The primary members of the group were all the sons of Katherine and Joseph Jackson: Jackie Jackson, Tito Jackson, Jermaine Jackson, Marlon Jackson, Michael Jackson, and Randy Jackson. Joseph Jackson formed the band in 1964 and served as its manager, with Jackie, Tito, Jermaine, and unrelated youths Reynaud Jones and Milton Hite comprising its original lineup. Within a year, Michael and Marlon joined the band, and Michael became lead singer as the group developed a following in the eastern and midwestern United States during the mid-1960s. Signed to the Motown label from 1969 to 1975, and to CBS Records (as "The Jacksons") from 1975 until their disbanding in 1990, the Jackson 5 were one of the most popular groups of the era and became the first recording act to have their first four major label singles (I Want You Back, ABC, The Love You Save, and I'll Be There) reach the top of the American charts. Several future singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as The Corporation™; later Jackson 5 hits were crafted chiefly by Hal Davis.
While not the first act considered a "boy band", The Jackson 5 is one of the earliest examples of the type as it is defined today: five adolescents specifically packaged and marketed by a record label for crossover pop success. Upon their departure from Motown for CBS in 1975, the Jacksons, were forced to change their name and trade Jermaine (who remained at Motown) for Randy. The group took control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)" and "State of Shock", and a highly successful 1984 Victory tour. The Jacksons officially disbanded in 1990.
History
Early works
The Jacksons were a working-class family from Gary, Indiana. Katherine, being a Jehovah's Witness, raised the children as such, while their father, Joe, was not of that faith. Their father, a steel mill employee who often performed in an R&B band called "The Falcons" with his brother Luther, was a strict disciplinarian. Many of the Jackson children recall being severely beaten by Joe for misbehaving.
The children found an outlet in music, with elder brothers Jackie (born Sigmund Esco Jackson, 1951), Tito (born Toriano Jackson, 1953), and Jermaine (b. 1954) borrowing their father's guitar without his permission and playing along to the radio. Younger brothers Marlon (b. 1957) and Michael (b. 1958) were allowed to watch as long as they did not tell. Joseph eventually discovered that the older three boys were playing his guitar when one of the strings broke[2]. Although he was furious at first, Joseph realized the boys had talent and began making plans to create a musical act for them.
In 1965, Jackie, Tito, and Jermaine began performing around the Gary area with two neighborhood children, Milford Hite (on drums) and Reynaud Jones (on keyboards), in a group called The Jackson Brothers. Joe Jackson served as the manager, at first only part-time, and then eventually quitting his job at the steel mill. Jermaine sang lead and played bass, and Tito played guitar.
In 1966, younger brothers Marlon and Michael, joined the group as its tambourine and bongo players. Already showing talent as a singer and dancer[3], Michael replaced Jermaine as lead vocalist by mid-1967. Shirley Cartman, Tito's junior high orchestra teacher, noticed the group's talents and served as an early mentor to the group, by then calling itself The Jackson Five.
During this period, the boys toured Indiana extensively, and after winning a major local talent show in 1966 with a rendition of The Temptations' "My Girl", led by Michael, they began playing professional gigs in Chicago, Illinois and across the mid-eastern U.S. Many of these gigs were in a string of black clubs and venues collectively known as the "chitlin' circuit", and the young kids sometimes had to open for strip teasers and other adult acts in order to earn money.
Shirley Cartman got the Jackson Five a record deal with Gordon Keith's local Steeltown label, and the group began making their first recordings in 1967. Their first single, "Big Boy", became a regional hit. During this period, Johnny Jackson (no relation) on drums and Ronnie Rancifer on keys replaced Milford Hite and Reynaud Jones.
The Jackson Five had a number of admirers in their early days, including Sam & Dave, who helped the group secure a spot in the famous Amateur Night competition at the Apollo Theater in Harlem. The group won the August 13, 1967 competition during the Amateur Night showdown at the Apollo, impressing Motown Records artist Gladys Knight of The Pips. Knight recommended the group to Motown chief Berry Gordy, but Gordy, who already had teenager Stevie Wonder on his roster, was hesitant to take on another child act because of the child labor laws and other problems involved.
The Jackson Five's sound was influenced by many of the biggest stars of the 1960s, especially including family funk bands Sly & the Family Stone and The Isley Brothers, soul pioneer Marvin Gaye, doo-wop boy band Frankie Lymon & the Teenagers, and soul shouters like Wilson Pickett, Jackie Wilson, Stevie Wonder and James Brown [4]. At the time of their early success, soul and funk stars, especially coming from Motown Records, were among the most popular musicians; Motown had launched the careers of dozens of the decade's biggest stars, most notably Smokey Robinson & the Miracles, Stevie Wonder, Marvin Gaye, The Temptations, and Diana Ross & the Supremes.
Influences
From these sources, The Jackson Five developed many of their vocal arrangement styles and dance movements. The group's multi-lead vocal style was inspired by that of The Family Stone, while young Michael adapted Jackie Wilson and James Brown's impassioned singing and dancing styles into his own.
Joining Motown
By 1968, the Jackson 5 were a headlining act for the All Star Floor Show at Chicago's The Guys' and Gals' Cocktail Lounge and Restaurant. From July 12 - 27, 1968, the Jackson 5 opened for Motown group Bobby Taylor & the Vancouvers at Chicago's Regal Theater. Taylor was also very impressed with the boys, and he decided to make the commitment to bring them to Detroit and Motown. Joseph and the Jackson Five stayed on the floor of Bobby Taylor's Detroit apartment the night of July 22, while Taylor and Motown executive Suzanne de Passe arranged for the Jackson Five to audition for the label.
On July 23, the Jackson Five had their Motown audition, for which they performed James Brown’s then current hit "I Got the Feelin’". Berry Gordy was not in attendance, but the audition was videotaped and sent to him in Los Angeles. Gordy's initial reluctance to sign the group disappeared when he finally saw the boys perform. Gordy decided to sign the Jackson Five to Motown, and hosted a party at his Detroit mansion on November 25, 1968 to introduce them to the Motown staff and stars.
Motown began negotiations to buy out the Jackson Five's Steeltown contract, completing the deal in March 1969. By the summer, Bobby Taylor began producing the group's first recordings at Motown's Hitsville U.S.A. recording studio in Detroit. The early Taylor-produced Jackson Five records were all covers of both contemporary hits and Motown-standards, including Sly & the Family Stone's "Stand!" and their famous rendition of The Miracles' "Who's Lovin' You", written by Smokey Robinson.
In mid-August 1969, Gordy moved the Jackson Five and Joseph to California, and he and Suzanne de Passe began the process of grooming them as the label's next big act, while the rest of the family remained in Gary. While looking for a house in California, Joseph, Jermaine, Tito, and Jackie lived with Berry Gordy, while Michael and Marlon lived with Motown star Diana Ross.
It's Your Thing
The Jackson 5 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
It's your thing
(It's your thing)
I can't tell you
Who to sock it to
And if you want me to love you, maybe I will
I need you woman, it ain't no big deal
Oh you need lovin' just as bad as I do now
Make's me no difference now, who you give your thing to
So it's your thing
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
It's your thing, girl
(It's your thing)
Do what you wanna do
Don't let me tell ya
Who to sock it to, oh yeah
So, it's your thing
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
Hit me man
So, it's your thing girl
(It's your thing)
Do what you wanna do
No doubt about it
Who I'm gonna sock it to
[Incomprehensible], oh yeah
So, it's your thing
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
Hit me man
So, it's your thing girl
(It's your thing)
Do what you wanna do
No doubt about it
Who I'm gonna sock it to, no, no
[Incomprehensible], oh yeah
Oh yeah
So, it's your thing
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
Hit me man
So, it's your thing, yeah
(It's your thing)
Do what you wanna do
I can't tell you
Who to sock it to
[Incomprehensible]
"It's Your Thing" is a song by The Isley Brothers that was covered by The Jackson 5. The song is about freedom and individuality, encouraging people to do what makes them happy without concern for others' opinions. The chorus repeats, "It's your thing, do what you wanna do, I can't tell you who to sock it to."
The song can be interpreted as being about relationships, with the lyrics suggesting that people are free to love whoever they want. The singer says, "if you want me to love you, maybe I will," but ultimately, he doesn't care who his partner loves as long as they are happy. The song is also a celebration of funk music, with a groovy bassline and guitar riff that complement the upbeat, joyful lyrics.
Line by Line Meaning
It's your thing
You have the right to do whatever you want.
(It's your thing)
This is your choice, your thing.
Do what you wanna do
You have the freedom to make your decisions without anyone's permission.
I can't tell you
I do not have any authority over what you want to do.
Who to sock it to
I cannot dictate who you give your affection to.
And if you want me to love you, maybe I will
If you want my love, there is the possibility that I may give it to you.
I need you woman, it ain't no big deal
I need you in my life, it is not that complicated.
Oh you need lovin' just as bad as I do now
You also require love and affection like I do.
Make's me no difference now, who you give your thing to
It does not matter to me who you choose to be with.
So, it's your thing, girl
Once again, it is entirely up to you, my lady.
Don't let me tell ya
Please do not allow me to interfere with your decision-making process.
Hit me man
Let me hear you clearly.
No doubt about it
There is no confusion or ambiguity here.
Who I'm gonna sock it to
I am not concerned with who you are going to love.
[Incomprehensible], oh yeah
Something said or sung that is unclear, but not important to the meaning of the song.
Lyrics © Sony/ATV Music Publishing LLC
Written by: O'Kelly Isley, Ronald Isley, Rudolph Isley
Lyrics Licensed & Provided by LyricFind
Dhmplayer
THERE WILL NEVER BE ANOTHER MICHEAL JACKSON. THE GREATEST ENTERTAINER, EVER!
Carl Davis
Michael Jackson had so much talent its unreal. The soul in his voice gives me goosebumps
For All Time
So much TALENT in one little guy! His brothers were awesome too!
Buster 928
This is BADASS !! Haaaa...so cool.
Imani M
First time hearing this version and I love it! The Jackson 5 did their thing covering this 🎶
michael straughn
This video right here captures the incomparable choreography between MARLON, JACKIE & MICHAEL!!!...It is amazing to watch.
And this is why the JACKSON 5 is "ONE ENTITY" of five working parts each dependent on one anther. If one part was missing they might still be good, but would not have been who love, admire and adore to this day.
Great visual video!
soulman2000
I think I like MJ dancing as a child more than as an adult. He had more soul and grit. The solo years, though great, look way too polished and rehearsed. Soul is from the gut. It’s not hours and hours in a dance studio. James Brown had that too.
Jeff Sutton
Very well said and spot on! Two thumbs up!!👍👍
joshdaboss
I agree
horus heru
He moved like that even as a child! Wow!!! 😲