idea of being more than ever a studio band, with only scarce live appearances planned in the future. THE CHASM is more than ever facing the challenge, but the vision continues to evolve in darkened ways.
Chapter #9, Farseeing the Paranormal Abysm, was released in Sept. 2009.
NO MERCY
The Chasm Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Boiling in anger, spirits of the Decadence and sorrow, I summon you, be the
Mediums of my Disaster...
One Empire has fallen from it's Wicked grace,
We, Lords of Bitterness, of retaliation, must taste Revenge...
Take every possible form of
Low-life and Slay and Torment their weak essence,
Toal Pandemonium, our great Conquering is here, I,
is covered in ecstasy,
I'm full of past scars that now are finally healing,
from Centuries ago, we have warned you, your ignorance shall be your Tomb,
Burn with me as you cry and scream, but I will play the
Final march with mind, body,
and soul full of pride, still waiting for my liberation....our
final destiny....
The lyrics of "No Mercy" by The Chasm delve deep into themes of vengeance, retribution, and the consequences of past actions. The singer appears haunted by the memories of those they have laid to rest in their mind, symbolizing the weight of their past deeds. As the rain boils in the sky, reflecting nature's anger, the spirits of decadence and sorrow are called upon to be mediums of disaster, suggesting a desire for chaos and destruction to come upon those who have wronged the singer.
The reference to an empire fallen from its wicked grace hints at a society or power structure that has crumbled due to its own corruption. The singer, identifying themselves as a lord of bitterness and retaliation, speaks of the need for revenge. This thirst for vengeance is described as taking the form of tormenting the weak essence of low-lives, illustrating a merciless pursuit of justice through pain and suffering.
The idea of total pandemonium and great conquering being at hand conveys a sense of impending doom and reckoning. The singer, referred to as the Past Finder and commander of pain, wields a secret weapon covered in ecstasy, suggesting a twisted pleasure in inflicting suffering on their enemies. The mention of past scars finally healing after centuries indicates a long-standing grudge or grievance that is now being addressed with brutal finality.
The lyrics culminate in a defiant declaration of defiance and pride, as the singer vows to play the final march with mind, body, and soul full of determination. The imagery of burning alongside those who cry and scream serves as a visceral portrayal of the vengeance being exacted. The mention of awaiting liberation hints at a sense of release or catharsis that the singer seeks through their final destiny, suggesting a resolution to their quest for retribution. Overall, the song paints a bleak yet powerful picture of a protagonist consumed by a desire for payback and justice, willing to go to any lengths to achieve it.
Line by Line Meaning
I call the names I've Buried in my mind, while in the sky the rain is Boiling in anger, spirits of the Decadence and sorrow, I summon you, be the Mediums of my Disaster...
I reflect on the past troubles and regrets that haunt me, as the stormy weather mirrors my inner turmoil. I call upon the spirits of despair to aid in my own downfall.
One Empire has fallen from its Wicked grace, We, Lords of Bitterness, of retaliation, must taste Revenge...
A powerful empire has collapsed due to its own corruption. We, as embittered rulers seeking vengeance, must make them pay for their sins.
Take every possible form of Low-life and Slay and Torment their weak essence, Total Pandemonium, our great Conquering is here, I, The Past Finder, the commander of pain; my secret weapon is covered in ecstasy...
We will target every despicable individual and torment their feeble souls. Chaos reigns as we conquer all, fueled by my past experiences that make me a master of inflicting pain.
I'm full of past scars that now are finally healing, from Centuries ago, we have warned you, your ignorance shall be your Tomb...
Despite carrying deep emotional wounds, I am finding closure and moving forward. Generations have passed, yet our warnings have gone unheeded, leading to a bleak fate for the ignorant.
Burn with me as you cry and scream, but I will play the Final march with mind, body, and soul full of pride, still waiting for my liberation....our final destiny....
As you suffer alongside me in agony and despair, I will march resolutely towards my ultimate goal, filled with pride and yearning for freedom. Our shared destiny awaits its conclusion.
Lyrics © O/B/O APRA AMCOS
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